(Book). More than a method or exercise book, this guide challenges jazz guitarists to increase originality in their thinking and playing. Master player Larry Coryell takes readers deep inside the music to make connections between ideas and the guitar fretboard, helping them unlock their own creativity. This book/CD set builds logically from basic ideas to more advanced techniques, which Coryell explains in fine detail. He highlights musical ways to understand complex jazz concepts and presents his unique approach to improvisation by providing exciting new ways to play scales, intervals, arpeggios, melody and chords. Emphasizing group interaction and solos that sizzle, Coryell taps his decades of experience as a performer to offer insights into inventive, powerful ensemble playing. "This book should open the door to a better understanding in our quest for advanced guitar playing." Al DiMeola
(Book). Jazz guitar legend Larry Coryell takes an unflinching look at his life and career, recounting his musical journey from his scuffling early days in New York City and his pioneering role in the jazz fusion movement to his current status as a world ambassador of jazz. Coryell reveals his own involvement in and eventual victory over the drug scene, and he gives his take on the musical giants he has known and performed with. Along the way, he details the development of his own style and provides inspirational words for fellow musicians. A special section presents a selection of Coryell's beloved Guitar Player magazine columns. Includes CD with audio lessons and original compositions recorded specifically for this book.
(Book). This practical book with CD helps guitarists improve their ability to play over changes, better understand jazz harmony, and expand their jazz vocabulary. Using examples from his own experiences playing with many well-known musicians, top fusion guitarist Larry Coryell provides dozens of musical exercises - plus original compositions - that challenge guitarists to increase flexibility in their thinking and playing. Topics include: new approaches to playing accompaniment ("comping"); integrating chords and scales in jazz solos; interpreting chord changes; and improvising - the art of creating music spontaneously with other players.
Larry Morrow is one of Cleveland's most popular celebrities. In this book he tells stories from a lifetime in radio--how he got into broadcasting, early days in Detroit, the exciting times at Cleveland's AM powerhouse WIXY 1260 in the 1960s and '70s, and his long on-air runs at WERE AM and WQAL FM. He tells about many interesting celebrities he interviewed and unusual promotions he was involved in. Morrow was named "Mr. Cleveland" by mayor George Voinovich for his decades of tireless effort promoting his adopted city, and he has been selected as master of ceremonies for most major Cleveland events in the past three decades, including Cleveland's bicentennial celebration. He is in great demand as a public speaker and a communications teacher.
(Book). Jazz guitar legend Larry Coryell takes an unflinching look at his life and career, recounting his musical journey from his scuffling early days in New York City and his pioneering role in the jazz fusion movement to his current status as a world ambassador of jazz. Coryell reveals his own involvement in and eventual victory over the drug scene, and he gives his take on the musical giants he has known and performed with. Along the way, he details the development of his own style and provides inspirational words for fellow musicians. A special section presents a selection of Coryell's beloved Guitar Player magazine columns. Includes CD with audio lessons and original compositions recorded specifically for this book.
Elizabeth Taylor, Arthur Godfrey, Doris Day, Ed Sullivan, Faye Emerson, Artie Shaw, Bess Myerson, Ellen Burstyn, Leon Uris, Toots Shoor, Edward R. Murrow, Robert Q. Lewis, Roy Rogers, David Susskind, Andy Rooney, George Reeves, Dr. Joyce Brothers, Robert Young, Walter Cronkite. What do all these famous people have in common? They all knew Larry Lowenstein. Famous People Who Knew Me is the story of a press agent, publicist, and promoter who worked and partied with stars and personalities of television, Broadway, radio, and film. Famous People Who Knew Me takes the reader back to the Bronx of 1919 where Larry Lowenstein was born. It tells of Larry's early years before and during the Great Depression, as well as his experiences during World War II when he served in the Army Air Forces in England, France, Belgium, Luxembourg, and Germany. But most significantly, it tells of his career experiences after the war during the go-go years of early television. It tells of the day that he and another press agent made the wedding bed for Elizabeth Taylor and Eddie Fisher; the evening Ed Sullivan forgot to introduce him to Elvis Presley at Studio 54; the Tournament of Roses Parade where he kept Arthur Godfrey too busy to make a pass at Bess Myerson; the late nights among café society at the Stork Club, Toots Shoor's, and 21; and the evenings when he and Yul Brynner and Faye Emerson would have drinks together at the Metropolitan Café, across from the CBS studios, and talk over that day's show, or when he and Faye and others would go to The Embers and listen as artists like Art Tatum, Marian McPartland, and Wild Bill Davison riffed their musical magic. After a productive career in New York, working for CBS Television and major public relations firms, such as Benton & Bowles, Rogers & Cowan, and General Artist Corporation, the story follows Larry to Atlanta where he continued his career in radio, television, and education, working with such Atlanta personalities as Ludlow Porch, Neal Boortz, Alonzo Crim, Henry Aaron, Maynard Jackson, and Andrew Young, as well as taking on significant roles in the Atlanta chapter of the American Jewish Committee, the Atlanta chapter of the NAACP, the Atlanta Urban League, and the Georgia Special Olympics, among many others. The story ends with Larry finishing his long career working as media coordinator at Kennesaw State University in Kennesaw, Georgia. Famous People Who Knew Me opens a window to a world of glamour and a life of great energy and sincerity.
100 Things Cardinals Fans Should Know & Do Before They Die is the ultimate resources guide for true fans of the Arizona Cardinals. Whether you're a die-hard booster from the days of Jake Plummer or a new supporter of Carson Palmer, these are the 100 things all fans need to know and do in their lifetime. It contains every essential piece of Cardinals knowledge and trivia, as well as must-do activities, and ranks them all from 1 to 100, providing an entertaining and easy-to-follow checklist as you progress on your way to fan superstardom.
The Life Story Of Author Larry Earl Toombs is based on how he lived his life, and how he influenced the homeless people, the abused and battered women of the world today and the life Author Larry Earl Toombs has lived
“Trumbo emerges from this well-rounded biography as a larger-than-life figure, not unlike the characters he scripted for the screen.” —Publishers Weekly James Dalton Trumbo is widely recognized as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom. In Dalton Trumbo, Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work; his membership in the Communist Party; his long campaign against censorship during the domestic cold war; his ten-month prison sentence for contempt of Congress; and his thirteen-year struggle to break the blacklist. The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given another for Roman Holiday. This comprehensive biography, which includes excerpts of Trumbo’s letters, notes, and other writings, also provides insights into the notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and a fascinating look at the life of one of Hollywood’s most prominent screenwriters and his battle against persecution.
Larry Cole was an NFL player who played for the Dallas Cowboys from 1968 to 1981. He played during an exciting era of professional football. Joe Namath won the Super Bowl his rookie year. Monday Night Football started a couple of years later to sellout crowds where each city highlighted what made them different from other cities. He played in five Super Bowls at three different positions. He shares with you his childhood and high schools years. Then he shares his experiences on through college, including a stint at the United States Air Force Academy. This would prepare him to compete in the NFL. He wrote this book for the purpose of sharing with you how he discovered his own unique talents to compete on and off the field. He started his building and development business during the off-season to provide a smooth transition to his life after football. He played thirteen years for the same coach, Tom Landry, and the same defensive line coach, Ernie Stautner. He played one year with Don Meredith at quarterback, all of Roger Staubach's eleven years, including six of Craig Morton's years competing with him, and one year with Danny White at the helm. He was part of "Doomsday I" and "Doomsday II." He gives you insights on how each year was different and how Tom Landry was able to put together so many years as a perennial playoff contender. When this author retired, he had played in twenty-six playoff games, an NFL record at that time.
The award-winning author provides “a look at the women who supported the male border raiders . . . includes heartrending stories from a savage war” (HistoryNet). In this fascinating look at an often overlooked subject, historian Larry Wood delves into the hidden lives of the brave belles of Missouri. Sometimes connected by blood but always united in purpose, these wives, sisters, daughters, lovers, friends, and mothers risked their lives and their freedom to give aid and comfort to their menfolk. They used subterfuge and occasionally sheer luck to feed, clothe, and shelter the guerrillas. These courageous women of every age and station acted as essential go-betweens, scouts, spies, guides, and mail handlers. They often joined in on the bushwhackers’ campaigns, assisting them in any way possible. They even received and traded stolen property for their Confederate brethren. Many of the women were arrested or banished from their home state of Missouri; many were forced to give an oath of allegiance to the Union in order to gain their freedom; a few were able to carry out their clandestine missions undetected. Wood traces these women through their own diaries and other primary sources from the era. The poignant tales of these women are punctuated by images of many of them; the stiff, posed portraits give silent testimony to their resiliency and strength during tumultuous times. “A fascinating glimpse into the irregular warfare that embroiled the state during the Civil War.” —Jefferson City News Tribune
Despite efforts of contemporary reformers to curb the availability of dime novels, series books, and paperbacks, Pioneers, Passionate Ladies, and Private Eyes reveals how many readers used them as means of resistance and how fictional characters became models for self-empowerment. These literary genres, whose value has long been underestimated, provide fascinating insight into the formation of American popular culture and identity. Through these mass-produced, widely read books, Deadwood Dick, Old Sleuth, and Jessie James became popular heroes that fed the public’s imagination for the last western frontier, detective tales, and the myth of the outlaw. Women, particularly those who were poor and endured hard lives, used the literature as means of escape from the social, economic, and cultural suppression they experienced in the nineteenth century. In addition to the insight this book provides into texts such as “The Bride of the Tomb,” the Nick Carter Series, and Edward Stratemeyer’s rendition of the Lizzie Borden case, readers will find interesting information about: the roles of illustrations and covers in consumer culture Bowling Green’s endeavor to digitize paperback and pulp magazine covers bibliographical problems in collecting and controlling series books the effects of mass market fiction on young girls Louisa May Alcott’s pseudonym and authorship of three dime novels special collections competition among publishers A collection of work presented at a symposium held by the Library of Congress, Pioneers, Passionate Ladies, and Private Eyes makes an outstanding contribution to redefining the role of popular fiction in American life.
Current Jazz Trumpet Legends By: Larry Kemp Current Jazz Trumpet Legends, Volume 3 in the Jazz Trumpet Legends series, is an examination of the lives and contributions of jazz trumpeters born after July 1, 1938. Included are Lee Morgan, Bobby Shew, Lew Soloff, Woody Shaw, Arturo Sandoval, Wynton Marsalis, along with scores of other men and women who created jazz with a trumpet. This is an essential guide for the student of jazz, those interested in history, and those who just like to read entertaining true stories about the most colorful people. Current Jazz Trumpet Legends is the most comprehensive book on the subject. More than 340 trumpeters are discussed. There is a listing of female trumpeters and a listing of men whose first names might lead you to think they are female, but they aren’t. There is an index of trumpeters discussed in this volume and an index of all trumpeters in the three volume series. The book concludes with a list of people whose help is acknowledged. The scholarship involved is impeccable, while the text reads as easily as a novel. Current Jazz Trumpet Legends is the third of three volumes of profiles of jazz trumpeters organized chronologically by date of birth. The first volume, Early Jazz Trumpet covers those trumpeters born before September 1, 1924. The second volume, Modern Jazz Trumpet Legends covers those born between 1925 and July 1, 1938. The third volume, Current Jazz Trumpet Legends, covers those born after July 1, 1938.
Three of our contributing editors brought in amazing tales. Barb Goffman presents Jason’s Half’s “The Last Ferry,” Cynthia Ward brings us “Quinn’s Deal,” by L. Timmel Duchamp, and Michael Bracken offers “A Reasonable Expectation of Privacy,” by N.M. Cedeño. Two are mysteries and two are science fiction. I leave it to you to figure out which is which. (No cheating and checking the list of stories below…unless you absolutely can’t help yourself!) We have three fantasies this time, too—Larry Tritten returns with a story featuring a djinn and a man with a hankering for travel. Everil Worrell has a date with Death. And in Curios, a short story collection by Richard Marsh, we find 7 short stories featuring a pair of rival curio collectors—with some most unusual items! And, of course, there are some classic tales—A Sharper’s Downfall is a mystery novel featuring Nick Carter, Stephen Wasylyk has a vintage mystery short, and we have rip-roaring science fiction tales from Paul W. Fairman and Malcolm Jameson. And of course we couldn’t forget a solve-it-yourself puzzler from Hal Charles. (Yes, it’s a Halloween solve-it-yourself. I should have included it in one of the October issues, but messed up. Doh! You’ll just have to live with it.) Here is the complete lineup: Mysteries / Suspense: “The Halloween Costume Caper,” by Hal Charles [Solve-It-Yourself Mystery] “Ten Dollar$ a Week,” by Stephen Wasylyk [short story] "A Reasonable Expectation of Privacy," by N.M. Cedeñov [short story] "The Last Ferry," by Jason Half [Barb Goffman Presents short story] A Sharper’s Downfall, by Nicholas Carter [novel] Curios, by Richard Marsh [fantasy and mystery collection] Science Fiction & Fantasy: Curios, by Richard Marsh [fantasy and mystery collection] “Leonora,” by Everil Worrell [fantasy short story] “Travels With Harry,” by Larry Tritten [fantasy short story] "A Reasonable Expectation of Privacy," by N.M. Cedeñov [science fiction short story] “Quinn’s Deal,” by L. Timmel Duchamp [Cynthia Ward Presents science fiction novelet] “Traitor’s Choice,” by Paul W. Fairman [science fiction short story] “Blockade Runner,” by Malcolm Jameson [science fiction short story]
Welcome to Black Cat Weekly #14. Over the next few issues, you will note a number of changes coming to Black Cat Weekly. We have been expanding our staff of editors, and this issue Michael Brachen brings us his first selection, “A Ship Called Pandora,” by Melodie Campbell—which fits neatly in both the science fiction and mystery genres! Barb Goffman has an off week, since we’re using one of her own stories—“Whose Wine Is It Anyway?” which was a nominee for the Agatha, Anthony, and Macavity Awards. Of course, we also have several mystery novels—a Mr. Pinkerton puzzler by Zenith Brown and a classic Nick Carter detective story. And don’t miss this issue’s Solve-It-Yourself mystery by Hal Charles. On the science fiction and fantasy side, Michael Brachen brings us his first selection, “A Ship Called Pandora,” by Melodie Campbell—which fits neatly in both the science fiction and mystery genres! (No, you’re not suffering from deja vu. I’m just repeating myself.) New acquiring editor Darrell Schweitzer makes his first selection for BCW with Tom Purdom’s “Madame Pompadour’s Blade,” which combines French history and magic. (Next issue we hope to have a selection from Cynthia M. Ward, another new acquiring editor who is joining th staff.) Plus we have a classic short by Henry Kutttner, a modern short storoy by the late Larry Tritten, a short novel Edmond Hamilton, and I’ve snuck in a fantasy of my own, “Dreamtime in Adjaphon.” Here’s the complete lineup: Mysteries / Suspense “Saving Downtown Abbey,” by Hal Charles [Solve-It-Yourself Mystery] Two Against Scotland Yard, by Zenith Brown [novel] “Whose Wine Is It Anyway?” by Barb Goffman [short story] A Cigarette Clue, by Nicholas Carter [novel] “A Ship Called Pandora,” by Melodie Campbell [short story] Science Fiction & Fantasy “A Ship Called Pandora,” by Melodie Campbell [short story] “Dreamtime In Adjaphon,” by John Gregory Betancourt [short story] “Hydra,” by Henry Kuttner [short story] “Madame Pompadour’s Blade,” by Tom Purdom [short story] “The Dead Woods,” by Larry Tritten [short story] Battle For The Stars, by Edmond Hamilton [short novel]
Welcome to Black Cat Weekly #24—another great issue packed with new and classic mystery, fantasy, and science fiction. Here are: Mystery and Suspense: THE ADVENTURE OF THE CURIOUS CUBE, by A.L. Sirois A JAR FULL OF CHARITY, by Hal Charles THE SLEEPER CAPER, by Richard S. Prather WHERE THE STRANGE ONES GO, by Steve Hockensmith IT NEVER GOT INTO THE PAPERS, by Hulbert Footner WON BY MAGIC, by Nicholas Carter Science Fiction and Fantasy: PANCHO VILLA’S FLYING CIRCUS, by Ernest Hogan THE ENGINEER, by Frederik Pohl and C.M. Kornbluth THE DATE, by Larry Tritten TRAUMEREI, by Charles Beaumont KING OF THE HILL, by James Blish THE OLD ONES HEAR, by Malcolm Jameson
In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music’s key stylistic developments, Kart sees jazz as a unique perpetual narrative—one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz’s relationship to American popular song and examines the jazz musician’s role as actual and would-be social rebel.
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