Traces the career of Colombian artist Olga de Amaral (born 1932). Drawing on techniques like plaiting and wrapping and materials such as horsehair and gold leaf, Amaral's transformative woven sculptures result from a lifetime of experimentation. This book provides new scholarship by contextualizing Amaral's work within contemporary and fiber arts"--
The first book, accompanying a traveling exhibition, dedicated to Cuban mid-century design anchored by an under-acknowledged collection of graphic design, prototypes, and furniture, much of which has never been exhibited outside the island or published. Primarily focused on the post-revolutionary era of Cuba from the late 1950s through the 1970s, this volume brings together a prolific cohort of artists, designers, and architects that materialized the ideology of their time, and ultimately narrate the country’s arc from revolutionary promise to authoritarian retrenchment. Design and architecture played an important role in shaping the country's identity and cultural expression during this time period. Consisting of nearly 100 works, including approximately 50 pieces of furniture, the exhibition and accompanying catalogue features seminal objects of functional design, architectural renderings, speculative prototypes for a “design for all” ethos, and key examples of art and graphic design that contributed to the zeitgeist of the era. The book also includes several examples by contemporary Cuban artists and designers who explore how this post-revolutionary aesthetic survives today.
Allie McGhee has been an important pillar of the Detroit art scene for more than five decades with a practice defined by his signature approach to abstraction. This retrospective is a long overdue presentation of significant past works from McGhee's extensive and dynamic oeuvre, as well as the premiere of ambitious new paintings created for this auspicious occasion. In the late 1960s, McGhee shifted his practice from representational depictions because he was drawn to the long communicative history of geometry and abstraction in the timeline of humanity. One constant inspiration has been traditional African sculpture and its forms of symbolism. The title of this exhibition--Banana Moon Horn--is the name McGhee has given to the recurring arcing forms that he has explored throughout his career. The Banana Moon Horn has associations ranging from the natural world, humor, and ancient art--myriad interpretations are both intentional and welcome. McGhee often overlaps and mixes mediums by incorporating found objects or bringing a three-dimensional quality to his paintings. To this end, his collapsed canvas works have conceptual ties to McGhee's research into science and the cosmos, often alluding to the view into a microscope or possibly collapsing universe. McGhee can be found in his studio "every single day except Christmas," and this exhibition is a crescendo of his daily experiments over the years. McGhee's vivacious mind has also rendered his studio as an important place for lively conversations across generations, particularly in the Black artistic community. The background of these discussions is often set to the sound of jazz, a musical ethos of improvisation and lyrical abstraction that also emerges throughout McGhee's practice -- Exhibition website.
Landlord Colors: On Art, Economy, and Materiality reconsiders periods of economic and social collapse through the lens of artistic innovations and material-driven narratives. It examines five art scenes generated during heightened periods of upheaval: America’s Detroit from the 1967 rebellion to the present; the cultural climate of the Italian avant-garde during the 1960s-1980s; authoritarian-ruled South Korea of the 1970s; Cuba since the collapse of the Soviet Union in the 1990s to the present; and contemporary Greece since the financial crisis of 2009. Featuring more than sixty artists, Landlord Colors is a landmark exhibition, publication, and public art and performance series. While the project unearths microhistories and vernaculars specific to place, it also examines a powerful global dialogue communicated through materiality. Landlord Colors discovers textured and unexpected relationships between these artists whose investigations share themes of ingenuity, resourcefulness, and resistance." -- Cranbrook Art Museum website
Tess Monaghan has finally made the move and hung out her shingle as a p.i.-for-hire, complete with an office in Butchers Hill. Maybe it's not the best address in Baltimore, but you gotta start somewhere, and Tess's greyhound Esskay has no trouble taking marathon naps anywhere there's a roof. Then in walks Luther Beale, the notorious vigilante who five years ago shot a boy for vandalizing his car. Just out of prison, he says he wants to make reparations to the kids who witnessed his crime, so he needs Tess to find them. But once she starts snooping, the witnesses start dying. Is the "Butcher of Butchers Hill" at it again? Like it or not, Tess is embroiled in a case that encompasses the powers that-be, a heartless system that has destroyed the lives of children, and a nasty trail of money and lies leading all the way back to Butchers Hill.
La detective Tess Monoghan abre al fin su propia agencia de investigación, y lo hace en Butchers Hill. Quizás no sea la mejor zona de Baltimore, pero en algún sitio hay que empezar. Un hombre anciano que acaba de salir de la cárcel contratará sus servicios. Acaba de cumplir condena por el asesinato de un ado-lescente, al que mató por destrozar su coche. Ha tenido tiempo de reflexionar en la sombra, y lo que ahora desea es indemnizar a los chicos que presenciaron el crimen, de manera que Tess habrá de localizarlos. Y quizás sea tarde; los chicos aparecen muertos. Tess se verá envuelta en un rastro de dinero y mentiras, que conducen a calles desconocidas, a los rincones menos agradables de Butchers Hill.
Riding on a wave of popular demand for YA fantasy and science fiction, Marissa Meyer’s success in the genre is the latest stage in the steady rise of an up-and-coming author. Meyer’s career milestones are discussed, including her education in creative writing, her work as an editor on other writers’ books, and her writing of the manga comic fan fiction Sailor Moon under a pseudonym. The book provides an in-depth look at the writing process and creative origins behind her first book, Cinder, the first in an ambitious four-part series that reworks traditional fairy tales in a modern context.
Presents an encyclopedia of religion and politics in America including short biographies of important political and religious figures like Ralph Abernathy, civil rights leader, and Ralph Waldo Emerson, writer, and synopses of religious entities like the Branch Davidians and the Episcopal church as well as important court cases of relevancy like Epperson et al. v. Arkansas having to do with evolution.
Collected Record of Authentic Narratives, Facts & Letters: True Life Stories of Runaway Slaves and the Two Celebrated Female Conductors of the Underground Railroad
Collected Record of Authentic Narratives, Facts & Letters: True Life Stories of Runaway Slaves and the Two Celebrated Female Conductors of the Underground Railroad
This carefully crafted ebook: "Taking the Underground Railroad to Freedom – Selected True Stories from Former Slaves & Abolitionists (Illustrated)” is formatted for your eReader with a functional and detailed table of contents. The Underground Railroad was a secret network of routes used by Southern slaves in escaping to the North. In their attempts they were often guided and helped by former fugitive slaves and abolitionist who were known as the conductors. Unravel the secrets of these incredible and unforgettable life journeys and the people who took these treacherous routes to freedom. This edition includes carefully compiled and detailed documentation about the lives and escapes of over 100 former slaves along with the incredible life stories of the two courageous female conductors, Harriet Tubman and Laura S. Haviland, who risked their own lives in helping these slaves cross over to the North in the dead of the night. So come and relive the stories of extraordinary courage, heart breaking saga of grief and separation and the overwhelming desire to break free! A MUST READ! William Still (1821–1902) was an African-American abolitionist, conductor on the Underground Railroad, writer, historian and civil rights activist who recorded the stories of fugitive slaves to help them reunite with their families. Sarah H. Bradford (1818–1912) was an American writer, historian and a very close friend of Harriet Tubman. Bradford was also a contemporary of Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Laura S. Haviland (1808-1898) was an American abolitionist, suffragette, and social reformer. She is credited to have established the first racially integrated school in Michigan with her husband, which gave lectures about the realities of life on a slave plantation.
Bluebonnets and tumbleweeds, gunslingers and cattle barons all form part of the romanticized lore of the state of Texas. It has an image as a larger-than-life land of opportunity, represented by oil derricks pumping black gold from arid land and cattle grazing seemingly endless plains. In this historiography of eighteenth– and nineteenth–century chronologies of the state, Laura McLemore traces the roots of the enduring Texas myths and tries to understand both the purposes and the methods of early historians. Two central findings emerge: first, what is generally referred to as the Texas myth was a reality to earlier historians, and second, myth has always been an integral part of Texas history. Myth provided the impetus for some of the earliest European interest in the land that became Texas. Beyond these two important conclusions, McLemore’s careful survey of early Texas historians reveals that they were by and large painstaking and discriminating researchers whose legacy includes documentary sources that can no longer be found elsewhere. McLemore shows that these historians wrote general works in the spirit of their times and had agendas that had little to do with simply explaining a society to itself in cultural terms. From Juan Agustin Morfi’s Historia through Henderson Yoakum’s History of Texas to the works of Dudley Wooten, George Pierce Garrison, and Lester Bugbee, the portrayal of Texas history forms a pattern. In tracing the development of this pattern, McLemore provides not only a historiography but also an intellectual history that gives insight into the changing culture of Texas and America itself. Early Texas historians came from all walks of life, from priests to bartenders, and this book reveals the unique contributions of each to the fabric of state history . A must–read for lovers of Texas history, Inventing Texas illuminates the intricate blend of nostalgia and narrative that created the state’s most enduring iconography.
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