Power always wins. Imagine Camelot but in Gotham: a city where Arthurian knights are the celebrities of the day, riding on motorbikes instead of horses and competing in televised fights for fame and money. 'Arthurian legend meets urban fantasy in a brilliant, bloody wild ride' Jay Kristoff, Sunday Times bestselling author of Aurora Burning Imagine a city where a young, magic-touched bastard astonishes everyone by becoming king - albeit with extreme reluctance - and a girl with a secret past trains to become a knight for the sole purpose of vengeance. The boldest, smartest, most adventurous fantasy I've read in ages' Krystal Sutherland, author of Our Chemical Hearts Imagine a city where magic is illegal but everywhere, in its underground bars, its back-alley soothsayers - and in the people who have to hide what they are for fear of being tattooed and persecuted. Imagine a city where electricity is money, power the only game worth playing, and violence the most fervently worshipped religion. 'King Arthur as you've never seen him before. The coolest thing you'll read this year' Samantha Shannon, author of The Bone Season and The Priory of the Orange Tree In this dark, chaotic, alluring place, any dream can come true if you want it hard enough - and if you are prepared to do some very, very bad things to get it . . .
A half-drowned stranger turns up at the door of Garad Gaheris, retired King's Champion, with a hell of a story to tell. The ex-knight may have uncovered a conspiracy involving the very highest echelons of London's elite. 'A riveting tragedy of blood and desire. A masterwork of urban fantasy - and the coolest thing you'll read this year' - SAMANTHA SHANNON on Blackheart Knights Current King's Champion Si Wyll, a master illusionist, still reeling from the betrayal of his lover and the death of his mentor, is poised to become the most dangerous man in London. Then a figure from his past surfaces, determined to blackmail him into a plot to change the balance of power for good. 'A brilliant, bloody wild ride' - JAY KRISTOFF on Blackheart Knights And the city's godchildren, those born with illegal magical abilities, have had enough of being put down - but who must die to ensure their ascension?
In this sequel to The Graces, the youngest witch in the family discovers a secret that has her questioning those closest to her. Now that Wolf is back after his mysterious disappearance, the Grace siblings are determined return to normal—whatever normal is for a family of witches. Except Summer, the youngest Grace. Summer has a knack for discovering the truth—and something is troubling her. But exposing secrets is a dangerous game, and it’s not one Summer can win alone. At Summer’s behest, the coven comes back together, drawing their erstwhile friend River back into the fold. But as the coven’s powers magnify, Wolf’s behavior becomes unpredictable—and Summer must question the nature of the friend she loves. This riveting sequel to The Graces is saturated with magic, the destructive cost of power, and the nature of forgiveness. Praise for The Graces: “Precise, vivid, and immediate. Powerful.” ?Kirkus Reviews “The Graces demands to be read twice: The first time for the suspense; the second for the subtleties you missed initially.” ?New York Times Book Review “Eve conjures up an intriguing vision of small-town mystique.” ?Publishers Weekly “An intoxicating blend of magic and mystery.” ?Danielle Vega, author of The Merciless and Survive the Night “Mysterious, beautiful, and unnerving, The Graces, like its titular family, will keep you enthralled from beginning to end.” ?Samantha Shannon, New York Times bestselling author of The Bone Season “Powerful, deadly, chilling, and compelling. It’s a masterpiece.” ?Melinda Salisbury, author of The Sin Eater’s Daughter
A thrilling, seductive and electrifying new adventure set in the world of FEARSOME DREAMER A shocking new world. A dangerous choice. Two futures preparing to collide . . . Having left her soulmate White behind her in Angle Tar, Rue is trying to make sense of her new and unfamiliar life in World. Its technologically advanced culture is as baffling as is it thrilling to her, and Rue quickly realises World's fascination with technology can have intoxicating and deadly consequences. She is also desperately lonely. And so is White. Somehow, their longing for each other is crossing into their dreams - dreams that begin to take increasingly strange turns as they appear to give Rue echoes of the future. Then the dreams reveal the advent of something truly monstrous, and with it the realisation that Rue and White will be instrumental in bringing about the most incredible and devastating change in both World and Angle Tar. But in a world where Life is a virtual reality, where friends can become enemies overnight and where dreams, the future and the past are somehow merging together, their greatest challenge of all may be just to survive.
A sensual and provocative novel about the power and the peril of dreaming In the world of FEARSOME DREAMER, England has become Angle Tar - a technophobic and fiercely independent country holding its own against the mass of other nations that is World. Rue is an apprenticed hedgewitch in rural Angle Tar, but she knows she is destined for greater things. After being whisked off to the city by the enigmatic Frith, Rue becomes the student of White, a young Worlder with a Talent that is much in demand: White is no ordinary Dreamer - but then neither is Rue. Both can physically 'jump' to different places when they dream - and both have more power than they know. Rue and White find themselves electrically attracted to each other - but who is the mysterious silver-eyed boy stalking Rue's dreams? And why is he so interested in her relationship with White? Is Rue about to discover just how devastatingly real dreams can be...?
“The Graces demands to be read twice: The first time for the suspense; the second for the subtleties you missed initially.” —The New York Times Book Review Everyone loves the Graces. Fenrin, Thalia, and Summer Grace are attractive, rich, and glamorous, and they’ve cast a spell over their high school—and their entire town. They’re also rumored to have powerful connections all over the world. If you’re not in love with one of them, you want to be one of them. This is especially true for River, the new girl at school. River’s different from the rest of the horde that both revere and fear the Grace family. She’s dark, aloof, and just maybe . . . magical. And she wants to be a Grace more than anything. But what the Graces don’t know is that River’s presence in their town is no accident. The first rule of witchcraft is that if you want something bad enough, you can get it . . . no matter who has to pay. “A teenage girl becomes obsessed with a family of reputed witches . . . vivid . . . powerful.” —Kirkus Reviews (starred review) “Eve conjures up an intriguing vision of small-town mystique, with the Grace family depicted as unknowable and otherworldly—the mystery of whether magic is at play hangs over much of the story—and self-involved, obsessive River’s less-than-trustworthy narration adds to the air of uncertainty.” —Publishers Weekly
In this sequel to The Graces, the youngest witch in the family discovers a secret that has her questioning those closest to her. Now that Wolf is back after his mysterious disappearance, the Grace siblings are determined return to normal—whatever normal is for a family of witches. Except Summer, the youngest Grace. Summer has a knack for discovering the truth—and something is troubling her. But exposing secrets is a dangerous game, and it’s not one Summer can win alone. At Summer’s behest, the coven comes back together, drawing their erstwhile friend River back into the fold. But as the coven’s powers magnify, Wolf’s behavior becomes unpredictable—and Summer must question the nature of the friend she loves. This riveting sequel to The Graces is saturated with magic, the destructive cost of power, and the nature of forgiveness. Praise for The Graces: “Precise, vivid, and immediate. Powerful.” ?Kirkus Reviews “The Graces demands to be read twice: The first time for the suspense; the second for the subtleties you missed initially.” ?New York Times Book Review “Eve conjures up an intriguing vision of small-town mystique.” ?Publishers Weekly “An intoxicating blend of magic and mystery.” ?Danielle Vega, author of The Merciless and Survive the Night “Mysterious, beautiful, and unnerving, The Graces, like its titular family, will keep you enthralled from beginning to end.” ?Samantha Shannon, New York Times bestselling author of The Bone Season “Powerful, deadly, chilling, and compelling. It’s a masterpiece.” ?Melinda Salisbury, author of The Sin Eater’s Daughter
In this important contribution to narrative theory, Marie-Laure Ryan applies insights from artificial intelligence and the theory of possible worlds to the study of narrative and fiction. For Ryan, the theory of possible worlds provides a more nuanced way of discussing the commonplace notion of a fictional "world," while artificial intelligence contributes to narratology and the theory of fiction directly via its researches into the congnitive processes of texts and automatic story generation. Although Ryan applies exotic theories to the study of narrative and to fiction, her book maintains a solid basis in literary theory and makes the formal models developed by AI researchers accessible to the student of literature. By combining the philosophical background of possible world theory with models inspired by AI, the book fulfills a pressing need in narratology for new paradigms and an interdisciplinary perspective.
The Man Who Thought He Was Napoleon is built around a bizarre historical event and an off-hand challenge. The event? In December 1840, nearly twenty years after his death, the remains of Napoleon were returned to Paris for burial—and the next day, the director of a Paris hospital for the insane admitted fourteen men who claimed to be Napoleon. The challenge, meanwhile, is the claim by great French psychiatrist Jean-Étienne-Dominique Esquirol (1772–1840) that he could recount the history of France through asylum registries. From those two components, Laure Murat embarks on an exploration of the surprising relationship between history and madness. She uncovers countless stories of patients whose delusions seem to be rooted in the historical or political traumas of their time, like the watchmaker who believed he lived with a new head, his original having been removed at the guillotine. In the troubled wake of the Revolution, meanwhile, French physicians diagnosed a number of mental illnesses tied to current events, from “revolutionary neuroses” and “democratic disease” to the “ambitious monomania” of the Restoration. How, Murat asks, do history and psychiatry, the nation and the individual psyche, interface? A fascinating history of psychiatry—but of a wholly new sort—The Man Who Thought He Was Napoleon offers the first sustained analysis of the intertwined discourses of madness, psychiatry, history, and political theory.
NATO is acutely aware of its increased status as a force for stability in a drastically altered Atlantic community. The number of its initiatives is on the increase just as a new political, economic and military Europe emerges. The Cold War's end has wrought as many changes as there are continuities in the security environment. Eastern and Central European states, especially NATO and PfP members, enjoy an increasing importance to NATO, both as trading partners and as new participants in the civil society. While the literature on relations between NATO and the East Europeans is rather limited, the study of the overall posture of those states in the international system is almost non-existent, so that the consequences of their posture for NATO's renewed concept are unknown. The study of these countries' security posture and strategic interactions with Central European states in general promotes the renewed role of NATO. This book shows that each of the long-term relations with Poland, the Czech Republic, Romania and Bulgaria is subordinated to the goal of entering the European Union, and that their different values will makes relations difficult. This will test NATO's new strategic concept to the limit. It also shows the importance of strategic thinking.
Laure Junot, Duchesse d’Abrantes stands as one of the most influential figures in shaping the Napoleonic era: she was no statesman, military or civil leader, but she was a hugely well connected member of the court of Napoleon, and an inveterate gossip. An old family friend of the Bonaparte’s from Corsica, she was married to one of Napoleon’s oldest friends Andoche Junot, thus moving in the highest circles in Paris, known by and knowing everyone of note. Originally written at huge length (some editions run to more than 12 volumes), this English edition provides the highlights of her witty, irreverent, yet highly informative memoirs of the reign of Napoleon.
In this captivating collection of stories, Marie-Laure Valandro shares her adventures and insights from her life and work on a sixty-acre biodynamic farm and garden in a small rural town in eastern Wisconsin. Readers get a rare and intimate glimpse into the realities of modern farm life, replete with its beauty and magic, challenges and demands.
Learn about the lives and works of over eighty saints in this collection, featuring ninety-two colorfully illustrated holy cards. How does Saint Christopher keep us safe when we travel? Why is Saint Patrick always depicted with a nest of snakes? How did Cecilia come to be the patron saint of music? These wonders and more are explained in this treasure of a book. The perfect book for the devout or any religious occasion, this captivating collection recounts the extra-ordinary legends, heartrending stories, joys, and sorrows of the most beloved saints, from the famous to the mysteriously obscure. Beautifully illustrated with historical pictures from prayer books and missals, this elegant keepsake is a joy to have.
Rebelling against the rigid constraints of her life as Princetta of Galnicia, fifteen-year-old Malva escapes with her maid Philomena and together they embark on a perilous and adventurous journey that will change the course of their lives forever.
Laure Conan was the first woman novelist in French Canada and the first writer in all Canada to attempt a roman d'analyse. As she refused to have her true identity revealed, the author of the preface to her book, Abbé H.-R. Casgrain, made a point of confirming that it was indeed a woman hiding behind the pen-name. Her daring in writing a psychological novel was 'forgiven' because she was a woman, and her anticipating the trend towards this type of novel was attributed to 'that intuition natural to her sex.' In Angéline de Montbrun, Laure Conan broke with what has been called the 'collective romanticism' of nineteenth-century French-Canadian land, with the rural myth, the exhortative tone, and the vast canvas. These concerns are basically absent in her work. Further, she eschewed the details of adventure and intrigue, the wooden, predictable characters, and the transparent intricacies of romantic love in favour of writing about the inner turmoil of an individual, live character, a young woman caught in a complex web of human appetites, aspirations, and relationships. Because of the novel's realism, one of the most persistent topics of discussion about Laure Conan has been whether or not Angéline de Montbrun is autobiographical. Recent studies indicate it may be. In any case, Angéline was the most complex character in Canadian fiction to 1882 and for some time to come. Traditionally, Angéline de Montbrun was regarded as a novel of Christian renunciation, and Angéline as the most holy of heroines. For a long time no one went too deeply into the relationships between the characters, but in 1961 Jean Le Moyne bluntly stated that 'the lovers in the novel are not Maurice Darville and Angéline, but M. de Montbrun and his daughter.' Since then there has been a proliferation of interpretations and psychological studies of the novel, and there is no going back to the simpler view of it.
Marie-Laure Djelic explores the convergent and divergent trends in the evolution of business systems and organisation in Western Europe in the postwar period, looking in particular at the influence of the American corporate model. She focuses on France, West Germany, and Italy after 1945 and the influences of the Marshall Plan. Her core argument is that the model had varying degrees of success in each of those three countries whilst, in some areas, it encountered significant resistance and adaptation.
While the European Union (EU) is widely perceived as a model for regional integration, the encouragement of regional co-operation also ranks high among its foreign policy priorities. Drawing on a wealth of sources and extensive fieldwork conducted in the Commonwealth of Independent States (CIS), Laure Delcour questions the pursuit of this external objective in EU policies implemented in the CIS and the existence of an EU regional vision in the post-Soviet area. She asks does the recent compartmentalization of EU policies correspond to a growing fragmentation of the former Soviet Union that cannot be considered as a region anymore? Does it rather reflect the EU's own interests in the area? Interested in exposing why the EU has not pursued a strategy of 'region-building' in the post-Soviet area, Delcour examines the disintegration dynamics affecting the area following the collapse of the USSR, the interplay between different actors and levels of action in EU foreign policy-making and the role of other region-builders. She takes a closer look at the strategic partnership with Russia, European Neighbourhood Policy, Eastern Partnership and Black Sea Synergy as a capability test for the European foreign policy to promote its foreign policy priorities and to raise a distinctive profile in the international arena.
A true story of two women speaking from self-imposed exile. Separated by seven centuries and an ocean, their stories intersect when Marie Laure makes a solo pilgrimage. She wants to understand why Julian of Norwich lived from age fifty in a cell, an anchorage, attached to a church during the Black Death plague. Her own so-called anchorage is a river porch attached to a Florida townhouse. How had she ended up in quasi-exile? Trying to make sense of it, she writes, just as Julian wrote to understand what had happened in a near-death experience. Alone in Julian’s anchorage, Marie confronts words etched in stone: “Thou art enough for me.” The words nag at her. Truth is, she could not say those words. Why had she come? Her handwritten words, “For my heart to heal,” speak across time when read aloud in the anchorage by a priest. Upon returning home, a global pandemic shutters the world, throwing everyone into exile, creating distance and longing for reunion. This second book in Marie Laure’s Serendipity Series continues to follow explorers of serendipitous moments on the continuum of shared spiritual stories.
The experiences of a young poetess and artist coming from the age of war and universal deceit are transformed into battles of thoughts and quietly drifting images, only to set the mind on a visualization and sensation time-bomb. The clashes of imagery harmonized with her expression present a depth that can only be witnessed by the movement of a painters brush or a sculptors fingers. Through her multi-artistic vision and multi-cultural background, Laure Keyrouz makes it easier to grasp a certain notion or tone of expression, and so it feels almost like watching art rather than reading it. I and you ink and stone... A blind winter knitting our breaths with the scythe [] We stand with spider masks, Valleys blushing at our rumbling, The prayer kneels amongst us, A harp buries our bells, Exploding from a birds hideaway Concealing its throat on a wooden board, And the rain shower fearlessly eating into our past.
Now available in English, the bestseller of France traces the life of one of that country's most prolific yet controversial figures. The life of the author of "The Lover" and "The War: A Memoir" is explored through events central to Duras's career by means of letters, unpublished manuscripts, and interviews. Photos.
After intentionally getting himself expelled from Realm One, Linus Hoppe believed he would experience more of real life. But life in inferior Realm Two is a nightmare. For months Linus has been imprisoned in a factory, where he toils on an assembly line. At night, he’s so tired that he no longer dreams of a future, of the destiny he wanted to create for himself. As for his family and friends, he fears he’ll never see them again. He especially misses Chem and Yosh, his co-conspirators in fooling the Great Processor. What made them think they could change society’s rigid hierarchy? Ready to give up, Linus must somehow regain hope and the will to fight for his freedom.
An “amazing” (NYT bestselling author of Gone Girl, Gillian Flynn) high-concept thriller in which a couple’s romantic weekend-getaway is not what is seems. Named a Most Anticipated Book by Bookish He’s not who he says he is. Then again, neither is she. Steven Harding is a handsome, well-respected professor. Ellie Masterson is a wide-eyed grad student. Together, they are driving south from New York for their first vacation: three days in an isolated cabin, far from the city. Ahead of them, the promise of long, dark nights—and the chance to get to know each other better, away from prying eyes. It should be a perfect romantic getaway for two. But when a snowstorm strands them in the house, each realizes the other harbors a dangerous secret—and soon it becomes clear one of them won’t escape the weekend alive. By turns tantalizing, surprising, and thrilling, Nobody But Us heralds the arrival of an incredibly talented author of literary suspense.
The period of the 'long' Second World War (1936-1948) was marked by mass movements of diverse populations: 60 million people either fled or were forced from their homes. This book considers the Spanish Republicans fleeing Franco's Spain in 1939, the French civilians trying to escape the Nazi invasion in 1940, and the millions of people displaced or expelled by the forces of Hitler's Third Reich. Throughout this period state and voluntary organisations were created to take care of the homeless and the displaced. National organisations dominated until the end of the war; afterwards, international organisations - the United Nations Relief and Rehabilitation Agency and the International Refugee Organisation - were formed to deal with what was clearly an international problem. Using case studies of displaced people and of relief workers, this book is unique in placing such crises at the centre rather than the margins of wartime experience, making the work nothing less than an alternative history of the Second World War.
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