This volume investigates the plots of the Genesis stories. Rather than fragmenting Genesis into hypothetical sources and reading each in isolation from the others, as has often been the case in scholarship, this final-form reading exposes the coherence and complexity of the book. In particular, the initial announcements of plot, prefacing each major block of the book are shown to exercise an intimate yet surprising influence over the narratives they govern. The seemingly naive stories of Genesis, when read wholistically, offer profound insights into the interplay between divine providence and human free will.
Working from the conviction that Genesis can be read as a coherent whole, this commentary foregrounds the sophistication of Hebrew narrative art, in particular its depiction of plot and character, and the interpretative possibilities raised by its intertextuality. Apparently simple and independent episodes emerge as complex and interconnected, constantly challenging readers to readjust their assessments of characters and expectations of plot development. Approaching the text predominantly from a 'first-time' reader's perspective, the narrative's surprises, ironies and innovations are underscored.
Working from the conviction that Genesis can be read as a coherent whole, this commentary foregrounds the sophistication of Hebrew narrative art, in particular its depiction of plot and character, and the interpretative possibilities raised by its intertextuality. Apparently simple and independent episodes emerge as complex and interconnected, constantly challenging readers to readjust their assessments of characters and expectations of plot development. Approaching the text predominantly from a 'first-time' reader's perspective, the narrative's surprises, ironies and innovations are underscored.
This volume investigates the plots of the Genesis stories. Rather than fragmenting Genesis into hypothetical sources and reading each in isolation from the others, as has often been the case in scholarship, this final-form reading exposes the coherence and complexity of the book. In particular, the initial "announcements of plot", prefacing each major block of the book are shown to exercise an intimate yet surprising influence over the narratives they govern. The seemingly naive stories of Genesis, when read wholistically, offer profound insights into the interplay between divine providence and human free will.
For the past two centuries, the Bank of Montreal has been at the centre of Canada’s economic and financial development. Marking the bicentennial of Canada’s first bank, A Vision Greater than Themselves tells the story of the financial institution from its origins to the present through its iconography. Exploring the Bank of Montreal’s past through images of objects, its leaders, key documents, and forgotten advertisements, Laurence Mussio illustrates how the Bank of Montreal emerged over time. He shares perspectives on leadership, culture, community, triumphs, and challenges to offer a glimpse into the bank’s personality, innovations, technologies, nation-building projects, and architectural legacy. The mosaic that emerges provides a unique understanding of the Bank of Montreal’s experience over the years. Individually, each visual reveals a self-contained story that is both entertaining and extraordinary. Collectively, these objects impart a much larger story. Throughout this volume’s pages, a picture emerges of a bank that has shaped and been shaped by Canada and the North Atlantic world. Examining an astonishing range of material, A Vision Greater than Themselves celebrates the evolution of one bank and how it made its mark.
Since the publication of The Life and Opinions of Tristram Shandy, Gentleman in 1978, the Florida Edition of the Works of Laurence Sterne has established itself as the standard scholarly text for all matters Sternean. This ninth and final volume maintains the exceptionally high editorial standards of the previous volumes, including comprehensive coverage of existing criticism."--J. A. Downie, editor of The Oxford Handbook of the Eighteenth-Century Novel "Provides, for the first time, a definitive edition of Sterne's provocative satire A Political Romance (1759) and a secure canon of his notoriously problematic fugitive writings, established through rigorous analysis of the external and internal evidence for attribution. The texts are meticulously edited, introduced with incisiveness and wit, and annotated with the formidable learning that has distinguished the Florida Edition since its inception. Brings to completion one of the great landmarks in the modern scholarly editing of eighteenth-century literature."--Thomas Keymer, author of Sterne, the Moderns, and the Novel "A model of editorial practice: judicious annotation, careful contextualization, and thorough engagement with critical commentary. Even more important is the manner in which this volume attests to the ever-changing nature of scholarly inquiry. Nowhere is this more excitingly evident than in the annotated subscription list, a valuable resource for anyone interested in eighteenth-century literary culture."--Elizabeth Kraft, author of Laurence Sterne Revisited
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