For library students, paraprofessionals, and librarians who are wondering if they have their ladder against the right wall, Straight from the Stacks fills the need for an up-to-date resource that uncovers the amazing and varied jobs available in the library field.
Volume 8 of 8. Sources & Index to a genealogical compilation of the descendants of John Jacob Rector and his wife, Anna Elizabeth Fischbach. Married in 1711 in Trupbach, Germany, the couple immigrated to the Germanna Colony in Virginia in 1714. Eight volumes document the lives of over 45,000 individuals.
The book packages all aspects of the pediatric surgical nurse's job into one comprehensive reference, including pre- and post-operative care, minimally invasive surgery, innovative therapies, fetal surgery, pediatric solid organ transplantation, and more. It offers up-to-date information on pediatric surgical nursing and includes many critical pathways and research topics. It is a must-have resource for all healthcare providers involved in the care of the general pediatric surgical patient.
One of Daphne Wade's guilty pleasures is to watch the Duke of Tremore as he works, shirtless, on the excavation site of his ducal estate. Anthony Courtland is by far the most exciting and handsome man she has ever known, and she dreams of one day being able to speak with him without getting tongue tied. Anthony, meanwhile, only sees Daphne as a hard worker on his excavation team. He considers her a plain young lady and says so in a careless remark to a friend, unaware that Daphne is outside the library door, her heart shattering to pieces. So Daphne decides she will not be so silly any longer. She begins to be tutored in the social graces, forcing Anthony to see the beauty who has been right in front of his eyes.
Get four romances in bestselling author Laura Lee Guhrke's Seduction Series as one e-book! Guilty Pleasures One of Daphne Wade's guilty pleasures is to watch the Duke of Tremore as he works, shirtless, on the excavation site of his ducal estate. Anthony Courtland is by far the most exciting and handsome man she has ever known, and she dreams of one day being able to speak with him without getting tongue tied. Anthony, meanwhile, only sees Daphne as a hard worker on his excavation team. He considers her a plain young lady and says so in a careless remark to a friend, unaware that Daphne is outside the library door, her heart shattering to pieces. So Daphne decides she will not be so silly any longer. She begins to be tutored in the social graces, forcing Anthony to see the beauty who has been right in front of his eyes. His Every Kiss Dylan Moore is slowly going insane. It has been five years since the accident that took away everything he held dear...five years since he felt anything other than despair and loss. But at a ball, he easily sees through the disguise of a young woman posing as a male musician. But unlike other females he has encountered, she refuses to succumb to his charms and leaves him wanting more. But another surprise awaits Dylan that night, for upon his return home, he is informed of a visitor - eight-year-old Isabel, his daughter. Grace Chevel knows all about Dylan Moore, an arrogant fellow with a wicked reputation who seems to be squandering his wealth while someone like her struggles to put food in her belly. She refuses to be one of Dylan's conquests, but when he proposes she become a governess to his new-found daughter, she can't resist. And now, Dylan has a thing or two to learn when it comes to women, because both Grace and Isabel are about to wreak sweet havoc on his life, as the wall around Dylan's heart comes crumbling down with the power of love. The Marriage Bed Everyone in society knows that the marriage of Lord and Lady Hammond is an unhappy one. Everyone knows they have barely spoken to one another in over nine years. But what no-one in society knows are the reasons why ...Lady Viola Courtland was a romantic and impulsive young girl when she fell instantly in love with the handsome and dashing Viscount Hammond. Unbeknownst to Viola, John Hammond had already given his heart to the only woman he would ever love—his cousin's wife—but he was in dire financial straits and desperately needed to marry a wealthy heiress. In Viola, he thought he had found the perfect woman—beautiful and rich with a sweet nature. But Viola was neither practical nor sensible when it came to marriage, for she fully expected her husband to love her and was determined to settle for nothing less. Soon, however, John's secret was unwittingly revealed, but by then they were married and it was too late. Until one day, John finally came to his senses and prayed it wasn't too late to win back the love of his very own wife. She's No Princess A Royal Pain...The illegitimate daughter of a prince and a notorious courtesan, Lucia has been confined to schools and convents for most of her life. But that hasn't stopped her from causing one scandal after another. Exasperated, her royal father decides that his exquisite hellion of a daughter must be married immediately. And Sir Ian Moore, Britain's most proper diplomat, is the perfect man to choose her a groom. Diplomacy, not matchmaker, is Ian's forte, but he vows to get Lucia married off as soon as possible so that he may return to his real duties. Yet, despite an abundance of very eager, worthwhile candidates, none is a match for Lucia's spirit and fire. And the more time Ian spends with the infuriating beauty, the more reluctant he is to marry her off. Could it be that he has already found Lucia the perfect husband...and it is Ian himself?
Featuring over 300 hours of new interviews with 100+ subjects, an oral history of the girl groups (such as The Ronettes, The Shirelles, The Supremes, and The Vandellas) that redefined the early 1960s The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to the top of the charts, girl groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers—and even to the present-day celebrities inspired by their lasting influence–But Will You Love Me Tomorrow: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.
In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work. Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession.
The definitive compilation of the inspiring and educational stories of women in medicine through the ages and around the world. Women in Medicine: An Encyclopedia tells the hidden history of healing practitioners. Since ancient times, and in every human society, women have played a critical, if unheralded, role in the practice and progress of the medical arts and sciences. From the 11th century German nun Hildegarde of Bingen to early 20th century radiology pioneer Marie Curie to controversial Surgeon General Jocelyn Elders, Women in Medicine portrays the struggles, the skills, the science, and the inspiring stories of more than 200 of history's great women physicians and medical researchers. Not just a biographical compendium, Women in Medicine also includes entries on the key universities, institutes, and foundations of this illustrious history. Chock full of unique illustrations and complete with extensive bibliography and index, this one volume encyclopedia is the most comprehensive and accessible reference work on the history of women in medicine. A must buy for any library looking to round out its women's history or history of science reference shelf.
In the seventeenth century, Japanese popular prose flourished as waves of newly literate readers gained access to the printed word. Commercial publishers released vast numbers of titles in response to readers’ hunger for books that promised them potent knowledge. However, traditional literary histories of this period position the writings of Ihara Saikaku at center stage, largely neglecting the breadth of popular prose. In the first comprehensive study of the birth of Japanese commercial publishing, Laura Moretti investigates the vibrant world of vernacular popular literature. She marshals new data on the magnitude of the seventeenth-century publishing business and highlights the diversity and porosity of its publishing genres. Moretti explores how booksellers sparked interest among readers across the spectrum of literacies and demonstrates how they tantalized consumers with vital ethical, religious, societal, and interpersonal knowledge. She recasts books as tools for knowledge making, arguing that popular prose engaged its audience cognitively as well as aesthetically and emotionally to satisfy a burgeoning curiosity about the world. Crucially, Moretti shows, readers experienced entertainment within the didactic, finding pleasure in the profit gained from acquiring knowledge by interacting with transformative literature. Drawing on a rich variety of archival materials to present a vivid portrait of seventeenth-century Japanese publishing, Pleasure in Profit also speaks to broader conversations about the category of the literary by offering a new view of popular prose that celebrates plurality.
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Almost All Aliens offers a unique reinterpretation of immigration in the history of the United States. Setting aside the European migrant-centered melting-pot model of immigrant assimilation, Paul Spickard, Francisco Beltrán, and Laura Hooton put forward a fresh and provocative reconceptualization that embraces the multicultural, racialized, and colonially inflected reality of immigration that has always existed in the United States. Their astute study illustrates the complex relationship between ethnic identity and race, slavery, and colonial expansion. Examining the lives of those who crossed the Atlantic, as well as those who crossed the Pacific, the Caribbean, and the North American Borderlands, Almost All Aliens provides a distinct, inclusive, and critical analysis of immigration, race, and identity in the United States from 1600 until the present. The second edition updates Almost All Aliens through the first two decades of the twenty-first century, recounting and analyzing the massive changes in immigration policy, the reception of immigrants, and immigrant experiences that whipsawed back and forth throughout the era. It includes a new final chapter that brings the story up to the present day. This book will appeal to students and researchers alike studying the history of immigration, race, and colonialism in the United States, as well as those interested in American identity, especially in the context of the early twenty-first century.
In war-torn Sudan, a girl must make heart-rending choices as she fights for survival and a chance at a future. “This short, quickly paced narrative will stay with readers for the rest of their lives.” School Library Journali, STARRED REVIEW “Moving and necessary.” Kirkus, STARRED REVIEW For Poni, life in her small village in southern Sudan is simple and complicated at the same time. Stay in school. Beat up any boy who tries to show attention. Watch out for the dangers in the river. But then the war comes. And when soldiers arrive in her village and bombs begin to rain from the sky, there is only one thing for Poni to do. Run. Poni runs for her life, and alongside thousands of refugees, she must then make a long, dusty trek across the east African countryside. Driven by the sheer will to survive, Poni finds her way to the Kakuma refugee camp in Kenya, where she hopes to be reunited with her family. And if she is lucky, she will one day be able to convince the authorities that she is worthy to go to the land of opportunity. But the misery in Kakuma is almost overwhelming, and sooner than Poni could have imagined, she is on the run again. With single-minded determination, Poni survives hell and back, but she cannot escape the war’s devastating psychological effects or her survivor’s guilt. In a heartbreaking final twist, Poni finds her mother just as she is about to leave for America—forcing her to make the hardest decision of all. Key Text Features map historical note timeline glossary references Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.
Volume 5 of 8, pages 2627 to 3336. A genealogical compilation of the descendants of John Jacob Rector and his wife, Anna Elizabeth Fischbach. Married in 1711 in Trupbach, Germany, the couple immigrated to the Germanna Colony in Virginia in 1714. Eight volumes document the lives of over 45,000 individuals.
Contraception was the subject of intense controversy in twentieth-century Ireland. Banned in 1935 and stigmatised by the Catholic Church, it was the focus of some of the most polarised debates before and after its legalisation in 1979. This is the first comprehensive, dedicated history of contraception in Ireland from the establishment of the Irish Free State in 1922 to the 1990s. Drawing on the experiences of Irish citizens through a wide range of archival sources and oral history, Laura Kelly provides insights into the lived experiences of those negotiating family planning, alongside the memories of activists who campaigned for and against legalisation. She highlights the influence of the Catholic Church's teachings and legal structures on Irish life showing how, for many, sex and contraception were obscured by shame. Yet, in spite of these constraints, many Irish women and men showed resistance in accessing contraceptive methods. This title is also available as Open Access.
Authoritatively and expertly written, the new seventh edition of Bratton and Gold's Human Resource Management builds upon the enduring strengths of this renowned book. Thoroughly updated, topical and accessible, this textbook explores the theory and practice of human resource management and will encourage your students to reflect critically on the realities of the ever-changing world of work. The new edition truly captures the zeitgeist of contemporary human resource management. With coverage of the Covid-19 pandemic in relation to business ethics, physical and mental wellbeing, inequality and the rise of the gig-economy and precarious work, students will feel connected to the complex issues that face workers, organisations and wider society. This edition also includes expanded coverage on the ever-palpable effects of globalization and technological change and explores the importance of sustainable practice. Students will gain critical insight into the realities of contemporary HRM, engaging with the various debates and tensions inherent in the employment relationship and understanding the myriad of different theories underpinning human resource management. New to this edition: - New 'Ethical Insight' boxes explore areas of current ethical concern in trends and practice - New 'Digital Spotlight' boxes explore innovations in technology, analytics and AI and the impact on workers and organisations - Topical coverage on job design and the rise of the gig economy and precarious work - A critical discussion of the core themes and debates around human resource management in the post-Covid-19 era, including mental health and wellbeing. - A rich companion website packed with extra resources, including video interviews with HR professionals, work-related films, bonus case studies, links to employment law, and vocab checklists for ESL students make this an ideal text for online or blended learning.
Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.
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