Most Christians believe God is in control, but they are unsure of how to reconcile that control with their struggles with sin, the command to evangelize, and the immense suffering in the world and their own lives. Laing offers an introduction to the doctrine of providence based on the theory of middle knowledge, first articulated in the sixteenth century. This view describes how creatures have true free will and God has perfect knowledge of what each creature could and would do in any circumstance. Middle knowledge helps answer the most perplexing theological questions: predestination and salvation, the existence of evil, divine and human authorship of Scripture, and science and the Christian faith. Laing provides extensive biblical support as well as practical applications for this theology.
An Oprah Daily Summer Reading Recommendation • Named one of the most anticipated books of 2024 by the BBC, The Observer, Irish Times, The Guardian, and The Millions. Inspired by the restoration of her own garden, "imaginative and empathetic critic" (NPR) Olivia Laing embarks on an exhilarating investigation of paradise. In 2020, Olivia Laing began to restore an 18th century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there’s still time? Moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth. But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. The result is a humming, glowing tapestry, a beautiful and exacting account of the abundant pleasures and possibilities of gardens: not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden.
A journey along the historical spectrum of Celtic art, from the rich treasures found throughout Iron Age Europe, through the flowering of metalwork, sculpture and manuscript illumination, to the revivals attempted today.
Finalist for the National Book Critics Circle Award in Criticism #1 Book of the Year from Brain Pickings Named a best book of the year by NPR, Newsweek, Slate, Pop Sugar, Marie Claire, Elle, Publishers Weekly, and Lit Hub A dazzling work of biography, memoir, and cultural criticism on the subject of loneliness, told through the lives of iconic artists, by the acclaimed author of The Trip to Echo Spring. When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by the most shameful of experiences, she began to explore the lonely city by way of art. Moving from Edward Hopper’s Nighthawks to Andy Warhol’s Time Capsules, from Henry Darger’s hoarding to David Wojnarowicz’s AIDS activism, Laing conducts an electric, dazzling investigation into what it means to be alone, illuminating not only the causes of loneliness but also how it might be resisted and redeemed. Humane, provocative, and moving, The Lonely City is a celebration of a strange and lovely state, adrift from the larger continent of human experience, but intrinsic to the very act of being alive.
Astute and consistently surprising critic" (NPR) Olivia Laing investigates the body and its discontents through the great freedom movements of the twentieth century. The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.
This exceptional chronicle takes readers on a visual tour of the glittering "white city" that emerged along the swampy south shore of Lake Michigan as a symbol of Chicago's rebirth and pride twenty-two years after the Great Fire. The World's Columbian Exposition, which commemorated the 400th anniversary of Columbus's voyage to America, was held from April to October in 1893. The monumental event welcomed twenty-eight million visitors, covered six hundred acres of land, boasted dozens of architectural wonders, and was home to some sixty-five thousand exhibits from all over the world. From far and wide, people came to experience the splendors of the fair, to witness the magic sparkle of electric lights or ride the world's first Ferris wheel, known as the Eiffel Tower of Chicago. Norman Bolotin and Christine Laing have assembled a dazzling photographic history of the fair. Here are panoramic views of the concourse--replete with waterways and gondolas, the amazing moving sidewalk, masterful landscaping and horticultural splendors--and reproductions of ads, flyers, souvenirs, and keepsakes. Here too are the grand structures erected solely for the fair, from the golden doorway of the Transportation Building to the aquariums and ponds of the Fisheries Building, as well as details such as menu prices, the cost to rent a Kodak camera, and injury and arrest reports from the Columbian Guard. This unique volume tells the story of the World's Columbian Exposition from its conception and construction to the scientific, architectural, and cultural legacies it left behind, inviting readers to imagine what it would have been like to spend a week at the fair.
The Divided Self, R.D. Laing's groundbreaking exploration of the nature of madness, illuminated the nature of mental illness and made the mysteries of the mind comprehensible to a wide audience. First published in 1960, this watershed work aimed to make madness comprehensible, and in doing so revolutionized the way we perceive mental illness. Using case studies of patients he had worked with, psychiatrist R. D. Laing argued that psychosis is not a medical condition, but an outcome of the 'divided self', or the tension between the two personas within us: one our authentic, private identity, and the other the false, 'sane' self that we present to the world. Laing's radical approach to insanity offered a rich existential analysis of personal alienation and made him a cult figure in the 1960s, yet his work was most significant for its humane attitude, which put the patient back at the centre of treatment. Includes an introduction by Professor Anthony S. David. 'One of the twentieth century's most influential psychotherapists' Guardian 'Laing challenged the psychiatric orthodoxy of his time ... an icon of the 1960s counter-culture' The Times
A Room of One's Own is a very clear example of how creative thinkers connect and present things in novel ways. Based on the text of a talk given by Virginia Woolf at an all-female Cambridge college, Room considers the subject of 'women and fiction.' Woolf’s approach is to ask why, in the early 20th century, literary history presented so few examples of canonically 'great' women writers. The common prejudices of the time suggested this was caused by (and proof of) women's creative and intellectual inferiority to men. Woolf argued instead that it was to do with a very simple fact: across the centuries, male-dominated society had systematically prevented women from having the educational opportunities, private spaces and economic independence to produce great art. At a time when 'art' was commonly considered to be a province of the mind that had no relation to economic circumstances, this was a novel proposal. More novel, though, was Woolf's manner of arguing and proving her contentions: through a fictional account of the limits placed on even the most privileged women in everyday existence. An impressive early example of cultural materialism, A Room of One's Own is an exemplary encapsulation of creative thinking.
The now legendary Dialectics of Liberation congress, held in London in 1967, was a unique expression of the politics of dissent. Existential psychiatrists, Marxist intellectuals, anarchists, and political leaders met to discuss key social issues. Edited by David Cooper, The Dialectics of Liberation compiles interventions from congress contributors Stokely Carmichael, Herbert Marcuse, R. D. Laing, Paul Sweezy, and others, to explore the roots of social violence. Against a backdrop of rising student frustration, racism, class inequality, and environmental degradation-a setting familiar to readers today-the conference aimed to create genuine revolutionary momentum by fusing ideology and action on the levels of the individual and of mass society. The Dialectics of Liberation captures the rise of a forceful style of political activity that came to characterize the following years.
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
Originally published in 1969, based on the talks R. D. Laing gave in 1967 and 68, this book was intended by the author to evoke questions rather than provide answers. Using concepts of schizophrenia, R.D. Laing demonstrates that we tend to invalidate the subjective and experiential and accept the proper societal view of what should occur within the family.
In the late 1950s the psychiatrist R.D.Laing and psychoanalyst Aaron Esterson spent five years interviewing eleven families of female patients diagnosed as 'schizophrenic'. Sanity, Madness and the Family is the result of their work. Eleven vivid case studies, often dramatic and disturbing, reveal patterns of affection and fear, manipulation and indifference within the family. But it was the conclusions they drew from their research that caused such controversy: they suggest that some forms of mental disorder are only comprehensible within their social and family contexts; their symptoms the manifestations of people struggling to live in untenable situations. Sanity, Madness and the Family was met with widespread hostility by the psychiatric profession on its first publication, where the prevailing view was to treat psychosis as a medical problem to be solved. Yet it has done a great deal to draw attention to the complex and contested nature of psychosis. Above all, Laing and Esterson thought that if you understood the patient's world their apparent madness would become socially intelligible. This Routledge Classics edition includes a new Foreword by Hilary Mantel.
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