This book provides new insight into the high-stakes struggle to control land in the Global South through the lens of land titling in Zambia and Senegal. Based on extensive fieldwork, it shows how chiefs and communities challenge the state, in an era of increasing scarcity and booming global land markets.
This book provides new insight into the high-stakes struggle to control land in the Global South through the lens of land titling in Zambia and Senegal. Based on extensive fieldwork, it shows how chiefs and communities challenge the state, in an era of increasing scarcity and booming global land markets.
How did realist fiction alter in the effort to craft forms and genres receptive to the dynamism of an expanding empire and globalizing world? Do these nineteenth-century variations on the "geopolitical aesthetic" continue to resonate today? Crossing literary criticism, political theory, and longue durée history, The Victorian Geopolitical Aesthetic explores these questions from the standpoint of nineteenth-century novelists such as Wilkie Collins, George Eliot, Gustave Flaubert, and Anthony Trollope, as well as successors including E. M. Forster and the creators of recent television serials. By looking at the category of "sovereignty" at multiple scales and in diverse contexts, Lauren M. E. Goodlad shows that the ideological crucible for "high" realism was not a hegemonic liberalism. It was, rather, a clash of modern liberal ideals struggling to distintricate themselves from a powerful conservative vision of empire while striving to negotiate the inequalities of power which a supposedly universalistic liberalism had helped to generate. The material occasion for the Victorian era's rich realist experiments was the long transition from an informal empire of trade that could be celebrated as liberal to a neo-feudal imperialism that only Tories could warmly embrace. The book places realism's geopolitical aesthetic at the heart of recurring modern experiences of breached sovereignty, forgotten history, and subjective exile. The Coda, titled "The Way We Historicize Now", concludes the study with connections to recent debates about "surface reading", "distant reading", and the hermeneutics of suspicion.
TWO WOMEN SEPARATED BY CENTURIES, THEIR LIVES DRAWN TOGETHER BY A BEAUTIFUL SILK DRESSTextiles historian Jo Baaker returns to the Dutch island where she was born, to investigate the provenance of a valuable seventeenth-century silk dress retrieved from a sunken shipwreck. Her research leads her to Anna Tesseltje, a poor Amsterdam laundress who served on the fringes of the Dutch court.But how did Anna come to possess such a precious dress? Jo is convinced the truth lies hidden between its folds, but as she gets closer to Anna's history, haunting details of her own past emerge.
Estrela do programa The Hills, um dos mais populares da MTV, e ex-participante do reality show Laguna Beach, Lauren Conrad mergulha na ficção baseada em seu sucesso na mídia. Em L.A. CANDY, que ocupou por semanas o primeiro lugar na lista de mais vendidos do New York Times, a autora flerta com a sua própria realidade ao narrar a história da personagem Jane. O romance é o primeiro da trilogia homônima, que já vendeu mais de 1,5 milhão de exemplares em todo o mundo. Recém-saída da escola, Jane Roberts mal pode esperar para aproveitar tudo o que Hollywood tem a oferecer. Ela pode ter ido a Los Angeles para um estágio, mas também pretende se divertir — e sua melhor amiga, Scarlett, não pode ficar de fora. Quando um produtor de TV aborda as duas para gravar um reality show sobre quatro jovens que tentam ganhar a vida na cidade – uma "versão real de Sex and the City" – elas desconfiam da própria sorte. Afinal, um programa de TV só para elas? Com certeza!
Der großartige Auftakt zu Lauren Kates neuer Serie »Vergieße nie eine einzige Träne!« Dieses Versprechen musste Eureka ihrer Mutter geben und siebzehn Jahre lang hat sie sich daran gehalten. Selbst als ihre Mutter bei einem Autounfall starb. Doch dann trifft sie Ander, einen attraktiven und äußerst mysteriösen Jungen. Er bringt sie so durcheinander, dass sie eine Träne vergießt – und Ander fängt sie mit seiner Fingerspitze auf. Auch er scheint zu wissen, dass Eureka nicht weinen darf. Doch was ist ihr großes Geheimnis? Warum wissen alle anderen davon, nur sie nicht? Und warum verhält sich ihr bester Freund, Brooks, plötzlich so aggressiv ihr gegenüber? Waren sie nicht kurz davor, ein Paar zu werden? Wem kann Eureka noch vertrauen?
Laurie va-t-elle tenter le concours pour le très sélectif stage d'été ? Caleb, le garçon qu'elle aime en secret, compte lui aussi le passer. Mais, si elle est retenue, Laurie ne pourra pas voir son père avant l'automne, ni Tybalt, son cheval préféré ! Rejoindre un cercle de cavaliers aussi fermé serait un honneur, mais est-elle prête à en payer le prix ?
Exam Board: AQA Level: AS/A-level Subject: German First Teaching: September 2016 First Exam: June 2017 Our Student Book has been approved by AQA. Support the transition from GCSE and through the new A-level specification with a single textbook that has clear progression through four defined stages of learning suitable for a range of abilities. We have developed a completely new textbook designed specifically to meet the demands of the new 2016 specification. The Student Book covers both AS and A-level in one textbook to help students build on and develop their language skills as they progress throughout the course. - Exposes students to authentic target language material with topical stimulus, and film and literature tasters for every work - Supports the transition from GCSE with clear progression through four stages of learning: transition, AS, A-level and extension - Builds grammar and translation skills with topic-related practice and a comprehensive grammar reference section - Develops language skills with a variety of tasks, practice questions and research activities - Gives students the tools they need to succeed with learning strategies throughout - Prepares students for the assessment with advice on essay-writing and the new individual research project Audio resources to accompany the Student Book must be purchased separately. They can be purchased in several ways: 1) as part of the Boost digital teacher resources; 2) as a separate audio download; 3) as part of the Boost eBook. The audio resources are not part of the AQA approval process.
A detailed empirical study of how small business owners finance their enterprises, this volume compares the experiences of women with those of men. The author redresses an over-reliance on subjective and anecdotal evidence of discrimination in this area with a controlled study of forty matched pairs of male/female owners and their strategies for raising finances. The research reveals the importance of adopting a theoretical framework in which the role of gender in the financing of small businesses is considered, and the practical implications for female entrepreneurs, banks and policy-makers.
Improving how individuals give birth and die in the United States requires reforming the regulatory, reimbursement, and legal structures that centralize care in hospitals and prevent the growth of community-based alternatives. In 1900, most Americans gave birth and died at home, with minimal medical intervention. By contrast, most Americans today begin and end their lives in hospitals. The medicalization we now see is due in large part to federal and state policies that draw patients away from community-based providers, such as birth centers and hospice care, and toward the most intensive and costliest kinds of care. But the evidence suggests that birthing and dying people receive too much—even harmful—medical intervention. In The Medicalization of Birth and Death, political scientist Lauren K. Hall describes how and why birth and death became medicalized events. While hospitalization provides certain benefits, she acknowledges, it also creates harms, limiting patient autonomy, driving up costs, and causing a cascade of interventions, many with serious side effects. Tracing the regulatory, legal, and financial policies that centralize care during birth and death, Hall argues that medicalization reduces competition, stifles innovation, and prevents individuals from accessing the most appropriate care during their most vulnerable moments. She also examines the profound implications of policy-enforced medicalization on informed consent and shows how medicalization challenges the healthcare community's most foundational ethical commitments. Drawing on interviews with medical and nonmedical healthcare providers, as well as surveys of patients and their families, Hall provides a broad overview of the costs, benefits, and origins of medicalized birth and death. The Medicalization of Birth and Death is required reading for academics, patients, providers, policymakers, and anyone else interested in how policy shapes healthcare options and limits patients and providers during life's most profound moments.
Disrupt the deficit beliefs that steal belonging, purpose, pride, and joy from Black students School reform efforts have long dominated the educational landscape, but the fixes that characterize many school improvement initiatives swing on the hinges of deficit beliefs about Black students. This book calls for a disruption in these models and urges educators to take seriously the significance of beliefs and cultures within schools. Focused on racial equity from an ecological perspective and designed to propel readers to examine individual and systemic beliefs operating in their ecosystems, this book provides Details on emancipatory educational ecosystems governed by beliefs that affirm Black children and immerse them in learning where their identities matter A set of beliefs that work together to create collective mindsets needed to power change A counternarrative of how interrelationships and interdependence govern healthy systems by challenging the meritocracy, competition, and individualism. Grounded in extensive research and personal experience showcasing large-scale change efforts in major urban areas, Wells’ approach toward emancipatory educational ecosystems enables affirming beliefs to guide the work.
Through reference to over six hundred scenes from film and television—as well as a diverse and cross-disciplinary academic bibliography—Masturbation in Pop Culture investigates the role that masturbation serves within narratives while simultaneously mirroring our complicated relationship with the practice in real life and sparking discussions about a broad range of hot-button sexual subjects. From sitcoms to horror movies, teen comedies to erotic thrillers, autoeroticism is easily detected on screen. The portrayal, however, is not a simple one. Just as in real life a paradox exists where most of us masturbate and accept it as normal and natural, there simultaneously exists a silence about it; that we do it, but we don’t talk about it; that we enjoy it but we laugh about it. The screen reflects this conflicted relationship. It is there—hundreds and hundreds of times—but it is routinely whispered about, mocked and presented as a punchline, and is inevitably portrayed as controversial at the very least. Masturbation in Pop Culture investigates the embarrassment and squeamishness, sexiness and inappropriateness of masturbation, showcasing and analyzing how our complex off screen relationship is mirrored in film and television.
Socializing Intelligence Through Academic Talk and Dialogue focuses on a fast-growing topic in education research. Over the course of 34 chapters, the contributors discuss theories and case studies that shed light on the effects of dialogic participation in and outside the classroom. This rich, interdisciplinary endeavor will appeal to scholars and researchers in education and many related disciplines, including learning and cognitive sciences, educational psychology, instructional science, and linguistics, as well as to teachers curriculum designers, and educational policy makers.
Responsibility is political. As the international community has called for more responsible environmental, social, and governance performance, the politics of commodities has become more fraught. Commodity Politics cuts through the new rhetoric of responsibility and presents innovative research from Cameroon to provide a better understanding of the political complexity surrounding commodity production and trade in the twenty-first century. Assessing the perspectives of businesses, international organizations, governments, and civil society groups, the authors offer insights gleaned from years of field research in a commodity-dependent country. Commodity Politics presents case studies of sugar, palm oil, cocoa, and the Chad-Cameroon pipeline project. These cases uncover a problematic politics that is much broader than the implications of corporate social responsibility codes for people and the planet, delivering solid rationales for policy-makers and commodity stakeholders to think more deeply about investor-driven approaches to improving environmental, social, and governance conduct. This book trains students and scholars to better recognize political intricacies and consequential flash points. Immersing its readers in timely debates over the meaning and intent of responsibility, Commodity Politics breaks new ground in the political analysis of development.
A vivid and moving reimagining of the myth of Medusa and the sisters who loved her. Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god’s love is a violent one. Forgotten by history and diminished by poets, the other two Gorgons have never been more than horrifying hags, damned and doomed. But they were sisters first, and their journey from lowly sea-born origins to the outskirts of the pantheon is a journey that rests, hidden, underneath their scales. Monsters but not monstrous, Stheno and Euryale will step into the light for the first time to tell the story of how all three sisters lived and were changed by each other, as they struggle against the inherent conflict between sisterhood and individuality, myth and truth, vengeance and peace.
Mélanie est désespérée. Sa meilleure amie, Pauline, et son jumeau, Sam, dont elle est amoureuse, partent vivre en Angleterre avec leurs parents. Comment trouvera-t-elle le courage de leur dire au revoir ? Chestnut Hill ne sera plus jamais comme avant...
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