Bring home heart-warming love with this kid-tten friendly collection of literature and art dedicated specifically to cats! ""Cat Tails"" is a non-profit anthology. All funds raised are donated to animal shelters across New York State to help them buy food, toys, and blankets for the many cats and dogs seeking forever homes.
Bring home heart-warming love with this kid-tten friendly collection of literature and art dedicated specifically to cats! ""Cat Tails"" is a non-profit anthology. All funds raised are donated to animal shelters across New York State to help them buy food, toys, and blankets for the many cats and dogs seeking forever homes.
When Jews arrived in the mid-1700s, Baltimore was little more than a backwater port with an uncertain future. As the city grew so did its Jewish community, forming its first congregation in 1830 and hiring the first ordained rabbi in America in 1840. Today Baltimore is home to one of the nation's largest and most diverse Jewish communities, with approximately 100,000 Jews living in the metropolitan area. Through photographs and documents drawn primarily from the collection of the Jewish Museum of Maryland, The Jewish Community of Baltimore chronicles this fascinating history. More than 200 historic images portray the progress of Baltimore's Jews from a handful of immigrants starting new lives in a growing port city, to an established network of clergy, businesspeople, educators, philanthropists, and civic leaders. From the family-owned delis on Lombard Street and the grand department stores on Howard Street, to the majestic synagogues on Eutaw Place and the current epicenter of Jewish life on Park Heights Avenue, Jews have left an indelible mark on Baltimore.
Regurgitator's second full-length album, Unit (1997), was produced in a DIY warehouse studio at a time when this was unusual for a major label band. The album went three times Platinum in Australia and won five esteemed ARIA Awards in 1998, including Album of the Year. The album's success is indicative of a particular point in time in popular music trends, when the world was recovering from the impact of grunge and post-grunge bands. Regurgitator's subversive attitude toward pop music, punk aesthetic, unique lyrical narratives and an ironic view on their own creative product made their music potent in an alternative market defying the prevailing music trends. Unit and Regurgitator were the focus of divisive critical reviews, yet they continue to rank highly as a quintessentially Australian band. This volume situates the development of Unit amongst the DIY culture of a politically charged Brisbane scene, and breaks down the album through the lens of recording and songwriting processes. This book outlines the impact of Regurgitator's music locally and globally, by discussing what made Unit a success at the peak of the alternative music genre.
Drawing on the author's own experience as "the other woman" in an affair with am otherwise-committed man, this contemporary feminist study is the first to label the role of the two-timing male as "sexual terrorist." Cheating on the Sisterhood: Infidelity and Feminism is a feminist analysis of the imbroglio of sexual politics, brute sociobiology, and pop-mediated passion that is conjured up when a married man cheats on his wife with a younger, single woman. Drawing frankly on her own experience as the "other woman," Lauren Rosewarne scrutinizes the alternate readings of the politics of cheating in terms of feminism's program of gender equality. Arguing that contemporary feminism does not automatically endorse or reject any particular choices, she shows what happens when all three parties to the classic triangle happen to be feminists, each trotting out a different set of feminist arguments to justify, vilify, and rationalize his or her actions. Is the "other woman," this book asks, just a tool of the cheating man's assertion of gender dominance over both his mate and his mistress—and a willy-nilly a traitor to the sisterhood?
Challenging the central place that “practices” have recently held in Christian theology, Lauren Winner explores the damages these practices have inflicted over the centuries Sometimes, beloved and treasured Christian practices go horrifyingly wrong, extending violence rather than promoting its healing. In this bracing book, Lauren Winner provocatively challenges the assumption that the church possesses a set of immaculate practices that will definitionally train Christians in virtue and that can’t be answerable to their histories. Is there, for instance, an account of prayer that has anything useful to say about a slave-owning woman’s praying for her slaves’ obedience? Is there a robustly theological account of the Eucharist that connects the Eucharist’s goods to the sacrament’s central role in medieval Christian murder of Jews? Arguing that practices are deformed in ways that are characteristic of and intrinsic to the practices themselves, Winner proposes that the register in which Christians might best think about the Eucharist, prayer, and baptism is that of “damaged gift.” Christians go on with these practices because, though blighted by sin, they remain gifts from God.
Stitch London: a city of people pigeons, puddles and purly kings and queens. Want to whip up your own Royal couple to add a bit of majesty to your manterpiece? Need to knit some little London landmarks to show off your travels? Whether you love London, or haven’t made it there yet, Stitch London will show you a whole new side of the city and its people and places. And if you can’t knit? Fear not! Author Lauren O’Farrell (fearless leader of the knitting community Stitch London) will show you how to get clicking with your sticks and string in no time at all. From cute London characters and critters, to practical accessories for every walk of life, these projects are simple enough for beginners, yet bonkers enough to inspire more seasoned knitters who love to knit, but don't like rules. It even comes with a everything you need (from needles to thread) to knit your own Cooey the proud London pigeon! So hop on, mind the gap and Stitch London like you mean it. Go on!
The “First Lady of Show Business” and the “Last of the Red Hot Mamas,” Sophie Tucker was a star in vaudeville, radio, film, and television. A gutsy, song-belting stage performer, she entertained audiences for sixty years and inspired a host of younger women, including Judy Garland, Carol Channing, and Bette Midler. Tucker was a woman who defied traditional expectations and achieved success on her own terms, becoming the first female president of the American Federation of Actors and winning many other honors usually bestowed on men. Dedicated to social justice, she advocated for African Americans in the entertainment industry and cultivated friendships with leading black activists and performers. Tucker was also one of the most generous philanthropists in show business, raising over four million dollars for the religious and racial causes she held dear. Drawing from the hundreds of scrapbooks Tucker compiled, Red Hot Mama presents a compelling biography of this larger-than-life performer. Lauren Rebecca Sklaroff tells an engrossing story of how a daughter of Russian Jewish immigrants set her sights on becoming one of the most formidable women in show business and achieved her version of the American dream. More than most of her contemporaries, Tucker understood how to keep her act fresh, to change branding when audiences grew tired and, most importantly, how to connect with her fans, the press, and entertainment moguls. Both deservedly famous and unjustly forgotten today, Tucker stands out as an exemplar of the immigrant experience and a trailblazer for women in the entertainment industry.
Two lost souls. One thing in common. Nothing left to lose. Only Brady McCassey could get himself into so much trouble by just looking at a pretty girl. For the bad boy who knows better than to let his guard down, mistakes like that can be deadly. The first time Starr sees Brady, she knows he's the reason she was so drawn to Hagerstown, Maryland. Her horrifying past behind her, Starr has dedicated her life to living in peace, and is surprised by how easily she accepts the violence surrounding Brady and his tight-knit family. When Brady's blindsided by ghosts from his past, it's Starr who comes to his rescue—twice—forcing him to put down his flask and take a good look in the mirror. Finally ready to face his demons, Brady sobers up and takes on the roll of leader, as the McCasseys band together and stand behind him.
Teacher education in America has changed dramatically in the past thirty years—with major implications for how our kids are taught. As recently as 1990, if a person wanted to become a public school teacher in the United States, he or she needed to attend an accredited university education program. Less than three decades later, the variety of routes into teaching is staggering. In Teaching Teachers, education historians James W. Fraser and Lauren Lefty look at these alternative programs through the lens of the past. Fraser and Lefty explain how, beginning in 1986, an extraordinary range of new teaching programs emerged, most of which moved teacher education out of universities. In some school districts and charter schools, superintendents started their own teacher preparation programs—sometimes in conjunction with universities, sometimes not. Other teacher educators designed blended programs, creating collaboration between university teacher education programs and other parts of the university, linking with school districts and independent providers, and creating a range of novel options. Fraser and Lefty argue that three factors help explain this dramatic shift in how teachers are trained: an ethos that market forces were the solution to social problems; long-term dissatisfaction with the inadequacies of university-based teacher education; and the frustration of school superintendents with teachers themselves, who can seem both underprepared and too quick to challenge established policy. Surveying which programs are effective and which are not, this book also examines the impact of for-profit teacher training in the classroom. Casting light on the historical and social forces that led to the sea change in the ways American teachers are prepared, Teaching Teachers is a substantial and unbiased history of a controversial topic.
Covering the full spectrum of treatment guidance for dance artists, circus artists, musicians, and more, this practical title by Dr. Lauren E. Elson expertly explores the intersection of sports medicine and performing arts medicine. Ideal for practicing and trainee physiatrists, physical and occupational therapists, and sports medicine physicians, it addresses a wide range of relevant topics including auditory symptoms in musicians; management of the dancer’s foot and ankle, hip, and spine; return-to-dance or return-to-performance guidelines; and much more.
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