Brilliant. . . . The perfect summer read." --Nylon "[A] compulsively readable page-turner." --Cosmopolitan An assured and savagely funny novel about three old friends as they navigate careers, husbands, an ex-fiancé, new suitors, and, most important, their relationships with one another After a devastating break-up with her fiancé, Geraldine is struggling to get her life back on track in Toronto. Her two old friends, Sunny and Rachel, left ages ago for New York, where they've landed good jobs, handsome husbands, and unfairly glamorous lives (or at least so it appears to Geraldine). Sick of watching from the sidelines, Geraldine decides to force the universe to give her the big break she knows she deserves, and moves to New York City. As she zigzags her way through the downtown art scene and rooftop party circuit, she discovers how hard it is to find her footing in a world of influencers and media darlings. Meanwhile, Sunny's life as an It Girl watercolorist is not nearly as charmed as it seemed to Geraldine from Toronto. And Rachel is trying to keep it together as a new mom, writer, and wife--how is it that she was more confident and successful at twenty-five than in her mid-thirties? Perhaps worst of all, why are Sunny and Rachel--who've always been suspicious of each other--suddenly hanging out without Geraldine? Hilarious and fiercely observed, How Could She is an essential novel of female friendship, an insider's look into the cutthroat world of New York media--from print to podcasting--and a witty exploration of the ways we can and cannot escape our pasts.
The perfect summer read: a novel both quick and funny." —Airmail “A total joyride of a novel. The Memo is a funny, fascinating exploration of love, friendship, ambition and what it truly means to live a good life. I loved it.”—J. Courtney Sullivan, New York Times bestselling author of Commencement, Maine, and Friends and Strangers If you could rewrite your life story, would you dare? That’s the question at the heart of this funny, sharp and propulsive debut novel about love, life, and a woman finding herself and what it means to be happy and successful. Do you ever feel like your life doesn’t measure up to everyone else’s—and wonder if you just didn’t get the memo helping you make the right choices? Jenny Green dreads her upcoming college reunion. Once top of her class, the thirty-five-year-old finds herself stuck in a life that isn’t the one she expected. Her promising career has flamed out (literally) and her deadbeat boyfriend is cheating on her (again). All her friends seem to have it all figured it out, enjoying glittering lives and careers that she can only envy from the sidelines. Did she just not get the memo they all did? As it turns out, she didn’t! When she arrives at her alma mater for the festivities, she receives a text from an unlisted number. “Jenny Green: please collect your memo.” Somewhere on campus, a discreet female-led organization provides comprehensive memos to select students, a set of instructions that are a blueprint for success. The first time around, Jenny didn’t receive hers. Now, she’s being given the second chance she wants—an opportunity to relive her life and make all the right decisions this time around. But at what price? Smart, addictive, bittersweet, and ultimately triumphant, The Memo will enchant readers of In Five Years and Cassandra in Reverse as well as fans of Emma Straub and Maria Semple.
Loved this!... I'll be buying a copy for my BFF for sure... Hilarious, propulsive and very satisfying' ⭐⭐⭐⭐⭐ Do you ever feel like you have no idea what you're doing in life - and wonder if you just didn't get the memo? Jenny Green is dreading her Class of 2007 reunion. While her friends are killing it, Jenny's promising career as an artisanal baker went up in flames (literally) and her deadbeat, commitment-phobe boyfriend is cheating on her with their swishy-ponytailed neighbour. She feels like she didn't get the memo... As it turns out, she didn't. Begrudgingly back at university, she receives a text from an unlisted number: Jenny Green - please collect your memo. Hidden on her old campus is a secret female-led organisation providing memos to select students; blueprints for success. The first time around, Jenny didn't receive hers. Now she's being given a second chance - the opportunity to rewrite her past, undo her worst mistakes and fix her mess of a life. But at what price? A hilarious, achingly relatable, bittersweet and addictive page-turner about lifelong friendships, new loves, second chances and what it really means to live your best life. The Memo will enchant fans of Dolly Alderton's Ghosts and Rebecca Serle's In Five Years. Rave reviews for The Memo: 'Charming... A modernised Sliding Doors' Vogue 'The very funny wish fulfilment we've all been waiting for' Stylist 'So sharp, so funny. You might feel better or worse about your own life, but you'll definitely be laughing' Kirkus Reviews (starred review) 'I loved' Taffy Brodesser-Akner, author of Fleishman Is in Trouble 'As deliciously entertaining as it is thought-provoking, I loved The Memo's quick-witted charm and huge heart. One of those rare books I'll be gifting to friends and family alike' Catherine Walsh, author of Snowed In 'Totally related to this novel about a thirty-something woman who feels like she didn't get the memo. Fun, uplifting, page-turning - you'll just want to gobble it up' Becky Hunter, author of Meet Me When My Heart Stops 'A funny, feminist fairy-tale' Sophie Ranald, author of Sorry Not Sorry 'The perfect read for anyone dealing with imposter syndrome, jealous Instagram scrolling, or just feeling a little bit lost in adulthood! Totally riveting, packed with warmth and humour, The Memo is equal parts unputdownable and unforgettable' Beth Reekles, author of The Kissing Booth 'A pacey and quirky dark fairytale. Like a much sassier Cinderella, mixed with Quantum Leap... I related hard!' Justin Myers, author of The Last Romeo 'Don't miss The Memo. A unique and riveting novel about a chance to redo your "what ifs". You will love this narrator and be pulling for her. What a ride!' Laura Dave, bestselling author of The Last Thing He Told Me
When fifteen-year-old Claire Voyante's grandmother gives her a cameo for her birthday, she starts having dreams that seem to be telling her something that has to do with her new, wealthy friend being in danger.
Mimi’s aiming to infiltrate her exclusive high school’s coolest clique, but it may not go as planned . . . “An irresistible read” (Booklist). After the collapse of her parents’ marriage, Mimi Schulman leaves her mother in Houston to look after her befuddled photographer father in New York. She’s too preoccupied with family problems to think much about her new life. But then Mimi’s first hour at the Baldwin School—an institution where teachers offer psychoanalysis instead of grades and students hold cocktail parties in the bathroom between classes—leaves her spinning. When her childhood best friend bets her she can’t befriend the “cool girls,” Mimi accepts the challenge—only to discover that social climbing in New York is no easy task. Fitting in with the popular girls back in Texas was nothing compared to joining Baldwin’s clique of raccoon-eyed waifs . . . Rubbing shoulders with the offspring of diplomats and celebrities, all with secrets and dysfunctions, Mimi finds herself moving from one bizarre situation to the next—a fake-ID deli, a topless bar, a Jacuzzi in Trump Tower—and in the position of winning a bet that threatens to make her lose sight of herself, in this novel with lots of heart and a wicked sense of humor.
Claire Voyante's first semester at Henry Hudson High School was eventful, to say the least. As she heads into her second semester, things are calming down a bit. But Claire has a few secrets that are getting harder to keep. Her biggest secret of all? The onyx and ivory cameo necklace her grandmother gave her for her 15th birthday. Ever since she started wearing it, her dreams have been coming to her in black and white and turning out to be oddly prophetic. Becca’s been hanging out with her old prep school friends and never seems to have time for Claire anymore. And soon, Claire discovers why—there’s a secret group of society girls with a mysterious identity. And, turns out, a mysterious enemy who’s out to get them. The second she sniffs out trouble, Claire jumps on the case. But is it someone close to Claire who’s in danger again—or could it be Claire herself whose life is at stake?
Brilliant. . . . The perfect summer read." --Nylon "[A] compulsively readable page-turner." --Cosmopolitan An assured and savagely funny novel about three old friends as they navigate careers, husbands, an ex-fiancé, new suitors, and, most important, their relationships with one another After a devastating break-up with her fiancé, Geraldine is struggling to get her life back on track in Toronto. Her two old friends, Sunny and Rachel, left ages ago for New York, where they've landed good jobs, handsome husbands, and unfairly glamorous lives (or at least so it appears to Geraldine). Sick of watching from the sidelines, Geraldine decides to force the universe to give her the big break she knows she deserves, and moves to New York City. As she zigzags her way through the downtown art scene and rooftop party circuit, she discovers how hard it is to find her footing in a world of influencers and media darlings. Meanwhile, Sunny's life as an It Girl watercolorist is not nearly as charmed as it seemed to Geraldine from Toronto. And Rachel is trying to keep it together as a new mom, writer, and wife--how is it that she was more confident and successful at twenty-five than in her mid-thirties? Perhaps worst of all, why are Sunny and Rachel--who've always been suspicious of each other--suddenly hanging out without Geraldine? Hilarious and fiercely observed, How Could She is an essential novel of female friendship, an insider's look into the cutthroat world of New York media--from print to podcasting--and a witty exploration of the ways we can and cannot escape our pasts.
When fifteen-year-old Claire Voyante's grandmother gives her a cameo for her birthday, she starts having dreams that seem to be telling her something that has to do with her new, wealthy friend being in danger.
After two glorious (though somewhat hectic) semesters with her dad in New York City, Mimi must make good on her promise to her parents: summer break with her mom. But it seems going back to her cozy old life in Houston isn’t in the cards. Instead, she’s dragged off to Berlin, where her mother’s been offered a fellowship. After a few weeks of a nightmare nanny job, it becomes clear that Mimi’s European vacation isn’t much of a vacation after all. On the verge of a nervous breakdown, she receives a call from Lily Morton, her friend from New York, who invites her to London, where an internship at a family friend’s magazine awaits. Soon Mimi is at it again—living it up with glamorous friends, pursuing a new crush, and chasing down celebrities at her very entertaining job. For a while, Mimi’s convinced she has it made. Never before has fitting in been so easy. If only it could stay that way. Mimi may have gotten a handle on the Empire State—but that’s nothing compared to the state of the empire!
When her best friend dares her to become part of the popular crowd and record her experiences in a diary, fifteen-year-old Mimi's world turns upside down when the diary gets into the wrong hands.
Through reference to over six hundred scenes from film and television—as well as a diverse and cross-disciplinary academic bibliography—Masturbation in Pop Culture investigates the role that masturbation serves within narratives while simultaneously mirroring our complicated relationship with the practice in real life and sparking discussions about a broad range of hot-button sexual subjects. From sitcoms to horror movies, teen comedies to erotic thrillers, autoeroticism is easily detected on screen. The portrayal, however, is not a simple one. Just as in real life a paradox exists where most of us masturbate and accept it as normal and natural, there simultaneously exists a silence about it; that we do it, but we don’t talk about it; that we enjoy it but we laugh about it. The screen reflects this conflicted relationship. It is there—hundreds and hundreds of times—but it is routinely whispered about, mocked and presented as a punchline, and is inevitably portrayed as controversial at the very least. Masturbation in Pop Culture investigates the embarrassment and squeamishness, sexiness and inappropriateness of masturbation, showcasing and analyzing how our complex off screen relationship is mirrored in film and television.
With more than 130 illustrations, The Photographed Cat: Picturing Close Human-Feline Ties, 1900–1940 is both an archive and an analytical exploration of the close relationships between Americans and their cats during a period that is significant for photography and for modern understandings of animals as pets. This volume examines the cultural implications of feline companions while also celebrating the intimacy and joys of pets and family photographs. In seven thematic sections, Arluke and Rolfe engage with the collection of antique images as representations of real relationships and of ideal relationships, noting the cultural trends and tropes that occur throughout this increasingly popular practice. Whether as surrogate children, mascots, or companions to women, cats are part of modern American life and visual culture. Entertaining, smart, and filled with a collector’s trove of wonderful images, The Photographed Cat pays homage to the surprising range of relationships we have with cats and offers thoughtful consideration of the ways in which we represent them.
More than two thousand amusement parks dotted the American landscape in the early twentieth century, thrilling the general public with the latest in entertainment and motion picture technology. Amusement parks were the playgrounds of the working class, combining numerous, mechanically-based spectacles into one unique, modern cultural phenomenon. Lauren Rabinovitz describes the urban modernity engendered by these parks and their media, encouraging ordinary individuals to sense, interpret, and embody a burgeoning national identity. As industrialization, urbanization, and immigration upended society before World War I, amusement parks tempered the shocks of racial, ethnic, and cultural conflict while shrinking the distinctions between gender and class. As she follows the rise of American parks from 1896 to 1918, Rabinovitz seizes on a simultaneous increase in cinema and spectacle audiences and connects both to the success of leisure activities in stabilizing society.--
After a tumultuous first semester, Mimi Schulman thinks she’s ready to give social climbing a rest and settle into the groove of New York’s wacky Baldwin School. She’s eager to start over with her friends, reconnect with her dad, and make headway with Max Roth—the hottest guy in tenth grade. But when an assignment for the school paper turns scandalous and spirals out of control, Mimi finds little time to enjoy her new and improved existence. Instead, she embarks on a roller coaster ride through the underbelly of the New York art world, from the VIP lounge of a shady nightclub to a private Caribbean island populated with washed-up TV stars and fifteen-second celebrities. As answers keep slipping through her fingers, Mimi begins to wonder if she’ll ever manage to pin down the story and get on with her life. And if so, will her life still be there? All Q, No A is a touching comedy that will appeal to anyone who knows what it’s like have more questions than answers. Fans of Mimi Schulman beware! This book will keep you screaming with laughter long after you’ve turned the last page.
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