Looking Forward . . . Take a Look at the Last 24 Hours . . . We know how valuable it could be to have a manual on the essentials of life on topics such as ‘Parenting: How to Bring Up Perfect People’ or ‘The Formula for Never Having to Say Goodbye’ or ‘Arriving at the Secret to a Never-fail Marriage’. The reality is there are no quick-fix booklets or a step-by-step instruction encyclopedia of sorts in existence, only helpful suggestions. Fully aware, my Husband and I co-authored this book to be messengers of God’s heart for such a stressful time everyone alive is facing. To the human race who has walked this journey of ups and downs, difficult struggles, heart breaking trials and perhaps even tasted some victories along the way, a journey called life…our hearts are purposed to extend anyhow, points we can join in to somehow encourage and to cheer You on across the Final Inch. When a runner nears the finishing line, all the stops are pulled out. All they can see is the ribbon and all they can think about is crossing that ribbon to victory. Think of this book as the “all-stops-pulled-out” and the focus is to take the final inch across the ribbon. “You can do it because God is with you all the way across the final inch!” The Last 24 Hours . . . It’s Inescapable . . . Captivating . . . Motivational.
This two-volume monograph is the final report and synthesis of the Valley of Oaxaca Settlement Pattern Project’s full-coverage surface survey and makes significant theoretical and methodological contributions to the investigation of social evolution, cultural ecology, and regional analysis.
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.
Today, the essay film has become a key cultural reference point. This book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing. It situates the essayistic urge within processes of filmic thinking that thrive in gaps.
Patriots, Settlers, and the Origins of American Social Policy offers a pathbreaking account of the pivotal role played by entitlement policies during the first hundred years of the United States' existence. Contrary to the story of developmental delay contained in the standard historiography, Laura Jensen reveals that national social policies not only existed in early America, but also were a major instrument by which the fledgling US government built itself and the new nation. From 1776 on, Federal pensions and land entitlements figured prominently in the growth and empowerment of a unique American state, the consolidation and expansion of the country, and the political incorporation of a diverse citizenry. The book provides a rich account of how governing institutions, public expectations, ideas about law and legality, political necessity and public policy gave shape to definitions of need, worth, and eligibility in late eighteenth and nineteenth century America.
Establishing the household as the central institution of southern society, Edwards delineates the inseparable links between domestic relations and civil and political rights in ways that highlight women's active political role throughout the nineteenth century. She draws on diaries, letters, newspaper accounts, government records, legal documents, court proceedings, and other primary sources to explore the experiences and actions of individual women in the changing South, demonstrating how family, kin, personal reputation, and social context all merged with gender, race, and class to shape what particular women could do in particular circumstances.
The House by the Side of the Road is the story of the impossible dream come true. It is the story of Paul T. Sanders, a young minister with a vision to serve humanity from a rural farm rather than a pulpit. Laura Kerr tells the story of this young man's dream as it becomes a reality through his perseverance and prayer, through the steadfast encouragement of his wife Elizabeth, through the generosity of farmer Ernest Warner who gave his land, and through the dedication and generosity of spirit of all who have participated in this grand experiment in faith that today is known as The Center. (12700 Southwest Hwy, Palos Park, IL, 60464) (www.thecenterpalos.org)
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