The America's Cup has always been a hotbed of unbridled ambition, personal agendas, intrigue, spying and, more recently, hardfought court cases – and that's before the boats even get out on the water to race. Exposed: The Dark Side of the America's Cup lifts the lid on this unique contest for the oldest trophy in sport and on the powerful men who have made it 'the toughest game in town'. For some it has been the key to social advancement, for others it has opened important doors in the business and commercial world, and in some cases it has become a magnificent obsession. It is the pinnacle of achievement in a sport that was once the domain of the wealthy but which today has become fertile territory for a new breed of super-wealthy owners and sailing professionals who would change the event forever. Exposed is a fascinating glimpse behind the scenes of one of the most compelling and controversial contests in the whole of sport.
The terrifying life of a rampaging Indiana killer is vividly chronicled in this true crime book by the co-authors of Race to Justice. Maybe the youngest son of a violent criminal named Hoggy Thompson was born a beast. Maybe rage was beaten into him. One thing was certain, by the time he reached manhood, Jerry Thompson was a savage killer. He had no conscience about rape, child molestation, or thrashing a dozen men in a prison fight. Once he got his hands on a gun, any target would do. He didn't leave witnesses. When he terrorized an entire courtroom and threatened to rip deputy prosecutor Larry Sells apart, people wondered if there would ever be a way to stop his viciousness. In Beast of New Castle, Sells and co-author Margie Porter take a deep dive into the life and crimes of this unrelenting violent offender, and the desperate quest by law enforcement to stop him for good.
Romantic Border Crossings participates in the important movement towards 'otherness' in Romanticism, by uncovering the intellectual and disciplinary anxieties that surround comparative studies of British, American, and European literature and culture. As this diverse group of essays demonstrates, we can now speak of a global Romanticism that encompasses emerging critical categories such as Romantic pedagogy, transatlantic studies, and transnationalism, with the result that 'new' works by writers marginalized by class, gender, race, or geography are invited into the canon at the same time that fresh readings of traditional texts emerge. Exemplifying these developments, the authors and topics examined include Elizabeth Inchbald, Lord Byron, Gérard de Nerval, English Jacobinism, Goethe, the Gothic, Orientalism, Emily Dickinson, Walt Whitman, Anglo-American conflicts, manifest destiny, and teaching romanticism. The collection constitutes a powerful rethinking of the divisions that continue to haunt Romantic studies.
Early Jazz Trumpet Legends By: Larry Kemp Early Jazz Trumpet Legends is an examination of the lives and contributions of jazz trumpeters born before 1925. Included are Louis Armstrong, Dizzy Gillespie, Harry James, Bix Beiderbecke, Bunny Berigan, and Roy Eldridge along with scores of other men and women who created jazz with a trumpet. This is an essential guide for the student of jazz, those interested in history, and those who just like to read entertaining true stories about the most colorful people. Early Jazz Trumpet Legends is the most comprehensive book on the subject. More than 320 trumpeters are discussed. There is a glossary of jazz terminology and a Forward explaining the nature of a trumpet, the nature of jazz, and what a legend is along with background information about New Orleans during the first 30 years of jazz. The scholarship involved is impeccable, while the text reads as easily as a novel. Those who travel to New Orleans will find the information in this book extremely useful to understand the soul of this exotic city and its role as the incubator of jazz. An ideal gift for any musician or lover of jazz. Early Jazz Trumpet Legends is the first of three volumes organized chronologically by date of birth. The second volume, Modern Jazz Trumpet Legends covers those born between 1925 and 1940 and the third volume, Current Jazz Trumpet Legends, covers those born after 1940.
MacKaye's seminal ideas on outdoor recreation, wilderness protection, land-use planning, community development, and transportation have inspired generations of activists, professionals, and adventurers seeking to strike a harmonious balance between human need and the natural environment.".
Moving On anticipates McMurtry’s Terms of Endearment and explores the emotional journey of a young woman against a sprawling metropolis in 1970s Texas. Larry McMurtry’s Moving On, his epic first novel in the acclaimed Houston series, has long been considered a defining tale of “monumental honesty” worthy of great attention (New York Times). Preceding Terms of Endearment by five years, it is essential reading for anyone who appreciates the inherent genius of McMurtry’s late twentieth-century fiction. Moving On centers on the life of Patsy Carpenter, one of his most beloved characters. After calmly finishing a Hershey bar alone in her car, a restless Patsy drives away from her lifeless marriage in search of a greater purpose. In “precise and lyrical prose” (Boston Globe), McMurtry reveals the complex, colorful lives of Pete, the rodeo clown; high-spirited cowboy Sonny Shanks; and impassioned grad student Hank. A critical work of American literature that “presents human drama with sympathy and compassion” (Los Angeles Times), Moving On unfolds a tale of perseverance and emotional survival in the modern-day West.
Black Cat Weekly #28 features another interview by acquiring editor Darrell Schweitzer—this time with Larry Niven.. It originally appeared in Thrust, a review and critical essay magazine published by Doug Fratz in the 1970s. As Darrell has observed, these old interviews fall “somewhere between oral history and paleontology.” It’s always interesting to compare where at author was in his career almost 50 years ago to where he is today. For this issue’s mysteries, we have an original story by Bruce Arthurs, thanks to editor Michael Bracken. Barb Goffman has selected “The Chess Room” by Elizabeth Elwood. And we have a second classic novel from Mildred Davis. Plus, of course, a solve-it-yourself tale by Hal Charles (the writing team of Hal Sweet and Charlie Blythe)—no issue would be complete without one. Editor Cynthia Ward has selected “Miles to Go” by Linda D. Addison for this issue. Great stuff, especially if you like music. (Who doesn’t?) Leslie Perri’s “Under the Skin,” Randall Garrett’s “Stroke of Genius,” and Lester del Rey’s “Mine Host, Mine Adversary” round out the classic reprints. Great reading. Here’s the complete lineup: Non-Fiction: “Speaking with Larry Niven,” an interview by Darrell Schweitzer [interview] Mysteries / Suspense / Adventure: “The Return of Dodge Tombstone, Outlaw,” by Bruce Arthurs [short story] “A Secret Admirer,” by Hal Charles [solve-it-yourself mystery] “The Dark Place,” by Mildred Davis [novel] “The Chess Room,” by Elizabeth Elwood [short story] Science Fiction & Fantasy: “Milez To Go,” by Linda D. Addison [short story] “Under The Skin,” by Leslie Perri [short story] “Stroke Of Genius,” by Randall Garrett [short story] “Mine Host, Mine Adversary,” by Lester del Rey [short story]
The publication of Manch in 1880 marked the beginning of Mary Edwards Bryan's rise to prominence as one of nineteenth-century America's best-known writers of mass-market fiction. At a time when women were discouraged from having jobs of their own, she made a name for herself as a thoughtful--and well-paid--editor. Despite her cultivated image as editor of Fashion Bazar and Sunny South, Bryan's early life was fraught with obstacles. In this finely crafted literary biography, Canter Brown Jr. and Larry Eugene Rivers examine Bryan's formative years in Florida, Georgia, and Louisiana, pairing historical insights with selections of her best writing to illustrate how the obstacles she overcame shaped what she wrote. She grew up on a frontier plantation and later lived through the upheavals of secession and war, disruptive affairs with authors and politicians, the tensions of emancipation, and pervading post-war economic disorder. Despite the oppressive men in her life--her abusive father and husband--as well as unabashed limitations regarding the role of women, Bryan ultimately achieved extraordinary literary accomplishments in New York and Atlanta. A story of celebrity amid scandal, success amid disaster, ambition amid despair, this book reintroduces to the world a courageous and creative talent who yearned to express herself while navigating the restrictive morals and conventions of Victorian society.
Prior to World War II, there were 90 single-screen movie theaters in Milwaukee. By 1960, that number had been reduced by half. With the arrival of television for the home market, the golden age of the movie theater in Milwaukee was dead. Yet their ghosts continue to haunt the old neighborhoods. Churches, warehouses, stores, nightspots, and other businesses now occupy the former Tivoli, Paris, Roosevelt, and Savoy Buildings. Others are simply vacant hulks, decaying from the inside out. The Elite, Regent, Lincoln, and Warner are but a few of the many silent sentinels from the days when Milwaukee was in love with the movies.
A first-ever book on the subject, New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the reader behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices — many sadly deceased — and reveal the changes in styles, the connections between performers, and the evolution of New York blues. New York City Blues is an oral history conveyed through the words of the performers themselves and through the photographs of Robert Schaffer, supplemented by the input of Val Wilmer, Paul Harris, and Richard Tapp. The book also features the work of award-winning author and blues scholar John Broven. Along with writing a history of New York blues for the introduction, Broven contributes interviews with Rose Marie McCoy, “Doc” Pomus, Billy Butler, and Billy Bland. Some of the artists interviewed by Larry Simon include Paul Oscher, John Hammond Jr., Rosco Gordon, Larry Dale, Bob Gaddy, “Wild” Jimmy Spruill, and Bobby Robinson. Also featured are over 160 photographs, including those by respected photographers Anton Mikofsky, Wilmer, and Harris, that provide a vivid visual history of the music and the times from Harlem to Greenwich Village and neighboring areas. New York City Blues delivers a strong sense of the major personalities and places such as Harlem’s Apollo Theatre, the history, and an in-depth introduction to the rich variety, sounds, and styles that made up the often-overlooked New York City blues scene.
Comedy is centuries old. In Medieval Times monarchs were entertained by court jesters. Melodramas provided boredom and stress relief for the pioneers of America’s West. The Nineteenth Century brought vaudeville and burlesque and entertainment jobs for many early comedians. Many of these passed on to their children their comedic skills. These 20th Century comedians are the subject of this book. They moved from burlesque and vaudeville to radio, Broadway, films, and some into television. Some remained “full-time” comedians and some chose serious acting roles at times.
Larry Runyon has lived a life that Horatio Alger would be proud of. Consider this: Larry contracted polio at age two and a half; as part of his therapy, he walked several miles each day and soon discovered golf and became a sensation, traveling the country playing in junior golf tournaments; in his teens he discovered a love for flying and crop dusting; at age 18 he married his high school sweetheart; he turned pro and became a greens keeper at the same course in Coffeeville, Kansas; he began a journey that would take him to the highest echelons of golf course maintenance and make his name (as well as his trademark crew cut) known wherever superintendents gather; along the way he encountered some rather interesting individuals in country clubs, pubs, race tracks and industry. While Larry was, and is, an excellent golfer, he is best known for his innovations in course maintenance, particularly his work in replacing dangerous chemicals with harmless biological agents. Always entertaining and sometimes hilarious, this is his story. As someone once said, “You burr headed bastard, it’s all your fault!” Larry couldn’t agree more.
This book represents the first critical survey of a section of a rich Australian corpus of chamber music. The author has included various instrumental combinations with piano as well as vocal music with piano. The survey is chronological, as well as by composer. An appendix to the work provides source material for future research into this area. The research has concentrated on progressive modernist music by Australian composers. The commentary utilizes the author's rich experience as composer, pianist and educator.
I was nine. I went into my parents' bedroom. They were both sitting in bed, sitting up. Happy. The sunlight shines onto the north wall, illuminating it a soft and bright white. The floor is warm on my bare feet and the off white furniture is pretty with its gold trim. "Larry Ann ..." my father says. "Hmm?" I'm still a bit sleepy, not fully awake. "Would you like a little brother or sister?" Now I'm wide awake. I look at my father relaxed in bed. Thick eyebrows raised. What about my toys? They would have to be shared. My parents' attention? "No, I don't want a little sister or brother," I said, and jumped on the bed with them. "I want a big sister!
Cynical news hounds, grumbling editors, snooping television newscasters, inquisitive foreign correspondents, probing newsreel cameramen, and a host of others--all can be found in this reference work to Hollywood's version of journalism: from the early one-reelers to modern fare, over a thousand silent and sound films can be found. Each entry includes title, date of release, distributor, director, screenwriter, and major cast members. These credits are followed by a brief plot summary and analysis, cross-references and other information. The book is arranged alphabetically, and includes a preface, introduction, bibliography, a list of abbreviations, appendices, and an index of names. The detailed introduction covers an historical survey of the topic, with numerous film examples. The work also includes a selection of stills from various films.
All films with a predominantly or entirely African American cast or that were about African Americans are detailed here. Each entry includes cast and credits, year of release, studio, distributor, type of film (feature, short or documentary) and other production details. In most cases, a brief synopsis of the film or contemporary reviews of it follow. In the appendices, film credits for over 1,850 actors and actresses are provided, along with a listing of film companies.
Who was Butch Cassidy? He was born Robert LeRoy Parker in 1866 in Utah. And, as everyone knows, after years of operating with a sometime gang of outlaws known as the Wild Bunch, he and the Sundance Kid escaped to South America, only to die in a 1908 shootout with a Bolivian cavalry troop. But did he die? Some say that he didn’t die in Bolivia, but returned to live out a quiet life in Spokane, Washington where he died peacefully in 1937. In interviews with the author, scores of his friends and relatives and their descendants in Wyoming, Utah, and Washington concurred, claiming that Butch Cassidy had returned from Bolivia and lived out the remainder of his life in Spokane under the alias William T. Phillips. In 1934 William T. Phillips wrote an unpublished manuscript, an (auto) biography of Butch Cassidy, “The Bandit Invincible, the Story of Butch Cassidy.” Larry Pointer, marshalling an overwhelming amount of evidence, is convinced that William T. Phillips and Butch Cassidy were the same man. The details of his life, though not ending spectacularly in a Bolivian shootout, are more fascinating than the until-now accepted version of the outlaw’s life. There was a shootout with the Bolivian cavalry, but, according to Butch (Phillips), he was able to escape under the cover of darkness, sadly leaving behind his longtime friend, the Sundance Kid, dead. Then came Paris, a minor bit of facelifting, Michigan, marriage, Arizona, Mexico with perhaps a tour as a sharpshooter for Pancho Villa, Alaska, and at last the life of a businessman in Spokane. In between there were some quiet return trips to visit old friends and haunts in Wyoming and Utah. The author, with the invaluable help of Cassidy’s autobiography, has pieced together the full and final story of a remarkable outlaw—from his Utah Mormon origins, through his escapades of banditry and his escape to South America, to his self-rehabilitation as William T. Phillips, a productive and respected member of society.
At approximately 6 pm Eastern Standard Time on April 4, 1968, Martin Luther King Jr., one of America's great moral leaders was assassinated in Memphis, Tennessee. The largest manhunt in FBI history eventually resulted in the capture of James Earl Ray, a career criminal who had escaped from prison in April 1967. Ray entered a guilty plea and confessed his guilt before a judge, but immediately following his conviction, he recanted his confession and insisted on his innocence until his death in 1998. For decades, Americans debated issues of the crime, with a new congressional investigation in the 1970s concluding that Ray was guilty but part of a larger conspiracy. Using new data, interviews, and data–mining techniques, we are closer than ever to an accurate accounting of how Dr. King died and, most importantly, why he was killed.
The Other Welfare offers the first comprehensive history of Supplemental Security Income (SSI), from its origins as part of President Nixon's daring social reform efforts to its pivotal role in the politics of the Clinton administration. Enacted into law in 1972, Supplemental Security Income (SSI) marked the culmination of liberal social and economic policies that began during the New Deal. The new program provided cash benefits to needy elderly, blind, and disabled individuals. Because of the complex character of SSI-marking both the high tide of the Great Society and the beginning of the retrenchment of the welfare state-it provides the perfect subject for assessing the development of the American state in the late twentieth century. SSI was launched with the hope of freeing welfare programs from social and political stigma; it instead became a source of controversy almost from its very start. Intended as a program that paid uniform benefits across the nation, it ended up replicating many of the state-by-state differences that characterized the American welfare state. Begun as a program intended to provide income for the elderly, SSI evolved into a program that served people with disabilities, becoming a primary source of financial aid for the de-institutionalized mentally ill and a principal support for children with disabilities. Written by a leading historian of America's welfare state and the former chief historian of the Social Security Administration, The Other Welfare illuminates the course of modern social policy. Using documents previously unavailable to researchers, the authors delve into SSI's transformation from the idealistic intentions of its founders to the realities of its performance in America's highly splintered political system. In telling this important and overlooked history, this book alters the conventional wisdom about the development of American social welfare policy.
Boone's Lick is Pulitzer Prize-winning author Larry McMurtry's return to the kind of story that made him famous -- an enthralling tale of the nineteenth-century west. Like his bestsellers Lonesome Dove, Streets of Laredo, Comanche Moon, and Dead Man's Walk, Boone's Lick transports the reader to the era about which McMurtry writes better and more shrewdly than anyone else. Told with McMurtry's unique blend of historical fact and sheer storytelling genius, the novel follows the Cecil family's arduous journey by riverboat and wagon from Boone's Lick, Missouri, to Fort Phil Kearny in Wyoming. Fifteen-year-old Shay narrates, describing the journey that begins when his Ma, Mary Margaret, decides to hunt down her elusive husband, Dick, to tell him she's leaving him. Without knowing precisely where he is, they set out across the plains in search of him, encountering grizzly bears, stormy weather, and hostile Indians as they go. With them are Shay's siblings, G.T., Neva, and baby Marcy; Shay's uncle, Seth; his Granpa Crackenthorpe; and Mary Margaret's beautiful half-sister, Rose. During their journey they pick up a barefooted priest named Father Villy, and a Snake Indian named Charlie Seven Days, and persuade them to join in their travels. At the heart of the novel, and the adventure, is Mary Margaret, whom we first meet shooting a sheriff's horse out from underneath him in order to feed her family. Forceful, interesting, and determined, she is written with McMurtry's trademark deftness and sympathy for women, and is in every way a match for the worst the west can muster. Boone's Lick abounds with the incidents, the excitements, and the dangers of life on the plains. Its huge cast of characters includes such historical figures as Wild Bill Hickok and the unfortunate Colonel Fetterman (whose arrogance and ineptitude led to one of the U.S. Army's worst and bloodiest defeats at the hands of the Cheyenne and Sioux) as well as the Cecil family (itself based on a real family of nineteenth-century traders and haulers). The story of their trek in pursuit of Dick, and the discovery of his second and third families, is told with brilliance, humor, and overwhelming joie de vivre in a novel that is at once high adventure, a perfect western tale, and a moving love story -- it is, in short, vintage McMurtry, combining his brilliant character portraits, his unerring sense of the west, and his unrivaled eye for the telling detail. Boone's Lick is one of McMurtry's richest works of fiction to date.
Larry Cole was an NFL player who played for the Dallas Cowboys from 1968 to 1981. He played during an exciting era of professional football. Joe Namath won the Super Bowl his rookie year. Monday Night Football started a couple of years later to sellout crowds where each city highlighted what made them different from other cities. He played in five Super Bowls at three different positions. He shares with you his childhood and high schools years. Then he shares his experiences on through college, including a stint at the United States Air Force Academy. This would prepare him to compete in the NFL. He wrote this book for the purpose of sharing with you how he discovered his own unique talents to compete on and off the field. He started his building and development business during the off-season to provide a smooth transition to his life after football. He played thirteen years for the same coach, Tom Landry, and the same defensive line coach, Ernie Stautner. He played one year with Don Meredith at quarterback, all of Roger Staubach's eleven years, including six of Craig Morton's years competing with him, and one year with Danny White at the helm. He was part of "Doomsday I" and "Doomsday II." He gives you insights on how each year was different and how Tom Landry was able to put together so many years as a perennial playoff contender. When this author retired, he had played in twenty-six playoff games, an NFL record at that time.
In recent years, many members of the intellectual community have embraced a radical relativism regarding knowledge in general and scientific knowledge in particular, holding that Kuhn, Quine, and Feyerabend have knocked the traditional picture of scientific knowledge into a cocked hat. Is philosophy of science, or mistaken impressions of it, responsible for the rise of relativism? In this book, Laudan offers a trenchant, wide-ranging critique of cognitive relativism and a thorough introduction to major issues in the philosophy of knowledge.
This work focuses on thirteen English Renaissance plays: the Anonymous Famous Victories of Henry V and Edward III, the apocryphal plays Sir John Oldcastle and Thomas, Lord Cromwell, the pseudo-Shakespearean Edmund Ironside, and Shakespeare's 1, 2, 3 Henry VI, King John, Richard II, 1, 2 Henry IV, and Henry V. Discussed are the spectators in the socially mixed audience who responded differently, depending on individual political biases, and who had to be considered if the plays were to reach the stage.
What clutter-busting need was behind the invention of the World Wide Web? Which stain-fighting chemical got its start when a lab assistant dropped a beaker on a lab floor? In S is for Scientists: A Discovery Alphabet, the origins behind some of the most important scientific discoveries are explored. Budding young scientists will learn what Galileo witnessed in a church that led to his theory of measurement; how biologist Rachel Carson's book, Silent Spring, helped to spur the first call to action in the environmental movement; and why Ivan Pavlov's study of a drooling dog laid the foundations for a new branch of psychology. From discoveries that fundamentally changed scientific methods to everyday inventions that are now taken for granted, S is for Scientists sheds light on the events and people who have shaped our lives today. A former teacher, Larry Verstraete now spends his time writing, visiting schools and libraries, and presenting at conferences and festivals. S is for Scientists: A Discovery Alphabet is his second picture book with Sleeping Bear Press. He lives in Winnipeg. David Geister's fascination with American history is celebrated in his work, and his paintings have been featured in The Saturday Evening Post. Dave's books for Sleeping Bear Press include B is for Battle Cry: A Civil War Alphabet and Riding to Washington. He lives in Minneapolis, Minnesota.
Recounts myths of the closing decades of the western frontier viewed through the eyes of Nellie Courtright and her brother Jackson, orphans that make good in the town of Rita Blanca in what would become the Oklahoma Panhandle.
In today's frenetic society, people rarely develop intimate friendships. Instead, they spend their lives essentially disconnected from others, rushing through life content with brief visits and casual conversations. But what if one were to develop a community, a spiritual community, of people who walked with and supported each other through life's journey? A community of real friends who listened to each other's personal tragedies without merely trying to fix the problems, who encouraged and nurtured each other's strengths, and who accepted people for who they really are, instead of the image they try to portray. In Becoming a True Spiritual Community (formerly titled The Safest Place on Earth), Larry Crabb explores such a place, where God can heal disconnected people and allow them to reconnect with each other and, ultimately, with Him.
The personal and professional struggles of McMurtry’s lively protagonist Jill Peel, a director in 1970s Hollywood, takes on new resonance in the twenty-first century. Forty years ago, Larry McMurtry journeyed from the sprawling ranches of his early work to the provocative Sunset Strip, creating a Hollywood fable that is both immediate and relevant in today’s dynamic cultural climate. One would never guess that Jill Peel is still on the verge of stardom. Jill won an Oscar shortly after her fresh-faced arrival in 1950s Hollywood, then for the next twenty years batted away every Tinseltown producer who tried to hire her and get her into bed. Now middle-aged, she’s determined to create more movie magic by directing a cast of raunchy eccentrics, including Joe Percy, an aging womanizing screenwriter, and ex-football player Owen Oarson, eager to sleep his way to leading-man stardom. Teeming with biting humor and intriguing characters that mirror the scandals of modern-day Hollywood, Somebody’s Darling is a timeless story about a fiercely capable woman who dares to challenge the realities of a deceptively seductive Babel.
In today's frenetic society, people rarely develop intimate friendships. Instead, they spend their lives essentially disconnected from others, rushing through life content with brief visits and casual conversations. But what if one were to develop a community, a spiritual community, of people who walked with and supported each other through life's journey? A community of real friends who listened to each other's personal tragedies without merely trying to fix the problems, who encouraged and nurtured each other's strengths, and who accepted people for who they really are, instead of the image they try to portray. In The Safest Place on Earth, Larry Crabb explores such a place, where God can heal disconnected people and allow them to reconnect with each other and, ultimately, with Him.
Larry Writer has delivered a gem in Dangerous Games.' - Roland Perry, author of Bill the Bastard 'Writer has faithfully recreated the 1936 Olympics - the most controversial in history.' - Harry Gordon, author of Australia and the Olympic Games This is a tale of innocents abroad. Thirty-three athletes left Australia in May 1936 to compete in the Hitler Olympics in Berlin. Believing sporting competition was the best antidote to tyranny, they put their qualms on hold. Anything to be part of the greatest show on earth. Dangerous Games drops us into a front row seat at the 100,000-capacity Olympic stadium to witness some of the finest sporting performances of all time - most famously the African American runner Jesse Owens, who eclipsed the best athletes the Nazis could pit against him in every event he entered. The Australians, with their antiquated training regimes and amateur ethos, valiantly confronted the intensely focused athletes of Germany, the United States and Japan. Behind the scenes was cut- throat wheeling and dealing, defiance of Hitler, and warm friendships among athletes. What they did and saw in Berlin that hot, rainy summer influenced all that came after until their dying days.
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