The wild turkey is an iconic game bird with a long history of association with humans. Texas boasts the largest wild turkey population in the country. It is the only state where one can find native populations of three of the five subspecies of wild turkeys—the Eastern wild turkey (Meleagris gallopavo silvestris), the Rio Grande wild turkey (M. g. intermedia), and the Merriam’s wild turkey (M. g. merriami). Bringing together experts on game birds and land management in the state, this is the first book in Texas to synthesize the most current information about ecology and management focused exclusively on these three subspecies. Wild Turkeys in Texas addresses important aspects of wild turkey ecology and management in Texas, but its principles are applicable anywhere Eastern, Rio Grande, or Merriam’s turkeys exist. This book marks the continuation of one of the biggest success stories in the research, restoration, and management of the wild turkey in North America.
From the beginning of time, evil forces have plagued mankind. One particular dark entity, in the form of a giant tree, makes its way through the history of man, invoking evil, a faceless supernatural force that manifest itself in order to conquer the world at the new millennium. Provocative and disturbing, this controversial epic novel reveals the weakness in man's ability to recognize and fight an invisible force, the dark side. Can a single man defend and save the world?
On a summer night in 1944, a German submarine, the U-1299 slips away from its moorings at the 1st Flotilla's base in France. Its mission is to land two saboteurs on a deserted beach on the coast of Virginia. Their mission is to assassinate the president of the United States. Crossing the Atlantic, the U-1299 encounters a U.S. destroyer and is nearly sunk by depth charges, but is able to land the saboteurs on a deserted beach where they are to meet contact, a spy in the British Embassy. Upon reaching the beach, the two men bury their uniforms, weapons, and identification tags, expecting to retrieve them later. One of the men is injured in the landing and is caught by a Coast Guard patrol. The other saboteur escapes, meets his contact and disappears. Five years later, a retired FBI agent on vacation is searching the beach with a mine detector for coins washed ashore from shipwrecks. He discovers the buried weapons and the identification tags. After researching police and FBI files, he learns that the man who was caught received a thirty-year prison sentence. The other saboteur was never apprehended and is still on the FBI's most wanted list. The hunt for the saboteur begins…a story of espionage, attempted murder, and assassination.
This book is a homage to London, the capital oft he biggest Empire in recent history. This impressive city serves as the bright and colourful stage for 1.000 short stories, narrated from very different and unique individual perspectives. Historical events covering more than a hundred years of history are told in the form of short stories. The focus remains on World War II, with Churchill, Hitler, Stalin and Roosevelt as main actors.
The second part of the London Decameron covers the sixth day with a viewing of Hampton Court Palace. The center of the stories is the splendid court of Henry VIII and his wives. The evening in a nostalgically styled Russian restaurant in the style of the Tsar era turns to the beginning of the Russian campaign. The seventh day begins with a visit to Windsor Castle.
William J. Landon reveals Strozzi's influence on Machiavelli through wide-ranging textual investigations, and especially through Strozzi's Pistola fatta per la peste for which Landon has provided the first ever complete English translation and critical edition.
After his dreams of being a WWII flying ace are dashed, Joe settles for a dead-end job, crop-dusting his neighbors' farms and finishing out the evening slouched at the bar in the local tavern. One morning Joe's usual crop-dusting routine turns into something else entirely when his beat-up Stearman begins a long spiral toward earth.... Joe doesn't die that morning, but he begins an odyssey whose twists and turns head him back toward life, love, and true devotion. Reviews "This was a great story of enduring love; a love that survives the hardest of times. Through the many twist and turns in the plot, the authors kept me riveted. It was a real page turner as well a refreshing read." and mdash;Barb Mastowski, BookBargainsandPreviews.com
During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.
By 1520, Niccolò Machiavelli’s life in Florence was steadily improving: he had achieved a degree of literary fame, and, following his removal from the Florentine Chancery by the Medici family, he had managed to gain their respect and patronage. But there is one figure whose substantial contributions to Machiavelli’s restoration has been hitherto neglected – Lorenzo di Filippo Strozzi (1482–1549), a younger and fabulously wealthy Florentine nobleman. As manuscript evidence suggests, Strozzi brought Machiavelli into his patronage network and aided many of his post-1520 achievements. This book is the first English biography of Strozzi, as well as the first examination of the patron-client relationship that developed between the two men. William J. Landon reveals Strozzi’s influence on Machiavelli through wide-ranging textual investigations, and especially through Strozzi’s Pistola fatta per la peste – a work that survives as a Machiavelli autograph, and for which Landon has provided the first ever complete English translation and critical edition.
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