Set in high-society Georgetown, an irresistible family drama about two sisters and the public scandal that just may lead them to rewrite the rules... Named a Best Book of the Month by Good Morning America, Bustle, Popsugar, BookBub, and Frolic “A stellar novel that celebrates sisterhood and the way women can step out of flawed men’s shadows. I delighted in every page.” —Amy Meyerson, bestselling author of The Bookshop of Yesterdays and The Imperfects No surprise is a good surprise. At least according to thirty-four-year-old Daisy Richardson. So when it’s revealed in dramatic fashion that her esteemed father had been involved in a public scandal before his untimely death, Daisy’s life becomes complicated—and fast. For one, the Richardsons must now sell the family home in Georgetown they can no longer afford, and Daisy’s mother is holding on with an iron grip. Her younger sister, Wallis, is ready to move on to bigger and better things but falls fast and hard for the most inconvenient person possible. And then there’s Atlas, Daisy’s best friend. She’s always wished they could be more, but now he’s writing an exposé on the one subject she’s been desperate to avoid: her father. Daisy’s plan is to maintain a low profile as she works to keep her family intact amid social exile, public shaming, and quickly dwindling savings. But the spotlight always seems to find the Richardsons, and when another twist in the scandal comes to light, Daisy must confront the consequences of her continued silence and summon the courage to stand up and accept the power of her own voice. “I was absolutely charmed by Ladies of the House. A wonderful debut.” —Allison Winn Scotch, bestselling author of Cleo McDougal Regrets Nothing *Don't miss Wedding of the Season, Lauren Edmondson's next family drama set in Newport, RI. On sale in February 2023 and available now to preorder!
“Elin Hilderbrand meets Edith Wharton in this delightfully juicy tale. I loved every minute.” —Meg Mitchell Moore, bestselling author of Vacationland It's the wedding of the season and all of Newport is abuzz in this funny, joyous, whip-smart novel about two modern-day society families and the summer wedding that has the whole town talking... Despite its beauty, Newport is a place Cass Coventry would prefer to forget. But after an extended absence, she’s back in her hometown to celebrate her sister’s engagement—even if she’s marrying into the family that famously stole the Gilded Age Coventry mansion out from under them a decade ago. The moment Cass pulls up to the estate, she’s in for one surprise after another. The bride-to-be is hiding a big secret. Her mother has royal-wedding aspirations. And, when the date is set for only three months away, a local gossip blog makes the two families its new favorite subject. It's not long before Cass's weekend in town becomes a full summer of frenzied wedding planning and society drama—but also idyllic sails, starry nights, and a former love. As the grand affair arrives, along with new truths about her family, Cass must finally face her own thorny past in Newport and decide how to honor the Coventry legacy in all its chaotic glory. “A witty, unflinching look at ‘polite society.’ Edmondson is a master of character and setting.” —Jamie Brenner, bestselling author of The Forever Summer
“Elin Hilderbrand meets Edith Wharton in this delightfully juicy tale. I loved every minute.” —Meg Mitchell Moore, bestselling author of Vacationland It's the wedding of the season and all of Newport is abuzz in this funny, joyous, whip-smart novel about two modern-day society families and the summer wedding that has the whole town talking... Despite its beauty, Newport is a place Cass Coventry would prefer to forget. But after an extended absence, she’s back in her hometown to celebrate her sister’s engagement—even if she’s marrying into the family that famously stole the Gilded Age Coventry mansion out from under them a decade ago. The moment Cass pulls up to the estate, she’s in for one surprise after another. The bride-to-be is hiding a big secret. Her mother has royal-wedding aspirations. And, when the date is set for only three months away, a local gossip blog makes the two families its new favorite subject. It's not long before Cass's weekend in town becomes a full summer of frenzied wedding planning and society drama—but also idyllic sails, starry nights, and a former love. As the grand affair arrives, along with new truths about her family, Cass must finally face her own thorny past in Newport and decide how to honor the Coventry legacy in all its chaotic glory. “A witty, unflinching look at ‘polite society.’ Edmondson is a master of character and setting.” —Jamie Brenner, bestselling author of The Forever Summer
Set in high-society Georgetown, an irresistible family drama about two sisters and the public scandal that just may lead them to rewrite the rules... Named a Best Book of the Month by Good Morning America, Bustle, Popsugar, BookBub, and Frolic “A stellar novel that celebrates sisterhood and the way women can step out of flawed men’s shadows. I delighted in every page.” —Amy Meyerson, bestselling author of The Bookshop of Yesterdays and The Imperfects No surprise is a good surprise. At least according to thirty-four-year-old Daisy Richardson. So when it’s revealed in dramatic fashion that her esteemed father had been involved in a public scandal before his untimely death, Daisy’s life becomes complicated—and fast. For one, the Richardsons must now sell the family home in Georgetown they can no longer afford, and Daisy’s mother is holding on with an iron grip. Her younger sister, Wallis, is ready to move on to bigger and better things but falls fast and hard for the most inconvenient person possible. And then there’s Atlas, Daisy’s best friend. She’s always wished they could be more, but now he’s writing an exposé on the one subject she’s been desperate to avoid: her father. Daisy’s plan is to maintain a low profile as she works to keep her family intact amid social exile, public shaming, and quickly dwindling savings. But the spotlight always seems to find the Richardsons, and when another twist in the scandal comes to light, Daisy must confront the consequences of her continued silence and summon the courage to stand up and accept the power of her own voice. “I was absolutely charmed by Ladies of the House. A wonderful debut.” —Allison Winn Scotch, bestselling author of Cleo McDougal Regrets Nothing *Don't miss Wedding of the Season, Lauren Edmondson's next family drama set in Newport, RI. On sale in February 2023 and available now to preorder!
Communicating Project Management argues that the communication practices of project managers have necessarily become participatory, made up of complex strategies and processes solidly grounded in rhetorical concepts. The book draws on case studies across organizational contexts and combines individual experiences to investigate how project management relies on communication as teams develop products, services, and internal processes. The case studies also provide examples of how project managers can be understood and studied as writers, further arguing project managers must approach communication as designed experience that must be intentionally inclusive. Author Benjamin Lauren illustrates to readers how teams work together to manage projects through complex coordinative communication practices, and highlights how project managers are constantly learning and evolving by analyzing where they succeed and fail. He concludes that technical and professional communicators have a pivotal role in supporting and facilitating participative approaches to communicating project management.
Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels—Kincaid's Lucy, Atwood's The Handmaid's Tale, McCarthy's Blood Meridian, Fitzgerald's The Great Gatsby, and Harris's Palace of the Peacock—that contain crucial scenes engaging British Romantic poetry. Each work adapts figures from British Romantic poetry and translates them into an American context. Kincaid relies on the repeated image of the daffodil, Atwood displaces Lucy, McCarthy upends the American arcadia, Fitzgerald heaps Keatsian images of excess, and Harris transforms the albatross. In her close readings, Maxwell suggests that the novels reframe Romantic poetry to allegorically confront empire, revealing how subjectivity is shaped by considerations of place and power. Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire. In explaining how the novels adapt figures from British Romantic poetry, Romantic Revisions provides scholars and students working in postcolonial studies, Romanticism, and English-language literature with a new look at politics of location in the Americas.
Film plays a vital role in the celebration of Christmas. For decades, it has taught audiences about what the celebration of the season looks like – from the decorations to the costumes and to the expected snowy weather – as well as mirrors our own festivities back to us. Films like It’s a Wonderful Life and Home Alone have come to play key roles in real-life domestic celebrations: watching such titles has become, for many families, every bit as important as tree-trimming and leaving cookies out for Santa. These films have exported the American take on the holiday far and wide and helped us conjure an image of the perfect holiday. Rather than settling the ‘what is a Christmas film?’ debate – indeed, Die Hard and Lethal Weapon are discussed within – Analyzing Christmas in Film: Santa to the Supernatural focuses on the how Christmas is presented on the deluge of occasions when it appears. While most Christmas films are secular, religion makes many cameos, appearing through Nativity references, storylines involving spiritual rebirth, the framing of Santa as a Christ-like figure and the all-importance of family, be it the Holy family or just those gathered around the dining table. Also explored are popular narratives involving battles with stress and melancholy, single parents and Christmas martyrs, visits from ghosts and angels, big cities and small towns, break-ups and make-ups and the ticking clock of mortality. Nearly 1000 films are analyzed in this volume to determine what the portrayal of Christmas reveals about culture, society and faith as well as sex roles, consumerism, aesthetics and aspiration.
Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why -twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.
A two part program that explains how ecology became a science and how ecologists study the environment today. In addition to the live-action video, this interactive DVD has special guided questions and mastery quizzes that the teacher and students can use to assure mastery of facts and concepts as detailed in the National Science Education Standards and Project 2061's Benchmarks for Science Literacy"--Case-slip.
Khristi Lauren Adams's faith was first shaped by her experiences as a Black girl--learning about Scripture from her grandmother, Mama Hattie; "playing church" with her seven cousins over summer vacation; and grieving the murder of her 16-year-old friend when she was just 15. In Womanish Theology, Adams reflects on those experiences, inviting readers to learn from a new perspective and guiding them to a deeper understanding of their own spirituality. This groundbreaking book introduces a new branch of theological thought Adams calls womanish, as a play on womanist (the theology of Black womanhood). "Womanish," remembers Adams, is a term Black mothers used for young girls as they grew more interested in doing grown-up things. Adams draws on her own life story as well as the life stories of other Black girls to explore theological concepts such as Scripture, theodicy, salvation, prayer, neighborly love, and the image of God. Through this journey, readers will learn that theology is for everyone and that the whole community of God can learn from the spiritual insights of Black girls.
A tantalizing debut about a woman drawn into the orbit of her friend's wealthy artist family in New York City and the complications and consequences that arise when she embarks on a secret relationship with the golden-boy older brother “A delicious take on class, friendship, and desire.” —Christina McDowell, author of The Cave Dwellers Pretending is an art, and all art comes at a price… Ren loves and hates Etta, her best friend since they met at NYU nearly a decade ago. Etta defines Ren's New York. She lavishes her with designer hand-me-downs and takes her along to parties at trust fund lofts and Hamptons estates. But when Etta moves to Barcelona with no warning, Ren is left to face who she is without her, her unremarkable life of shoebox apartment, thankless job, and estranged family. Enter Archer, Etta’s older brother, whom Ren’s always been infatuated with. In his sister’s absence, suddenly he’s inviting Ren to visit his art gallery, to prestigious galas, on weekend trips with his friends to Amagansett. Archer’s interest makes Ren feel alive in whole new ways, but she knows Etta can't find out. As their relationship intensifies, so does her unease. If it all blows up, who will she be on the other side? Set over a heady New York summer, The Art of Pretend is an alluring novel about love and friendship, wealth and power, art and ambition—and the stories we tell ourselves and others to get what we want.
More than half a century after the first Jim Crow laws were dismantled, the majority of urban neighborhoods in the United States remain segregated by race. The degree of social and economic advantage or disadvantage that each community experiences—particularly its crime rate—is most often a reflection of which group is in the majority. As Ruth Peterson and Lauren Krivo note in Divergent Social Worlds, "Race, place, and crime are still inextricably linked in the minds of the public." This book broadens the scope of single-city, black/white studies by using national data to compare local crime patterns in five racially distinct types of neighborhoods. Peterson and Krivo meticulously demonstrate how residential segregation creates and maintains inequality in neighborhood crime rates. Based on the authors' groundbreaking National Neighborhood Crime Study (NNCS), Divergent Social Worlds provides a more complete picture of the social conditions underlying neighborhood crime patterns than has ever before been drawn. The study includes economic, social, and local investment data for nearly nine thousand neighborhoods in eighty-seven cities, and the findings reveal a pattern across neighborhoods of racialized separation among unequal groups. Residential segregation reproduces existing privilege or disadvantage in neighborhoods—such as adequate or inadequate schools, political representation, and local business—increasing the potential for crime and instability in impoverished non-white areas yet providing few opportunities for residents to improve conditions or leave. And the numbers bear this out. Among urban residents, more than two-thirds of all whites, half of all African Americans, and one-third of Latinos live in segregated local neighborhoods. More than 90 percent of white neighborhoods have low poverty, but this is only true for one quarter of black, Latino, and minority areas. Of the five types of neighborhoods studied, African American communities experience violent crime on average at a rate five times that of their white counterparts, with violence rates for Latino, minority, and integrated neighborhoods falling between the two extremes. Divergent Social Worlds lays to rest the popular misconception that persistently high crime rates in impoverished, non-white neighborhoods are merely the result of individual pathologies or, worse, inherent group criminality. Yet Peterson and Krivo also show that the reality of crime inequality in urban neighborhoods is no less alarming. Separate, the book emphasizes, is inherently unequal. Divergent Social Worlds lays the groundwork for closing the gap—and for next steps among organizers, policymakers, and future researchers. A Volume in the American Sociological Association's Rose Series in Sociology
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