This book takes an in depth look at a novel methodology for analyzing Global Positioning System (GPS) data to obtain the highest possible resolution surface imaging of tectonic deformation sources without prescribing the nature of either the sources or the subsurface medium. GPS methods are widely used to track the surface expression of crustal deformation at tectonic plate boundaries, and are typically expressed in terms of velocity fields or strain rate fields. Vertical derivatives of horizontal stress (VDoHS) rates at the Earth’s surface can also be derived from GPS velocities, and VDoHS rates provide much higher resolution information about subsurface deformation sources than velocities or strain rates. In particular, VDoHS rates allow for high precision estimates of fault dips, slip rates and locking depths, as well as objective characterization of previously unknown (or hidden) tectonic deformation zones.
A compelling story of our ever-evolving relationship with mountains and wilderness. Thirty years after its initial publication, this beloved classic is back in print. Superbly researched and written, Forest and Crag is the definitive history of our love affair with the mountains of the Northeastern United States, from the Catskills and the Adirondacks of New York to the Green Mountains of Vermont, the White Mountains of New Hampshire, and the mountains of Maine. It’s all here in one comprehensive volume: the struggles of early pioneers in America’s first frontier wilderness; the first ascent of every major peak in the Northeast; the building of the trail networks, including the Appalachian Trail; the golden era of the summit resort hotels; and the unforeseen consequences of the backpacking boom of the 1970s and 80s. Laura and Guy Waterman spent a decade researching and writing Forest and Crag, and in it they draw together widely scattered sources. What emerges is a compelling story of our ever-evolving relationship with the mountains and wilderness, a story that will fascinate historians, outdoor enthusiasts, and armchair adventurers alike. Laura Waterman and Guy Waterman (1932–2000) volunteered for the United States Forest Service and for hiking and conservation organizations, maintaining the Franconia Ridge Loop for almost two decades. They were awarded the American Alpine Club’s 2012 David R. Brower Award for outstanding service in mountain conservation, and the Waterman Fund to preserve wildness and service the alpine areas across the Northeast was established in 2000. Laura and Guy wrote numerous articles and books on the outdoors, including The Green Guide to Low-Impact Hiking and Camping, Wilderness Ethics: Preserving the Spirit of Wildness, and Yankee Rock & Ice: A History of Climbing in the Northeastern United States. Laura’s memoir, Losing the Garden: The Story of a Marriage, recounts their thirty years of homesteading.
In Shakespeare's England, credit was synonymous with reputation, and reputation developed in the interplay of language, conduct, and social interpretation. As a consequence, artful language and social hermeneutics became practical, profitable skills. Since most people both used credit and extended it, the dual strategies of implication and inference—of producing and reading evidence—were everywhere. Like poetry or drama, credit was constructed: fashioned out of the interplay of artifice and interpretation. The rhetorical dimension of economic relations produced social fictions on a range of scales: from transitory performances facilitating local transactions to the long-term project of maintaining creditworthiness to the generalized social indeterminacy that arose from the interplay of performance and interpretation. Fictions of Credit in the Age of Shakespeare examines how Shakespeare and his contemporaries represented credit-driven artifice and interpretation on the early modern stage. It also analyses a range of practical texts—including commercial arithmetics, letter-writing manuals, legal formularies, and tables of interest—which offered strategies for generating credit and managing debt. Looking at plays and practical texts together, Fictions of Credit argues that both types of writing constitute “equipment for living”: practical texts by offering concrete strategies for navigating England's culture of credit, and plays by exploring the limits of credit's dangers and possibilities. In their representations of a world re-written by debt relations, dramatic texts in particular articulate a phenomenology of economic life, telling us what it feels like to live in credit culture: to live, that is, inside a fiction.
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