The proverb goes that "blood is thicker than water." But do common bloodlines in fact demand special duties or prescribe affections? Does this maxim presume that we can or should only love others biologically similar to ourselves? Are we nobler if we do, or somehow defective if we don't? "Thicker than Water" examines the roots of this belief by studying the omnipresent discourse of bloodlines and kindred relations in the literature of early modern Europe, specifically its role in the creation and maintenance of oppressive social structures. Lauren Weindling examines how drama from England, France, and Italy tests these assumptions about blood and love, exposing their underlying political function. Among the key texts that Weindling studies are Shakespeare's Romeo and Juliet, Othello, and The Merchant of Venice, Pierre Corneille's Le Cid, Giambattista della Porta's La Sorella and its English analog, Thomas Middleton's No Wit/Help Like a Woman's, John Ford's 'Tis Pity She's a Whore, and Machiavelli's La Mandragola. Each of these plays in some way offers an extreme limit case for these beliefs in plots of love, courtship, and marriage (e.g., blood feuds or incest). They also illustrate that blood functions not as a biological basis for affinities, but discursively. Moreover, they feature the voices of marginalized groups, unprivileged by this ideology, which present significant counterpoints to this bloody worldview. Those outsiders reveal that finding alternative vocabularies to the bloody discourse of elite groups is both extremely difficult and often ineffectual, further evidenced by their persistence today. Much critical work on blood has examined this discourse as it manifests onstage: as evidence of guilt, the product of violence, or in bleeding figures. This book, instead, examines the work that blood does unseen in its connection to discourses of love and kinship-arbitrating social and emotional connections between persons, and thus underwriting our deepest forms of social organization"--
A HISTORY OF MODERN GERMANY A History of Modern Germany provides a comprehensive account of the social, political, and economic history of Germany from 1800 to the present. Written in an engaging and accessible narrative style, this popular textbook offers an expansive view of the nation’s complex and fragmented past, tracing the development of the German national consciousness through Napoleonic rule, the unification of Germany, the German Empire, the Weimar Republic, the Third Reich, post-war division, the collapse of Communism, reunification, and the first two decades of the 21st century. Throughout the text, the authors discuss the tensions prompted by structural changes within Germany, long-term shifts in demographics, social and economic reforms, and more. Now in its third edition, A History of Modern Germany offers richer coverage of German cultural history, the German Democratic Republic, modernization, class, religion, and gender. Updated chapters explore continuity in imperial projects from Bismarck to Hitler, memory and commemoration since 1945, the distinct but intertwined histories of the two Germanys between 1949 and 1989, and the experience of diversity after the Second World into the post-unification era. A History of Modern Germany: 1800 to the Present, Third Edition is an excellent textbook for undergraduate students taking courses in modern German history or modern European history as well as general readers with an interest in the subject.
This widely acclaimed and highly regarded book, used extensively by students, scholars, policymakers, and activists, now appears in a new third edition. Focusing on the theme of visions seen by those who dreamed of what might be, Lauren explores the dramatic transformation of a world patterned by centuries of human rights abuses into a global community that now boldly proclaims that the way governments treat their own people is a matter of international concern—and sets the goal of human rights "for all peoples and all nations." He reveals the truly universal nature of this movement, places contemporary events within their broader historical contexts, and explains the relationship between individual cases and larger issues of human rights with insight. This new edition incorporates material from recently declassified documents and the most recent scholarship relating to the creation of the new Human Rights Council and its Universal Periodic Review, the International Criminal Court, the Responsibility to Protect (R2P), terrorism and torture, the impact of globalization and modern technology, and activists in NGOs devoted to human rights. It provides perceptive assessments of the process of change, the power of visions and visionaries, politics and political will, and the evolving meanings of sovereignty, security, and human rights themselves.
The proverb goes that "blood is thicker than water." But do common bloodlines in fact demand special duties or prescribe affections? Does this maxim presume that we can or should only love others biologically similar to ourselves? Are we nobler if we do, or somehow defective if we don't? "Thicker than Water" examines the roots of this belief by studying the omnipresent discourse of bloodlines and kindred relations in the literature of early modern Europe, specifically its role in the creation and maintenance of oppressive social structures. Lauren Weindling examines how drama from England, France, and Italy tests these assumptions about blood and love, exposing their underlying political function. Among the key texts that Weindling studies are Shakespeare's Romeo and Juliet, Othello, and The Merchant of Venice, Pierre Corneille's Le Cid, Giambattista della Porta's La Sorella and its English analog, Thomas Middleton's No Wit/Help Like a Woman's, John Ford's 'Tis Pity She's a Whore, and Machiavelli's La Mandragola. Each of these plays in some way offers an extreme limit case for these beliefs in plots of love, courtship, and marriage (e.g., blood feuds or incest). They also illustrate that blood functions not as a biological basis for affinities, but discursively. Moreover, they feature the voices of marginalized groups, unprivileged by this ideology, which present significant counterpoints to this bloody worldview. Those outsiders reveal that finding alternative vocabularies to the bloody discourse of elite groups is both extremely difficult and often ineffectual, further evidenced by their persistence today. Much critical work on blood has examined this discourse as it manifests onstage: as evidence of guilt, the product of violence, or in bleeding figures. This book, instead, examines the work that blood does unseen in its connection to discourses of love and kinship-arbitrating social and emotional connections between persons, and thus underwriting our deepest forms of social organization"--
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