Frank 'Bumper' Farrell was the roughest, toughest street cop and leader of a vice squad Australia has ever seen. Strong as a bull, with cauliflowered ears and fists like hams, Bumper's beat from 1938 to 1976 was the most lawless in the land - the mean streets of Kings Cross and inner Sydney. His adversaries were such notorious criminals as Abe Saffron, Lennie McPherson, Tilly Devine and Kate Leigh and their gangs as well as the hooligans, sly groggers, SP bookies, pimps and spivs. Criminals knew just where they stood: he would catch them, he would hurt them, and then he would lock them away. He was a legendary Rugby League player for Newtown, and represented Australia against England and New Zealand. Here's Bumper Farrell in brutal, passionate and hilarious action . . . saving Ita Buttrose from a stalker, sparking a national scandal when accused of biting off a rival player's ear, beating Lennie McPherson so severely the hard man cried, single-handedly fighting a mob of gangsters in Kings Cross and winning, terrorising the hoons who harassed the prostitutes in the brothel lanes by driving over the top of them, commandeering the police launch to take him home to his beach home, diving overboard in full uniform and catching a wave to shore dispensing kindness and charity to the poor. Bumper Farrell: lawman, sportsman, larrikin . . . legend.
Larry Brown wrote the way the best singers sing: with honesty, grit, and the kind of raw emotion that stabs you right in the heart. He was a singular American treasure." —Tim McGraw A career-spanning collection, Tiny Love brings together for the first time the stories of Larry Brown’s previous collections along with those never before gathered. The self-taught Brown has long had a cult following, and this collection comes with an intimate and heartfelt appreciation by novelist Jonathan Miles. We see Brown's early forays into genre fiction and the horror story, then develop his fictional gaze closer to home, on the people and landscapes of Lafayette County, Mississippi. And what’s astonishing here is the odyssey these stories chart: Brown’s self-education as a writer and the incredible artistic journey he navigated from “Plant Growin’ Problems” to “A Roadside Resurrection.” This is the whole of Larry Brown, the arc laid bare, both an amazing story collection and the fullest portrait we’ll see of one of the South’s most singular artists.
In his first work of nonfiction since the acclaimed On Fire, Brown aims for nothing short of ruthlessly capturing the truth of the world in which he has always lived. In the prologue to the book, he tells what it's like to be constantly compared with William Faulkner, a writer with whom he shares inspiration from the Mississippi land. The essays that follow show that influence as undeniable. Here is the pond Larry reclaims and restocks on his place in Tula. Here is the Oxford bar crowd on a wild goose chase to a fabled fishing event. And here is the literary sensation trying to outsmart a wily coyote intent on killing the farm's baby goats. Woven in are intimate reflections on the Southern musicians and writers whose work has inspired Brown's and the thrill of his first literary recognition. But the centerpiece of this book is the title essay which embodies every element of Larry Brown's most emotional attachments-to the family, the land, the animals. This is a book for every Larry Brown fan. It is also an invaluable book for every reader interested in how a great writer responds, both personally and artistically, to the patch of land he lives on.
Pulitzer Prize–winner Larry McMurtry follows up his memoir Books with this engrossing and deeply personal reflection on the life of a writer. Larry McMurtry is that rarest of artists, a prolific and genre-transcending writer who has delighted generations with his witty and elegant prose. In Literary Life, the sequel to Books, he expounds on the private trials and triumphs of being a writer. From his earliest inkling of his future career while at Rice University, to his tenure as a Wallace Stegner fellow at Stanford with Ken Kesey in 1960, to his incredible triumphs as a bestselling author, this intimate and charming autobiography is replete with literary anecdotes and packed with memorable observations about writing, writers, and the author himself. It is a work to be cherished not only by McMurtry’s admirers, but by the innumerable aspiring writers who seek to make their own mark on American literature.
Facing the Music, Larry Brown’s first book, was originally published in 1988 to wide critical acclaim. As the St. Petersburg Times review pointed out, the central theme of these ten stories “is the ageless collision of man with woman, woman with man--with the frequent introduction of that other familiar couple, drinking and violence. Most often ugly, love is nevertheless graceful, however desperate the situation.” There’s some glare from the brutally bright light Larry Brown shines on his subjects. This is the work of a writer unafraid to gaze directly at characters challenged by crisis and pathology. But for readers who are willing to look, unblinkingly, along with the writer, there are unusual rewards.
Rude, raucous and often funny in a newsroom, Larry McCoy has stuck to that winning combination in this memoir covering his life from an inexperienced writer at UPI to news director at CBS Radio to a retired journalist who is as appalled as non-journalists by what many news organizations consider news these days. Too old to be hired again now, he pokes fun at former employers and many of their products and practices. He denounces performance reviews, the U.S. media’s obsession with the British royal family, broadcasters who talk down to their audience, journalists who make up stories, know-nothing bosses, and a universe where virtually everyone feels the need to tweet. Never comfortable swimming with the tide, McCoy says the best journalist he ever met didn’t even finish high school and that newswomen may ask better questions than newsmen. As a public service to workers in all professions, he provides guidelines on how to write a smart, snappy note to your boss and, if that doesn’t do the trick, to your boss’s boss. But he has kind words for writers, producers, overseas stringers, desk assistants, technicians and, yes, even a few anchors.
Larry Brown writes like a force of nature."—Pat Conroy Larry Brown caught the rapt attention of readers and critics with the 1988 publication of Facing the Music, his prize-winning first collection of stories. The following year, his first novel, Dirty Work, won national acclaim as a work of uncompromising power and honesty. Big Bad Love, his third book, collects ten new stories. Dealing with sex, with drink, with fear, with all kinds of bad luck and obsession, these stories are unflinching and not for the fainthearted. But as is true of all of Brown's fiction, these ten stories are linked in a collective statement of redemption and hope. These stories come as close to the truth as any human expression can.
NOW WITH A FOREWORD BY RON RASH AND AN APPRECIATION BY DWIGHT GARNER “One of the finest books I know about blue-collar work in America, its rewards and frustrations . . . If you are among the tens of millions who have never read Brown, this is a perfect introduction.” —Dwight Garner, The New York Times On January 6, 1990, after seventeen years on the job, Larry Brown quit the Oxford, Mississippi, fire department to try writing full-time. In On Fire, he looks back on his life as a firefighter. His unflinching accounts of daily trauma—from the blistering heat of burning trailer homes to the crunch of broken glass at crash scenes—catapult readers into the hard reality that drove this award-winning novelist. As a firefighter and fireman-turned-author, as husband and hunter, and as father and son, Brown offers insights into the choices men face pursuing their life’s work. And, in the forthright style we expect from Larry Brown, his narrative builds to the explanation of how one man who regularly confronted death began to burn with the desire to write about life.
The final novel by the late author of Dirty Work and Facing the Music describes a single year in the lives of four men--including Cortez Sharp, a farmer with a terrible secret; gambler Tommy Bright; Cleve, a black neighbor whose daughter is involved with an unworthy man; and Jimmy, a child born to a man beyond redemption.
“Brilliant . . . Larry Brown has slapped his own fresh tattoo on the big right arm of Southern Lit.” —The Washington Post Book World Now a major motion picture starring Nicolas Cage, directed by David Gordon Green. Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a chance just as his own chances have dwindled to almost nothing. Together they follow a twisting map to redemption--or ruin.
Reinvigorate Your Fiction! You've written the first draft of your novel or screenplay, and you've released it into the world: to your critique group, to your most trusted beta readers, or even to an agent or an editor. But something's wrong. You're not getting the glowing response you had expected, or you might have even received a rejection. Your story is getting a "Meh..." when you had hoped for an "Amazing!" But have no fear--the piece you've sweated and bled over isn't dead on arrival. It just needs fixing. Story Fix is the answer to your revision needs. With practical techniques from critically acclaimed author and story coach Larry Brooks, you will learn how to: • Develop a story-fixing mind-set • Navigate the two essential realms of revision: story and execution • Evaluate your novel or screenplay against twelve crucial storytelling elements and essences. • Strengthen your concept and premise. • Punch up the dramatic tension, pacing, thematic weight, characterization, and more. • Align your story with proven structural principles. Filled with candid advice on the realities of the publishing world and helpful case studies of real authors who fixed their own stories, Story Fix isn't just about revision--it's about resurrection. Infuse your fiction with a much-needed jolt of electricity, and bring it back to life. "Larry Brooks is a superb storyteller and teacher. If anyone can fix your novel, it's him. Put this one on your desk and read it often." --Robert Dugoni, #1 Amazon and New York Times best-selling author of My Sister's Grave "Story Fix is the ultimate writer's companion for taking any manuscript to the next level. A staple for the beginner, a refresher for the pro." --Joe Moore, #1 Amazon and international best-selling co-author of The Blade and The Shield
What makes a good story or a screenplay great? The vast majority of writers begin the storytelling process with only a partial understanding where to begin. Some labor their entire lives without ever learning that successful stories are as dependent upon good engineering as they are artistry. But the truth is, unless you are master of the form, function and criteria of successful storytelling, sitting down and pounding out a first draft without planning is an ineffective way to begin. Story Engineering starts with the criteria and the architecture of storytelling, the engineering and design of a story--and uses it as the basis for narrative. The greatest potential of any story is found in the way six specific aspects of storytelling combine and empower each other on the page. When rendered artfully, they become a sum in excess of their parts. You'll learn to wrap your head around the big pictures of storytelling at a professional level through a new approach that shows how to combine these six core competencies which include: • Four elemental competencies of concept, character, theme, and story structure (plot) • Two executional competencies of scene construction and writing voice The true magic of storytelling happens when these six core competencies work together in perfect harmony. And the best part? Anyone can do it!
One of the most common questions new writers ask professionals is how they wrote their book—what was their process for storytelling? Did they use an outline to plan the book, or write it from the seat of their pants? But really the question should be about the general principles and nature of storycraft—does every part of a story have what it needs to keep readers turning the pages? Bestselling author and creator of StoryFix.com Larry Brooks changes the sound of the writing conversation by introducing a series of detailed criteria for novelists of every level and genre to refer to while writing, regardless of their preferred writing method. Beginning with the broadest part of the story, the early checklists help writers to ensure that their novel is based on a premise rather than an idea, and gradually hones in on other elements to keep the story moving forward including: · dramatic tension · narrative strategy · scene construction Readers won't know or care about the process. But what Brooks offers here is a chance for readers to make the most of whichever process they choose, and in doing so cut years off their learning curve.
This book is the answer to the comedic monologue needs of kid actors ä and their parents ä everywhere. ÊKids' Comedic Monologues That Are Actually FunnyÊ is specifically geared for children ages 5-12. Divided into boy girl and gender neutral categories every piece is guaranteed to be clean hilariously funny easy to memorize and a joy for young actors to perform.ÞIt features monologues by writers and comics who have written for or performed on ÊEllenÊ ÊSaturday Night LiveÊ ÊThe Tonight ShowÊ ÊLast Comic StandingÊ Comedy Central Stage and many more.
Willie Morris, the famously talented—and complex—writer and editor, helped to remake American journalism and wrote more than a dozen books, with several classics among them. His time at the head of Harper's magazine, where he was made editor at age thirty-two, is legendary. With writers like David Halberstam, Norman Mailer, and author of this book, Larry L. King, Harper's became the magazine to read and the place to be in print.Morris was friend, colleague, or mentor to a remarkable cast of writers— William Styron, James Jones, Truman Capote, George Plimpton, Gay Talese, and later in life, Barry Hannah, Donna Tartt, John Grisham, and Winston Groom. In Search of Willie Morris is a wise, sometimes raucous, and moving look at Morris that conveys the energy and activity of the years at the top and the troubles, talents, late rallies, and mysteries of his later life. Written with the affection of a close friend and the critical insight of a fellow writer, it is an absorbing biography of an extraordinarily gifted literary man and raconteur who inspired both wonder and frustration, and who left behind a legacy and a body of work that endures.
Read the true story of Kate Leigh, Tilly Devine and Sydney's razor gang wars from the 1920's and 30's in this gripping book by acclaimed author Larry Writer. Using exhaustive research, Larry Writer offers fascinating new insights into this case and the people involved, villains and victims. Perfect for every 'Underbelly' fan. This chapter ebook is an extract from The Australian Book of True Crime.
Mr. Deck, are you my stinkin' Daddy?" In a furious phone call from T.R., the daughter he's never met, Danny Deck gets the jolt of his life. A TV writer who's retired to his Texas mansion, Danny spends his days talking to the answering machines of his ex-lovers from New York to Paris and dreaming of the characters in the sitcom he's created. But suddenly, a hurricane called T.R. is storming into his life... In his most moving and richly comic contemporary novel since Texasville, Larry McMurtry returns to the modern West he created so masterfully in "The Last Picture Show" and "Terms of Endearment. Some Can Whistle" spins a tale of Hollywood glitz and Texas grit; of an extraordinary young woman and a murderous young man; and of a middle-aged millionaire running head-on into the longings, joys, and pathos of real life.
[Larry Brown was] gifted with brilliant descriptive ability, a perfect ear for dialogue, and an unflinching eye . . . stark, often funny . . . with a core as dark as a Delta midnight." —Entertainment Weekly She's had no education, hardly any shelter, and you can't call what her father's been trying to give her since she grew up "love." So, at the ripe age of seventeen, Fay Jones leaves home. She lights out alone, wearing her only dress and rotting sneakers, carrying a purse with a half pack of cigarettes and two dollar bills. Even in 1985 Mississippi, two dollars won't go far on the road. She's headed for the bright lights and big times and even she knows she needs help getting there. But help's not hard to come by when you look like Fay. There's a highway patrolman who gives her a lift, with a detour to his own place. There are truck drivers who pull over to pick her up, no questions asked. There's a crop duster pilot with money for a night or two on the town. And finally there's a strip joint bouncer who deals on the side. At the end of this suspenseful, compulsively readable novel, there are five dead bodies stacked up in Fay's wake. Fay herself is sighted for the last time in New Orleans. She'll make it, whatever making it means, because Fay's got what it takes: beauty, a certain kind of innocent appeal, and the instinct for survival. Set mostly in the seedy beach bars, strip joints, and massage parlors of Biloxi, Mississippi, back before the casinos took over, Fay is a novel that only Larry Brown, the reigning king of Grit Lit, could have written. As the New York Times Book Review once put it, he's "a writer absolutely confident of his own voice. He knows how to tell a story.
Chrissy Amphlett is a true legend of Australian rock’n’roll. Here, the spellbinding performer who inspired and outraged as lead singer of the Divinyls tells her own amazing story. In this raw, gripping and searingly honest account, Chrissy spares no one – least of all herself. She reveals how she formed the Divinyls and, with a unique voice, steely ambition and an outrageous stage act powered them to Australian and international stardom. Having battled alcohol, drugs and a million dollars worth of debt, Chrissy tells of her fight with MS and of finally finding peace with the love of her life in New York. Brave, sad, funny, ferocious, there's never been anyone like Chrissy Amphlett.
Larry McMurtry’s fascinating and surprisingly intimate memoir of his lifelong passion of buying, selling, and collecting rare antiquarian books is “a necessary and marvelous gift” (San Antonio Express-News). Spanning a lifetime of literary achievement, Larry McMurtry has succeeded at a wide variety of genres, from coming-of-age novels, such as The Last Picture Show; to essays, like those in In a Narrow Grave; to the reinvention of the “Western” on a grand scale like the Pulitzer Prize–winning Lonesome Dove. Here at last is the private McMurtry writing about himself as a boy growing up in a largely “bookless” world, as a young man devouring the world of literature, as a fledgling writer and family man, and above all as one of America’s most prominent “bookmen.” He brings the reader along on his journeys to becoming an astute and adventurous collector who would eventually open book stores of rare and collectible books in Georgetown, Houston, and finally in his previously “bookless” hometown of Archer City, Texas. Reading Books is like reading the best kind of diary—full of wonderful anecdotes, amazing characters, spicy gossip, and shrewd observations. Like its author, Books is erudite, full of life, and full of great stories. Yet the most curious tale of all is the amazing transformation of a reluctant young cowboy into a world-class literary figure who has spent his life not only writing books, but rounding them up the way he once rounded up cattle. At once chatty, revealing, and deeply satisfying, Books is Larry McMurtry at his best.
Screenplays and scripts from the playwright of The Normal Heart. “A valuable showcase of an important writer’s early career.”—The Bay Area Reporter Larry Kramer has been described by Susan Sontag as “one of America’s most valuable troublemakers.” As Frank Rich writes in his Foreword to this collection of writings for the screen and stage, “his plays are almost journalistic in their observation of the fine-grained documentary details of life . . . that may well prove timeless.” The title work, the Oscar-nominated screenplay for Women in Love, is a movie “as sensuous as anything you’ve probably ever seen on film” (The New York Times). The screenplay is accompanied by Kramer’s reflections on the history of the production, sure to be of interest to any student of film. This volume also includes several early plays, Sissies’ Scrapbook, A Minor Dark Age, and the political farce Just Say No, illuminating the development of one of our most important literary figures. “Since his screenplay for Women in Love, Kramer has been a prophet of psychic health and catastrophe among us.” (from The American Academy of Arts and Letters citation). Women in Love “A visual stunner and very likely the most sensual film ever made.”—New York Daily News “Throughout Larry Kramer’s literate scenario, the Lawrentian themes blaze and gutter. The sooty mind-crushing coal mines that Lawrence knew like the back of his hand are re-created in all their malignance. The annealing quality of sex is exhibited in the most erotic—and tasteful—lust scenes anywhere in contemporary film.”—Time
Larry Woiwode's literary fame began with his first novel, the 1969 classic What I'm Going to Do, I Think, and continued unabated through his brilliant 2000 memoir What I Think I Did. In this deeply affecting follow–up to the latter, Woiwode addresses his son as heir to his emotional interior. With vibrant wordcraft and a poetic sensibility, Woiwode begins his story by relating a near–death experience with a malfunctioning hay baler — the kind of mistake that can kill a novice farmer. This episode is the first skein in a rich tapestry of memories, from colorful snippets of Woiwode's time in New York as a young writer working with the late, great William Maxwell, to his days as a young father, husband, and teacher trying to scrape enough together to buy a ranch in western North Dakota, and finally to the prospect of an empty nest and the step from death that he finds rapidly approaching.
Learn how to make your story soar! In the physical world, gravity, force, and other elements of physics govern your abilities and can be utilized to enhance your every movement. In the world of writing, story physics can be harnessed in much the same way to make your novel or screenplay the best it can be. In Story Physics, best-selling author Larry Brooks introduces you to six key literary forces that, when leveraged in just the right way, enable you to craft a story that's primed for success--and publication. Inside Story Physics, you'll learn how to: • Understand and harness the six storytelling forces that are constantly at work in your fiction. • Transform your story idea into a dramatically compelling concept. • Optimize the choices you make in terms of character, conflict, subplot, subtext, and more to render the best possible outcome. These literary forces will elevate your story above the competition and help you avoid the rejection pile. With Story Physics, you won't just give your story wings--you'll teach it how to fly. "Larry Brooks speaks my kind of language about story. Any writer, even those trucking in the world of nonfiction, will benefit from going deeper into the physics of storytelling as Brooks explains in these pages." - James Scott Bell, best-selling author of Plot & Structure "Larry Brooks has done it again! If you liked Story Engineering, I suspect you're going to love Story Physics, which dives even deeper into the essence of story. Story Physics is an essential addition to every novelist's bookshelf." - Randy Ingermanson, author of Writing Fiction for Dummies
This Underbelly TV tie-in edition is the acclaimed, award-winning history of the Razor gangs – now the basis for Channel 9's 13-part blockbuster – Underbelly Razor.In the 1920s and '30s in inner Sydney, some of the most terrifying criminals in Australia's history waged war with razor and gun. As gang fought gang, the streets echoed with the sound of violence and ran with blood.Razor chronicles in compelling detail the nether word ruled by fabled vice queens Tilly Devine and Kate Leigh, and financed by the spoils of illegal drugs and alcohol, prostitution, gambling and extortion. Gangsters such as Guido Calletti, Big Jim Devine and Frank 'the Little Gunman' Green killed, robbed and slashed with impunity. Facing them were the police – some corrupt, some honest, and a few as tough and feared as the razor gangs they fought.Razor is the fascinating true story of the people who lived and died in this world of violence and vice. Razor brings a city's dark past back to life, and ensures that you will never look at inner Sydney in quite the same way again.
A moving Australian story about the power of brotherly love over poverty and circumstance, a tale of playing the hand you've been dealt. At the age of twenty-one, James Dack found himself alone and responsible for raising his younger brother Stephen when their cherished mother lost her battle with cancer. Long estranged from their abusive father, the pair became homeless and took up residence at the local Police Citizens Youth Club. Through determination and loyalty to each other - and with the memory of their mother's love as the compass by which they kept their bearings - the brothers survived the often brutal culture of the inner-city public housing estates they had always called home and found their places in the world. James obtained work as a hospital orderly to keep his brother at school, but soon found some influential mentors who led him to becoming one of the most successful and respected figures in Australian real estate today. Stephen - always battling the alcoholism he shared with his father - became a professional boxer, then a street sweeper to support his studies and eventually a criminal lawyer who earned the loyalty of many. The brothers always remained true to the neighbourhood that shaped them, spending much of their time supporting young people in difficult circumstances. That was until Stephen - wanting most to avoid hurting those who loved him - took the ultimate step to destroy his demons. In Sunshine & Shadow, James and Stephen tell their remarkable story, with both searing honesty and heartfelt emotion.
(Applause Books). The complete scripts to two of Larry Gelbart's most popular and powerful political satires. Review of Mastergate : "If George Orwell were a gag writer, he could have written Mastergate. Larry Gelbart's scathingly funny takeoff on the Iran-Contra hearings is a spiky cactus flower in the desert of American political theatre." Jack Kroll, Newsweek . Review of Power Failure : "There is in his broad etching all the ethical outrage of an Arthur Miller kvetching. And, oh, so much more fun!" Carolyn Clay, The Boston Phoenix .
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