Laura and her husband, Hans, are expecting their first child amidst new jobs, a new home, and their first year of marriage. The Twenty-four Weeker: Bentley's Story is one mother's journey through pregnancy, loss, and spirituality. This short book is a true account of life's sourest lemons.
Selling Our Youth explores the way the class origins of recent graduates continue to shape their labour market careers and thus to reproduce class privilege and class disadvantage, illustrating how class and gender come together to influence these young adults’ opportunities and choices.
What are the challenges for the current generation of graduate millennials? The role of universities and the changing nature of the graduate labour market are constantly in the news, but less is known about the experiences of those going through it. This book traces the transition to the graduate labour market of a cohort of middle-class and working-class young people who were tracked through seven years of their undergraduate and post-graduation lives. Using personal stories and voices, the book provides fascinating insights into the group’s experience of graduate employment and how their life-course transitions are shaped by their social backgrounds and education. Critically evaluating current government and university policies, it shows the attitudes and values of this generation towards their hopes and aspirations on employment, political attitudes and cultural practices.
Death 24x a Second is a fascinating exploration of the role new media technologies play in our experience of film. Addressing some of the key questions of film theory, spectatorship, and narrative, Laura Mulvey here argues that such technologies, including home DVD players, have fundamentally altered our relationship to the movies. According to Mulvey, new media technologies give viewers the ability to control both image and story, so that movies meant to be seen collectively and followed in a linear fashion may be manipulated to contain unexpected and even unintended pleasures. The individual frame, the projected film’s best-kept secret, can now be revealed by anyone who hits pause. Easy access to repetition, slow motion, and the freeze-frame, Mulvey argues, may shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in film. By exploring how technology can give new life to old cinema, Death 24x a Second offers an original reevaluation of film’s history and its historical usefulness.
The New York Times bestselling author of Ming Tea Murder serves up heists, homicides, and herbal blends in the latest in the Tea Shop mysteries. Catering a trunk show at Heart’s Desire Jewelry is a shining achievement for Theodosia and the Indigo Tea Shop. After all, a slew of jewelers, museum curators, and private collectors will be there to sip some of Theo’s best blends. Unfortunately, the party is crashed by a gang of masked muggers who steal the precious gems on display, and then disappear almost as quickly as they arrived—leaving a dead body in their wake. Theo gets involved in the case after her friend Brooke, aunt of the victim and owner of Heart’s Desire, begs for help in figuring out who committed the brutal burglary. Though the FBI believes this smash and grab is the work of an international gang of jewel thieves, Theo is convinced that the felon is someone much closer to home... INCLUDES DELICIOUS RECIPES AND TEA TIME TIPS!
Nell Armstrong accompanied her cantankerous Aunt Longstreet to Bath on the understanding they were going for the waters. But in Bath they met Aunt Longstreet’s presumptive heir, the estimable Sir Hugh Nowlin, and the older but charming Lord Westwick, whom her aunt snubbed. Nell began to suspect her aunt was planning something quite unrelated to restoring her (perfectly satisfactory) health. Regency Romance by Laura Matthews; originally published by Signet
This book offers a new perspective on the death penalty in the US, examining capital punishment as state crime or state-produced harm. It addresses the death penalty, showing how the state not only authorizes a system and a practice that tortures human beings, but is also aware of its deep flaws and chooses not to address them. Building on the vast literature on state crime together with case examples and interviews with activists seeking to abolish the death penalty, this book offers a new and innovative critique of state punishment in the US. It draws on a range of issues and topics such as arbitrariness, inadequate counsel, racial bias, mental illness, innocence, conditions on death row, the protocols, and the equipment used for executions. It emphasizes the need for abolition of the death penalty and highlights efforts being made to do so, with a focus on successful elements of abolition campaigns. The Death Penalty as State Crime is essential reading for all those engaged with capital punishment, human rights, and state crime, and will be of interest to criminologists, sociologists, legal scholars and political scientists alike.
“A crime narrative of great authority . . . extremely evocative” from the award-winning author of A Willing Victim (Financial Times). This is the fifth volume in the award-winning Inspector Ted Stratton series, which opened during the London Blitz (with The Innocent Spy) and has now landed in the rainy summer of 1958. Detective Inspector Stratton is investigating the death of a rent collector—never a popular personage—in Notting Hill, a district seething with tensions between the new Caribbean immigrants and their white, working-class neighbors. Stratton has his suspicions, but a second body makes it clear: Race is at the heart of these murders. Like the rest of the series, The Riot is based on real events and characters, on which Wilson sheds new and revealing light. A compelling mystery and a fascinating dive into the London of the late 1950s, complete with cameo appearances by a few notorious celebrities. Praise for the Inspector Stratton series “Laura Wilson is an exceptional talent . . . A terrific police procedural, a mesmerizing historical novel—few writers working today can deliver this kind one-two punch.” —Laura Lippman, New York Times bestselling author “Outstanding . . . Wilson convincingly evokes what it was like to sleep in a bomb shelter or stumble through shattered London streets in the dark. The characters are convincing, too.” —Publishers Weekly (starred review) “Wilson is as adroit at the straightforward mechanics of the crime mystery as she is at evocative prose shot through with a keen sense of the past.” —Independent
In this series debut for fans of Jenn McKinlay, baker Teddie St. John spends her time away from the oven writing murder mysteries. But is she herself a murderer? Everyone in Lake Potawatomi, Wisconsin, knows Teddie St. John. Tall, curly-haired Teddie is a superb baker, a bohemian bon vivant, and a mystery writer. Teddie is walking her American Eskimo dog, Gracie, when her four-legged friend finds Teddie's missing silk scarf. Only problem: the scarf is tied tightly around the neck of a beautiful blond woman, the fiancée of a touring British author. Before you can say "Wisconsin kringle," Teddie becomes a murder suspect. Everyone in town knows all too well that the distinctive scarf was hers. But there are more layers to this case than there would have been on poor Kristi's wedding cake. Tavish Bentley should be bereaved after his sweetheart's strangling. Instead, the dashing Brit takes a shine to Teddie's witty wisecracks and to-die-for cookies, and soon he's mooning over her instead of mourning his bride. That is, when he's not dodging the attentions of Annabelle, an obsessive fan who's taken to stalking him. And when a second murder shocks the community, the plot thickens to the consistency of fondant as Teddie stands accused of not one, but two, murders. With the help of her friends Sharon and Char, can Teddie clear her name and deliver a killer's just desserts?
When sixteen-year-old Hannah gets stung, she rises out of her body, where she's greeted by her dead boyfriend, Logan, and a loving but unseen presence. She wants to stay with them. They say no. She must go back. There's something she must do. But Hannah can't figure out what it is. Nor can she make sense of the weird things happening around her. Since the sting, she seems to have the ability to heal. Hannah doesn't know what to think. And then she faces another challenge: Logan has a purpose in mind for her new gift. And it's a purpose Hannah can't bear to face.
In Inter-imperiality Laura Doyle theorizes the co-emergence of empires, institutions, language regimes, stratified economies, and literary cultures over the longue durée. Weaving together feminist, decolonial, and dialectical theory, she shows how inter-imperial competition has generated a systemic stratification of gendered, racialized labor, while literary and other arts have helped both to constitute and to challenge this world order. To study literature is therefore, Doyle argues, to attend to world-historical processes of imaginative and material co-formation as they have unfolded through successive eras of vying empires. It is also to understand oral, performed, and written literatures as power-transforming resources for the present and future. To make this case, Doyle analyzes imperial-economic processes across centuries and continents in tandem with inter-imperially entangled literatures, from A Thousand and One Nights to recent Caribbean fiction. Her trenchant interdisciplinary method reveals the structural centrality of imaginative literature in the politics and possibilities of earthly life.
First published in 1988, this book offers a critical examination of William Rowley's 1632 play, A New Wonder, A Woman Never Vexed, including chapters on structure and technique, themes, critical history and staging.
When Jaine lands a job writing web copy and brochures for matchmaker Joy Amoroso, she's excited for a chance to help the lovelorn--until she realizes Joy is a ruthless taskmaster who screams at her employees for the smallest infractions, pads her website with pictures of professional models posing as clients, and offers up convincing but empty promises of love. So it's no surprise when the chiseling cupid turns up dead at a Valentines Day mixer. Now, finding the culprit may prove harder than spotting that elusive caramel praline in a box of chocolates..."--Back cover.
The fictional characters Dracula, Madeline, and Lois Lane were all inspired by real people. There really is a Nathan behind Nathan's hotdogs, a Cliff behind CliffsNotes, and an Anne behind Auntie Anne's, but J. Crew is just a figment of a marketing director's imagination. Monica, Sandra, Rita, and the other girls of "Mambo No. 5" fame are Lou Bega's real-life ex-girlfriends. For those of you who have wondered about these names and those who never thought to, Laura Lee details the stories behind them, and many others, in her new book, The Name's Familiar II. This sequel to her book, The Name's Familiar, contains over 350 entries that tell the origins and originators of words, characters, brand names, and even towns. Elmira, New York, for instance, was named after a rambunctious little girl whose mother was constantly calling her. Neighbors heard her name so much they decided to call the town Elmira. The names explained in this book range from those of contemporary pop culture to ancient legend. Whether it's Smokey the Bear or Julius Caesar, you'll be given new insight that will change the way you look at names forever.
Aphra Behn (1640–1689), prolific and popular playwright, poet, novelist, translator, has a fascinating and extensive corpus of literature that plays a key role in literary history. Quantitative Literary Analysis of the Works of Aphra Behn: Words of Passion offers what no book has done to date, an analysis of all Behn’s literary output. It examines the author’s use of words in terms of frequencies and distributions and stacks the words in context to read Behn’s word usage synchronically. Using this experimental method, the book brings digital humanities into literary criticism, to enhance our understanding and appreciation of literature beyond what is possible in diachronic reading and scholarship less supported by digital means. The empirical approach works in collaboration with existing scholarship to understand Behn’s distinct language of love and extreme passions across her genres.
This text expands the territory for cultural and literary criticism by introducing the concept of the cultural fable. In connecting imagination and history through the category of the cultural fable, Brown illuminates the nature of modern experience in the growing metropolitan centres.
This title has been endorsed by Cambridge Assessment International Education Thoroughly explore the Cambridge International updated AS & A Level Psychology syllabus with this brand-new Student Book that embeds psychological theories, perspectives and applications within real-world contexts to maximise understanding and encourage active learning throughout the course. - Effectively navigate the course with a clear and focused progression through the Core Studies, formulated by experienced authors to align with the structure of the syllabus. - Bring learning to life through a stimulating visual approach to content with diagrams and photos helping to illuminate key features of the written material. - Build and reinforce understanding with ESL-friendly key terms, concise topic summaries, and topical 'test yourself' questions that ensure knowledge is put into practice throughout. - Use the 'learning link' feature to encourage students to identify key connections between background information, contemporary debates and global case studies, and discover how psychological theories can be applied to everyday life.
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