This is the story of an emotional journey by an aging woman who still wants love and sex in her life and who is desperately trying to hold on to her long hair, her good looks and her youthful figure. Carole Lethbridge discovered at the age of 65 that she wanted romance back in her life after recovering from a serious bout of cancer. Her friend suggested she give internet dating a go as the chance of meeting someone suitable where she lived in the Blue Mountains was virtually nil. Online Dating After Sixty describes her internet and other dating experiences, as well as her responses to retirement, aging and friendship, many humorous conversations with local women and friends about aging and sex. Within days of her profile becoming live on RSVP, a 68-year-old guy walked into her life. The following week he was in her bed and she was besotted. He turned out to be a dishonest, uncommitted, unfaithful Lothario who was active on four other internet dating sites while involved with her. After having online contact with another 38 guys, she comes to the conclusion that finding a suitable and honest guy on internet dating sites wasn't like finding a needle in a haystack - it was more like finding a needle that had been dropped into the Pacific Ocean from an orbiting satellite! Nonetheless, Carole did eventually find a partner through the internet and has now settled down to a happy and contented relationship.
This study presents a contextual and intertextual reading of James Thomson's (1700--1748) poem »The Seasons«, taking into consideration some of the presuppositions and habitus of the text's cultural community and the function of the poem's many intertextual allusions. Contemporary assumptions about processes of perception, reading and the practice of virtue call for an approach to the poem that takes literary pre-texts into account. An intertextual reading reveals »The Seasons«, though heterogeneous on its surface, as coherent in its cultural functionality: It aims to train readers into virtuous habits and asserts the powers of poetic discourse as a culturally relevant force especially in relation to the discourse of natural philosophy. With the emergence of natural philosophy as a cultural activity of considerable market value, poetry had to legitimise itself as a culturally relevant pursuit. An analysis of the poem's intertext, in particular allusions to Virgil, Ovid and Milton, but also to genre conventions such as pastoral, romance, sermon and panegyric, uncovers textual strategies that attempt to re-legitimise poetry on the one hand by transposing scientific method into a poetic environment. On the other hand, the text demonstrates, using its intertext, that poetry has powers which reach beyond the rational and empirical agenda of natural philosophy and that poetry has a distinctive cultural function as a provider of vision, insight and moral knowledge. Diese Studie legt eine historisch kontextualisierte Interpretation von James Thomson's (1700--1748) Gedicht »The Seasons« vor, die Präsuppositionen und Habitus zeitgenössischer Leserschaft sowie dieFunktion seiner zahlreichen intertextuellen Anspielungen mit einbezieht. Diese Lesart erhellt »The Seasons« als einen, trotz heterogener Textoberfläche, in seiner kulturellen Funktionalität kohärenten Text. Die Analyse des Intertexts deckt Textstrategien auf, die den dichterischen Diskurs insbesondere in Relation zum neu privilegierten Diskurs der Naturphilosophie als kulturell relevante Kraft relegitimieren.
A heart-racing regency romance, perfect for fans of Netflix's Bridgerton! Disgraced by His Grace! Frederick, Duke of Falconwood, has vowed never to marry, instead dedicating himself to protecting his country. But when he's caught in a very compromising position with a coquettish debutante, Freddy does the only thing that will salvage her reputation--he proposes marriage! Even though Minette Rideau craves the stoic duke's touch, she knows she can't become his wife. For giving in to her desires will reveal a shameful secret, putting much more than her virtue in jeopardy...
Four hundred years after his death, Smith's charity is one of the largest in Britain distributing c £25m pa to a wide range of UK charities yet its founder has been nearly forgotten.So who exactly was Henry Smith? Over the years a startling variety of myths and misinformation have clustered like barnacles on a few shreds of evidence. In some chronicles Smith had been described as a salt merchant, in others he was a silver smith; in one nineteenth-century account, he was reported to have himself been a captive of Moorish pirates. The most persistent myth of all was the wildest: that Henry Smith was one and the same as a character known as “Dog Smith” who, dressed like a vagrant, wandered rural Surrey and bestowed his largesse where the locals treated his dog with respect. It seemed that the blankness of Henry Smith’s identity was a sheet on which any desirable or colourful image could be imprinted.In this lavishly illustrated biography of Henry Smith, the first ever, the real life of this Elizabethan tycoon is explored in detail. Smith's world was one of moneylenders, wheeler-dealers and property speculators. His business affairs brought him into contact with some of the best known figures of the late fifteenth and early sixteenth centuries. In the life of one man we see the world of the City of London as it expanded into a European financial centre.All over Britain, the fruits of Smith's remarkable legacy are still seen today: in the parishes that still receive grants from his charity; in the clergy, and the descendants of his sister, who can still apply for help; in the huge number of charities and organisations that benefit from investments that were made in the 1620s.Through dogged research in some long forgotten archives, Lucy Lethbridge and Tim Wales have pieced together the fascinating life of Henry Smith and that of his legacy through the centuries. What emerges is a man of his time - but also of ours.
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