Politics, Propaganda, and Public Health: A Case Study in Health Communication and Public Trust takes an in-depth look at Merck Pharmaceutical's groundbreaking launch of the Gardasil vaccination and ways in which new trends in pharmaceutical marketing affect public health awareness efforts. Prior to receiving FDA approval for Gardasil, Merck built up concern around the human papillomavirus through early awareness messaging. Though Merck's approach may have promoted inoculation efforts, the company seemingly crafted a product endorsement for Gardasil through its social marketing strategy and nationwide lobbying. The question is, do the ends justify the means? Crosswell and Porter use a unique combination of eye tracking data, in-depth interviews, and rhetorical analysis as they examine what happens to public trust when Big Pharma combines product marketing with awareness messaging. This book offers a platform for cross-disciplinary debate on the effects of direct-to-consumer advertising and proposes future courses of action for Big Pharma regulators and media scholars.
How do the dark moments of suffering which we all encounter at some point in our lives connect with the divine? The words of Paul the Apostle offer an answer to this universal question in the vibrant figure and pattern of Jesus Christ, so eloquently expressed in the Philippians Christ Hymn. It is in moments of loss, moments of experience of creation and community, and moments of transformative unity with God that we discover our deep connectedness to God and one another. Laura Hogan weaves the truth of these three facets of divine-human relationship together with Paul's undivided trust in divine effectiveness; that is, that the paradox of the cross reveals that God, no matter how dire the circumstance, is supremely effective to accomplish his will. Paul's words encourage us to express the pattern of Jesus Christ in our words, actions, and very lives, a singular articulation of Christ in our time, place, identity, and circumstances. This daily living of the Christ pattern, which this book explores in lives past and present, gives rise to a true joy in God as we become increasingly aware of our relationship with the divine in all moments, from the darkest to the brightest.
Between cases, Emma Slayville remains prepared, keeping up with the latest methods of crime detection. Her major source of research: My Hundred Most Baffling Cases, by Chief Inspector Christopher Croy of the New Scotland Yard. In Murder at the Manor, Emma is faced with more than the capture of an ordinary killer. Now surfaces the age-old problem of the Undead! A busy week for Emma after encountering a corpse who sings and a butler whose skills are severely lacking. This is the first in a series entitled The Lighter Side of Murder.
Hypocrisy is the 'monkey' on everyone's back. We claim to have 'faith' and then muddle through our days as we struggle with our circumstances, our priorities, our relatives and our sorrows. Or, we worship at the 'foot of self-sufficiency' and struggle to maintain peace and contentment. This book is about the simple, basic, truths of scripture and how to apply faith in Jesus Christ to the realities of life that are common to everyone. This book would be appropriate as a daily devotional. Laura Lapp is an author, speaker, wife and mother. She and her husband have been married for 32 years and have a daughter. Laura has written and recorded for Trans World Radio, and served as a Teaching Director for Community Bible Study: a National, inter-denominational Bible study organization. She also teaches needlework and quilting. Her ministry has always been motivated by 2 Corinthians 1:3-4: "Blessed be the God and Father of our Lord Jesus Christ, the Father of mercies and God of all comfort: who comforts us in all our affliction so that we may be able to comfort those who are in any affliction with the comfort with which we ourselves are comforted by God.
Uprisings such as the Tea Party and Occupy Wall Street signal a resurgence of populist politics in America, pitting the people against the establishment in a struggle over control of democracy. In the wake of its conservative capture during the Nixon and Reagan eras, and given its increasing ubiquity as a mainstream buzzword of politicians and pundits, democratic theorists and activists have been eager to abandon populism to right-wing demagogues and mega-media spin-doctors. Decades of liberal scholarship have reinforced this shift, turning the term "populism" into a pejorative in academic and public discourse. At best, they conclude that populism encourages an "empty" wish to express a unified popular will beyond the mediating institutions of government; at worst, it has been described as an antidemocratic temperament prone to fomenting backlash against elites and marginalized groups. Populism's Power argues that such routine dismissals of populism reinforce liberalism as the end of democracy. Yet, as long as democracy remains true to its meaning, that is, "rule by the people," democratic theorists and activists must be able to give an account of the people as collective actors. Without such an account of the people's power, democracy's future seems fixed by the institutions of today's neoliberal, managerial states, and not by the always changing demographics of those who live within and across their borders. Laura Grattan looks at how populism cultivates the aspirations of ordinary people to exercise power over their everyday lives and their collective fate. In evaluating competing theories of populism she looks at a range of populist moments, from cultural phenomena such as the Chevrolet ad campaign for "Our Country, Our Truck," to the music of Leonard Cohen, and historical and contemporary populist movements, including nineteenth-century Populism, the Tea Party, broad-based community organizing, and Occupy Wall Street. While she ultimately expresses ambivalence about both populism and democracy, she reopens the idea that grassroots movements--like the insurgent farmers and laborers, New Deal agitators, and Civil Rights and New Left actors of US history--can play a key role in democratizing power and politics in America.
Jesus never held anything back, including in the words He chose. Always with purpose, always with promise, He said that He will never leave us or forsake us. In the promise alone lies tremendous comfort, but when we experience His presence for ourselves, we have experienced something extraordinary. His holiness exudes what should be abstract, yet He makes Himself known in what feels tangible. He wants to touch us with His perfect holiness and desires that we capture His sacred presence personally, deeply. If we believe Jesus to be untouchable, this book reveals the opposite as we glimpse His birth to His resurrection . . . to the heart of mankind.
The true story of Lois Jenson, a petite single mother, who was among the first women hired by a northern Minnesota iron mine in 1975. In this brutal workplace, female miners were relentlessly threatened with pornographic graffiti, denigrating language, stalking, and physical assaults. Terrified of losing their jobs, the women kept their problems largely to themselves—until Lois, devastated by the abuse, found the courage to file a complaint against the company in 1984. Despite all of the obstacles the legal system threw at them, Lois and her fellow plaintiffs enlisted the aid of a dedicated team of lawyers and ultimately prevailed. Weaving personal stories with legal drama, Class Action shows how these terrifically brave women made history, although not without enormous personal cost. Told at a thriller’s pace, this is the story of how one woman pioneered and won the first sexual harassment class action suit in the United States, a legal milestone that immeasurably improved working conditions for American women.
She stole his roses. Fleeing the spotlight, burnt out rock star Layla—“Belle”—Dubois seeks refuge in the south of France. That old, half-forgotten heritage in a valley of roses seems like a good place to soothe a wounded heart. She certainly doesn’t expect the most dangerous threat to her heart to pounce on her as soon as she sets foot on the land. He wants them back. Matt didn’t mean to growl at her quite that loudly. But—his roses! She can’t have his roses. Even if she does have all those curls and green eyes and, and, and…what was he growling about again? Or maybe he just wants her. When an enemy invades his valley and threatens his home, heart, and livelihood, Matthieu Rosier really knows only one way to defend himself. It might involve kissing. And that might be just the start. Praise for Laura Florand’s novels “A poignant, lovely, moving, authentic story.” – Virginia Kantra, NYT bestselling author “Sweet, sexy, and all around delicious. I’m addicted. I can’t wait for the next book.” – Nalini Singh, NYT bestselling author “Chocolate, Paris, and a Greek god for a hero; this delectable confection has it all!” – Library Journal Starred Review “(Florand) captures the nature of love, its fierce, soul-warming necessity, in a way that will make you as happy as the finest bonbon could.” – The Barnes & Noble Review, a Best Book of the Year “Florand outdoes herself with this exquisite confection… painstakingly crafted and decadent as the sweets it portrays, leaving the reader longing for just one little taste.” – Publishers Weekly Starred Review “Adorable, charming, whimsical.” – Smexy Books “Romance at its strongest and most powerful.” – Dear Author, Recommended Read “A delectable summer bonbon.” – NPR Books
The New York Times bestselling Cackleberry Club series returns with three intrepid ladies who know their way around a kitchen—as well as a crime scene… Petra, Suzanne, and Toni may have lost their husbands, but they’ve found new life operating the Cackleberry Club café. It’s where the locals head for an amazing breakfast, the good company of friends, and a puzzling mystery or two… THIS KILLER IS TOAST Suzanne and Toni are off to Memorial Cemetery to help prepare for its 150th anniversary celebration. The ladies expect to find the historical society’s tent, but instead they discover the body of ex-prison warden Lester Drummond lying facedown in a freshly dug grave. Now, with the town peppered with suspects and the local authorities in over their heads, it’s up to the Cackleberry Club to unscramble the clues and sniff out a bad egg. Recipes Included!
Born in Winnipeg to Icelandic immigrants in 1890, Laura Goodman Salverson embarked on a life marked by contradiction and cultural exchange. Her 1939 memoir braids the strands of her parents’ intellectual life in Iceland with a hardscrabble existence on the Prairies at the turn of the century, all against a backdrop of European settlement in post-Riel Manitoba and in colourful, self-assured prose. Leaving behind economic hardship, a difficult climate, and the threat of volcanoes, Lars Gudman was in search of stability for his family, but he was also ensnared by wanderlust. Travelling onward to Minnesota, the Dakotas, Selkirk, Duluth, and the Mississippi Valley, Salverson and her parents returned time and again to the Icelandic enclave in Winnipeg, a community struggling to adjust to life in Canada. In Confessions of an Immigrant’s Daughter Salverson makes real the political and cultural history of the twentieth-century North American west, even as she draws the reader into the inner life of a young girl growing up “hopelessly Icelandic” and finding refuge from discrimination and ostracism in the world of books. With a new introduction by Carl Watts situating the memoir and its prolific author in the literary canon, and reproducing Salverson’s original preface for the first time, Confessions of an Immigrant’s Daughter remains both a Canadian classic and an important social history of the experiences of women and immigrants at the turn of the twentieth century.
And she brought forth her firstborn son, and wrapped Him in swaddling clothes, and laid Him in a manger Luke 2:7 Looking unto Jesus the author and finisher of our faith: who for the joy that was set before Him endured the cross, despising the shame, and is set down at the right hand of the throne of God. Hebrews 12:2 When we see the wooden manger, we see the birth of the Savior of the world. It was the beginning of the way of salvationanother display of Gods great love for mankind. Then when we see the wooden cross, we see the death of the Savior of the world. His death on that cross was to pay the sin debt of mankind, which was accomplished through the shedding of His blood. In the years in between, He went about revealing His God and our God. He taught the truths of His Father and our Father. This collection of writings comes from some of those truths He has taught me. My prayer is that as you read these He will reveal Himself to you in a fresh new way. May He be glorified in all these words! Alleluia!
Politics, Propaganda, and Public Health: A Case Study in Health Communication and Public Trust takes an in-depth look at Merck Pharmaceutical's groundbreaking launch of the Gardasil vaccination and ways in which new trends in pharmaceutical marketing affect public health awareness efforts. Prior to receiving FDA approval for Gardasil, Merck built up concern around the human papillomavirus through early awareness messaging. Though Merck's approach may have promoted inoculation efforts, the company seemingly crafted a product endorsement for Gardasil through its social marketing strategy and nationwide lobbying. The question is, do the ends justify the means? Crosswell and Porter use a unique combination of eye tracking data, in-depth interviews, and rhetorical analysis as they examine what happens to public trust when Big Pharma combines product marketing with awareness messaging. This book offers a platform for cross-disciplinary debate on the effects of direct-to-consumer advertising and proposes future courses of action for Big Pharma regulators and media scholars.
Would you sacrifice your life for the life of another? That's the choice Tess Monaghan must face . . . When the body of Federal Attorney Gregory Youssef is found dumped on the edge of Baltimore, every cop in the city is determined to catch his killer. But four months on, no one has been brought to justice and the department is under massive pressure to deliver a suspect. Meanwhile, Tess' boyfriend insists on helping a homeless black teenager. He brings Lloyd home for some food and a bed for the night, but when Tess mentions the Youssef case, Lloyd freezes. That night, Lloyd sneaks out of the house and disappears. What is the link between Youssef's death and the teenager? Tess tracks Lloyd down and convinces him to share what he knows - which she then passes on to the press on the condition that Lloyd's name isn't used. But they use Tess' name instead. Before long the situation spins wildly out of control, leaving Tess to fear not only for Lloyd, but also for those closest to her . . .
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