Ladette Randolph understands her life best through the houses she has inhabited. From the isolated farmhouse of her childhood, to the series of houses her family occupied in small towns across Nebraska as her father pursued his dream of becoming a minister, to the equally small houses she lived in as a single mother and graduate student, houses have shaped her understanding of her place in the world and served as touchstones for a life marked by both constancy and endless cycles of change. On September 12, 2001, Randolph and her husband bought a dilapidated farmhouse on twenty acres outside Lincoln, Nebraska, and set about gutting and rebuilding the house themselves. They had nine months to complete the work. The project, undertaken at a time of national unrest and uncertainty, led Randolph to reflect on the houses of her past and the stages of her life that played out in each, both painful and joyful. As the couple struggles to bring the dilapidated house back to life, Randolph simultaneously traces the contours of a life deeply shaped by the Nebraska plains, where her family has lived for generations, and how those roots helped her find the strength to overcome devastating losses as a young adult. Weaving together strands of departures and arrivals, new houses and deep roots, cycles of change and the cycles of the seasons, Leaving the Pink House is a richly layered and compelling memoir of the meaning of home and family, and how they can never really leave us, even if we leave them.
After her life as she knows it ends in heartbreak, Mary Rasmussen, a strong-willed and independent young ranch woman living in the Sandhills of western Nebraska, suddenly feels that everything she has believed in--God, her instincts, the land itself--has failed her. She abandons her cultural and emotional ties, succumbing to circumstances she thinks she is powerless to control. In a rash decision, she marries a conservative, patriarchal preacher who doesn't understand her, the ranching community, or anything beyond his own beliefs. Mary's inner turmoil builds as she comes to appreciate the gravity of her situation and the need to take action.
Early July, and the corn in eastern Nebraska stands ten feet tall; after a near-decade of drought, it seems too good to be true, and everyone is watching the sky for trouble. For the Grebels, whose plots of organic crops trace a modest patchwork among the vast fields of soybeans and corn, trouble arrives from a different quarter in the form of Elsa’s voice on her estranged son’s answering machine: “Your father’s dead. You’ll probably want to come home.” When a tractor accident fells the patriarch of this Mennonite family, the threads holding them together are suddenly drawn taut, singing with the tensions of a lifetime’s worth of love and faith, betrayal and shame. Through the competing voices of those gathered for Haven Grebel’s funeral, acts of loyalty and failures, long-suppressed resentments and a tragic secret are brought to light, expressing a larger, complex truth.
2023 Nebraska Book Award In 2015, when cyberbullies disrupt her life in Southern California, Vivi Marx decides to cut her cord with the internet and take her life offline for a year. She flees to the one place where she felt safe as a child--with her grandmother in Lincoln, Nebraska. Nevermind that her grandmother is long dead and she doesn't know anyone else in the state. Even before she meets her new neighbors on Fieldcrest Drive, Vivi knows she's made a terrible mistake, but every plan she makes to leave is foiled. Despite her efforts to outrun it, trouble follows her to Nebraska, just not in the ways she'd feared. With the help of her neighbors, Willa Cather's novels, and her own imagination, Vivi finds something she hadn't known she was searching for.
In 2015, when cyberbullies disrupt her life in Southern California, Vivi Marx decides to cut her cord with the internet and take her life offline for a year. She flees to the one place where she felt safe as a child—with her grandmother in Lincoln, Nebraska. Nevermind that her grandmother is long dead and she doesn’t know anyone else in the state. Even before she meets her new neighbors on Fieldcrest Drive, Vivi knows she’s made a terrible mistake, but every plan she makes to leave is foiled. Despite her efforts to outrun it, trouble follows her to Nebraska, just not in the ways she’d feared. With the help of her neighbors, Willa Cather’s novels, and her own imagination, Vivi finds something she hadn’t known she was searching for.
Ladette Randolph understands her life best through the houses she has inhabited. From the isolated farmhouse of her childhood, to the series of houses her family occupied in small towns across Nebraska as her father pursued his dream of becoming a minister, to the equally small houses she lived in as a single mother and graduate student, houses have shaped her understanding of her place in the world and served as touchstones for a life marked by both constancy and endless cycles of change. On September 12, 2001, Randolph and her husband bought a dilapidated farmhouse on twenty acres outside Lincoln, Nebraska, and set about gutting and rebuilding the house themselves. They had nine months to complete the work. The project, undertaken at a time of national unrest and uncertainty, led Randolph to reflect on the houses of her past and the stages of her life that played out in each, both painful and joyful. As the couple struggles to bring the dilapidated house back to life, Randolph simultaneously traces the contours of a life deeply shaped by the Nebraska plains, where her family has lived for generations, and how those roots helped her find the strength to overcome devastating losses as a young adult. Weaving together strands of departures and arrivals, new houses and deep roots, cycles of change and the cycles of the seasons, Leaving the Pink House is a richly layered and compelling memoir of the meaning of home and family, and how they can never really leave us, even if we leave them.
The stories collected in This Is Not the Tropics come from the geographic center of a divided nation, and its protagonists evoke a split personality—one half submerged in America’s own diehard mythology, the other half searching to escape tradition. Together they form a portrait of the Plains that is both quirky and poignant. While the themes in this collection are familiar—love and betrayal, loneliness and regret, the needs of the individual versus the needs of the community—the tales themselves are startling and new. Whether it is the story of an eccentric out-of-work accordion player; a woman ending a long marriage against the backdrop of a visit from her failing mother; a young girl who wishes to solve a mystery until real mystery enters her life; or all of the men in a small Nebraska town who annually compete in a hilariously earnest beauty pageant, these are tales that speak of the lives lived in the small towns, the prairie cities, and on the dirt roads off blue highways in the middle of nowhere and everywhere.
Early July, and the corn in eastern Nebraska stands ten feet tall; after a near-decade of drought, it seems too good to be true, and everyone is watching the sky for trouble. For the Grebels, whose plots of organic crops trace a modest patchwork among the vast fields of soybeans and corn, trouble arrives from a different quarter in the form of Elsa’s voice on her estranged son’s answering machine: “Your father’s dead. You’ll probably want to come home.” When a tractor accident fells the patriarch of this Mennonite family, the threads holding them together are suddenly drawn taut, singing with the tensions of a lifetime’s worth of love and faith, betrayal and shame. Through the competing voices of those gathered for Haven Grebel’s funeral, acts of loyalty and failures, long-suppressed resentments and a tragic secret are brought to light, expressing a larger, complex truth.
After her life as she knows it ends in heartbreak, Mary Rasmussen, a strong-willed and independent young ranch woman living in the Sandhills of western Nebraska, suddenly feels that everything she has believed in--God, her instincts, the land itself--has failed her. She abandons her cultural and emotional ties, succumbing to circumstances she thinks she is powerless to control. In a rash decision, she marries a conservative, patriarchal preacher who doesn't understand her, the ranching community, or anything beyond his own beliefs. Mary's inner turmoil builds as she comes to appreciate the gravity of her situation and the need to take action.
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