Soon to be a feature film from the creators of Downton Abbey starring Elizabeth McGovern, The Chaperone is a New York Times-bestselling novel about the woman who chaperoned an irreverent Louise Brooks to New York City in the 1920s and the summer that would change them both. Only a few years before becoming a famous silent-film star and an icon of her generation, a fifteen-year-old Louise Brooks leaves Wichita, Kansas, to study with the prestigious Denishawn School of Dancing in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s, ’30s, and beyond—from the orphan trains to Prohibition, flappers, and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.
Seventeen-year-old Hanna has been in love with Seth for as long as she can remember, but now that her feelings are requited and she and Seth are in an actual relationship, it feels like love just isn't enough. Seth is controlling and all they seem to do anymore is hurt each other. If that's what love is, Hanna doesn't want any part of it. Besides, she has something else on her mind: graduation. But she's been ignoring the school's community service requirement for years, and now she needs to clock in some hours in a hurry. She volunteers as a caretaker for the Schoenmakers, an elderly couple who live on a farm behind Hanna's house. Mrs. Schoenmaker has advanced Parkinson's, and her husband can't always be there to watch over her. While caring for Mrs. Schoenmaker, Hanna gets drawn into an audiobook that the older woman is listening to, a love story of passion and sacrifice and shared hurts and complete devotion. She's fascinated by the idea that love like that can truly exist, and without her even realizing it, the story begins to change her. But what Hanna doesn't know is that the story she's listening to is not fiction -- and that Mrs. Schoenmaker and her husband's devotion to each other is about to reach its shattering, irrevocable conclusion...
Almost a Queen: Book One of the Three Graces Trilogy Who wouldn't want to be Queen? Cousins to the King of Navarre, the Cleves sisters witness the glamour and danger of the French royal court firsthand. Youngest sister, Marie is trapped in an unhappy arranged marriage with her cousin, Henri, Prince de Conde. Determined to make the best of her situation, she awaits the wedding of the King of Navarre in Paris. Paris of 1572 boils with religious war, and few will make it out of the wedding celebrations alive. Those that do survive face an impossible choice: convert or die. Will Marie and Conde make the decision to abandon their Protestant faith in order to save their lives? Will it cost them their souls? Along with the threat of death comes a change for true love with the king's younger son, the Duc d'Anjou. Yet Marie promised to love honor and cherish her husband till death did them part. Will death part them soon? Is it possible to find love in the midst of tragedy? Based on a true story The Cleves sisters' story starts with Marie, the youngest sister introduces you to the world of court politics in France of the 1500s. Like most great noble families of the period, the web of intermarriages and alliances made enemies out of blood relatives. It also meant that the stories of the people who served the Valois monarchs were as intertwined and as complicated as their marriages. Led by the ever-vigilant Catherine de Medici, Queen Mother of France and a force of nature, the members of the court shaped the political and religious future of France of the Sixteenth Century. In upcoming novels, you'll meet the often- derided Charlotte, Madame de Sauve, and enough royal mistresses to satisfy your need for scandal.
Huggi is a wellness bear who introduces children to a self-help skill, called tapping which assists them to process their feelings. Huggi teaches children positive self talk as they are learning to read! Empower your child today with this inspirational, magical and educational book.
Get the entire Three Graces Trilogy in one bundle! Book One: Almost a Queen: Cousins to the King of Navarre, the Cleves sisters witness the glamour and danger of the French royal court firsthand. Youngest sister, Marie is trapped in an unhappy arranged marriage with her cousin, Henri, Prince de Conde. Determined to make the best of her situation, she awaits the wedding of the King of Navarre in Paris. Paris of 1572 boils with religious war, and few will make it out of the wedding celebrations alive. Those that do survive face an impossible choice: convert or die. Will Marie and Conde make the decision to abandon their Protestant faith in order to save their lives? Will it cost them their souls? Along with the threat of death comes a change for true love with the king's younger son, the Duc d'Anjou. Yet Marie promised to love honor and cherish her husband till death did them part. Will death part them soon? Is it possible to find love in the midst of tragedy? Book Two: Lady of the Court Cousins to the King of Navarre, the Cleves sisters witness the glamour and danger of the French royal court firsthand. Middle sister, Henriette, sits at the apex of the royal court, wife to one of King Henri III's most trusted advisors In a country torn apart by religious war, things can change in an instant, and no one in France is safe. Henriette is desperate to hold onto her life, and hand it on to the next generation. To do so, she must have an heir, something that she has so far failed to do. Henriette has to fight to hold onto everything that she holds dear, but war can sweep up even the most innocent. So don’t wait, scroll up and grab your copy today. You'll instantly be front and center at the world of the Valois court, and all of the danger and splendor of Renaissance France! Book Three: Fate's Mistress Cousins to the King of Navarre, the Cleves sisters witness the glamour and danger of the French royal court firsthand. Middle sister, Catherine, is married to the Duc de Guise, the most rabid Catholic in France. Ambitious and well-connected, Guise is the main rival for the French throne, which is currently occupied by an unpopular Henri III. Guise managed to win concessions from Henri, but concessions come with a steep price on his head. As his Duchesse, Catherine is in a dangerous position of her own. Determined to play her part in bringing about the downfall of the Valois and the rise of the Guise, Catherine will risk her own safety. But is the risk worth the rewards? Will either of them escape with their lives? Catherine has to take a chance for herself, and the consequences will change French history.
Laura Vivanco's study challenges the idea that Harlequin Mills & Boon romances are merely mass-produced commodities, churned out in accordance with a strict and unchanging formula. She argues that many are well-written, skilfully crafted works, and that some are small masterpieces. For Love and Money demonstrates the variety that exists beneath the covers of Harlequin Mills & Boon romances. They range from paranormal romances to novels resembling chick lit, and many have addressed serious issues, including the plight of post-Second World War refugees, threats to marine mammals, and HIV/AIDS. The genre draws inspiration from Shakespearean comedies and Austen's novels, as well as from other forms of popular culture. "“Laura Vivanco’s 'For Love and Money' is an impressive study of the popular fiction of Harlequin Mills and Boon that is a must read for any student of popular fiction and for those who write and love the genre” —Liz Fielding, author of over 50 Harlequin Mills & Boon romances.“Deep learning, wide reading, and clear thinking are very much in evidence in Vivanco’s exploration of HM&B. A welcome addition to popular romance criticism.” — Professor Pamela Regis, author of 'A Natural History of the Romance Novel'."Laura Vivanco’s analysis of the category romance is both meticulous and inspiring. And while Vivanco limits her examples and discussions to category romances by Harlequin Mills & Boon and the HQN imprint, her application of Frye’s mimetic modes begs for expansion to texts and authors across the genre. This piece of literary criticism should serve as a template for romance scholars to move from defending the genre to discussing its values and complexity as a literary art. — Maryan Wherry, 'Journal of Popular Romance Studies
Ellie Ballantyne, youngest child of Silas and Eden, has left finishing school. But back at her family home in Pittsburgh, Ellie finds that her parents are away on a long trip and her siblings don't seem to want her to stay. When she opens a day school for young ladies, she begins tutoring the incorrigible daughter of the enemy Turlock clan. The Turlocks are slaveholders and whiskey magnates, envious of the powerful Ballantynes and suspicious of their abolitionist leanings. As Ellie becomes increasingly tangled with the Turlocks, she finds herself falling in love with an impossible future--and Jack Turlock, a young man striving to free himself from his family's violent legacy. How can she betray her family and side with the enemy? And will Jack ever allow her into his world? Masterful storyteller Laura Frantz continues to unfold the stirring saga of the Ballantyne family in this majestic tale of love, loyalty, and the makings of a legacy. With rich descriptions of the people who settled and civilized a wild landscape, Frantz weaves a tapestry of characters and places that stick with the reader long after they turn the last page.
On a bitter December day in 1785, Silas Ballantyne arrives at the door of master blacksmith Liege Lee in York, Pennsylvania. Just months from becoming a master blacksmith himself, Silas is determined to finish his apprenticeship and move west. But Liege soon discovers that Silas is a prodigious worker and craftsman and endeavors to keep him in York. Silas becomes interested in both of Liege's daughters, the gentle and faith-filled Eden and the clever and high-spirited Elspeth. When he chooses one, will the other's jealousy destroy their love? In this sweeping family saga set in western Pennsylvania, one man's choices in love and work, in friends and enemies, set the stage for generations to come. Love's Reckoning is the first entry in The Ballantyne Legacy, a rich, multi-layered historical quartet from talented writer Laura Frantz, beginning in the late 1700s and following the Ballantyne family through the end of the Civil War.
Louise Erdrich, following in the Native American narrative tradition has, crafted enduring tales of homecomings. Her widely acclaimed debut novel Love Medicine garnered prestigious awards, and quickly made its way onto bestseller lists and into readers' hearts. In this full-length critical volume, Stookey uncovers the layers of wisdom and humor embedded in Erdrich's engaging writing. Stookey, analyzing each novel in turn, examines the characters and themes that recur in Erdrich's canon of interconnected stories. This insightful analysis helps students and lovers of fine literature approach Erdrich's work with greater appreciation for her bold narrative style. This study begins with a fascinating biographical account, tracing early influences in Louise Erdrich's life. The subsequent chapter discusses Erdrich's place in literary tradition, as a novelist, a poet, and a storyteller. It also offers lucid analysis of how Erdrich skillfully manages to reconcile traditional and experimental approaches to the construction of her novels. A full chapter then examines each novel in terms of literary style, plot, character development, and theme. Alternate critical approaches to Erdrich's writing are also given for each of her six major works to date. A bibliography and lists of general criticism, biographical sources, and reviews complete this volume, making it an indispensable resource for any reader seeking to develop a greater understanding of Erdrich's writings.
Hapke's book, remarkable in scope and inclusiveness, offers those concerned with American working people a mine of information about and analysis of the 'rich lived history of American laborers' as that has been represented in fictions of every kind. She provides an invaluable foundation for understanding the dirtiest of America's dirty big secrets: the pervasivness of class differences, class discrimination, indeed of class conflict in this, the wealthiest nation in history. Hers is an indispensable guided tour through more than a century and a half of literary representations of 'hands' at their looms, pikets on the line, agitators on their soapboxes, ordinary working women, men, and children in kitchens, parks, factories, and fields across America." --Paul Lauter, A.K. & G.M. Smith Professor of Literature, Trinity College "Labor's Text sets over 150 years of the multi-ethnic literature of work in the context of the history that informed it--the history of labor organizing, of industrial change, of social transformations, and of shifting political alignments. Any scholar of American literature or American history cannot help but be enlightened by this boldly ambitious and illuminating book." -- Shelly Fisher Fishkin, professor of American studies, University of Texas, Austin "Labor's Text traverses nearly two centuries of the U.S. literary response in fiction to workers and the work experience. Casting her net more broadly than any of her predecessors, Hapke's revision of the genre includes many recent writing not usually recognized as part of the tradition. Coming at a moment when there is a steady increase in interest about 'class' from color- and gender-inflected perspectives, this is a work of committed scholarship that may well prove to be a crucial compass to reorient the thinking and scholarship of a new generation." -- Alan Wald, author of Writing from the Left "A stunning work of scholarship. . . . It is an extraordinary achievement and an immense contribution to working-class studies." --Janet Zandy, author of Calling Home: Working-Class Women's Writings Laura Hapke is a professor of English at Pace University. The winner of two Choice magazine Outstanding Academic Book awards, she is the author of Daughters of the Great Depression: Women, Work, and Fiction in the American 1930s and other books on labor fiction and working-class studies.
The increasing presence of women within engineering programs is one of today's most dramatic developments in higher education. Long before, however, a group of talented and determined women carved out new paths in the College of Engineering at the University of Illinois. Laura D. Hahn and Angela S. Wolters bring to light the compelling hidden stories of these pioneering figures. When Mary Louisa Page became the College's first female graduate in 1879, she also was the first American woman ever awarded a degree in architecture. Bobbie Johnson's insistence on "a real engineering job" put her on a path to the Apollo and Skylab programs. Grace Wilson, one of the College's first female faculty members, taught and mentored a generation of women. Their stories and many others illuminate the forgotten history of women in engineering. At the same time, the authors offer insights into the experiences of today's women from the College -- a glimpse of a brighter future, one where more women in STEM fields apply their tireless dedication to the innovations that shape a better tomorrow.
To complement Country Music Television's television special, this book features candid photographs and stories of country music stars and their pets. A percentage of the proceeds will be go to the Animal Care Task Force of Nashville and The Nashville Humane Society.
No delicate ingenues, these. In the middle of the twentieth century, the Mary Pickfords of the movie world were replaced by a different sort of woman--drop-dead gorgeous, witty, not afraid to speak their minds, they could slay you with a look--and if that didn't work, look out for the pistol in the garter. These ground-breaking actresses helped change the course of movie history, charting a path for generations to come. These profiles of fifteen leading ladies--Lucille Ball, Lynn Bari, Joan Blondell, Ann Dvorak, Gloria Grahame, Jean Hagen, Adele Jergens, Ida Lupino, Marilyn Maxwell, Mercedes McCambridge, Jane Russell, Ann Sheridan, Barbara Stanwyck, Claire Trevor and Marie Windsor--include overviews of their lives and careers, and excerpts from interviews. Five photos supplement each profile. Jane Russell (one of the actresses profiled) provides a foreword.
Once I was a sane, levelheaded professional woman. Then I said “yes.” Now I am the lunatic bride I always made fun of! What is it about getting married that turns normal people into total freaks? A savvy, riotously funny novel, Diary of a Mad Bride is for anyone who has ever been a bride, is about to become a bride, yearned to be a bride, or suffered the sheer indignity of appearing in public in the world’s ugliest bridesmaid dress.... My wedding was starting in less than twenty minutes, and I was stuck in a 7-Eleven parking lot with popcorn kernels wedged in my gums and vanilla ice cream melting on my dress. It was a disaster too large to comprehend. After an agonizing year spent planning my wedding, could it really end like this? The voices chronicling a year of wedding hysteria swirled in my head.... — My grandmother upon viewing my engagement ring: “What do you mean he gave you an emerald! Diamonds are eternal, emeralds say, maybe five years.” — My future father-in-law on the night of my engagement party: “To a happy marriage and, if necessary, a painless divorce!” — My best friend, Anita: “Oh, screw congratulations. Of course I’m happy for you. Stephen’s a major piece of ass and he’s got a sense of humor. Just as long as you’re certain this is what you want.” Would I survive this day after all....?
Although a long-established and influential genre, this is the first comprehensive study of the European road cinema. Crossing New Europe investigates this tradition, its relationship with the American road movie and its aesthetic forms. This movement examines such crucial issues as individual and national identity crises, and phenomena such as displacement, diaspora, exile, migration, nomadism, and tourism in postmodern, post-Berlin Wall Europe. Drawing on the work of Said, Hall, Shields, Urry, Bauman, Deleuze and Guattari and other critical theorists, Crossing New Europe adopts a broad interpretation of "Europe" and discusses directors and films who have long been associated with the road movie, such as Wim Wenders (Alice in the Cities, Lisbon Story) and Aki Kaurismäki (Leningrad Cowboys Go America!), and other more recent contributions such as Run Lola Run, Dear Diary and The Last Resort.
A year ago mutual attraction flared between Sister Louise Keating and Dr. Matt Forrester, and a whirlwind marriage soon followed. But finding time for each other in their busy work schedules proved impossible, and they separated. Now they're working together again in the special-care baby unit. As the lives of their tiny patients hang constantly in the balance, Louise and Matt ride a roller coaster of emotions that takes them to a new level of intimacy. The question is, as they heal these fragile babies, can they also heal their marriage — with a little special care?
Breaking the Silence covers the long term consequences of unresolved childhood grief. Intended for psychologists, clergy, and therapists and school guidance counselors specializing in treating dysfunctional families, grief counseling for the family, unresolved grief issues, etc. This book is also especially appropriate for students of psychology and death and bereavement courses.
Stay snowed in this Christmas... ...with these three Regency short stories! After he broke her heart when he left for war, dare Lucy give Jack Gascoyne a second chance? Find out in Their Mistletoe Reunion by Christine Merrill. In Louise Allen’s novella, exiled into the countryside following scandal, Julia Chancellor finds herself Snowed in with the Rake! And in Christmas with the Major by Laura Martin, Lady Cecilia is hiding from her controlling guardian when she encounters Major Joseph Crawley...
Surviving Myself is a descriptive autobiography of one womans journey through disgracing portal of terror. Her determination to stay open to survival is inspiring. She discovers the will to choose a healthy spiritual way of seeing life; which has given to her the realization that the right and perfect relationship is within our capacity to forgive." - Patty Luckenback, MA, DD., author of Land of Tears is a Secret Place and Kingdom of Heart
A genealogical compilation of the descendants of Henry & Margareth Crook and their seven children. The couple was married circa 1812 in South Carolina and by 1828 could be found in Rankin County, Mississippi. Many of the descendants are traced to the present, including biographies and photographs when available.
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