This application-oriented book describes how modern matrix methods can be used to solve problems in data mining and pattern recognition, gives an introduction to matrix theory and decompositions, and provides students with a set of tools that can be modified for a particular application.
This application-oriented book describes how modern matrix methods can be used to solve problems in data mining and pattern recognition, gives an introduction to matrix theory and decompositions, and provides students with a set of tools that can be modified for a particular application.
This thoroughly revised second edition provides an updated treatment of numerical linear algebra techniques for solving problems in data mining and pattern recognition. Adopting an application-oriented approach, the author introduces matrix theory and decompositions, describes how modern matrix methods can be applied in real life scenarios, and provides a set of tools that students can modify for a particular application. Building on material from the first edition, the author discusses basic graph concepts and their matrix counterparts. He introduces the graph Laplacian and properties of its eigenvectors needed in spectral partitioning and describes spectral graph partitioning applied to social networks and text classification. Examples are included to help readers visualize the results. This new edition also presents matrix-based methods that underlie many of the algorithms used for big data. The book provides a solid foundation to further explore related topics and presents applications such as classification of handwritten digits, text mining, text summarization, PageRank computations related to the Google search engine, and facial recognition. Exercises and computer assignments are available on a Web page that supplements the book. This book is primarily for undergraduate students who have previously taken an introductory scientific computing/numerical analysis course and graduate students in data mining and pattern recognition areas who need an introduction to linear algebra techniques.
This thoroughly revised second edition provides an updated treatment of numerical linear algebra techniques for solving problems in data mining and pattern recognition. Adopting an application-oriented approach, the author introduces matrix theory and decompositions, describes how modern matrix methods can be applied in real life scenarios, and provides a set of tools that students can modify for a particular application. Building on material from the first edition, the author discusses basic graph concepts and their matrix counterparts. He introduces the graph Laplacian and properties of its eigenvectors needed in spectral partitioning and describes spectral graph partitioning applied to social networks and text classification. Examples are included to help readers visualize the results. This new edition also presents matrix-based methods that underlie many of the algorithms used for big data. The book provides a solid foundation to further explore related topics and presents applications such as classification of handwritten digits, text mining, text summarization, PageRank computations related to the Google search engine, and facial recognition. Exercises and computer assignments are available on a Web page that supplements the book. This book is primarily for undergraduate students who have previously taken an introductory scientific computing/numerical analysis course and graduate students in data mining and pattern recognition areas who need an introduction to linear algebra techniques.
In this ground-breaking book, the author proposes a new theory of state formation based upon a rethinking of the nexus war, state, and citizenship. He seeks to move beyond explanations provided by traditional approaches by discussing and presenting alternative state-society and state theories, arguing that a relational-processual understanding of the states has been neglected in existing literature. The book begins with a critical discussion of the concept of the state and society in social and political theory. The author suggests an alternative theoretical-methodological framework based upon German relational theory (such as Hegel, Clausewitz, Carl Schmitt, and, in particular Norbert Elias). Drawing upon the concepts of survival unit and figuration the book provides a political, historical and sociological comparative analysis of the relation between war, state, and citizenship in France, England and Germany from the Middle Ages to the mid-17th century, with emphasis on the 16th and 17th centuries. In addition, the book addresses two puzzles in social theory. First, the author addresses the question: why is the world divided into a multiple number of units? Will it remain like this or can we expect one unit – one world state – in the future? Second, the author looks into why and how this divided world is maintained: what makes the demarcation between states and how is this demarcation upheld? The issues discussed in the book are central to political and historical sociology and will be of interest to scholars and students working in both these fields, as well as to those working in political science and IR, social theory and history.
How do we live well? The first sentence of Grace and Gravity raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we “cannot say if we are moving or being moved”. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, Grace and Gravity offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.
When poet/critic Lars Gustafsson was the editor of Bonniers Litterära Magasin, he was bombarded with the question, “What makes a good poem?” Forays into Swedish Poetry is his answer. The fifteen poems in this volume range across the history of Swedish poetry from the 1640s, at the beginning of the Period of Great Power, to the late twentieth century. Poets as diverse as Skogekär Bergbo, Erik Johan Stagnelius, August Strindberg, and Vilhelm Ekelund are discussed from historical, psychological, and sociopolitical viewpoints. However, Gustafsson includes only those poems he considers excellent. Each essay begins with a presentation of the poem both in Swedish and in English translation. Gustafsson’s analyses are built upon his subjective experiences with poems and poets and upon a more objective structural approach that investigates the actual machinery of the poems. Thus, Gustafsson enlightens us with his always imaginative, sometimes daring analyses, and we learn a great deal about the critic himself in the process. One of his main concerns is what he calls, in his discussion of Edith Södergran, the very mysteriousness of human existence. Time and again, Gustafsson emphasizes the enigmatic, arcane aspects of life in his analyses. In contrast, his vocabulary and approach also bespeak a constant interest in science and technology. In his introduction, Robert T. Rovinsky, the volume’s translator, presents examples of Gustafsson’s various thematic interests as voiced in his poems, several of which are translated here for the first time. While “The Machines” explores his theory of people as automatons and “Conversation between Philosophers” his linguistic pessimism, Gustafsson’s work as a whole shows his enchantment with its major theme: the intrinsic mystery of life.
Although relatively small, the northern countries of Scandinavia have made a disproportionately large contribution to world cinema. Indeed, some of their films are among the best known of all times, including The Seventh Seal, Dancer in the Dark, and The Girl with the Dragon Tattoo. And Scandinavian directors are also among the best known, just to mention Ingmar Bergman and Lars von Trier. But there is much more to the cinema of Denmark, Norway, Sweden, Finland and Iceland than that, and this book shows us what they have been accomplishing over more than a century from the beginnings of cinema until the present. The Historical Dictionary of Scandinavian Cinema shows just how long and busy this history has been in the chronology, starting in 1896. The introduction then describes the situation in each one of the component countries, all of which approached and developed the field in a similar but also slightly different manner. The dictionary section, with over 400 substantial entries, looks at the situation in greater detail, with over 400 substantial entries on major actors, directors and others, significant films, various genres and themes, and subjects such as animation, ethnicity, migration and censorship. Given its contribution to world cinema it is good to finally have an encyclopedia like this which can meet the interests of the scholar and researcher but also the movie fan.
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