Cats are Not Peas, narrated with inimitable grace and wit, takes us through the great discoveries in genetics, from Mendel's studies of inheritance in peas through the discovery of the chromosome and the role of DNA - all from the little-known viewpoint of the pivotal and unheralded role played by cats as experimental subjects in this epic drama. "...the book was difficult to put down...Coherent, witty, and full of historical anecdotesany intelligent reader should be able to accompany Gould on her quest." -NEW SCIENTIST "A delightful and painless introduction to genetics and its colorful history..." -WINSLOW R. BRIGGS, CARNEGIE INSTITUTE OF WASHINGTON
Mara L. Keire’s history of red-light districts in the United States offers readers a fascinating survey of the business of pleasure from the 1890s through the repeal of Prohibition in 1933. Anti-vice reformers in the late nineteenth century accepted that complete eradication of disreputable pleasure was impossible. Seeking a way to regulate rather than eliminate prostitution, alcohol, drugs, and gambling, urban reformers confined sites of disreputable pleasure to red-light districts in cities throughout the United States. They dismissed the extremes of prohibitory law and instead sought to limit the impact of vice on city life through realistic restrictive measures. Keire’s thoughtful work examines the popular culture that developed within red-light districts, as well as efforts to contain vice in such cities as New Orleans; Hartford, Connecticut; New York City; Macon, Georgia; San Francisco; and El Paso, Texas. Keire describes the people and practices in red-light districts, reformers' efforts to limit their impact on city life, and the successful closure of the districts during World War I. Her study extends into Prohibition and discusses the various effects that scattering vice and banning alcohol had on commercial nightlife.
Originally published as El 68 uruguayo: El movimiento estudiantil entre molotovs y mausica beat (Buenos Aires: Editorial de la Universidad Nacional de Quilmes, 2012). Copyright A Vania Markarian 2015.
In Translating Empire, Laura Lomas uncovers how late nineteenth-century Latino migrant writers developed a prescient critique of U.S. imperialism, one that prefigures many of the concerns about empire, race, and postcolonial subjectivity animating American studies today. During the 1880s and early 1890s, the Cuban journalist, poet, and revolutionary José Martí and other Latino migrants living in New York City translated North American literary and cultural texts into Spanish. Lomas reads the canonical literature and popular culture of the United States in the Gilded Age through the eyes of Martí and his fellow editors, activists, orators, and poets. In doing so, she reveals how, in the process of translating Anglo-American culture into a Latino-American idiom, the Latino migrant writers invented a modernist aesthetics to criticize U.S. expansionism and expose Anglo stereotypes of Latin Americans. Lomas challenges longstanding conceptions about Martí through readings of neglected texts and reinterpretations of his major essays. Against the customary view that emphasizes his strong identification with Ralph Waldo Emerson and Walt Whitman, the author demonstrates that over several years, Martí actually distanced himself from Emerson’s ideas and conveyed alarm at Whitman’s expansionist politics. She questions the association of Martí with pan-Americanism, pointing out that in the 1880s, the Cuban journalist warned against foreign geopolitical influence imposed through ostensibly friendly meetings and the promotion of hemispheric peace and “free” trade. Lomas finds Martí undermining racialized and sexualized representations of America in his interpretations of Buffalo Bill and other rituals of westward expansion, in his self-published translation of Helen Hunt Jackson’s popular romance novel Ramona, and in his comments on writing that stereotyped Latino/a Americans as inherently unfit for self-government. With Translating Empire, Lomas recasts the contemporary practice of American studies in light of Martí’s late-nineteenth-century radical decolonizing project.
Adele Briscoe Looscan was the first woman president of the Texas State Historical Association, the longest-serving president of the association (1915–1925), and a remarkable individual. Daughter of Andrew Briscoe, signer of the Texas Declaration of Independence, and granddaughter of John Richardson Harris, founder of Harrisburg, Texas, she was shaped and motivated by her heritage throughout her life. Adele Looscan was a woman of her time, yet she flourished in the society of both men and women, earning the respect of the former as an astute businesswoman and the admiration of the latter for her leadership and accomplishments. As a clubwoman, she built an impressive résumé: charter member of the Texas State Historical Association; member of the Daughters of the American Revolution, United Daughters of the Confederacy, Daughters of the Republic of Texas, and the Texas Woman’s Press Association; president of the Houston City Federation of Women’s Clubs; and vice president of the Texas Federation of Women’s Clubs in its first year. She organized the Ladies’ Reading Club of Houston in 1885 and was instrumental in founding other literary clubs years before the organization of the Texas Federation. Her contributions to Texas history appeared in many newspapers and in the Southwestern Historical Quarterly. She used her influence to encourage public education and the preservation of historic landmarks and actively advocated for a state library, archives, and museum. Her story is valuable and compelling for what it reveals about women and culture in nineteenth- and early twentieth-century Texas and for what it reveals about the nature, origins, and shaping of Texas’s modern identity.
A compilation of the cemetery inscriptions in many of the older cemeteries in Allegany County, New York. A valuable tool for anyone doing genealogical research in New York's Southern Tier.
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