A full-length play for at least three actors (1F, 2M) with extensive doubling. Set now and in 1913, the story follows a photographer as he travels through Worcestershire. He meets people and learns his craft as his journey changes his life forever. A century later his pictures once again work their magic. Upside Down and Back to Front premiered at the Number 8 Community Arts Centre in Pershore in February 2005. A version of the play was broadcast as a BBC Radio 4 Afternoon Play in November 2006.
Red Skies Over the Severn is a full-length stage play for a cast of seven (5M, 2F) plus a young boy. It was commissioned and professionally produced by the Worcester Theatre Company in 2001. It was positively reviewed by Michael Billington in The Guardian and by Charles Spencer in The Daily Telegraph. The action is set on a Worcestershire farm during the foot and mouth epidemic of 2001. As the farm is isolated in quarantine the pressures begin to build on the family.
A cycle of four, hour-long plays that tell of the joys, misfortunes, adventures and calamities of the Stokes family during the 20th Century. Originally written for Worcester Swan Theatre and produced in 2001. The original cast consisted of 7 professional actors (3m, 4f) and a company of about 25 community actors.
Red Skies Over the Severn is a full-length stage play for a cast of seven (5M, 2F) plus a young boy. It was commissioned and professionally produced by the Worcester Theatre Company in 2001. It was positively reviewed by Michael Billington in The Guardian and by Charles Spencer in The Daily Telegraph. The action is set on a Worcestershire farm during the foot and mouth epidemic of 2001. As the farm is isolated in quarantine the pressures begin to build on the family.
A cycle of four, hour-long plays that tell of the joys, misfortunes, adventures and calamities of the Stokes family during the 20th Century. Originally written for Worcester Swan Theatre and produced in 2001. The original cast consisted of 7 professional actors (3m, 4f) and a company of about 25 community actors.
A full-length play for at least three actors (1F, 2M) with extensive doubling. Set now and in 1913, the story follows a photographer as he travels through Worcestershire. He meets people and learns his craft as his journey changes his life forever. A century later his pictures once again work their magic. Upside Down and Back to Front premiered at the Number 8 Community Arts Centre in Pershore in February 2005. A version of the play was broadcast as a BBC Radio 4 Afternoon Play in November 2006.
A beautiful and poignant coming of age romantic tale that kept me reading from start to finish." Goodreads. Lucy Fox is sailing to Melbourne in 1906 with her sister Rosa, when a tragic landfall leaves her life entangled with three seamen: gentle Sam, cynical Danny and beautiful Gideon. After Rosa's scandalous elopement, trader Min-lu draws Lucy into a new world of silks and spices and the silvery pearlshell of Broome: a port in the wild Australian north-west where breaking the rules is a way of life. The Great War begins and Lucy’s lover must go to sea, where ruthless U-boats are stalking the last of the great sailing ships. But even when peace returns, the influenza pandemic comes with it … and Lucy, far from home, discovers how bitterly she has been betrayed. Silver Highways is the foundation novel of the Tempo series, by the winner of the Mountbatten Maritime Award and the Western Australian Premier’s Book Award for Non-Fiction.
Lance Lee's plays explore the moral dilemmas we face creating lives of coherence and value today with a poetic intensity that transforms theatrical practice. In Time's Up a man and a woman treat the audience as their marriage counselors as they face the world nakedly. The last 'fox' turns the tables on a sex queen 'huntress' and her slavish 'hound' to survive as an individual in Fox, Hound, and Huntress. A thinker commits suicide in Gambits, while a veteran fire fighter confronts the same millennial emptiness saving anything that comes his way, including the man's young wife from a murder charge. Rasputin is a Socratic demi-urge whose drive for self realization destroys Russia and opens the door to the greatest modern disaster, in Rasputin. Some of these started at the Eugene O'Neill Memorial Theatre National Playwrights Conference or through support from the Rockefeller Foundation through the Office for Advanced Drama Research: both Fox, Hound and Huntress and Time's Up are included here from earlier publications.
In 1936, Hermann Baring captured the State and its capital in pictures. For all time. Inspired by his work, photographer Mick Bradley and writer Lance Campbell set out in Baring's footsteps. In images and words, City Streets is progressive Adelaide today. This is a unique book about a unique city. For all time.
W.H. Auden famously wrote: “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at TIME magazine, Lance Morrow returns to the Age of Typewriters and to the 20th century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and often proved decisive in its outcomes. Lord Beaverbrook called journalism “the black art.” Morrow considers the case of Walter Duranty, the New York Times’ Moscow correspondent who published a Pulitzer Prize-winning series praising Stalin just at the moment when Stalin imposed mass starvation upon the people of Ukraine and the North Caucasus in order to enforce the collectivization of Soviet agriculture. Millions died. John Hersey’s Hiroshima, on the other hand, has been all but sanctified—called the 20th century’s greatest piece of journalism. Was it? Morrow examines the complex moral politics of Hersey’s reporting, which the New Yorker first published in 1946. The Noise of Typewriters is, among other things, an intensely personal study of an age that has all but vanished. Morrow is the son of two journalists who got their start covering Roosevelt and Truman. When Morrow and Carl Bernstein were young, they worked together as dictation typists at the Washington Star (a newspaper now extinct). Bernstein had dedicated Chasing History, his memoir of those days, to Morrow. It was Morrow’s friend and editor Walter Isaacson—biographer of Leonardo Da Vinci, Albert Einstein, and Steve Jobs—who taught Morrow how to use a computer when the machines were first introduced at TIME. Here are striking profiles of Henry Luce, TIME’s founder, and of Dorothy Thompson, Claud Cockburn, Edgar Snow, Joseph and Stewart Alsop, Joan Didion, Norman Mailer, Otto Friedrich, Michael Herr, and other notable figures in a golden age of print journalism that ended with the coming of television, computers, and social media. The Noise of Typewriters is the vivid portrait of an era.
Flannery O'Connor and Cold War Culture offers a radically new reading of O'Connor, who is known primarily as the creator of "universal" religious dramas. By recovering the historical context in which O'Connor wrote her fiction, Jon Lance Bacon reveals an artist deeply concerned with the issues that engaged other producers of American culture from the 1940s to the 1960s: a national identity, political anxiety, and intellectual freedom. Bacon takes an interdisciplinary approach, relating the stories and novels to political texts and sociological studies, as well as films, television programs, paintings, advertisements, editorial cartoons, and comic books. At a time when national paranoia ran high, O'Connor joined in the public discussion regarding a way of life that seemed threatened from outside - the American way of life. The discussion tended toward celebration, but O'Connor raised doubts about the quality of life within the United States. Specifically, she attacked the consumerism that cold warriors cited as evidence of American cultural superiority. The role of dissenter appealed greatly to O'Connor, and her identity as a Southern, Catholic writer - the very identity that has discouraged critics from considering her as an American writer - furnished a position from which to criticize the Cold War consensus.
The Literary Heritage of the Environmental Justice Movement showcases environmental literature from writers who fought for women’s rights, native rights, workers’ power, and the abolition of slavery during the Romantic Era. Many Romantic texts take flight from society and enact solitary white male encounters with a feminine nature. However, the symbolic landscapes of Romanticism were often radicalized by writers like Olaudah Equiano, Frederick Douglass, William Apess, George Copway, Mary Wollstonecraft, Lydia Maria Child, John Clare, and Henry Thoreau. These authors showed how the oppression of human beings and the exploitation of nature are the twin driving forces of capitalism and colonialism. In addition to spotlighting new kinds of environmental literature, this book also reinterprets familiar texts by figures like William Blake, Nathaniel Hawthorne, Mary Shelley, William Wordsworth, and Walt Whitman, and it shows how these household figures were writing in conversation with their radical contemporaries.
The champion cyclist recounts his diagnosis with cancer, the grueling treatments during which he was given a less than twenty percent chance for survival, his surprising victory in the 1999 Tour de France, and the birth of his son.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.