For some sixty years, the Nuremberg trials have demonstrated the resolve of the United States and its fellow Allied victors of the Second World War to uphold the principles of dispassionate justice and the rule of law even when cries of vengeance threatened to carry the day. In the summer of 1945, soon after the unconditional surrender of Nazi Germany, Thomas J. Dodd, the father of U.S. Senator Christopher J. Dodd of Connecticut, traveled to the devastated city of Nuremberg to serve as a staff lawyer in this unprecedented trial for crimes against humanity. Thanks to his agile legal mind and especially to his skills at interrogating the defendants—including such notorious figures as Hermann Göring, Alfred Rosenberg, Albert Speer, Joachim von Ribbentrop, and Rudolf Hess—he quickly rose to become the number two prosecutor in the U.S. contingent. Over the course of fifteen months, Dodd described his efforts and his impressions of the proceedings in nightly letters to his wife, Grace. The letters remained in the Dodd family archives, unexamined, for decades. When Christopher Dodd, who followed his father’s path to the Senate, sat down to read the letters, he was overwhelmed by their intimacy, by the love story they unveil, by their power to paint vivid portraits of the accused war criminals, and by their insights into the historical importance of the trials. Along with Christopher Dodd’s reflections on his father’s life and career, and on the inspiration that good people across the world have long taken from the event that unfolded in the courtroom at Nuremberg, where justice proved to be stronger than the most unspeakable evil, these letters give us a fresh, personal, and often unique perspective on a true turning point in the history of our time. In today’s world, with new global threats once again put-ting our ideals to the test, Letters from Nuremberg reminds us that fear and retribution are not the only bases for confrontation. As Christopher Dodd says here, “Now, as in the era of Nuremberg, this nation should never tailor its eternal principles to the conflict of the moment, for if we do so, we will be shadowing those we seek to overcome.”
In the harrowing days after September 11, 2001, the President of the United States reached out to one man to help guide the nation in its quest to shore up domestic security. In this candid and compelling memoir, Tom Ridge describes the whirlwind series of events that took him from the state capital of Pennsylvania, into the fray of Washington, D.C., and onto the world stage as a new leader in the fight against international terrorism. A Washington outsider, Ridge went above and beyond in his new post, identifying the need to integrate response teams on a wide-reaching scale and leading the nation's ambitious initiative of establishing a new Cabinet department, the Department of Homeland Security. The author recounts how the new department's unsung heroes, brought together under great duress, succeeded against difficult odds and navigated the politics of terrorism. Perhaps most importantly, Ridge offers a prescriptive look to the future with provocative ideas such as a national ID card and the use of biometrics to track not just who enters the United States but also how long they are here. Tom Ridge simply tells it like it is, offering a refreshingly honest assessment of the state of homeland security today—and what it needs to be tomorrow.
“A fascinating, detailed and moving account on the life and work of a truly genius artist. A must read for anyone interested in Art.” —João Leonardo, artist Sol LeWitt (1928–2007), one of the most influential artists of the twentieth century, upended traditional practices of how art is made and marketed. A key figure in minimalism and conceptualism, he proclaimed that the work of the mind is much more important than that of the hand. For his site-specific work—wall drawings and sculpture in dozens of countries—he created the idea and basic plan and then hired young artists to install the pieces. Though typically enormous and intricate, the physical works held no value. The worth was in the pieces of paper that certified and described them. LeWitt championed and financially supported colleagues, including women artists brushed aside by the bullies of a male-dominated profession. Yet the man himself has remained an enigma, as he refused to participate in the culture of celebrity. Lary Bloom’s book draws on personal recollections of LeWitt, whom he knew in the last years of the artist’s life, as well as LeWitt’s letters and papers and over one hundred original interviews with his friends and colleagues, including Chuck Close, Ingrid Sischy, Philip Glass, Adrian Piper, Jan Dibbets, and Carl Andre. This absorbing chronicle brings new information to our understanding of this important artist, linking the extraordinary arc of his life to his iconic work. Includes twenty-eight illustrations. “An insightful and intimate portrait of the artist, the man and his times.” —Saul Ostrow, Founder of Critical Practices Inc.
Arguing that desire, not necessarily talent, is the required ingredient for writing, the author offers advice and suggestions for writing and marketing pieces of nonfiction.
“A fascinating, detailed and moving account on the life and work of a truly genius artist. A must read for anyone interested in Art.” —João Leonardo, artist Sol LeWitt (1928–2007), one of the most influential artists of the twentieth century, upended traditional practices of how art is made and marketed. A key figure in minimalism and conceptualism, he proclaimed that the work of the mind is much more important than that of the hand. For his site-specific work—wall drawings and sculpture in dozens of countries—he created the idea and basic plan and then hired young artists to install the pieces. Though typically enormous and intricate, the physical works held no value. The worth was in the pieces of paper that certified and described them. LeWitt championed and financially supported colleagues, including women artists brushed aside by the bullies of a male-dominated profession. Yet the man himself has remained an enigma, as he refused to participate in the culture of celebrity. Lary Bloom’s book draws on personal recollections of LeWitt, whom he knew in the last years of the artist’s life, as well as LeWitt’s letters and papers and over one hundred original interviews with his friends and colleagues, including Chuck Close, Ingrid Sischy, Philip Glass, Adrian Piper, Jan Dibbets, and Carl Andre. This absorbing chronicle brings new information to our understanding of this important artist, linking the extraordinary arc of his life to his iconic work. Includes twenty-eight illustrations. “An insightful and intimate portrait of the artist, the man and his times.” —Saul Ostrow, Founder of Critical Practices Inc.
In the harrowing days after September 11, 2001, the President of the United States reached out to one man to help guide the nation in its quest to shore up domestic security. In this candid and compelling memoir, Tom Ridge describes the whirlwind series of events that took him from the state capital of Pennsylvania, into the fray of Washington, D.C., and onto the world stage as a new leader in the fight against international terrorism. A Washington outsider, Ridge went above and beyond in his new post, identifying the need to integrate response teams on a wide-reaching scale and leading the nation's ambitious initiative of establishing a new Cabinet department, the Department of Homeland Security. The author recounts how the new department's unsung heroes, brought together under great duress, succeeded against difficult odds and navigated the politics of terrorism. Perhaps most importantly, Ridge offers a prescriptive look to the future with provocative ideas such as a national ID card and the use of biometrics to track not just who enters the United States but also how long they are here. Tom Ridge simply tells it like it is, offering a refreshingly honest assessment of the state of homeland security today—and what it needs to be tomorrow.
For some sixty years, the Nuremberg trials have demonstrated the resolve of the United States and its fellow Allied victors of the Second World War to uphold the principles of dispassionate justice and the rule of law even when cries of vengeance threatened to carry the day. In the summer of 1945, soon after the unconditional surrender of Nazi Germany, Thomas J. Dodd, the father of U.S. Senator Christopher J. Dodd of Connecticut, traveled to the devastated city of Nuremberg to serve as a staff lawyer in this unprecedented trial for crimes against humanity. Thanks to his agile legal mind and especially to his skills at interrogating the defendants—including such notorious figures as Hermann Göring, Alfred Rosenberg, Albert Speer, Joachim von Ribbentrop, and Rudolf Hess—he quickly rose to become the number two prosecutor in the U.S. contingent. Over the course of fifteen months, Dodd described his efforts and his impressions of the proceedings in nightly letters to his wife, Grace. The letters remained in the Dodd family archives, unexamined, for decades. When Christopher Dodd, who followed his father’s path to the Senate, sat down to read the letters, he was overwhelmed by their intimacy, by the love story they unveil, by their power to paint vivid portraits of the accused war criminals, and by their insights into the historical importance of the trials. Along with Christopher Dodd’s reflections on his father’s life and career, and on the inspiration that good people across the world have long taken from the event that unfolded in the courtroom at Nuremberg, where justice proved to be stronger than the most unspeakable evil, these letters give us a fresh, personal, and often unique perspective on a true turning point in the history of our time. In today’s world, with new global threats once again put-ting our ideals to the test, Letters from Nuremberg reminds us that fear and retribution are not the only bases for confrontation. As Christopher Dodd says here, “Now, as in the era of Nuremberg, this nation should never tailor its eternal principles to the conflict of the moment, for if we do so, we will be shadowing those we seek to overcome.”
Offers leadership advice based on examples of good orchestra conducting, emphasizing the importance of the recognition of one's own ignorance and the possibility that others may come up with ideas that a leader could not even imagine.
Off the coast of California, running from Santa Barbara to La Jolla, lies an archipelago of eight islands known as the California Channel Islands. The northern five were designated as Channel Islands National Park in 1980 to protect and restore the rich habitat of the islands and surrounding waters. In the years since, that mission intensified as scientists discovered the extent of damage to the delicate habitats of these small fragments of land and to the surprisingly threatened sea around them. In Restoring Nature Lary M. Dilsaver and Timothy J. Babalis examine how the National Park Service has attempted to reestablish native wildlife and vegetation to the five islands through restorative ecology and public land management. The Channel Islands staff were innovators of the inventory and monitoring program whereby the resource problems were exposed. This program became a blueprint for management throughout the U.S. park system. Dilsaver and Babalis present an innovative regional and environmental history of a little-known corner of the Pacific West, as well as a larger national narrative about how the Park Service developed its approach to restoration ecology, which became a template for broader Park Service policies that shaped the next generation of environmental conservation.
In this daring reexamination of the connections between national politics and Hollywood movies, Lary May offers a fresh interpretation of American culture from the New Deal through the Cold War—one in which a populist, egalitarian ethos found itself eventually supplanted by a far different view of the nation. "One of the best books ever written about the movies." —Tom Ryan, The Age "The most exhilarating work of revisionist film history since Pauline Kael's Citizen Kane. . . . May's take on what movies once were (energizing, as opposed to enervating), and hence can become again, is enough to get you believing in them again as one of the regenerative forces America so sorely needs."—Jay Carr, Boston Globe "A startling, revisionist history of Hollywood's impact on politics and American culture. . . . A convincing and important addition to American cultural criticism."—Publishers Weekly "A controversial overview of 30 years of American film history; must reading for any serious student of the subject."—Choice "A provocative social history of Hollywood's influence in American life from the 1930s to the 1950s. May argues persuasively that movies in the period offered a good deal of tough criticism of economic and social conditions in U.S. society. . . . May challenges us to engage in some serious rethinking about Hollywood's impact on American society in the middle of the twentieth century."—Robert Brent Toplin, American Historical Review
Diana Lary, one of the foremost historians of the period, tells the tragic history of China's War of Resistance and its consequences from the perspective of those who went through it. Using archival evidence only recently made available, interviews with survivors, and extracts from literature, she creates a vivid and highly disturbing picture of the havoc created by the war, the destruction of towns and villages, the displacement of peoples, and the accompanying economic and social disintegration. As the author suggests in a new interpretation of modern Chinese history, far from stemming the spread of communism from the USSR, which was the Japanese pretext for invasion, the horrors of the war, and the damage it created, nurtured the Chinese Communist Party and helped it to win power in 1949.
Over the past century and a half, China has experienced foreign invasion, warfare, political turmoil, and revolution, along with massive economic and technological change. Through all this change, there is one stable element: grandmothers, as child carers, household managers, religious devotees, transmitters of culture, and, above all, sources of love, warmth, and affection. In this interdisciplinary and longitudinal study, China's Grandmothers sheds light on the status and lives of grandmothers in China over the years from the late Qing Dynasty to the twenty-first century. Combining a wide range of historical and biographical materials, Diana Lary explores the changes and continuities in the lives of grandmothers through revolution, wars, and radical upheaval to the present phase of economic growth. Informed by her own experience as a grandchild and grandmother, Lary offers a fresh and compelling way of looking at gender, family, and ageing in modern Chinese society.
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