What happens when a poet tries to filter the untranslatable from another language? The rush of unknowing, decoding the wind, the body becomes an antenna. Following behind Jack Spicer's After Lorca and swinging its ovaries, Laura Wetherington's second book uses the concept of translation to create original poems from the work of writers like Liliane Giraudon, Marie Étienne, Dominique Fourcade, and Jean-Marie Gleize. These poems run through a liminal linguistic space where meaning, mishearing, and dreams collide, sometimes midsentence, where they hinge into song: "My man animal took shape in a shadow, / climbed over an obstacle, / became the void." Interstitial love letters to queer writers process a miscarriage, the most recent election, and queer puppy love. This is a book of yearning—for a foreign tongue, for a body growing inside the body, and for a form of communication that can capture feeling. "There is a constant textual drama in the address and voice of Laura Wetherington’s heady poems; a mirror staged. With monologues, letters, lyrics, and prose she performs a writing through to a new ground of sensation and thinking. Call it the present. The music is gorgeous and the sound is captivating. Parallel Resting Places is a wonderful book and a welcome addition to a tradition that troubles tradition." —Peter Gizzi
What happens when a poet tries to filter the untranslatable from another language? The rush of unknowing, decoding the wind, the body becomes an antenna. Following behind Jack Spicer's After Lorca and swinging its ovaries, Laura Wetherington's second book uses the concept of translation to create original poems from the work of writers like Liliane Giraudon, Marie Étienne, Dominique Fourcade, and Jean-Marie Gleize. These poems run through a liminal linguistic space where meaning, mishearing, and dreams collide, sometimes midsentence, where they hinge into song: "My man animal took shape in a shadow, / climbed over an obstacle, / became the void." Interstitial love letters to queer writers process a miscarriage, the most recent election, and queer puppy love. This is a book of yearning—for a foreign tongue, for a body growing inside the body, and for a form of communication that can capture feeling. "There is a constant textual drama in the address and voice of Laura Wetherington’s heady poems; a mirror staged. With monologues, letters, lyrics, and prose she performs a writing through to a new ground of sensation and thinking. Call it the present. The music is gorgeous and the sound is captivating. Parallel Resting Places is a wonderful book and a welcome addition to a tradition that troubles tradition." —Peter Gizzi
Would you sacrifice your life for the life of another? That's the choice Tess Monaghan must face . . . When the body of Federal Attorney Gregory Youssef is found dumped on the edge of Baltimore, every cop in the city is determined to catch his killer. But four months on, no one has been brought to justice and the department is under massive pressure to deliver a suspect. Meanwhile, Tess' boyfriend insists on helping a homeless black teenager. He brings Lloyd home for some food and a bed for the night, but when Tess mentions the Youssef case, Lloyd freezes. That night, Lloyd sneaks out of the house and disappears. What is the link between Youssef's death and the teenager? Tess tracks Lloyd down and convinces him to share what he knows - which she then passes on to the press on the condition that Lloyd's name isn't used. But they use Tess' name instead. Before long the situation spins wildly out of control, leaving Tess to fear not only for Lloyd, but also for those closest to her . . .
All PI Tess Monaghan has to do is find some witnesses - that is, until the witnesses start dying . . . Tess Monaghan has finally made the move and hung out her sign as a private investigator for hire, complete with an office in Butchers Hill. Maybe it's not the greatest address in Baltimore, but you've got to start somewhere. Then in walks Luther Beale, the notorious vigilante who five years ago shot a boy for vandalising his car. Just out of prison, he wants to make reparations to the kids who witnessed his crime, so he needs Tess to find them. But once she starts snooping, the witnesses start dying. Is the 'Butcher of Butchers Hill' at it again? Like it or not, Tess is embroiled in a case that encompasses the powers-that-be, a heartless system that has destroyed the lives of children, and a nasty trail of money and lies leading all the way back to Butchers Hill.
Belle can never outrun her guilt. One irrational act when her emotions were at their most vulnerable has placed her on a collision course with not only the law and the lives of strangers but the hearts of those she loved. Belle realizes her old life has to be placed in the past and her new life lived in total dependence upon God one day at a time or she will ruin the life of her child. She would die for this child, so why shouldnt she live for him? She struggles to protect their privacy when recognition and publicity promote her son as a child star. He becomes known as the Ghost Rider on national rodeo circuits. As Belles life evolves and meshes with a new husband and a daughter of their own, the battles in her head torment her until that dreaded day when her son forces her to face the truth of the past, a past that will release him to choose a new life. From the dark alleys of drugs and crime to the boardrooms of business moguls, you will catch a glimpse of Gods sovereignty and his thread of mercy and grace woven throughout the characters you will come to love.
When her delectable spread for socialite Delaine Dish's charity Candelight Concert is interrupted by the killing of local politician Duke Wilkes, tea shop proprietor Theodosia Browning is asked by the victim's widow to uncover the truth about the crime.
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