This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lady Augusta Gregory (born Isabella Augusta Persse) (1852-1932), was an Irish dramatist and folklorist and writer of pamphlets, prose, memoirs, short stories and poems. With W. B. Yeats and others, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous works for both companies. She also produced a number of books of retellings of stories from Irish mythology. A trip to Inisheer in the Aran Islands in 1893 reawoke an interest in the Irish language and in the folklore of the area in which she lived. Publications included Arabi and His Household (1882), Over the River (1887), Cuchulain of Muirthemne (1902), Poets and Dreamers (1903), - which contains translations of Raftery, folk-tales and short plays - Gods and Fighting Men (1904) and A Book of Saints and Wonders (1906).
Lady Augusta Gregory (born Isabella Augusta Persse) (1852-1932), was an Irish dramatist and folklorist and writer of pamphlets, prose, memoirs, short stories and poems. With W. B. Yeats and others, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous works for both companies. She also produced a number of books of retellings of stories from Irish mythology. A trip to Inisheer in the Aran Islands in 1893 reawoke an interest in the Irish language and in the folklore of the area in which she lived. Publications included Arabi and His Household (1882), Over the River (1887), Cuchulain of Muirthemne (1902), Poets and Dreamers (1903), - which contains translations of Raftery, folk-tales and short plays - Gods and Fighting Men (1904) and A Book of Saints and Wonders (1906).
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Isabella Augusta, who went as Lady Gregory, was a famed Irish dramatist. Deeply involved in all things theater, including being a theater owner. She primarily was a writer, and received much accolades for her work, later being recognized for spawning the Irish Literary Revival. In part, this was due to her writing plays based on Irish folklore and mythology, which helped give it renewed power and value. She also used "Kiltartanese" which is a mix of English with Gaelic.Lady Gregory enjoyed a life of estates, world travel, salons and privilege. Born to a family with a 6,000 acre estate, she married well to Sir William Henry Gregory. She and her husband traveled to India, Egypt and Italy, among other places. Influenced by her experiences, Lady Gregory wrote in support of political causes such as the Urabi Revolt in Egypt, as well as support for Irish nationalism. She spent much of her later years in theater, until she passed away at the age of 80 due to breast cancer.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Scene: A winter garden, with pots of flowering trees or fruit-trees. There are books about and some benches with cushions on them and many cushions on the ground. The young PRINCES are sitting or lying at their ease. One is playing "Home, Sweet Home" on a harp. The SERVANT-an old man-is standing in the background. 1st Prince: Here, Gillie, will you please take off my shoe and see what there is in it that is pressing on my heel.
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