A 21st century response to Walter Dean Myers's classic Lockdown, The Free takes a look inside juvie, where Isaac West is fighting for a second chance. In the beginning, Isaac West stole to give his younger sister, Janelle, little things: a new sweater, a scarf, just things that made her look less like a charity case whose mother spent money on booze and more like the prep school girls he’s seen on the way to school. But when his biggest job to date, a car theft, goes wrong, Isaac chooses to take the full rap himself, and he’s cut off from helping Janelle. He steels himself for 30 days at Haverland Juvenile Detention Facility. Friendless in a dangerous world of gangs and violent offenders, he must watch his every step. Isaac’s sentence includes group therapy, where he and fellow inmates reenact their crimes, attempting to understand what happened from the perspective of their victims. The sessions are intense. And as Isaac pieces together the truth about the circumstances that shaped his life—the circumstances that landed him in juvie in the first place—he must face who he was, who he is . . . and who he wants to be.
Set in the future when teenagers are monitored via camera and their recorded actions and confessions plugged into a computer program that determines their ability to succeed. All kids given a "score" that determines their future potential. This score can get kids into colleges, grant scholarships, or destroy all hope for the above. Scored's reluctant heroine is Imani, a girl whose high score is brought down when her best friend's score plummets. Where do you draw the line between doing what feels morally right and what can mean your future? Friendship, romance, loyalty, family, human connection and human value: all are questioned in this fresh and compelling dystopian novel set in the scarily forseeable future.
a Seventeen-year-old Jill is a fairly normal high school senior whose focus is on getting a certain boy to ask her to prom, but four days a month she transforms into surly Jack who decides it is time he had his own life and a chance with the girl he wants.
How do you grow up, if who you are keeps changing? Jill McTeague is not your average high school graduate, she’s a scientific anomaly. Every month for four days she turns into Jack, a guy—complete with all the parts. Now everyone in her hometown knows that something very weird is up with her. So what’s a girl (and a guy) to do? Get the heck out of town, that’s what! With her kooky best friend, Ramie, Jill sets out for New York City. There both she and Jack will have to figure out everything from the usual (relationships) to the not so usual (career options for a “cycler,” anyone?). As in Cycler, the first book featuring Jack and Jill, author Lauren McLaughlin deftly weaves the downright mundane with the outright bizarre in a story that, while defying classification, is peopled with characters that readers can fully relate to. “The sort of book that makes your eyes widen and that you don’t want to put down.”—Bookavore
A heartwarming tale about adoption, diversity, and acceptance that's perfect for all types of families! A lyrical adoption story that tenderly addresses a baby’s transition from the care of her birth mother to that of her adoptive parents. This lovely poem illuminates the role of an adopted child’s birth mother, respecting her choice to give her child to a loving family. We follow a mother’s journey as she carries her child, searches for deserving parents, and ultimately creates a new family. The story offers a version of the process that is full of warmth, care, and joy. An adoptive mother herself, author Lauren McLaughlin was glad for an opportunity to memorialize her family’s own fairy tale, and Meilo So’s ethereal illustrations breathe magic into an already wondrous experience.
Got time for a Quickie?Grab your ereader and snuggle up with your favorite authors as they come together to bring you a collection like no other.From steamy to sweet, contemporary to paranormal, and everything in between, you won't want to miss hooking up with these exclusive new romance stories.All proceeds will be donated to the International Network of Hearts, a non-profit organization that brings communities and governments together to help rescue women and children from human trafficking and sexual violence.Participating authorsA.C. WilliamsA.M. WilsonAJ AlexanderAlex GraysonAli DeanAmali RoseAnna Bishop BarkerAnna BrooksAurora Rose ReynoldsBrittany CrowleyCary HartCassandra RobbinsClaire C. RileyDanielle NormanDM EarlErica MarselasEsther E. SchmidtFlora BurgosFreya BarkerGianna GabrielaHeidi McLaughlinHL NighborJD HollyfieldJessica MarinK.L. ClareKally AshKL DonnLauren DawesLia FairchildMeagan BrandyMelissa ToppenMichelle DareMonica DeSimoneS.L. SterlingS.R. GreyShari J. RyanSienna SnowTempest SkyeYolanda Olson
Lauren Layne, the bestselling author of Blurred Lines, has been called “a fresh new voice in the New Adult genre” by Jen McLaughlin and “a force to be reckoned with” by Rachel Van Dyken. Discover why her signature blend of heart and humor is making a splash with this must-read ebook bundle, which collects three of her steamy, emotional novels: Isn’t She Lovely, Broken, and Crushed. ISN’T SHE LOVELY Stephanie Kendrick gave up her summer to ace her NYU screenwriting course, so she’s pissed to be stuck with preppy, spoiled Ethan Price as her partner—until a ready-made screenplay idea presents itself. Ethan is desperate to make his snobbish mother forget his ex. While Stephanie’s a stretch as a decoy, what with her piercings and goth wardrobe, the right makeover and a pastel cardigan just might do the trick. But when Stephanie joins the Hamptons crowd, the “acting” begins to feel all too real. And Stephanie faces a question she’s afraid to ask: Is Ethan falling for the real her or for the dolled-up princess he wants to see? BROKEN When Olivia Middleton abandons Park Avenue for a coastal town in Maine to help an injured war veteran reenter society, her client isn’t a grateful elderly man. He’s a brooding twenty-four-year-old who has no intention of being Olivia’s charity project . . . and whose smoldering gaze might be her undoing. A hotshot quarterback before the war, Paul Langdon prefers self-imposed exile, even if he must tolerate the newest caretaker for three months to keep his inheritance. But Olivia makes him long for things he can never have. And the further she slips past his defenses, the harder keeping his distance becomes. CRUSHED A lifelong New Yorker, Michael St. Claire just found out the identity of his real father, a total stranger with a family in Texas. It’s there that Michael meets the exquisitely refined Kristin Bellamy, who’s everything he’s always thought he wants. The only problem is that Kristin’s dating Michael’s new half brother—who just so happens to be the longtime crush of Kristin’s mouthy, curvy, sister, Chloe. When Michael offers to help Chloe break them up, she agrees to a deal that seems too good to be true. But after Chloe finally gets her man, she no longer wants the guy she had to fight for—she wants the one who stood by her side. Praise for Lauren Layne’s Redemption series “Fresh and authentic, Lauren Layne’s Isn’t She Lovely packs intelligence, wit, and an addictive romance into one fantastic read! I loved the bold characters, the slow-building yet steamy romance, and the raw and painful edge of self-discovery. I couldn’t put it down!”—New York Times bestselling author Cora Carmack “Isn’t She Lovely is full of complex characters you want to root for—and a hero that will make you swoon.”—New York Times bestselling author Monica Murphy “A solid tale and a quick read, with plenty of steamy romance and sex.”—Library Journal, on Broken “I read Crushed in one sitting because I was utterly unable to put it down. Lauren Layne’s characters are so witty and real. This story warmed my heart and left me feeling good all day. Go, Team Curvy Girls!”—New York Times bestselling author Courtney Cole
AS FAR AS anyone at her high school knows, Jill McTeague is an average smart girl trying to get her dream date to ask her to the prom. What no one knows, except for Jill’s mom and dad, is that for the four days Jill is out of school each month, she is not Jill at all. She is Jack, a genuine boy—complete with all the parts. Jack lives his four days per month in the solitude of Jill’s room. But his personality has been building since the cycling began. He is less and less content with his confinement and his cycles are becoming more frequent. Now Jill’s question about the prom isn’t who she'll go with, but who she'll be when the big night arrives.
In this compelling book, Lauren Levine explores the transformative power of stories and storytelling in psychoanalysis to heal psychic wounds and create shared symbolic meaning and coherence out of ungrieved loss and trauma. Through evocative clinical stories, Levine considers the impact of trauma and creativity on the challenge of creating one’s own story, resonant with personal authenticity and a shared sense of culture and history. Levine sees creativity as an essential aspect of aliveness, and as transformative, emergent in the clinical process. She utilizes film, dance, poetry, literature, and dreams as creative frames to explore diverse aspects of psychoanalytic process. As a psychoanalyst and writer, Levine is interested in the stories we tell, individually and collectively, as well as what gets disavowed and dissociated by experiences of relational, intergenerational, and sociopolitical trauma. She is concerned too with whose stories get told and whose get erased, silenced, and marginalized. This crucial question, what gets left out of the narrative, and the potential for an intimate psychoanalytic process to help patients reclaim what has been lost, is at the heart of this volume. Attentive to the work of helping patients reclaim their memory and creative agency, his book will prove invaluable for psychoanalysts and psychotherapists in practice and in training.
Brilliant. . . . The perfect summer read." --Nylon "[A] compulsively readable page-turner." --Cosmopolitan An assured and savagely funny novel about three old friends as they navigate careers, husbands, an ex-fiancé, new suitors, and, most important, their relationships with one another After a devastating break-up with her fiancé, Geraldine is struggling to get her life back on track in Toronto. Her two old friends, Sunny and Rachel, left ages ago for New York, where they've landed good jobs, handsome husbands, and unfairly glamorous lives (or at least so it appears to Geraldine). Sick of watching from the sidelines, Geraldine decides to force the universe to give her the big break she knows she deserves, and moves to New York City. As she zigzags her way through the downtown art scene and rooftop party circuit, she discovers how hard it is to find her footing in a world of influencers and media darlings. Meanwhile, Sunny's life as an It Girl watercolorist is not nearly as charmed as it seemed to Geraldine from Toronto. And Rachel is trying to keep it together as a new mom, writer, and wife--how is it that she was more confident and successful at twenty-five than in her mid-thirties? Perhaps worst of all, why are Sunny and Rachel--who've always been suspicious of each other--suddenly hanging out without Geraldine? Hilarious and fiercely observed, How Could She is an essential novel of female friendship, an insider's look into the cutthroat world of New York media--from print to podcasting--and a witty exploration of the ways we can and cannot escape our pasts.
Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Lauren Gillingham offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Mary Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.
Emotional disorders such as anxiety, depression, and dysfunctional patterns of eating are clearly among the most devastating and prevalent confronting practitioners, and they have received much attention from researchers--in personality, social, cognitive, and developmental psychology, as well as in clinical psychology and psychiatry. A major recent focus has been cognitive vulnerability, which seems to set the stage for recurrences of symptoms and episodes. In the last five years there has been a rapid proliferation of studies. In this book, leading experts present the first broad synthesis of what we have now learned about the nature, of cognitive factors that seem to play a crucial role in creating and maintaining vulnerability across the spectrum of emotional disorders. An introductory chapter considers theory and research design and methodology and constructs a general conceptual framework for understanding and studying the relationships between developmental and cognitive variables and later risk, and the difference between distal cognitive antecedents of disorders (e.g. depressive inferential styles, dysfunctional attitudes) and proximal ones (e.g. schema activation or inferences). Subsequent chapters are organized into three sections, on mood, anxiety, and eating disorders. Each section ends with an integrative overview chapter that offers both incisive commentary and insightful suggestions for further systematic research. A rich resource for all those professionally concerned with these problems, Cognitive Vulnerability to Emotional Disorders advances both clinical science and clinical practice.
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