Joyland is an online and print literary magazine that selects fiction regionally. Praised for its unique approach by Time Out, the Atlantic, and the CBC, Joyland now brings its best stories into print with Retro Vol. 1. No 3. Authors include PEN/Faulkner finalist Amelia Gray, essayist Roxane Gay and some of the most exciting emerging authors in North America.
There are two defining moments in St. Louis political history: the 1876 divorce of the city from its county and the 1914 charter adoption. The institutions created at these times produced a factional and fragmented city government, thoroughly grounded in machine politics. Stein examines major themes in urban politics over the last century: race, redevelopment, suburbanization, and leadership. St. Louis mayors must deal with the comptroller and the president of the board of aldermen plus twenty-eight aldermen elected from wards. State law says the city must also have eight county offices--offices that perform county functions for the city. Power is difficult to amass in this factional and fragmented universe. In St. Louis politics, consensus building and alliances can prove to be more important than election-night victory. St. Louis's political culture stems from the city's fragmented nature. Its philosophy is often: "you go along to get along" or "go home from the dance with the guy that brung you." Individual friendships are of great importance. Within this environment, class and racial cleavages also affect political decision making. Although St. Louis elected its first African American official in 1918, genuine political incorporation has been long in coming. Several decades ago, issues of class and race prevented St. Louis from adopting a new charter, with more streamlined public offices. Today, some St. Louisans cry out for home rule and governmental reform. Stein's work helps to demonstrate that institutions structure political behavior and outcomes. Changing institutions can make a difference, after political culture adapts to the new playing field.
In the last three decades of the twentieth century, government cutbacks, stagnating wages, AIDS, and gentrification pushed ever more people into poverty, and hunger reached levels unseen since the Depression. In response, New Yorkers set the stage for a nationwide food justice movement. Whether organizing school lunch campaigns, establishing food co-ops, or lobbying city officials, citizen-activists made food a political issue, uniting communities across lines of difference. The charismatic, usually female leaders of these efforts were often products of earlier movements: American communism, civil rights activism, feminism, even Eastern mysticism. Situating food justice within these rich lineages, Lana Dee Povitz demonstrates how grassroots activism continued to thrive, even as it was transformed by unrelenting erosion of the country's already fragile social safety net. Using dozens of new oral histories and archives, Povitz reveals the colorful characters who worked behind the scenes to build and sustain the movement, and illuminates how people worked together to overturn hierarchies rooted in class and race, reorienting the history of food activism as a community-based response to austerity. The first book-length history of food activism in a major American city, Stirrings highlights the emotional, intimate, and interpersonal aspects of social movement culture.
In the spring of 1920, three ships steamed into the port of Famagusta in the British colony of Cyprus with sick and wounded officers and men of the White Russian army, together with their families and other civilians fleeing the victorious Bolsheviks at the end of the Civil War, which had raged through the country after the 1917 Russian Revolution. Britain had offered transport and temporary sanctuary in its nearest territory. 1,546 desperate men, women, and children from two of the ships were housed in a WWI Turkish prisoner-of-war camp to wait for other countries to offer asylum; the other ship sailed on to Egypt and another camp. In Cyprus, some died and some moved on, but a group of about seventy saw opportunities for a new life on the island. They formed the core of a Russian community which attracted other migrs over the decades but whose story is largely unknown or forgotten, even on the island. One of them was the authors grandfather. The author has tracked down official documents and historical sources and interwoven them with her own notes and diaries to tell her personal and human account of a Russian family in Cyprus, through three generations and fifty years of dramatic events.
With the 1965 publication of In Cold Blood, Truman Capote declared he broke new literary ground. But Capote's "nonfiction novel" belongs to a long Naturalist tradition originating in the work of 19th-century French novelist Emile Zola. Naturalism offers a particular response to the increasing problem of violence in American life and its sociological implications. This book traces the origins of the fact-based homicide novel that emerged in the mainstream of American literature with works such as Frank Norris's McTeague and flourished in the twentieth century with works such as Theodore Dreiser's An American Tragedy and Richard Wright's Native Son. At their heart is a young man isolated from community who acts out in desperate circumstances against someone who reflects his isolation. A tension develops between how society views this killer and the way he is viewed by the novelist. The crimes central to these narratives epitomize the vast gap between those who can aspire to the so-called "American dream" and those with no realistic chance of achieving it.
Ghosts in the Machine is an anthology of 13 original short stories that each look at the imperfections of life through the imperfections found in videogames, be they bugs, exploits or design flaws, love, death or loss. Edited and organized by Lana Polansky and Brendan Keogh, Ghosts in the Machine features superb original works by Lana Polansky, Ashton Raze, Denis Farr, Alan Williamson, Shelley "Big Shell" Du, Matt Riche, Rollin Bishop, Ian Miles Cheong, Aevee Bee, Ryan Morning, Dylan Sabin, Alois Wittwer and Maddy Myers. Also featuring beautiful cover art by Max Temkin, creator of "Cards Against Humanity.
TRUST NO ONE. EVEN YOURSELF. __ ‘Sucks you in from the first page, with twists and turns that will leave you gasping for air!’ Netgalley reviewer, 5***** __
*The USA Today bestseller!* Can their bond survive under the shadow of occupation? For fans of The Tattooist of Auschwitz and The German Midwife comes this unforgettable tale of love, loss, family, and the power of hope.
Australia's favourite Birds are back with BIGGER home transformations, BOLDER extensions, BREATHTAKING new builds and hundreds of new tips. Jam-packed with reno goodness, this book is a visual feast overflowing with ideas and inspiration from Three Birds projects in glorious detail, including their most ambitious new build to date: a family home that channels an idyllic island getaway (year-round staycation, anyone?). Go behind the scenes to see how the Birds make over their own spaces for work and play. First up, a tour of Three Birds HQ guaranteed to spark ideas and help you turn a humble home office into boss-worthy territory. Next, their spin on Christmas decorating - stuffed full of frugal and festive DIY hacks - will come in handy every year whether you rent, own or live in a caravan. The cherry on top of this inspiration smorgasbord comes courtesy of their very own savvy students! In a bonus chapter, graduates of the Birds' super-popular online Reno School share images and advice from their own incredible projects - dream spaces created using tips and money-saving tricks learned from the Three Birds. Proving, once again, that anyone can make reno magic with the right know-how. Why not you?
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.