Bobby "Slick" Leonard has etched his name forever on the Mount Rushmore of Indiana basketball, and in Boom, Baby! he shares memories from his storied career. Leonard takes readers inside the Indiana locker room with legendary head coach Branch McCracken and onto the court when he hit the deciding free throws as the "Hurrying Hoosiers" topped Phog Allen's Kansas Jayhawks. He recalls the NBA's early years, including being drafted by a Baltimore Bullets team that folded soon after selecting him. He tells of his time as the winningest coach in the ABA's nine-year history, securing three championships in his first five seasons with the Indianapolis Pacers. In his final act, "Slick" endeared himself to new generations of Hoosier hoops fans as the longtime Pacers radio voice, with his trademark call "Boom, Baby!" for a successful three-point shot.
Cast out by his fellow lemmings because he is so different, David embarks on a journey to find out why he was born and how he can be accepted, meeting several creatures along the way who challenge or aid him.
There has been a substantial growth in the application of company law, partly due to the prevailing economic and general business environment. This book examines issues such as company securities, capital and insider dealing.
On November 21, 1980, over 350 million people worldwide tuned in to find out: Who shot J.R.? In portraying the scheming, ruthless J.R. in Dallas during its run from 1978 to 1991, Larry Hagman reached a level of fame and recognition that is rare, if not unique. Now the man behind J.R. tells his own story in an autobiography that is at once rowdy and moving, self-searching and scandalous, juicy and a "recovery story" — and often outrageously funny. Though Larry Hagman is best known for his starring roles in two hugely successful television series, I Dream of Jeannie and Dallas, his life has been a star act from birth. Born into the theatrical purple as the son of the legendary Mary Martin, Larry Hagman received his first exposure to the heady world of show business through Broadway's most beloved leading lady. Following a stint in a soap opera, he got his big break with I Dream of Jeannie, and from that came instant fame and celebrity, from which he never looked back. It was as J.R., however, in the phenomenally successful series Dallas (the second longest-running TV drama in history), that Hagman earned his greatest fame. Taking the reader behind the scenes, he shares many stories of ego clashes, off-screen relationships, and flamboyant behavior during his work on that series—and the pain he experienced as drugs and alcohol began to take their toll. The greatest drama in Larry Hagman's life came when he was diagnosed with cirrhosis of the liver and entered into a race against time to find a liver donor. Dishy, witty, frank, and unsparing of Larry Hagman himself and of others, Hello Darlin'! is, like its author, destined for international fame—a rare memoir by a show-business celebrity that not only makes us laugh, applaud, and cry, but also leaves us with respect and admiration for a man who can not only tell a good story about others, but reveal something of himself.
Nel 1975 Bob Dylan, nel pieno del fermento creativo di Blood on the Tracks e Desire, tornò a calcare le scene allestendo una spettacolare tournée che coinvolse artisti come Joan Baez, Joni Mitchell, Arlo Guthrie,Ramblin’ Jack Elliott, Allen Ginsberg, e che toccò ogni angolo del Nordest americano. Larry «Ratso» Sloman, allora giovane inviato di Rolling Stone, seguì e documentò ogni tappa di quella che si chiamò Rolling Thunder Revue e che sarebbe diventata il più celebre tour di tutta la storia del rock. Tra descrizioni dei concerti e interviste ai musicisti, chiacchierate con i fan e litigi con il management iperprotettivo e paranoico di Dylan, scene commoventi come una visita alla tomba di Kerouac o bizzarre come un saluto al sole in compagnia di un sedicente capo indiano, Sloman racconta da testimone e protagonista un momento epocale dell’autunno del rock, in cui per un attimo sembrò che intorno a Dylan potesse rinascere il sogno psichedelico e collettivo degli anni Sessanta. Un reportage insieme intelligente e divertentissimo, esplosivo come il miglior Lester Bangs e lucido come un saggio di Truman Capote.
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