Lambert Zuidervaart examines what is living and what is dead in the social philosophy of Theodor W. Adorno, the most important philosopher and social critic in Germany after World War II. When he died in 1969, Adorno's successors abandoned his critical-utopian passions. Habermas in particular, rejected or ignored Adorno's central insights on the negative effects of capitalism and new technologies upon nature and human life. Zuidervaart reclaims Adorno's insights from Habermasian neglect while taking up legitimate Habermasian criticisms. He also addresses the prospects for radical and democratic transformations of an increasingly globalized world. The book proposes a provocative social philosophy 'after Adorno'.
Truth is in trouble. In response, this book presents a new conception of truth. It recognizes that prominent philosophers have questioned whether the idea of truth is important. Some have asked why we even need it. Their questions reinforce broader trends in Western society, where many wonder whether or why we should pursue truth. Indeed, some pundits say we have become a "post-truth" society. Yet there are good reasons not to embrace the cultural Zeitgeist or go with the philosophical flow, reasons to regard truth as a substantive and socially significant idea. This book explains why. First it argues that propositional truth is only one kind of truth—an important kind, but not all important. Then it shows how propositional truth belongs to the more comprehensive process of truth as a whole. This process is a dynamic correlation between human fidelity to societal principles and a life-giving disclosure of society. The correlation comes to expression in distinct social domains of truth, where either propositional or nonpropositional truth is primary. The final chapters lay out five such domains: science, politics, art, religion, and philosophy. Anyone who cares about the future of truth in society will want to read this pathbreaking book.
How do we honor the dog friends who keep us company without complaint? How do we prepare when their all-too-short lives near an end? How do we grieve their passing and take joy in their memory? This memoir celebrates the life of a beautiful Golden Retriever named Hannah Estelle. It tells how, at a time of deep sadness, Hannah’s puppy presence helped the author learn to sing again; how, as he became an accomplished vocalist, her faithful friendship brought grace and joy; and how, during the cancer-wracked months that ended her life, his singing to Hannah helped her departure. Woven around texts from poignant songs, the book speaks of loss and love, of sorrow and joy, of suffering and hope. Each chapter is a dog song, inspired by the canine companion it is about, and songlike in its own aspiration. Lambert Zuidervaart tells lyrical stories about a dear dog’s life to thank her for helping him learn to sing once more.
Truth is in trouble. In response, this book presents a new conception of truth. It recognizes that prominent philosophers have questioned whether the idea of truth is important. Some have asked why we even need it. Their questions reinforce broader trends in Western society, where many wonder whether or why we should pursue truth. Indeed, some pundits say we have become a "post-truth" society. Yet there are good reasons not to embrace the cultural Zeitgeist or go with the philosophical flow, reasons to regard truth as a substantive and socially significant idea. This book explains why. First it argues that propositional truth is only one kind of truth—an important kind, but not all important. Then it shows how propositional truth belongs to the more comprehensive process of truth as a whole. This process is a dynamic correlation between human fidelity to societal principles and a life-giving disclosure of society. The correlation comes to expression in distinct social domains of truth, where either propositional or nonpropositional truth is primary. The final chapters lay out five such domains: science, politics, art, religion, and philosophy. Anyone who cares about the future of truth in society will want to read this pathbreaking book.
It is 4:00 a.m. the day after Rosa died. I am wide-awake from a brief and troubled sleep. This book explores the loss of a dear friend and companion-a remarkable fifteen-year-old retriever named Rosa. Many people form deep attachments to their pets. Yet we wonder how to celebrate our friendships with them and how to grieve their death. Dog-Kissed Tears is a meditative memoir woven from life with Rosa. In stories that are funny, sad, moving, and honest, Lambert Zuidervaart links his attachment to his beloved dog and his love for human friends. Familiar songs help him trace his personal journey through the adoption, life, and death of a canine companion. As Lambert works through grief and longing for Rosa, he connects memories of childhood with self-discoveries in middle age. Dog-Kissed Tears weaves a lyrical narrative of friendship, loss, and healing. Its spiritual undercurrent is subtle but profound.
An elusive and complex idea of truth lies at the center of Theodor Adorno's thought. Yet he never spells out what it is. Through close readings of Negative Dialectics, Aesthetic Theory, and related course lectures, Lambert Zuidervaart reconstructs Adorno's conception of truth, contrasts it with the conceptions of Martin Heidegger and Michel Foucault, and explores its relevance for contemporary philosophy, art, and politics. Adorno regards truth as a dynamic constellation in which various dialectical polarities intersect. The most decisive polarity, Zuidervaart argues, occurs between society as it has developed and the historical possibility of a completely transformed world. Critically reconstructed, Adorno's conception of truth can help inspire hopeful critiques of an allegedly post-truth society.
This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy.
It is unfashionable to talk about artistic truth. Yet the issues traditionally addressed under that term have not disappeared. Indeed, questions concerning the role of the artist in society, the relationship between art and knowledge and the validity of cultural interpretation have intensified. Lambert Zuidervaart challenges intellectual fashions. He proposes a new critical hermeneutics of artistic truth that engages with both analytic and continental philosophies and illuminates the contemporary cultural scene. People turn to the arts as a way of finding orientation in their lives, communities and institutions. But philosophers, hamstrung by their own theories of truth, have been unsuccessful in accounting for this common feature in our lives. This book portrays artistic truth as a process of imaginative disclosure in which expectations of authenticity, significance and integrity prevail. Understood in this way, truth becomes central to the aesthetic and social value of the arts.
An elusive and complex idea of truth lies at the center of Theodor Adorno's thought. Yet he never spells out what it is. Through close readings of Negative Dialectics, Aesthetic Theory, and related course lectures, Lambert Zuidervaart reconstructs Adorno's conception of truth, contrasts it with the conceptions of Martin Heidegger and Michel Foucault, and explores its relevance for contemporary philosophy, art, and politics. Adorno regards truth as a dynamic constellation in which various dialectical polarities intersect. The most decisive polarity, Zuidervaart argues, occurs between society as it has developed and the historical possibility of a completely transformed world. Critically reconstructed, Adorno's conception of truth can help inspire hopeful critiques of an allegedly post-truth society.
This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy.
It is 4:00 a.m. the day after Rosa died. I am wide-awake from a brief and troubled sleep. This book explores the loss of a dear friend and companion-a remarkable fifteen-year-old retriever named Rosa. Many people form deep attachments to their pets. Yet we wonder how to celebrate our friendships with them and how to grieve their death. Dog-Kissed Tears is a meditative memoir woven from life with Rosa. In stories that are funny, sad, moving, and honest, Lambert Zuidervaart links his attachment to his beloved dog and his love for human friends. Familiar songs help him trace his personal journey through the adoption, life, and death of a canine companion. As Lambert works through grief and longing for Rosa, he connects memories of childhood with self-discoveries in middle age. Dog-Kissed Tears weaves a lyrical narrative of friendship, loss, and healing. Its spiritual undercurrent is subtle but profound.
This is the first book to offer readers a guide through the vast labyrinth of Theodor Adorno's Aesthetic Theory, putting the work into historical context and outlining the main ideas and the relevant debates it participated in or spawned.Lambert Zuidervaart is Professor of Philosophy at Calvin College.
Why should we seek and tell the truth? Does anyone know what truth is? Many are skeptical about the relevance of truth. Truth Matters endeavours to show why truth is important in a world where the very idea of truth is contested. Putting philosophers in conversation with educators, literary scholars, physicists, political theorists, and theologians, Truth Matters ranges across both analytic and continental philosophy and draws on the ideas of thinkers such as Aquinas, Balthasar, Brandom, Davidson, Dooyeweerd, Gadamer, Habermas, Kierkegaard, Plantinga, Ricoeur, and Wolterstorff. Some essays attempt to provide a systematic account of truth, while others wrestle with the question of how truth is told and what it means to live truthfully. Contributors address debates between realists and anti-realists, explore issues surrounding relativism and constructivism in education and the social sciences, examine the politics of truth telling and the ethics of authenticity, and consider various religious perspectives on truth. Most scholars agree that truth is propositional, being expressed in statements that are subject to proof or disproof. This book goes a step farther: yes, propositional truth is important, but truth is more than propositional. To recognize how it is more than propositional is crucial for understanding why truth truly matters. Contributors include Doug Blomberg (ICS), Allyson Carr (ICS), Jeffrey Dudiak (King’s University College), Olaf Ellefson (York University), Gerrit Glas (VU University Amsterdam), Gill K. Goulding (Regis College), Jay Gupta (Mills College), Clarence Joldersma (Calvin College), Matthew J. Klaassen (ICS), John Jung Park (Duke University), Pamela J. Reeve (St. Augustine’s Seminary), Amy Richards (World Affairs Council of Western Michigan), Calvin Seerveld (ICS), Ronnie Shuker (ICS), Adam Smith (Brandeis University), John Van Rys (Redeemer University College), Darren Walhof (Grand Valley State University), Matthew Walhout (Calvin College), and Lambert Zuidervaart (ICS).
An innovative, ambitious, tradition-crossing study drawing on the work of Husserl, Heidegger, Horkheimer, Adorno, and Habermas to propose a new and transformative concept of truth. The idea of truth is a guiding theme for German continental philosophers from Husserl through Habermas. In this book, Lambert Zuidervaart examines debates surrounding the idea of truth in twentieth-century German continental philosophy. He argues that the Heideggerian and critical theory traditions have much in common—despite the miscommunication, opposition, and even outright hostility that have prevailed between them—including significant roots in the phenomenology of Edmund Husserl. Zuidervaart sees the tensions between Heideggerian thought and critical theory as potentially generative sources for a new approach to the idea of truth. He argues further that the “critical retrieval” of insights from German continental philosophy can shed light on current debates in analytic truth theory. Zuidervaart structures his account around three issues: the distinction between propositional truth and truth that is more than propositional (which he calls existential truth); the relationship between propositional truth and the discursive justification of propositional truth claims, framed in analytic philosophy by debates between epistemic and nonepistemic conceptions of truth; and the relationship between propositional truth and the objectivity of knowledge, often presented in analytic philosophy as a conflict between realists and antirealists over the relation between “truth bearers” and “truth makers.” In an innovative and ambitious argument, drawing on the work of Husserl, Heidegger, Horkheimer, Adorno, and Habermas, Zuidervaart proposes a new and transformative conception of truth.
Questions first raised by Hannah Arendt in the 1960s take on new urgency in the post-truth era, as political leaders blithely reject facts in the public domain: Is truth politically impotent? Are politics inherently false? Is the search for truth still relevant? Shattering Silos, a companion volume to Religion, Truth, and Social Transformation and Art, Education, and Cultural Renewal, provides a path-breaking response. As in his two previous books, Lambert Zuidervaart challenges the boundaries philosophers set up between epistemology, ethics, and political philosophy. Knowledge, he argues, takes different forms in various social domains, and all are subject to political struggle. A critique of contemporary society must draw on many social domains of knowledge, including the arts and religion, and should recast politics as a striving for truth in the broadest sense. Proposing a new conception of truth – one that emphasizes the unity of knowledge and truth, as well as their diversity among different social domains – Zuidervaart asks what such holism and pluralism suggest about how we understand politics and society. This book proposes a new understanding of large-scale social change, challenging how most people think about knowledge and truth. Interweaving epistemology, social criticism, and political thought, Shattering Silos aims to help redirect an allegedly post-truth society.
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