Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller’s Testimony asks: Whose testimony is valid? Whose testimony is worth recording? Osman’s speakers, who are almost always women, assert and reassert in an attempt to establish authority, often through persistent questioning. Specters of race, displacement, and colonialism are often present in her work, providing momentum for speakers to reach beyond their primary, apparent dimensions and better communicate. The Kitchen-Dweller’s Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.
Exiles of Eden looks at the origin story of Adam, Eve, and their exile from the Garden of Eden, exploring displacement and alienation from its mythological origins to the present. In this formally experimental collection steeped in Somali narrative tradition, Osman gives voice to the experiences and traumas of displaced people over multiple generations. The characters in these poems encounter exile’s strangeness while processing the profoundly isolating experience of knowing that that once you are sent out of Eden, you can’t go back.
Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller’s Testimony asks: Whose testimony is valid? Whose testimony is worth recording? Osman’s speakers, who are almost always women, assert and reassert in an attempt to establish authority, often through persistent questioning. Specters of race, displacement, and colonialism are often present in her work, providing momentum for speakers to reach beyond their primary, apparent dimensions and better communicate. The Kitchen-Dweller’s Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.
Exiles of Eden looks at the origin story of Adam, Eve, and their exile from the Garden of Eden, exploring displacement and alienation from its mythological origins to the present. In this formally experimental collection steeped in Somali narrative tradition, Osman gives voice to the experiences and traumas of displaced people over multiple generations. The characters in these poems encounter exile’s strangeness while processing the profoundly isolating experience of knowing that that once you are sent out of Eden, you can’t go back.
This volume brings together three little-known works by key playwrights from the late sixteenth-century golden age of English drama. All three convey the public theatre's fascination with travel and adventure through the popular genre of heroic romance, while reflecting the contemporaries' wide range of responses to cross-cultural contacts with the Muslim East and the Mediterranean challenges posed by the Ottoman empire. The volume presents the first modern-spelling editions of the three plays, with extensive annotations catering for specialised scholars while also making the texts accessible to students and theatre-goers. A detailed introduction discusses issues of authorship, dates and sources, and sets the plays in their historical and cultural contexts, offering exciting insights on Elizabethan performance strategies, printing practices, and the circulation of knowledge and stereotypes related to ethnic and religious difference.
This eight-piece boxed set, an African Poetry Book Fund (APBF) project, features the work of seven African poets, with an introduction by Kwame Dawes, APBF series editor, and Chris Abani. The boxed set is an annual project starting in 2014 to ensure the publication of seven chapbooks by African poets through participating publishers. Publication is made possible through Slapering Hol Press, in association with APBF and the literary journal Prairie Schooner, with support from The Poetry Foundation. The chapbook contains: • Mandible by TJ Dema • The Cartographer of Water by Clifton Gachagua • Carnaval by Tsitsi Jaji • The Second Republic by Nick Makoha • Ordinary Heaven by Ladan Osman • Our Men Do Not Belong To Us by Wasan Shire • Otherwise Everything Goes On by Len Verwey
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