An anthology of short boxing articles from those the author; Lawrenece Yearsley submitted to the Manchester Ex-Boxers Association for inclusion in their monthly newsletter. They are all (so I have been informed, ) both interesting and informative, and appeal to boxing and non-boxing fans alike. The articles range from the old bare knuckle era right up to the present day. As all boxing fans know, the world of boxing is hugely manifold, and hopefully so are these articles. They do not adhere to just one theme and cover a variety of subjects from the origin of the term, 'Boxing Fan, ' to the low-down on historic boxing venue
Inventors in the age of the Enlightenment created lifelike androids capable of playing music on real instruments. Music and the Forms of Life examines the link between such simulated life and music, which began in the era's scientific literature and extended into a series of famous musical works by Haydn, Mozart, and Beethoven. Music invented auditory metaphors for the scientific elements of life (drive, pulse, sensibility, irritability, even metabolism), investigated the affinities and antagonisms between life and mechanism, and explored questions of whether and how mechanisms can come to life. The resulting changes in the conceptions of both life and music had wide cultural resonance at the time, and those concepts continued to evolve long after. A critical part of that evolution was a nineteenth-century shift in focus from moving androids to the projection of life in motion, culminating in the invention of cinema. Weaving together cultural and musical practices, Lawrence Kramer traces these developments through a collection of case studies ranging from classical symphonies to modernist projections of waltzing specters by Mahler and Ravel to a novel linking Bach's Goldberg Variations to the genetic code.
London has provided the setting and inspiration for a host of literary works in English, from canonical masterpieces to the popular and ephemeral. Drawing upon a variety of methods and materials, the essays in this volume explore the London of Langland and the Peasants' Rebellion, of Shakespeare and the Elizabethan stage, of Pepys and the Restoration coffee house, of Dickens and Victorian wealth and poverty, of Conrad and the Empire, of Woolf and the wartime Blitz, of Naipaul and postcolonial immigration, and of contemporary globalism. Contributions from historians, art historians, theorists and media specialists as well as leading literary scholars exemplify current approaches to genre, gender studies, book history, performance studies and urban studies. In showing how the tradition of English literature is shaped by representations of London, this volume also illuminates the relationship between the literary imagination and the society of one of the world's greatest cities.
Meticulously researched, Joan Crawford: The Last Word deals in full with her long movie career and explores in detail her turbulent private life. Respected biographer Fred Lawrence Guiles uses newly discovered sources and recent interviews with many who knew her, and some who loved her, to establish the person behind the carefully crafted screen icon. For most of her adult life she was a Star who dedicated herself entirely to her career. But since her death her luster has been tarnished. Here, at last, is a biography that sets the record straight. In her heyday Joan Crawford was probably the most imitated woman in the world. Magazine covers featured her face, and high school and college girls copied her makeup and clothing. Born Lucille LeSuer in Kansas City, she spent her childhood on the edge of poverty. But an iron will developed in adolescence drove her to New York City and eventual work in a chorus line. Spotted by a Hollywood talent scout, she was soon on her way to the film capital. Four times married (to actors Douglas Fairbanks Jr., Franchot Tone, Philip Terry, and Pepsi-Cola executive Alfred Steele) and driven by a powerful sexuality, Joan Crawford lived her life on the razor’s edge. Yet she was a woman of great generosity who cared deeply for her four adopted children, although her ideas of discipline were colored by her own harsh upbringing. Her professional career spanned more than forty years and included such classics as Grand Hotel, Mildred Pierce, and Whatever Happened to Baby Jane? Her remarkable progression from silent films to talkies to television exemplified her ability to adapt, chameleonlike, to the ever-changing demands of the industry that in many senses invented her.
While building a strong program in Critical Care on foundations of excellence and compassion, Dr. Wood used two methods of inquiry and knowing: Science looked outward with objective, accurate, reproducible measurements to falsify erroneous explanations. Belief looked inward for purpose and meaning, analyzing personal subjective issues, like God, which cannot be falsified for lack of a Godometer. But when verified by the still small voice or intuition, belief creates a spiritual source of knowing akin to the scientific method. Recent books like War of the Worldviews assume science and spirituality are antagonistic; debating which is better is like bringing a knife to a gunfight, for both sides are vulnerable to critique. Science, Belief, Intuition shows how the strengths of one fill the gaps of the other, providing more comprehensive understanding together than either alone.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Widely regarded as D.H. Lawrence's masterpiece, Sons and Lovers is a sprawling, multi-generational look at family relationships, class dynamics, and the intimate ties with others that pull young adults toward independence. This largely autobiographical novel made Lawrence's reputation as a writer -- it's a must read for fans of classic literary fiction.
David Herbert Lawrence (11 September 1885 - 2 March 1930) was an important and controversial English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Shades of Spring (+Biography and Bibliography) (Glossy Cover Finish): The Shades of Spring was written in the year 1914 by David Herbert Lawrence. This book is one of the most popular novels of David Herbert Lawrence, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally." It was a mile nearer through the wood. Mechanically, Syson turned up by the forge and lifted the field-gate. The blacksmith and his mate stood still, watching the trespasser. But Syson looked too much a gentleman to be accosted. They let him go in silence across the small field to the wood.There was not the least difference between this morning and those of the bright springs, six or eight years back. White and sandy-gold fowls still scratched round the gate, littering the earth and the field with feathers and scratched-up rubbish. Between the two thick holly bushes in the wood-hedge was the hidden gap, whose fence one climbed to get into the wood; the bars were scored just the same by the keeper's boots. He was back in the eternal.
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