The Awful Grace of God chronicles a multi–year effort to kill Martin Luther King Jr. by a group of the nation's most violent right–wing extremists. Impeccably researched and thoroughly documented, this examines figures like Sam Bowers, head of the White Knights of the Ku Klux Klan of Mississippi, responsible for more than three hundred separate acts of violence in Mississippi alone; J.B. Stoner, who ran an organization that the California attorney general said was "more active and dangerous than any other ultra–right organization;" and Reverend Wesley Swift, a religious demagogue who inspired two generations of violent extremists. United in a holy cause to kill King, this network of racist militants were the likely culprits behind James Earl Ray and King's assassination in Memphis on April 4th, 1968. King would be their ultimate prize—a symbolic figure whose assassination could foment an apocalypse that would usher in their Kingdom of God, a racially "pure" white world. Hancock and Wexler have sifted through thousands of pages of declassified and never–before–released law enforcement files on the King murder, conducted dozens of interviews with figures of the period, and re–examined information from several recent cold case investigations. Their study reveals a terrorist network never before described in contemporary history. They have unearthed data that was unavailable to congressional investigators and used new data–mining techniques to extend the investigation begun by the House Select Committee on Assassinations. The Awful Grace of God offers the most comprehensive and up–to–date study of the King assassination and presents a roadmap for future investigation.
Published in time for the 50th anniversary of Dr. Martin Luther King Jr.’s assassination, Killing King uncovers previously unknown FBI files and sources, as well as new forensics to convincingly make the case that King was assassinated by a long–simmering conspiracy orchestrated by the racial terrorists who were responsible for the Mississippi Burning murders. This explosive book details the long–simmering effort by a group of the nation’s most violent racial terrorists to kill Dr. Martin Luther King Jr. Killing King convincingly makes the case that while James Earl Ray was part of the assassination plot to kill King, the preponderance of evidence also demonstrates a clear and well–orchestrated conspiracy. Thoroughly researched and impeccably documented, the book reveals a network of racist militants led by Sam Bowers, head of the White Knights of the Ku Klux Klan of Mississippi, who were dedicated to the cause of killing King. The White Knights were formed in the cauldron of anti–integrationist resistance that was Mississippi in the early 1960s and were responsible for more than three hundred separate acts of violence, including the infamous Mississippi Burning murders. The authors have located previously unknown FBI files and sources that detail a White Knight bounty offer, information from an individual who carried money for the assassination, and forensics information regarding unmatched fingerprints and an audio recording of an admission that a key suspect obtained a weapon to be used in killing King. For years, Americans have debated issues with this crime. With Killing King, we are ever closer to an accurate understanding of how and why Dr. King was killed.
A Family's Strong Spiritual Connection with the Place Where They Grew Up. This book is a true account about my parents, brothers, sisters, relatives, and friends growing up on Big Plum Creek Road surrounded by the rural farming areas of Kentucky. As a young boy, I searched for the spirit of God while wandering in the woods and walking along the edges of the creeks. I was at peace with nature. But one day, I had to leave Big Plum Creek Road and follow a different path. Larry Ray Hardin is a retired DEA agent after thirty years and currently teaches criminal law for students coming into law enforcement, runs his own private investigating business, and volunteers to visit with military veterans, law enforcement agents, and officers in hospice. He coauthored his first book about this DEA experience in Path of the Devil and in Spanish: Camino del Diablo. His second book Fighting My Greatest Enemy, Myself shares his internal fight to keep his faith while working with criminals in the United States, Mexico, and Bogota Colombia.
In the states of the former Confederacy, Reconstruction amounted to a second Civil War, one that white southerners were determined to win. An important chapter in that undeclared conflict played out in northeast Texas, in the Corners region where Grayson, Fannin, Hunt, and Collin Counties converged. Part of that violence came to be called the Lee-Peacock Feud, a struggle in which Unionists led by Lewis Peacock and former Confederates led by Bob Lee sought to even old scores, as well as to set the terms of the new South, especially regarding the status of freed slaves. Until recently, the Lee-Peacock violence has been placed squarely within the Lost Cause mythology. This account sets the record straight. For Bob Lee, a Confederate veteran, the new phase of the war began when he refused to release his slaves. When Federal officials came to his farm in July to enforce emancipation, he fought back and finally fled as a fugitive. In the relatively short time left to his life, he claimed personally to have killed at least forty people--civilian and military, Unionists and freedmen. Peacock, a dedicated leader of the Unionist efforts, became his primary target and chief foe. Both men eventually died at the hands of each other's supporters. From previously untapped sources in the National Archives and other records, the authors have tracked down the details of the Corners violence and the larger issues it reflected, adding to the reinterpretation of Reconstruction history and rescuing from myth events that shaped the following century of Southern politics.
The most definitive and personal answer ever written to the question, What is Arnold Palmer really like?"" A warm, often humorous, look at one of the most popular figures in modern sports.
The hardships of the Depression and World War II had taken a toll on the hopes and dreams of Americans everywhere. Central Ohio was no exception. The Ashville High School basketball team's quest for the Ohio Class B state championship in 1945 lifted the hearts and spirits of the residents of the rural communities of Harrison Township in Pickaway County. The Broncos of 1945 describes the experiences of young boys growing up in three neighboring communities who were enjoying the innocence and camaraderie of small-town life while enduring personal sacrifices during the depression era. Playing pickup games of basketball solidified the friendships among these boys through the depression, war, high school, and life beyond. Mentored in the skills of basketball by older brothers, uncles, and cousins; instilled with a competitive spirit through pride of family and community, and inspired by the Bronco basketball tradition of Ashville High School, these boys bonded in their love for the game. They played basketball in the alleys, backyards, and barns regardless of weather or playing conditions. In the sixth grade, new teacher, Lawrence Fullen, a former high school basketball coach at a nearby school, introduced disciplined and team oriented basketball fundamentals to the boys. He built confidence in their abilities and motivates them to give more attention to improving their academics. An unusual turn of events led to Fullen being promoted to high school athletic director in August 1942 and the quest for a state championship begins. The story is authentic. The facts are derived from interviews with players, competitors, students and residents of the communities and documented by stories from newspapers, scrapbooks, and school publications. It is a story of hope. It's a narrative of young boys rising above adversity, beating the odds, and achieving more than society's expectations during a tumultuous time.
A 672 page, award-winning biography of country music singer Jim Reeves based on hundreds of interviews and Jim's private diaries. Virtually a day by day account of the life of this internationally renowned star.
In Soldiering in the Army of Tennessee Larry Daniel offers a view from the trenches of the Confederate Army of Tennessee. his book is not the story of the commanders, but rather shows in intimate detail what the war in the western theater was like for the enlisted men. Daniel argues that the unity of the Army of Tennessee--unlike that of Robert E. Lee's Army of Northern Virginia--can be understood only by viewing the army from the bottom up rather than the top down. The western army had neither strong leadership nor battlefield victories to sustain it, yet it maintained its cohesiveness. The "glue" that kept the men in the ranks included fear of punishment, a well-timed religious revival that stressed commitment and sacrifice, and a sense of comradeship developed through the common experience of serving under losing generals. The soldiers here tell the story in their own rich words, for Daniel quotes from an impressive variety of sources, drawing upon his reading of the letters and diaries of more than 350 soldiers as well as scores of postwar memoirs. They write about rations, ordnance, medical care, punishments, the hardships of extensive campaigning, morale, and battle. While eastern and western soldiers were more alike than different, Daniel says, there were certain subtle variances. Western troops were less disciplined, a bit rougher, and less troubled by class divisions than their eastern counterparts. Daniel concludes that shared suffering and a belief in the ability to overcome adversity bonded the soldiers of the Army of Tennessee into a resilient fighting force.
All films with a predominantly or entirely African American cast or that were about African Americans are detailed here. Each entry includes cast and credits, year of release, studio, distributor, type of film (feature, short or documentary) and other production details. In most cases, a brief synopsis of the film or contemporary reviews of it follow. In the appendices, film credits for over 1,850 actors and actresses are provided, along with a listing of film companies.
Tennessee has never had so complete a place-names volume as this. With over 1,900 entries, this volume covers virtually all the cities, towns, villages, hamlets, and communities of Tennessee. Here you can learn when and how towns got their names. Although current names are the primary focus, previous names are also provided and discussed when information is available, and many interesting stories attached to a place have also been included. This is an essential and fascinating reference book for scholars, teachers, students, and any individual interested in the history of Tennessee.
Cynical news hounds, grumbling editors, snooping television newscasters, inquisitive foreign correspondents, probing newsreel cameramen, and a host of others--all can be found in this reference work to Hollywood's version of journalism: from the early one-reelers to modern fare, over a thousand silent and sound films can be found. Each entry includes title, date of release, distributor, director, screenwriter, and major cast members. These credits are followed by a brief plot summary and analysis, cross-references and other information. The book is arranged alphabetically, and includes a preface, introduction, bibliography, a list of abbreviations, appendices, and an index of names. The detailed introduction covers an historical survey of the topic, with numerous film examples. The work also includes a selection of stills from various films.
An essential work for rock fans and scholars, Before Elvis: The Prehistory of Rock 'n' Roll surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Unlike other histories of rock, Before Elvis offers a far broader and deeper analysis of the influences on rock music. Dispelling common misconceptions, it examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This unique study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music till then played only by and for black audiences. In Before Elvis, Birnbaum daringly argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and rhythm-and-blues--a melange that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into rhythm-and-blues. Written in an easy style, Before Elvis presents a bold argument about rock's origins and required reading for fans and scholars of rock 'n' roll history.
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