History in Practice explores the discipline's breadth, its complexities and the tasks it takes on. This study by one of the liveliest and most acute practitioners in the field demystifies what historians do. It looks at history as an academic discipline but also engages with the extensive and sometimes troubling uses of historical ideas in the wider world. Historical work has public consequences and draws considerable energy from contemporary preoccupations. For this new edition of her respected book, Ludmilla Jordanova has revised the text and added a new chapter that explores the role of digital technology in historical practice. She pays attention both to recent trends in the discipline and to its basic characteristics. This book is essential reading for all students seeking an understanding of history as a discipline.
Portraiture as a genre is receiving increased attention at the same time as public curiosity about science is reaching unprecedented levels. Published to coincide with a major exhibition at the National Portrait Gallery, London, and the Sainsbury Centre for Visual Arts, University of East Anglia, Defining Features ... reflects on the nature of the relationships between art, science, medicine and technology by focusing on a selection of portraits that spans more than three centuries."--P. [4] of cover.
A collection of essays - including 3 that have never been published before - by one of the leading figures in cultural history. Professor Jordanova examines and reinterprets the writings of eighteenth-century thinkers and, in the process, sheds light on contemporary views on issues such as motherhood, sexuality, the body, art and medicine. The volume includes some of the author's most controversial and pioneering work, all the pieces have been revised in the light of the latest historiography and much of the material is published here for the first time.
To study anatomy, many artists dissected the dead to better depict the living. "The Quick and the Dead" focuses on a range of artists from Leonardo da Vinci to Cindy Sherman to show the great richness and complexity that can result when art and science intersect. The drawings, prints, photographs, and objects in this book span five centuries and mark numerous cultural shifts, yet their imagery is as powerful today as when they were created. 92 illustrations, 31 in color.
A collection of essays - including 3 that have never been published before - by one of the leading figures in cultural history. Professor Jordanova examines and reinterprets the writings of eighteenth-century thinkers and, in the process, sheds light on contemporary views on issues such as motherhood, sexuality, the body, art and medicine. The volume includes some of the author's most controversial and pioneering work, all the pieces have been revised in the light of the latest historiography and much of the material is published here for the first time.
To study anatomy, many artists dissected the dead to better depict the living. "The Quick and the Dead" focuses on a range of artists from Leonardo da Vinci to Cindy Sherman to show the great richness and complexity that can result when art and science intersect. The drawings, prints, photographs, and objects in this book span five centuries and mark numerous cultural shifts, yet their imagery is as powerful today as when they were created. 92 illustrations, 31 in color.
Portraiture as a genre is receiving increased attention at the same time as public curiosity about science is reaching unprecedented levels. Published to coincide with a major exhibition at the National Portrait Gallery, London, and the Sainsbury Centre for Visual Arts, University of East Anglia, Defining Features ... reflects on the nature of the relationships between art, science, medicine and technology by focusing on a selection of portraits that spans more than three centuries."--P. [4] of cover.
Three essays on an artist of considerable talent and range who rarely exhibited in his lifetime. His work includes figure studies, portraits and nudes, as well as landscapes, but his major contribution to 20th-century British art is his work as a muralist. Notable examples, illustrated in this book, include Christ Feeding the People for the Iona Community House in Glasgow; the book also well illustrates his studies of children and nude figures.
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