Laurence Housman (1865-1959) was an English playwright. He was born in Worcestershire. After education at local schools, he went to study art at the Lambert School of Art and the Royal College of Art in London. He first worked as a book illustrator with London publishers, illustrating such works as Christina Rossetti's Goblin Market (1893) and Jane Barlow's The End of Elfintown (1894) in an intricate Art Nouveau style. But he also wrote and published several volumes of poetry in the 1890s, and when his eyesight began to fail, he turned more and more to writing. Housman's first success came with the novel An Englishwoman's Love-letters (1900), published anonymously. He then turned to drama with Bethlehem (1902) and was to become best known and remembered as a playwright. His other dramatic works include Angels and Ministers (1921), Little Plays of St. Francis (1922) and Victoria Regina (1934) which was even staged on Broadway. Amongst his other works are The Field of Clover (1898), The Blue Moon (1904) and King John of Jingalo (1912).
Laurence Housman (1865-1959) was an English playwright. He was born in Worcestershire. After education at local schools, he went to study art at the Lambert School of Art and the Royal College of Art in London. He first worked as a book illustrator with London publishers, illustrating such works as Christina Rossetti's Goblin Market (1893) and Jane Barlow's The End of Elfintown (1894) in an intricate Art Nouveau style. But he also wrote and published several volumes of poetry in the 1890s, and when his eyesight began to fail, he turned more and more to writing. Housman's first success came with the novel An Englishwoman's Love-letters (1900), published anonymously. He then turned to drama with Bethlehem (1902) and was to become best known and remembered as a playwright. His other dramatic works include Angels and Ministers (1921), Little Plays of St. Francis (1922) and Victoria Regina (1934) which was even staged on Broadway. Amongst his other works are The Field of Clover (1898), The Blue Moon (1904) and King John of Jingalo (1912).
This volume contains English translations of various stories from "One Thousand and One Nights", a collection of South Asian and Middle Eastern folk tales compiled during the Islamic Golden Age. It contains some of the best known and loved tales, including "Sinbad the Sailor", "Aladdin and His Magic Lamp", and "Ali Baba and his Forty Thieves"; all wonderfully illustrated by Edmund Dulac. This fantastic edition is highly recommended for lovers and collectors of classic fairy tales, and it would make for a fine addition to any collection. Edmund Dulac (1882 - 1953) was a French-born British illustrator and stamp designer. He was born in Toulouse and studied law there, but later, realising that his true passion was illustration, studied art the cole des Beaux-Arts. Having moved to London in the early 20th century, Dulac received his first commission to illustrate the novels of the Bront Sisters in 1905. During the First World War, he illustrated relief books; and after the war, when children's books were in low demand, he began illustrating magazines. Other notable works containing Dulac's illustrations include: "The Sleeping Beauty and Other Fairy Tales" (1910), "Stories from Hans Christian Andersen" (1911), and "The Bells and Other Poems by Edgar Allan Poe" (1912). Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration. We publish rare and vintage classic illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.
Laurence Housman (1865-1959) was an English playwright. He was born in Worcestershire. After education at local schools, he went to study art at the Lambert School of Art and the Royal College of Art in London. He first worked as a book illustrator with London publishers, illustrating such works as Christina Rossetti's Goblin Market (1893) and Jane Barlow's The End of Elfintown (1894) in an intricate Art Nouveau style. But he also wrote and published several volumes of poetry in the 1890s, and when his eyesight began to fail, he turned more and more to writing. Housman's first success came with the novel An Englishwoman's Love-letters (1900), published anonymously. He then turned to drama with Bethlehem (1902) and was to become best known and remembered as a playwright. His other dramatic works include Angels and Ministers (1921), Little Plays of St. Francis (1922) and Victoria Regina (1934) which was even staged on Broadway. Amongst his other works are The Field of Clover (1898), The Blue Moon (1904) and King John of Jingalo (1912).
More than eight million young men perished during the First World War—a staggering figure. The natural reaction to such a great loss of humanity was to forget the individuals and recast the conflict into one of faceless armies and battles commemorated in stone and metal monuments. War Letters of Fallen Englishmen was published following the war in order to remind the living of those who were lost in the name of the British crown—brothers, husbands, fathers, sons. This collection provides, in the very words of those who participated and died in combat, the closest approximation possible to the experience of war. Carefully selected from thousands of letters, those in this collection are poignant, powerful, and graphic and were chosen for their depth of perception, the intensity of their descriptions, and their messages to future generations. This edition contains a new foreword by the distinguished World War I historian Jay Winter.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A feckless boy is lured by a wicked magician into a trap but the scheme backfires — the boy, Aladdin, is left with a magical lamp and a genie who showers him with riches. Aladdin's wealth makes him an attractive suitor for the sultan's daughter, but when the evil sorcerer returns to kidnap the bride, the young hero must rescue his princess or die trying. This classic retelling of the ever-popular Middle Eastern folktale has entranced readers for over a century. Originally published in 1914 as part of Sindbad the Sailor and Other Stories from The Arabian Nights, this beautiful version by Laurence Housman features eight full-color images by Edmund Dulac, one of the era's most famous illustrators.
Stretching from the arrival of Christopher Columbus in 1492 to the state of affairs in America in the year 2000, these timetables present a panoramic perspective on the nation's significant events of the second millennium. Line drawings throughout.
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