Laura Sjoberg positions gender and gender subordination as key factors in the making and fighting of global conflict. Through the lens ofgender, she examines the meaning, causes, practices, and experiences of war, building a more inclusive approach to the analysis of violent conflict between states. Considering war at the international, state, substate, and individual levels, Sjoberg's feminist perspective elevates a number of causal variables in war decision-making. These include structural gender inequality, cycles of gendered violence, state masculine posturing, the often overlooked role of emotion in political interactions, gendered understandings of power, and states' mistaken perception of their own autonomy and unitary nature. Gendering Global Conflict also calls attention to understudied spaces that can be sites of war, such as the workplace, the household, and even the bedroom. Her findings show gender to be a linchpin of even the most tedious and seemingly bland tactical and logistical decisions in violent conflict. Armed with that information, Sjoberg undertakes the task of redefining and reintroducing critical readings of war's political, economic, and humanitarian dimensions, developing the beginnings of a feminist theory of war.
From Pakistan to Chechnya, Sri Lanka to Canada, pioneering women are taking their places in formal and informal military structures previously reserved for, and assumed appropriate only for men. Women have fought in wars, either as women or covertly dressed as men, throughout the history of warfare, but only recently have they been allowed to join state militaries, insurgent groups, and terrorist organizations in unprecedented numbers. This begs the question - how useful are traditional gendered categories in understanding the dynamics of war and conflict? And why are our stories of gender roles in war typically so narrow? Who benefits from them? In this illuminating book, Laura Sjoberg explores how gender matters in war-making and war-fighting today. Drawing on a rich range of examples from conflicts around the world, she shows that both women and men play many more diverse roles in wars than either media or scholarly accounts convey. Gender, she argues, can be found at every turn in the practice of war; it is crucial to understanding not only ‘what war is’, but equally how it is caused, fought and experienced. With end of chapter questions for discussion and guides to further reading, this book provides the perfect introduction for students keen to understand the multi-faceted role of gender in warfare. Gender, War and Conflict will challenge and change the way we think about war and conflict in the modern world.
This compelling, interdisciplinary compilation of essays documents the extensive, intersubjective relationships between gender, war, and militarism in 21st-century global politics. Feminist scholars have long contended that war and militarism are fundamentally gendered. Gender, War, and Militarism: Feminist Perspectives provides empirical evidence, theoretical innovation, and interdisciplinary conversation on the topic, while explicitly—and uniquely—considering the links between gender, war, and militarism. Essentially an interdisciplinary conversation between scholars studying gender in political science, anthropology, and sociology, the essays here all turn their attention to the same questions. How are war and militarism gendered? Seventeen innovative explanations of different intersections of the gendering of global politics and global conflict examine the theoretical relationship between gender, militarization, and security; the deployment of gender and sexuality in times of conflict; sexual violence in war and conflict; post-conflict reconstruction; and gender and militarism in media and literary accounts of war. Together, these essays make a coherent argument that reveals that, although it takes different forms, gendering is a constant feature of 21st-century militarism.
Sjoberg advocates replacing righteousness in just war thinking with dialogue and empathy for the good of human safety everywhere and concludes with alternative visions of Gulf War policies, inspired by feminist just war theory."--BOOK JACKET.
A woman did that? The general reaction to women's political violence is still one of shock and incomprehension. Mothers, Monsters, Whores provides an empirical study of women's violence in global politics. The book looks at military women who engage in torture; the Chechen 'Black Widows'; Middle Eastern suicide bombers; and the women who directed and participated in genocides in Bosnia and Rwanda. Sjoberg & Gentry analyse the biological, psychological and sexualized stereotypes through which these women are conventionally depicted, arguing that these are rooted in assumptions about what is 'appropriate' female behaviour. What these stereotypes have in common is that they all perceive women as having no agency in any sphere of life, from everyday choices to global political events. This book is a major feminist re-evaluation of women's motivations and actions as perpetrators of political violence.
Beyond Mothers, Monsters, Whores takes the suggestion in Mothers, Monsters, Whores that it is important to see genderings in characterizations of violent women, and to use critique of those genderings to retheorize individual violence in global politics. It begins by demonstrating the interdependence of the personal and international levels of global politics in violent women's lives, but then shows that this interdependence is inaccurately depicted in gender-subordinating narratives of women's violence. Such narratives, the authors argue, are not only normatively problematic on the surface but also intersect with other identifiers, such as race, religion, and geopolitical location.
Women as Wartime Rapists reveals the stories of female perpetrators of sexual violence and their place in wartime conflict, legal policy, and the punishment of sexual violence. Very few women are wartime rapists. Very few women issue commands to commit sexual violence. Very few women play a role in making war plans that feature the intentional sexual violation of other women. This book is about those very few women. More broadly, Laura Sjoberg asks, what do the actions and perceptions of female perpetrators of sexual violence reveal about our broader conceptions of war, violence, sexual assault, and gender? This book explores specific historical case studies, such as Nazi Germany, Serbia, the contemporary case of ISIS, and others, to understand how and why women participate in rape during war and conflict. Sjoberg examines the contrast between the visibility of female victims and the invisibility of female perpetrators, as well as the distinction between rape and genocidal rape, which is used as a weapon against a particular ethnic or national group. Further, she explores women’s engagement with genocidal rape and how some orchestrated the ethnic cleansing of entire regions. A provocative approach to a sensationalized topic, Women as Wartime Rapists offers important insights into not only the topic of female perpetrators of wartime sexual violence, but to larger notions of gender and violence with crucial cultural, legal, and political implications.
Many scholars, intentionally or unintentionally, have entangled constructivisms and critical theories in problematic ways, either by assigning a critical-theoretical politics to constructivisms or by assuming the appropriateness of constructivist epistemology and methods for critical theorizing. IR's Last Synthesis? makes the argument that these connections mirror IR's grand theoretical syntheses of the 1980s and 1990s and have similar constraining effects on the possibilities of IR theory. They have been made without adequate reflection, in contradiction to the base assumptions of each theoretical perspective, and to the detriment of both knowledge accumulation about global politics and theoretical rigor in disciplinary IR. It is not that constructivisms and critical theories have no common ground; rather, the fact that it has become routine for IR scholars to overstate their common ground is counterproductive to the discovery and utilization of their potential dialogues. To that end, IR's Last Synthesis? argues that scholars using the two in conjunction should be cognizant of, rather than gloss over, the tensions between the approaches and the tools they have to offer. Along these lines, the book uses the concept of affordances to look at what each has to offer the other, and to argue for a modest, reflective, specified return to (constructivist and critical) IR theorizing. By rejecting its over-simple syntheses, this book hews a road toward reviving IR theorizing.
This book explores the role of gender in influencing war-fighting actors’ strategies toward the attack or protection of civilians. Traditional narratives suggest that killing civilians intentionally in wars happens infrequently and that the perpetration of civilian targeting is limited to aberrant actors. Recently, scholars have shown that both state and non-state actors target civilians, even while explicitly deferring to the civilian immunity principle. This book fills a gap in the accounts of how civilian targeting happens and shows that these actors are in large part targeting women rather than some gender-neutral understanding of civilians. It presents a history of civilian victimization in wars and conflicts and then lays out a feminist theoretical approach to understanding civilian victimization. It explores the British Blockade of Germany in World War I, the Soviet ‘Rape of Berlin’ in World War II, the Rwandan genocide, and the contemporary conflict in northeast Nigeria. Across these case studies, the authors lay out that gender is key to how war-fighting actors understand both themselves and their opponents and therefore plays a role in shaping strategic and tactical choices. It makes the argument that seeing women in nationalist and war narratives is crucial to understanding when and how civilians come to be targeted in wars, and how that targeting can be reduced. This book will be of much interest to students of critical security, gender studies, war studies, and International Relations in general.
Many scholars, intentionally or unintentionally, have entangled constructivisms and critical theories in problematic ways, either by assigning a critical-theoretical politics to constructivisms or by assuming the appropriateness of constructivist epistemology and methods for critical theorizing. This book makes the argument that these connections mirror the grand theoretical syntheses of International Relations (IR) in the 1980s and 1990s, and have similar constraining effects on the possibilities of International Relations theory. These connections have been made without adequate reflection, in contradiction to the base assumptions of each theoretical perspective, and to the detriment of both knowledge accumulation about global politics and theoretical rigor in disciplinary International Relations. It is not that constructivisms and critical theories have no common ground but instead that the overstatement of their common ground that has become routine among International Relations scholars is counterproductive to the discovery and utilization of their potential dialogues. To that end, this book argues that scholars using the two in conjunction should be cognizant of, rather than gloss over, the tensions between them as approaches and the different tools they have to offer. Along these lines, the book uses the concept of affordances to look at what each has to offer the other, and to argue for a modest, reflective, specified return to (constructivist and critical) International Relations theorizing that has the potential to revive International Relations theorizing by rejecting its oversimple syntheses.
Laura O'Donnell used to be stuck in a life she didn't plan for - a single mother of five children working as a nurse and only just making ends meet. She was living an unfulfilled life until one day she decided to set herself free. Stunt woman, actress, acrobat, kickboxer, psychologist, beauty queen, businesswoman and amazing single mum to five children, Laura's inspirational story shows that no matter how stuck you might seem, with work and perseverance you can set yourself free and live your dreams.
Laura Sjoberg positions gender and gender subordination as key factors in the making and fighting of global conflict. Through the lens ofgender, she examines the meaning, causes, practices, and experiences of war, building a more inclusive approach to the analysis of violent conflict between states. Considering war at the international, state, substate, and individual levels, Sjoberg's feminist perspective elevates a number of causal variables in war decision-making. These include structural gender inequality, cycles of gendered violence, state masculine posturing, the often overlooked role of emotion in political interactions, gendered understandings of power, and states' mistaken perception of their own autonomy and unitary nature. Gendering Global Conflict also calls attention to understudied spaces that can be sites of war, such as the workplace, the household, and even the bedroom. Her findings show gender to be a linchpin of even the most tedious and seemingly bland tactical and logistical decisions in violent conflict. Armed with that information, Sjoberg undertakes the task of redefining and reintroducing critical readings of war's political, economic, and humanitarian dimensions, developing the beginnings of a feminist theory of war.
A woman did that? The general reaction to women's political violence is still one of shock and incomprehension. Mothers, Monsters, Whores provides an empirical study of women's violence in global politics. The book looks at military women who engage in torture; the Chechen 'Black Widows'; Middle Eastern suicide bombers; and the women who directed and participated in genocides in Bosnia and Rwanda. Sjoberg & Gentry analyse the biological, psychological and sexualized stereotypes through which these women are conventionally depicted, arguing that these are rooted in assumptions about what is 'appropriate' female behaviour. What these stereotypes have in common is that they all perceive women as having no agency in any sphere of life, from everyday choices to global political events. This book is a major feminist re-evaluation of women's motivations and actions as perpetrators of political violence.
Based on interviews with key policy actors, including ministry bureaucrats, curriculum policy writers, stakeholder consultation participants, and political staffers, Curriculum Reform in Ontario provides a critique of conventional policy formulation processes.
Telling stories: an essay on gender, violence and popular culture -- Morality, legality and gender violence in Angel -- Policing the boundaries of desire in Buffy the vampire slayer -- Gender, ethics and political community in Generation kill -- Feminism and political strategy in The west wing -- Gender, violence and security in Oz -- Security and governance after modernity in Firefly -- Hope and the politics of natality in The corner -- Points de capiton: aesthetics, ethics and critique.
Gender is widely recognized as an important and useful lens for the study of International Relations. However, there are few books that specifically investigate masculinity/ies in relation to world politics. Taking a feminist-inspired understanding of gender as its starting point, the book: • explains that gender is both an asymmetrical binary and a hierarchy; • shows how masculinization works via ‘nested hierarchies’ of domination and subordination; • explores the imbrication of masculinities with the nation-state and great-power politics; • develops an understanding of the arms trade with commercial processes of militarization. Written in an accessible style, with suggestions for further reading, this book is an invaluable resource for students and teachers applying ‘the gender lens’ to global politics.
Continues the author's story of personal crises, highlighted by the irony and humor that paralleled her professional triumph, and includes anecdotes of the famous and infamous
This unique book studies America's frail older population relative to the elderly in ten other nations. It contains a cross-national assessment of approaches to long-term care for the elderly and explains the nature and extent of current and future problems related to caring for the functionally impaired elderly. By studying and analyzing the ongoing struggles of other nations in their attempts to cope with growing populations of frail elderly, readers in the U.S. can expand the parameters of their own national debate on the subject. The Graying of the World shows the political, economic, and social context in which decisions on elder-care are based and evaluates how successful various countries'programs have been. Chapters outline alternative approaches taken by disparate types of national systems, highlighting unique and creative solutions to provide useful information on new and alternative ways to respond to personal and public issues related to elder-care. The elderly and their care in Finland, France, Germany, Great Britain, Israel, Japan, People's Republic of China, Sweden, and Yugoslavia are discussed, as are the elderly in Canada and the United States. Chapters cover the following topics for each country: the increasing number of frail elderly and their costly health needs the current and future role of the state in elder-care the current and future role of the family in elder-care types of support services offered for the elderly, including in-home care, community-based care, and institutional care the relationship of a nation's political economy to its attitude and policy on long-term care innovative approaches to elder-care Practitioners, decision makers, and the concerned general public will all find The Graying of the World an interesting and informative book that expands the discussion of health care options available for the elderly. As such, the book is also a helpful text for undergraduate and beginning graduate students of gerontology, public policy, and comparative politics, as well as for social service practitioners. It provokes much-needed conversation on developing a healthcare plan for the future that meets the needs of a large elderly population.
Riding on a wave of popular demand for YA fantasy and science fiction, Marissa Meyer’s success in the genre is the latest stage in the steady rise of an up-and-coming author. Meyer’s career milestones are discussed, including her education in creative writing, her work as an editor on other writers’ books, and her writing of the manga comic fan fiction Sailor Moon under a pseudonym. The book provides an in-depth look at the writing process and creative origins behind her first book, Cinder, the first in an ambitious four-part series that reworks traditional fairy tales in a modern context.
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