Often misleadingly called the Dark Ages, the period between the fall of Rome and the Renaissance was a time of great creativity. The Middle Ages gave rise to some of the world's most enduring and influential literary works, including Dante's Commedia, Chaucer's The Canterbury Tales, and a large body of Arthurian lore and legend. This reference is a comprehensive guide to literature written between 500 and 1500. While the volume is primarily devoted to the early literature of England, it also includes entries for historical persons and subjects of cultural relevance which would have been discussed in literary works or which might have affected their creation. Multicultural in scope, the book also covers Islamic, Hispanic, Celtic, Mongolian, Germanic, Italian, and Russian literature and culture of the Middle Ages. Longer entries provide thorough coverage of major English authors such as Chaucer and Malory, and of entire genres, such as drama, lyric, ballad, debate, saga, chronicle, and hagiography. Shorter entries examine particular literary works; significant kings, artists, explorers, and religious leaders; important themes, such as courtly love and chivalry; and major historical events, such as the Crusades. The entries are written by scholars and each entry concludes with a brief bibliography. The volume closes with a list of the most valuable general works for further reading.
For centuries, accounts of King Arthur and his court have fascinated historians, scholars, poets, and readers. Each age has added material to reflect its own cultural attitudes, but no era has supplemented the earlier versions more than the poets of the Medieval Revival of nineteenth-century England. This book examines how Arthurian legend was read and rewritten during that period by four enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision. An introductory chapter traces Arthurian legend from its inception. The chapters that follow are each devoted to a particular author's use of Arthurian material in an exploration of love and death. For Tennyson, love leads to trust, and when trust is shattered, death soon follows. Arnold, on the other hand, advocates moderation, so that the loss of a loved one produces neither debilitating agony nor only a mild melancholy. Morris concentrates on the differences between physical and spiritual love, while Swinburne presents a world tormented by love and in which death is the only release.
Often misleadingly called the Dark Ages, the period between the fall of Rome and the Renaissance was a time of great creativity. The Middle Ages gave rise to some of the world's most enduring and influential literary works, including Dante's Commedia, Chaucer's The Canterbury Tales, and a large body of Arthurian lore and legend. This reference is a comprehensive guide to literature written between 500 and 1500. While the volume is primarily devoted to the early literature of England, it also includes entries for historical persons and subjects of cultural relevance which would have been discussed in literary works or which might have affected their creation. Multicultural in scope, the book also covers Islamic, Hispanic, Celtic, Mongolian, Germanic, Italian, and Russian literature and culture of the Middle Ages. Longer entries provide thorough coverage of major English authors such as Chaucer and Malory, and of entire genres, such as drama, lyric, ballad, debate, saga, chronicle, and hagiography. Shorter entries examine particular literary works; significant kings, artists, explorers, and religious leaders; important themes, such as courtly love and chivalry; and major historical events, such as the Crusades. The entries are written by scholars and each entry concludes with a brief bibliography. The volume closes with a list of the most valuable general works for further reading.
Chaucer's Canterbury Tales is one of the oldest and most widely studied works of English literature. The tales provide a glimpse of medieval life, and the professions of the pilgrims figure prominently in the poetry. To have a clear understanding of Chaucer's work, the reader needs to know about the vocations of the pilgrims. For some 600 years, this information has been difficult to locate. This reference work conveniently synthesizes and discusses information about the occupation of each of Chaucer's pilgrims and provides an historical context. The volume contains individual entries for each of Chaucer's pilgrims, and the entries share a similar format to foster comparison. Each entry includes three parts. First, the pilgrim's profession is discussed in terms of the daily routine of the medieval occupation. Second, the vocation is examined in terms of its reflection in the tale told by the pilgrim. Third, the vocation and the tale are discussed, when possible, in relation to the descriptions of the characters provided in the General Prologue. Each entry includes a bibliography, and the volume concludes with a list of works for further reading.
Jane Austen significantly shaped the development of the English novel, and her works continue to be read widely today. Though she is best known for her novels, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, and Persuasion, she also wrote poems, letters, prayers and various pieces of juvenalia. These writings have been attracting the attention of scholars; her major works have already generated a large body of scholarly and critical studies. This reference is a guide to her works and the response to them. Austen's works are fraught with ambiguity. Because she was adept at displaying numerous aspects of an issue, her writings invite multiple interpretations. In light of the ambiguity of her texts, each of her major works is approached from a reader-response perspective, in which an expert contributor illuminates the reader's relationship to her writing. And because so many readers have had such varied responses to her novels, the volume also includes chapters summarizing the critical response to each of her major works. In addition, the book includes separate chapters on her poems, letters, and prayers.
In her re-examination of Jane Austen's Anglicanism, Laura Mooneyham White suggests that engaging with Austen's world in all its strangeness and remoteness reveals the novelist's intensely different presumptions about the cosmos and human nature. While Austen's readers often project postmodern and secular perspectives onto an Austen who reflects their own times and values, White argues that viewing Austen's Anglicanism through the lens of primary sources of the period, including the complex history of the Georgian church to which Austen was intimately connected all her life, provides a context for understanding the central conflict between Austen's malicious wit and her family's testimony to her Christian piety and kindness. White draws connections between Austen's experiences with the clergy, liturgy, doctrine, and religious readings and their fictional parallels in the novels; shows how orthodox Anglican concepts such as natural law and the Great Chain of Being resonate in Austen's work; and explores Austen's awareness of the moral problems of authorship relative to God as Creator. She concludes by surveying the ontological and moral gulf between the worldview of Emma and Oscar Wilde's The Importance of Being Earnest, arguing that the evangelical earnestness of Austen's day had become a figure of mockery by the late nineteenth century.
A detailed discussion of the meaning and significance of the terms used to describe the clothing of Chaucer's religious and academic pilgrims. Religious and academic dress in the middle ages functioned as a metaphorical signifier of spiritual and intellectual standards, implied a given social status, signalled the rejection or possession of garment wealth, and, in the details, suggested the wearer's spiritual state. This book presents the first sustained analysis of the characterizing dress worn by Chaucer's pilgrims who are in holy orders and/or affiliated with universities; the author uses approaches from a variety of disciplines [received criticism of late medieval literature, developments in political, economic and social history, the visual arts, and material culture] in order to present the complex ideas and rhetoric the pilgrims' dress expresses. She also makes the religious, intellectual, and material culture of Chaucer's day accessible to modern audiences through the reconstruction of the significance of fabrics, dyes, accessories, garments, and assembled costumes, and an explanation of technical details and specialist vocabularies for cloth-making, clothing, accessories, and their images in the visual arts.
For centuries, accounts of King Arthur and his court have fascinated historians, scholars, poets, and readers. Each age has added material to reflect its own cultural attitudes, but no era has supplemented the earlier versions more than the poets of the Medieval Revival of nineteenth-century England. This book examines how Arthurian legend was read and rewritten during that period by four enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision. An introductory chapter traces Arthurian legend from its inception. The chapters that follow are each devoted to a particular author's use of Arthurian material in an exploration of love and death. For Tennyson, love leads to trust, and when trust is shattered, death soon follows. Arnold, on the other hand, advocates moderation, so that the loss of a loved one produces neither debilitating agony nor only a mild melancholy. Morris concentrates on the differences between physical and spiritual love, while Swinburne presents a world tormented by love and in which death is the only release.
Origins (Bridgetown, 1793-1798) -- From Slave to Free (Bridgetown, 1801) -- From Christian to Jew (Suriname, 1811-12) -- The Tumultuous Island (Bridgetown, 1812-1817) -- Synagogue Seats (New York & Philadelphia, 1793-1818) -- The Material of Race (London, 1815-17) -- Voices of Rebellion (Bridgetown, 1818-24) -- A Woman Valor (New York, 1817-19) -- This Liberal City (Philadelphia, 1818-33) -- Feverish Love (New York, 1819-1830) -- When I am Gone (New York, Barbados, London, 1830-1847) -- Legacies (New York and Beyond, 1841-1860).
Dress, Adornment, and the Body in the Hebrew Bible is the first monograph to treat dress and adornment in biblical literature in the English language. It moves beyond a description of these aspects of ancient life to encompass notions of interpersonal relationships and personhood that underpin practices of dress and adornment. Laura Quick explores the ramifications of body adornment in the biblical world, informed by a methodologically plural approach incorporating material culture alongside philology, textual exegesis, comparative evidence, and sociological models. Drawing upon and synthesizing insights from material culture and texts from across the eastern Mediterranean, the volume reconstructs the social meanings attached to the dressed body in biblical texts. It shows how body adornment can deepen understanding of attitudes towards the self in the ancient world. In Quick's reconstruction of ancient performances of the self, the body serves as the observed centre in which complex ideologies of identity, gender, sexuality, ethnicity, and social status are articulated. The adornment of the body is thus an effective means of non-verbal communication, but one which at the same time is controlled by and dictated through normative social values. Exploring dress, adornment, and the body can therefore open up hitherto unexplored perspectives on these social values in the ancient world, an essential missing piece in understanding the social and cultural world which shaped the Hebrew Bible.
Collected Record of Authentic Narratives, Facts & Letters: True Life Stories of Runaway Slaves and the Two Celebrated Female Conductors of the Underground Railroad
Collected Record of Authentic Narratives, Facts & Letters: True Life Stories of Runaway Slaves and the Two Celebrated Female Conductors of the Underground Railroad
This carefully crafted ebook: "Taking the Underground Railroad to Freedom – Selected True Stories from Former Slaves & Abolitionists (Illustrated)” is formatted for your eReader with a functional and detailed table of contents. The Underground Railroad was a secret network of routes used by Southern slaves in escaping to the North. In their attempts they were often guided and helped by former fugitive slaves and abolitionist who were known as the conductors. Unravel the secrets of these incredible and unforgettable life journeys and the people who took these treacherous routes to freedom. This edition includes carefully compiled and detailed documentation about the lives and escapes of over 100 former slaves along with the incredible life stories of the two courageous female conductors, Harriet Tubman and Laura S. Haviland, who risked their own lives in helping these slaves cross over to the North in the dead of the night. So come and relive the stories of extraordinary courage, heart breaking saga of grief and separation and the overwhelming desire to break free! A MUST READ! William Still (1821–1902) was an African-American abolitionist, conductor on the Underground Railroad, writer, historian and civil rights activist who recorded the stories of fugitive slaves to help them reunite with their families. Sarah H. Bradford (1818–1912) was an American writer, historian and a very close friend of Harriet Tubman. Bradford was also a contemporary of Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Laura S. Haviland (1808-1898) was an American abolitionist, suffragette, and social reformer. She is credited to have established the first racially integrated school in Michigan with her husband, which gave lectures about the realities of life on a slave plantation.
The focus of the book is the history of the Sacred Heart of Jesus Roman Catholic Parish and Sacred Heart Church in Montegut, Louisiana. The book follows the church-parish boundaries, including the term of each priest, and with the creation of each new parish out of Sacred Heart, St. Ann (1908), St. Joseph (1948), and St. Charles Borromeo (1971), the focus continues with the Priests of Sacred Heart. However, the book could not reflect Sacred Heart without writing about Montegut, Bourg, Little Caillou, and Pointe aux Chenes. The church has given us important roots, binding us as a church and community family, sticking us to this small place, Montegut. Sacred Heart Parish predates Sacred Heart Church by over thirty years. Pere Menard blessed the first dedicated chapel built on Dugas property at St. John the Baptist in le Terrebonne in November 1859. Sacred Heart of Jesus Church marks its founding as the creation of the parish by the Diocese of New Orleans in November 9, 1864.
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