While most major museums in the United States and abroad hold examples of the German artist Anselm Kiefer's work, the nature and extent of his achievement are the subject of intense debate. This volume reproduces in full The Heavenly Palaces - Merkabah, an important large-scale artist's book created by Kiefer in 1990. Featuring highly evocative images beautifully reproduced here in full color, this work is accompanied by three penetrating essays by experts who approach the book from various perspectives, explicating its many layers of meaning to an unprecedented degree. The first essay deals impressionistically with the motifs and iconography of The Heavenly Palaces - Merkabah. The next treats its themes and meaning, concentrating especially on Jewish references and resonances, an especially challenging aspect of this German artist's oeuvre. In the final essay, the importance of the medium of photography is addressed by surveying its use by Kiefer since the beginning of his career.
This book presents a critical history of the intersections between American environmental literature and ecological restoration policy and practice. Through a storying—restorying—restoring framework, this book explores how entanglements between writers and places have produced literary interventions in restoration politics. The book considers the ways literary landscapes are politicized by writers themselves, and by conservationists, activists, policymakers, and others, in defense of U.S. public lands and the idea of wilderness. The book profiles five environmental writers and examines how their writings on nature, wildness, wilderness, conservation, preservation, and restoration have variously inspired and been translated into ecological restoration programs and campaigns by environmental organizations. The featured authors are Henry David Thoreau (1817–1862) at Walden Pond, John Muir (1838–1914) in Yosemite National Park, Aldo Leopold (1887–1948) at his family’s Wisconsin sand farm, Marjory Stoneman Douglas (1890–1998) in the Everglades, and Edward Abbey (1927–1989) in Glen Canyon. This book combines environmental history, literature, biography, philosophy, and politics in a commentary on considering (and developing) environmental literature’s place in conversations on restoration ecology, ecological restoration, and rewilding.
This book presents a critical history of the intersections between American environmental literature and ecological restoration policy and practice. Through a storying—restorying—restoring framework, this book explores how entanglements between writers and places have produced literary interventions in restoration politics. The book considers the ways literary landscapes are politicized by writers themselves, and by conservationists, activists, policymakers, and others, in defense of U.S. public lands and the idea of wilderness. The book profiles five environmental writers and examines how their writings on nature, wildness, wilderness, conservation, preservation, and restoration have variously inspired and been translated into ecological restoration programs and campaigns by environmental organizations. The featured authors are Henry David Thoreau (1817–1862) at Walden Pond, John Muir (1838–1914) in Yosemite National Park, Aldo Leopold (1887–1948) at his family’s Wisconsin sand farm, Marjory Stoneman Douglas (1890–1998) in the Everglades, and Edward Abbey (1927–1989) in Glen Canyon. This book combines environmental history, literature, biography, philosophy, and politics in a commentary on considering (and developing) environmental literature’s place in conversations on restoration ecology, ecological restoration, and rewilding.
As a first-time mother about to have a home birth, Mari is certain of one thing: she can't wait to hold her baby. The next morning, shes certain of something else: the baby in her arms is not her baby. A contemporary thriller with age-old roots, MINE explores an unseen world where doubt and certainty blur and madness vies with reality.
Riding on a wave of popular demand for YA fantasy and science fiction, Marissa Meyer’s success in the genre is the latest stage in the steady rise of an up-and-coming author. Meyer’s career milestones are discussed, including her education in creative writing, her work as an editor on other writers’ books, and her writing of the manga comic fan fiction Sailor Moon under a pseudonym. The book provides an in-depth look at the writing process and creative origins behind her first book, Cinder, the first in an ambitious four-part series that reworks traditional fairy tales in a modern context.
Laura Marcus is one of the leading literary critics of modernist literature and culture. Dreams of Modernity: Psychoanalysis, Literature, Cinema covers the period from around 1880 to 1930, when modernity as a form of social and cultural life fed into the beginnings of modernism as a cultural form. Railways, cinema, psychoanalysis and the literature of detection - and their impact on modern sensibility - are four of the chief subjects explored. Marcus also stresses the creativity of modernist women writers, including H. D., Dorothy Richardson and Virginia Woolf. The overriding themes of this work bear on the understanding of the early twentieth century as a transitional age, thus raising the question of how 'the moderns' understood the conditions of their own modernity.
Collected Record of Authentic Narratives, Facts & Letters: True Life Stories of Runaway Slaves and the Two Celebrated Female Conductors of the Underground Railroad
Collected Record of Authentic Narratives, Facts & Letters: True Life Stories of Runaway Slaves and the Two Celebrated Female Conductors of the Underground Railroad
This carefully crafted ebook: "Taking the Underground Railroad to Freedom – Selected True Stories from Former Slaves & Abolitionists (Illustrated)” is formatted for your eReader with a functional and detailed table of contents. The Underground Railroad was a secret network of routes used by Southern slaves in escaping to the North. In their attempts they were often guided and helped by former fugitive slaves and abolitionist who were known as the conductors. Unravel the secrets of these incredible and unforgettable life journeys and the people who took these treacherous routes to freedom. This edition includes carefully compiled and detailed documentation about the lives and escapes of over 100 former slaves along with the incredible life stories of the two courageous female conductors, Harriet Tubman and Laura S. Haviland, who risked their own lives in helping these slaves cross over to the North in the dead of the night. So come and relive the stories of extraordinary courage, heart breaking saga of grief and separation and the overwhelming desire to break free! A MUST READ! William Still (1821–1902) was an African-American abolitionist, conductor on the Underground Railroad, writer, historian and civil rights activist who recorded the stories of fugitive slaves to help them reunite with their families. Sarah H. Bradford (1818–1912) was an American writer, historian and a very close friend of Harriet Tubman. Bradford was also a contemporary of Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Laura S. Haviland (1808-1898) was an American abolitionist, suffragette, and social reformer. She is credited to have established the first racially integrated school in Michigan with her husband, which gave lectures about the realities of life on a slave plantation.
Humboldt offered the world a vision of humans & nature as integrated halves of a single whole. He espoused the idea that while the univerise of nature exists apart from human purpose, its beauty & order are human achievements. Laura Dassow Walls traces the emergence of this philosophy to Humboldt's 1799 journey to America.
When she couldn’t find hiking boots that fit, Laura White Brunner explored Yosemite backcountry barefoot, and at times alone, in an era when grizzly bears still roamed the park. When told she couldn’t hike in pants, she pinned up her skirt. Brunner showed admirable pluck, but, more remarkably, she did it as a teenager in the 1910s—and she wrote it all down. Her memoir, recovered from the Yosemite archives and published here for the first time, recounts two summers spent working and hiking in Yosemite Valley during a time of great change—in the park and in the world beyond. In captivating prose Brunner describes her unlikely adventures in the summers of 1915 and 1917, as well as what she calls “the interlude” between them. Sometimes funny, sometimes painful, always engaging, her account captures the “trails” and tribulations of a young woman coming of age in America’s most beautiful national park. Lightly edited and put into biographical, geographical, and historical context by Jared N. Champion, the book is also illustrated with historic photographs, many taken by Brunner herself. It provides an indelible picture of a bygone time, of awakening young womanhood in a pristine natural world just opening to tourism on a grand scale. Late in life, Laura White Brunner (1899–1973) told a reporter that she had always wanted to be a national park ranger, but, sadly, was “born too soon.” Nonetheless she made Yosemite her own—in her hiking, photographs, and memoir, but also in a practical sense, when her ascent of Half Dome by the “Clothes-Line Rope” inspired the park administration, who feared more women might summit the monolith, to install the iconic “Cables on Half Dome” route that remains in place today. Brunner went on to a career in journalism and though she tried for decades to publish her memoir, this is its first appearance in print.
This fully updated second edition presents a conceptual framework of outdoor recreation management in the form of a series of management matrices. It then illustrates this framework through new and updated case studies in the US national parks, and concludes with the principles of outdoor recreation management. Managing Outdoor Recreation, 2nd Edition is an essential resource for undergraduate and graduate students of parks, outdoor recreation and related subjects, as well as a helpful tool for practitioners.
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