“Leto is as funny as she is well-read; a delight for bibliophiles and wannabes alike.” —Wylie Overstreet, author of The History of the World According to Facebook Lauren Leto, humor blogger and co-author of Texts from Last Night, now offers a fascinating field guide to the hearts and minds of readers everywhere. Judging a Book by Its Lover is like a literary Sh*t My Dad Says—an unrelentingly witty and delightfully irreverent guide to the intricate world of passionate literary debate, at once skewering and celebrating great writers, from Dostoevsky to Ayn Rand to Jonathan Franzen, and all the people who read them. This provocative, smart, and addictively funny tome arose out of Leto’s popular “book porn” blog posts, and it will delight and outrage literature fans, readers of Stuff White People Like and I Judge You When You Use Poor Grammar—people obsessed with literary culture and people fed up with literary culture—in equal measure.
Male infertility is a multifaceted disease where genetic, epigenetic and environmental factors all contribute to the development of the phenotype. In recent years, there has been an increasing concern about a decline in reproductive health, paralleled by an increase in demand for infertility treatments. This calls for a detailed and thorough understanding of normal and aberrant testicular function and the environmental influences on the establishment and integrity of the male germ cell. This is crucial for understanding the complex pathophysiology of male infertility and eventual success of Assisted Reproductive Technologies.
Emerging from “the Great Darkness” through a prism of light come two forsaken goddesses of antiquity—Lilith, the Great Mother and Crone of the Cosmos, and Hekate, Goddess of the Dark Moon and the Mysteries of Life, Death, and Rebirth. They stand at the crossroads between worlds as the Bringers of Transformation at a time of chaos. Hekate, the narrator of this tale, descends through the “aethers” under the watchful guidance of Lilith to portals of otherworldly realms, and incarnates on Earth to “guide the Souls of mortals…through the dark times ahead.” Sleeman humorously rewrites classic tales of Greek and Celtic mythology to bring her delightful characters to life while resurrecting ancient goddess “knowing”—the Divine Femina. Conjuring magic spells and wielding their dark powers, Lilith and Hekate visit the Hellenic pantheon to witness Zeus in his demise, helping Hera and the goddesses beat the conquerors at their own game. Descending to the Celtic Realm, Hekate befriends the Druids, who mourn their plight as the “black robes” threaten mortals with damnation, making them forsake their pagan beliefs. Hekate journeys with her lover Carnonos to festivals honoring Nature and the Otherworld. Descending to Earth through the time portals, Hekate incarnates alongside mortals. In ancient En-dor and medieval England, she consoles women called “witches.” Hekate herself must go through the “Eye of Fire,” the alchemy of rebirth, to guide mortals to their Heart-Soul Wisdom. In the surprising finale, she guides her initiates (and the reader) through a powerful ceremony, ending her story with the promise of hope for the future.
A vivid and moving reimagining of the myth of Medusa and the sisters who loved her. Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god’s love is a violent one. Forgotten by history and diminished by poets, the other two Gorgons have never been more than horrifying hags, damned and doomed. But they were sisters first, and their journey from lowly sea-born origins to the outskirts of the pantheon is a journey that rests, hidden, underneath their scales. Monsters but not monstrous, Stheno and Euryale will step into the light for the first time to tell the story of how all three sisters lived and were changed by each other, as they struggle against the inherent conflict between sisterhood and individuality, myth and truth, vengeance and peace.
The turbulent decade of the 60s CE brought Rome to the brink of collapse. It began with Nero's ruthless elimination of Julio-Claudian rivals and ended in his suicide and the civil wars that followed. Suddenly Rome was forced to confront an imperial future as bloody as its Republican past and a ruler from outside the house of Caesar. The anonymous historical drama Octavia is the earliest literary witness to this era of uncertainty and upheaval. In Staging Memory, Staging Strife, Lauren Donovan Ginsberg offers a new reading of how the play intervenes in the contests over memory after Nero's fall. Though Augustus and his heirs had claimed that the Principate solved Rome's curse of civil war, the play reimagines early imperial Rome as a landscape of civil strife with a ruling family waging war both on itself and on its people. In doing so, the Octavia shows how easily empire becomes a breeding ground for the passions of discord. In order to rewrite the history of Rome's first imperial dynasty, the Octavia engages with the literature of Julio-Claudian Rome, using the words of Rome's most celebrated authors to stage a new reading of that era and its ruling family. In doing so, the play opens a dialogue about literary versions of history and about the legitimacy of those historical accounts. Through an innovative combination of intertextual analysis and cultural memory theory, Ginsberg contextualizes the roles that literature and the literary manipulation of memory play in negotiating the transition between the Julio-Claudian and Flavian regimes. Her book claims for the Octavia a central role in current debates over both the ways in which Nero and his family were remembered as well as the politics of literary and cultural memory in the early Roman empire.
From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is reimagined in a brief but crucial period in the history of Latin literature, the early Augustan period from 30 to 10 BCE. It argues that in the work of Horace, Virgil, and Propertius, the language and imagery of the chorus articulate some of their most pressing concerns surrounding social and literary belonging in a rapidly changing Roman world. By re-examining seminal Roman texts such as Horace's Odes and Virgil's Aeneid from this fresh perspective, the book connects the history of musical culture with Augustan poetry's interrogation of fundamental questions surrounding the relationship between individual and community, poet and audience, performance and writing, Greek and Roman, and tradition and innovation.
A genius of fluid fashion, Harry Styles is redefining fashion for all genders. From his moment on the 2019 Met Gala red carpet that broke the internet and appearing on the cover of Vogue, to his collaboration with Gucci and resplendent stage costumes, Styles has broken the mould again and again. With this beautiful guide to his style trajectory, key looks and signature pieces, dive into the kooky, eccentric and utterly unique world of Harry Styles's style. A fun and complete guide to a modern-day icon's signature style.
Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian’s ‘women plays’ in an attempt to discern why they were in fact probably quite funny to their original audiences. It is argued that modern students, scholars, and dramatists need to consider much more closely the conditions of the plays’ ancient productions when evaluating their ostensible themes. Three plays are focused upon: Lysistrata, Thesmophoriazusae, and Ecclesiazusae. All seem to speak quite eloquently to contemporary concerns about women’s rights, the value of women’s work, and the relationships between women and war, literary representation and politics. On the one hand, Professor Taaffe tries to retrieve what an ancient Athenian audience may have l appreciated about these plays and what their central theses may have meant within that culture. On the other hand, Aristophanes is discussed from the perspective of a late twentieth-century, specifically female, reader.
The first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories and labyrinthine architectures. Death Lines is the first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories, labyrinthine architectures, atmospheric streetscapes, and uncanny denizens. Its eight walks lead you on a series of richly researched yet undeniably chilling tours through Chelsea, Notting Hill, Westminster, Bloomsbury, Covent Garden, and the East End, along the haunted banks of the river Thames, and down into the depths of the London Underground railway. Each tour weaves together London’s stories and takes the reader to magnificent, eerie, and sometimes disconcertingly ordinary corners of the city, unearthing the literature, legends, and history behind classics like Peeping Tom and An American Werewolf in London, and lesser-known works such as mind-control melodrama The Sorcerers; Gorgo, Britain’s answer to Godzilla; tube terror Death Line; and Bela Lugosi's mesmeric vehicle The Dark Eyes of London. Tinged with humor, social critique, and more than a few scares, Death Lines delights in revealing the hidden and often surprising relationship between the city and the dark cinematic visions it has evoked. Whether read on the streets or from the comfort of the grave, Death Lines is a treat for all cinephiles, horror fans, and lovers of London lore.
Everyone knows that all’s fair in love and war. But these two will learn that sabotage is a dish best served naked. A sexy, compulsively readable romantic comedy that dives headlong into the thrill and doubt of modern love, Dating You/Hating You by New York Times bestselling author Christina Lauren is the story of what two high-powered agents will—and won’t—do to get everything they ever wanted. Despite the odds against them from an embarrassing meet-awkward at a mutual friend’s Halloween party, Carter and Evie immediately hit it off. Even the realization that they’re both high-powered agents at competing firms in Hollywood isn’t enough to squash the fire. But when their two agencies merge—causing the pair to vie for the same position—all bets are off. What could have been a beautiful, blossoming romance turns into an all-out war of sabotage. Carter and Evie are both thirtysomething professionals—so why can’t they act like it? Can Carter stop trying to please everyone and see how their mutual boss is really playing the game? Can Evie put aside her competitive nature long enough to figure out what she really wants in life? Can their actor clients just be something close to human? Whether these two Hollywood love/hatebirds get the storybook Hollywood ending, or just a dramedy of epic proportions, you get to enjoy Christina Lauren’s heartfelt, hilarious story of romance in the modern world.
An eminently readable and thoroughly engaging book . . . with numerous original readings that will have to be cited and confronted by future critics."--Donald Cheney, coeditor of The Spenser Encyclopedia "A very packed and original piece of work, beautifully written with both a sensitive understanding of Spenser's verse and a keen ear for the ridiculous. Her sense of Spenser's comedy is a refreshing change from the solemnity of many other critics."--Anne Lake Prescott, coeditor of The Norton Critical Edition of Spenser
In the tradition of The Truth About Chuck Norris, PostSecret, and I Can Has Cheezburger?, Texts from Last Night celebrates the funniest and most outrageous text messages from the instantly popular website There are few forms of communication that are more entertaining, appalling, and laugh-out-loud hilarious than the text message--especially when it's received in the wee hours of the morning from a friend who has had one too many shots of tequila. Texts from Last Night is a celebration of the best, worst, and weirdest text messages that have ever been sent, such as: •Before i could say "i'm not the kind of girl," i was •I got us kicked out of the bar because the waitress found me in the kitchen trying to make spaghetti •The ticket read "found nude in a tree" Texts from Last Night is chock full of LOL and WTF moments and will make any thumb-typer :) in recognition. Read Ben Bator and Lauren Leto's post on the Penguin Blog.
Rowan Summerwaite is back—and out for vengeance—in Blade on the Hunt, the third novel in the Goddess with a Blade series by New York Times bestselling author Lauren Dane “When you awaken, you will have to find her yourself. Or she will find you.” These were the words given to Rowan Summerwaite by the Goddess as Rowan lay clinging to life. Broken—but not defeated—by the ancient Vampire Enyo. After weeks of mandatory down time, a recharged and vengeance-fueled Rowan heads out from her father’s Keep, leading a team of some of the most terrifying beings on earth with one goal in mind—track and eliminate the Vampire who attacked her. But as the team moves across Europe and is hit with wave after wave of attacks, the tensions between Clive Stewart—the haughty, stylish Scion of North America whom Rowan grew even closer to during her recovery—and a rival Vampire ramp up. Befuddled, confused, flattered and annoyed, Rowan’s the woman in the middle. She’s not used to being claimed in a way that’s not about how strong her sword arm is or who raised her. Clive Stewart is everything she shouldn’t want in a man—he’s bossy, he’s a Vampire, and he considers her his—but she’s past denying how it makes her feel that he fights for her the way he does. She’s past denying she’s in love. In contrast to the uneven footing falling in love has given her, Rowan is utterly certain she will locate her quarry. She’s stronger and more powerful than she’s ever been after the tests and bloody lessons of the last years. Her connection with the Goddess is seamless and the light of her mission burns from within. And she’ll need all the help she can get because it’s not very long before Rowan and her team realize the threat is far greater than one crazy old Vampire. There’s a war brewing and Rowan will fight it to the death. It’s what she was born to do. “Fans of exciting and sexy urban fantasy have hit the jackpot with the Goddess with a Blade series.” —RT Book Reviews Rowan’s journey continues in At Blade’s Edge, available now! This book is approximately 76,000 words Edited by Angela James Originally published in 2014
Drinking Games for Your Favorite Movies including Anchorman, Big Lebowski, Clueless, Dirty Dancing, Fight Club, Goonies, Home Alone, Karate Kid and Many, Many More
Drinking Games for Your Favorite Movies including Anchorman, Big Lebowski, Clueless, Dirty Dancing, Fight Club, Goonies, Home Alone, Karate Kid and Many, Many More
“A volume of movie-themed drinking games, promising hours of adult and alcoholic fun.” —My Daily Cocktails MAKE MOVIE NIGHT EPIC Invite friends over, mix some drinks, press play and drink, drink, drink every time Lights Camera Booze tells you to. It’s eighty-proof fun in front of the big screen when this book turns your favorite movies into drinking game parodies, including: Hand-drawn game boards Rules on when to drink Themed cocktails for each flick Post-movie sobriety challenges Movies featured include: American Pie, Anchorman, National Lampoon’s Animal House, Back to the Future, The Big Lebowski, The Breakfast Club, Bring It On, Clerks, Clueless, Dirty Dancing, Ferris Bueller’s Day Off, Fight Club, Ghostbusters, The Goonies, Harold & Kumar Go to White Castle, The Hangover, Home Alone, The Karate Kid, Legally Blonde, Magic Mike, Mean Girls, Monty Python & the Holy Grail, Napoleon Dynamite, Office Space, The Princess Bride, Pulp Fiction, The Rocky Horror Picture Show, The Sandlot, Scream, Sex and the City, Superbad, Tommy Boy, and Wayne’s World
Argentina’s Billiken was the world’s longest-running children’s magazine, publishing 5144 issues over one hundred years. It educated and entertained generations of schoolchildren and came to occupy a central role in Argentine cultural life. This volume offers the first academic history of the whole lifespan of Billiken as a print magazine, through to its transition into a digital brand. As an editorial project founded at the time of the massification of print culture, Billiken was in the business of creating future citizens. From its transnational and literary beginnings, Billiken quickly became organised around the school year, offering valuable extra-curricular material aligned to the patriotic drivers of state schooling. Billiken told the story of the Argentine nation, cyclically and repeatedly, gaining such momentum that it became part of the nation’s story itself. This volume adopts a multi-disciplinary approach to take account of the many different facets of Billiken’s content born from a combination of ideological, commercial, political and cultural drivers. This history of Billiken examines the changes, contradictions and continuities in the magazine over time as it responded to political events, adapted to new commercial realities, and made use of technological advances. It explores how Billiken magazine not only reflected society, but shaped it through its influence on childhoods, children’s culture and education, and provides an alternative window onto the history and politics of a tumultuous hundred years for Argentina.
The first four novels in New York Times bestselling author Lauren Dane’s sweeping Goddess with a Blade urban fantasy series, available now in one box set. GODDESS WITH A BLADE Meet Rowan Summerwaite. Vessel to the Celtic goddess Brigid and raised by the leader of the Vampire Nation, she’s a supercharged Hunter with the power to slay any Vampire who violates the age-old treaty. A string of murders has her at odds with Las Vegas’s new Scion, the arrogant and powerful Clive Stewart. The killings have the mark of Vampire all over them, and Rowan warns Clive to keep his people in line—or she’ll mete out her own brand of justice. Though her dealings with Clive are adversarial, Rowan is intensely aware of her attraction to him. But she can’t let it distract her from her duty—to find and battle the killer before more women die. BLADE TO THE KEEP Rowan Summerwaite is the only person who can renegotiate the fragile Treaty between the Vampire Nation and the Hunter Corporation, the last line of defense for humanity. A meeting of the Joint Tribunal sends Rowan to the last place she wants to be—The First’s Keep. Raised at the knee of The First, the oldest Vampire and leader of the Vampire Nation, Rowan must navigate Vampires and Hunters alike. And she’s got to do it while managing a politically awkward but undeniably deepened romance with Scion Clive Stewart… BLADE ON THE HUNT Broken but not defeated by an ancient Vampire, a vengeance-fueled Rowan leads a team of some of the most terrifying beings on earth with one goal in mind. Eliminate the Vampire who attacked her. But as the team is hit with wave after wave of attacks, the tensions between Clive Stewart and a rival Vampire ramp up, with Rowan the woman in the middle. She’s not used to being claimed, and Clive is everything she shouldn’t want in a man, but she’s past denying she’s in love. In contrast to the uneven footing falling in love has given her, Rowan is utterly certain she’ll locate her quarry. Strong, powerful and connected to the Goddess, she burns with the light of her mission. There’s a war brewing, and Rowan will fight it to the death. It’s what she was born to do. AT BLADE’S EDGE Though she’d hoped the deadly events in Venice would end the threat to the Treaty she’s sworn to protect, Rowan found evidence of a grander conspiracy—to destroy the fragile peace that holds humans, Vampires and those with magic back from war. People try to kill Rowan all the time, but when those she cares for are at risk—including her new husband, Scion Clive Stewart—she gets angry. The organization that once gave her a purpose has betrayed her. Now, instead of on a much-anticipated honeymoon, Rowan is in London, gathering allies and evidence. Whatever she needs to drive out the rot within Hunter Corp. and expose whoever is at the top. Rowan is a predator and this threat is prey. She’ll burn it down and salt the earth afterward. On her terms.
Supersymmetry is a highly active area of considerable interest among physicists and mathematicians. It is not only fascinating in its own right, but there is also indication that it plays a fundamental role in the physics of elementary particles and gravitation. The purpose of the book is to lay down the foundations of the subject, providing the reader with a comprehensive introduction to the language and techniques, as well as detailed proofs and many clarifying examples. This book is aimed ideally at second-year graduate students. After the first three introductory chapters, the text is divided into two parts: the theory of smooth supermanifolds and Lie supergroups, including the Frobenius theorem, and the theory of algebraic superschemes and supergroups. There are three appendices. The first introduces Lie superalgebras and representations of classical Lie superalgebras, the second collects some relevant facts on categories, sheafification of functors and commutative algebra, and the third explains the notion of Frechet space in the super context.
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