From the sun-baked sierras of Spain, through the stormy waters off Cape Trafalgar to the muddy and bloody fields of Waterloo, Britain’s soldiers and sailors were notching up victories which set the country on the path to becoming the greatest power on the planet. We like to imagine the country was unified against a common enemy, France, and the Tyrant of Europe – Napoleon. Yet if we scratch the surface, we find a nation not just at war with France but with itself. The great successes of Wellington and Nelson, and the glamour of Regency London, cover over the cracks of a divided society, of riots across the industrial north and widespread political opposition. Huge swathes of the country hated the war, booed and hissed at soldiers and ‘lobbed turds’ at the Scots Greys in Halifax. There were repeated ‘Peace Petitions’ which sought to stop the war – and even to prevent the British Army fighting at Waterloo. Armed Associations of gentlemen volunteers and Local Militias led the call to close down the debate on social and democratic reform, while on the other hand thousands of English reformers heeded the call from France and hundreds actually headed to France, with many thousands more believing that the time had come, when its young men were needed to fight for King and Country, for reform. The burgeoning middle class had no vote in parliament; rapidly expanding industrial towns and cities had no MPs, yet small villages – pocket boroughs – often had two. The burden of taxation fell on those least able to afford it; enclosure of common land; corn laws; restrictions on the freedom of expression; the endless killing, all fed into an undercurrent of political dissent that was ideologically opposed to the loyalist cause. It was a battle for the very sole of Britain. For the first time, the shocking reality of life in Britain, during what is often portrayed as being its greatest era, is told through diaries, letters, and newspaper comments. Fighting Napoleon at Home is a startling portrayal of the society from which the soldiers and sailors were drawn and exactly what it was they were fighting to defend. It will become essential reading for anyone attempting to understand why Britain’s aristocracy had to stop Napoleon at any cost and suppress the dangerous ideals of liberté, égalité, fraternité.
Everyone has a storm or storms in their life, but how do we deal with an unnatural storm that plays out like a ball game? Do you go through it or do you roll over and let it take you out?
One of the enduring controversies of the Waterloo campaign is the conduct of Marshal Grouchy. Given command of a third of Napoleons army and told to keep the Prussians from joining forces with Wellington, he failed to keep Wellington and Blcher apart with the result that Napoleon was overwhelmed at Waterloo. Grouchy, though, was not defeated. He kept his force together and retreated in good order back to France.Many have accused Grouchy of intentionally holding back his men and not marching to join Napoleon when the sound of the gunfire at Waterloo could clearly be heard, and he has been widely blamed for Napoleons defeat.Now, for the first time, Grouchys conduct during the Waterloo campaign is analyzed in fine detail, drawing principally on French sources not previously available in English. The author, for example, answers questions such as whether key orders did actually exist in 1815 or were they later fabrications to make Grouchy the scapegoat for Napoleons failures? Did General Grard really tell Grouchy to march to the sound of the guns? Why did Grouchy appear to move so slowly when speed was essential?This is a subject which is generally overlooked by British historians, who tend to concentrate on the actions of Wellington and Napoleon, and which French historians choose not to look at too closely for fear that it might reflect badly upon their hero Napoleon.Despite the mass of books written on Waterloo, this is a genuinely unique contribution to this most famous campaign. This book is certain to fuel debate and prompt historians to reconsider the events of June 1815.
Featuring over 750 full-color illustrations, this text gives surgeons a thorough working knowledge of anatomy as seen during specific operative procedures. The book is organized regionally and covers 111 open and laparoscopic procedures in every part of the body. For each procedure, the text presents anatomic and technical points, operative safeguards, and potential errors. Illustrations depict the topographic and regional anatomy visualized throughout each operation. This edition has an expanded thoracoscopy chapter and new chapters on oncoplastic techniques; subxiphoid pericardial window; pectus excavatum/carinatum procedures; open and laparoscopic pyloromyotomy; and laparoscopic adjustable gastric banding. A companion Website will offer the fully searchable text and an image bank.
Hing Hing Ming reviews some of the major episodes of the Han Dynasty, from its founding by Liu Bang to the Lü Clan Disturbance and subsequent diplomatic overtures and military campaigns against the minor Chinese kingdoms, the Mongols, and Gojoseon (the ancient Korean Kingdom).
Understand feedback with this accessible, concise, and informal guide. Perfect for students, especially those who need a refresher, as well as practising engineers.
A renowned historian captures the French experience of the Peninsular War through soldiers’ unpublished memoirs and eyewitness accounts. While much has been written about the British campaigns of the Peninsular War, surprisingly little has been published in English on their opponents, the French. Now, using previously unseen material from the French army archives in Paris, Paul Dawson tells the story of the early years of the Peninsular War as never before. Eyewitness accounts of the Siege of Zaragoza and the Spanish defeats at Medellin and Ocaña are interspersed with details of campaign life and of struggling through the Galician mountains in pursuit of the British army. Dawson captures the perspectives of ordinary French soldiers and their beliefs about the war they were fighting for their Emperor. Napoleon’s Peninsular War is a vital and unprecedented addition to our understanding of the war in Iberia.
“For anyone seeking a full understanding of the end of the Napoleonic era this book is a must read . . . [a] tour de force of research.” —Clash of Steel On the morning of 3 July 1815, the French General Rémi Joseph Isidore Exelmans, at the head of a brigade of dragoons, fired the last shots in the defense of Paris until the Franco-Prussian War sixty-five years later. Why did he do so? Traditional stories of 1815 end with Waterloo, that fateful day of 18 June, when Napoleon Bonaparte fought and lost his last battle, abdicating his throne on 22 June. But Waterloo was not the end; it was the beginning of a new and untold story. Seldom studied in French histories and virtually ignored by English writers, the French Army fought on after Waterloo. Many commanders sought to reverse that defeat—at Versailles, Sevres, Rocquencourt, and La Souffel, the last great battle and the last French victory of the Napoleonic Wars. Marshal Grouchy, much maligned, fought his army back to Paris by 29 June, with the Prussians hard on his heels. On 1 July, Vandamme, Exelmans and Marshal Davout began the defense of Paris. Davout took to the field in the north-eastern suburbs of Paris along with regiments of the Imperial Guard and battalions of National Guards. For the first time ever, using the wealth of material held in the French Army archives in Paris, along with eyewitness testimonies from those who were there, Paul Dawson brings alive the bitter and desperate fighting in defense of the French capital. The 100 Days Campaign did not end at Waterloo, it ended under the walls of Paris fifteen days later.
After being told by his wife that she and their children would be moving to Australia, Jack became sad and confused then with measured steps, he quietly climbed the stairs to his bed room and with tear filled eyes and broken heart, he loaded his pistol with four of the six bullets. Then Jack slowly pointed the pistol to the head of his wife…but the voice, which he alone heard, called his name three times— “JACK! JACK! JACK!”—and he remembered. Only Jack heard and recognized in his moment of despair that still, small voice, the voice that makes all the difference.
Developed by Clayton L. Dawson, this manual was designed to accompany the Modern Russian Volume 1 and Volume 2 audio Language courses. The manual gives suggestions for the usage of the text books, lessons and testing.
Despite the introduction of new technologies for classrooms, many seminary courses still utilize primarily auditory methods to convey content. Course outcomes may include opportunities for learners to demonstrate knowledge and skills gained but may not include opportunities for learners to begin to embed knowledge and skills into their long-term memory. Educators are engaging with neuroscientists to reshape classroom practices, content delivery, curriculum design, and physical classroom spaces to enhance students’ learning and memory, primarily in elementary and secondary education. Why not in seminary education? An overview of how learning occurs in our brain, what the different types of memory are, and how memory is created serves as a framework for suggesting pedagogical tools. These brain-friendly tools are specifically applied to individual academic disciplines, enabling instructors to make concrete modifications in the structure and content of what is taught, making learning more ‘sticky.’ Inglis’s synopsis of the use of neuroscience in the classroom and suggested action is followed by a collaborative dialogue with Kathy L. Dawson and Rodger Y. Nishioka. Dawson and Nishioka provide practical commentary regarding the successful implementation of Inglis’s proposed approach. As a group, Inglis, Dawson, and Nishioka create a text that extends pedagogical innovation in inspiring but practical ways.
Have you ever wondered what your dreams mean? Have you experienced repeated dreams and wondered what you should do about them? This easy-to-browse book will help you explore the topic of Bible-based prophetic dream symbolism and interpretation. In it, you'll find an alphabetical listing of various symbols--everything from birds and bugs to trees and vehicles--with explanations about their prophetic meanings. The encyclopedic format will help you research particular subjects and save you time and energy when consulting multiple references at once. This book also contains a great deal of supplementary material, such as a detailed description of the candlestick, including its relation to Jesus, its formation, its relation to the teaching of the Seven Spirits of God, and its relation to the symbolism represented by various colors. Extra information of this type has been included to help demonstrate how everything is tied together. Scripture is used as much as possible to show how the subjects relate to one another.
Now in its updated fifth edition, Strandness’s Duplex Scanning in Vascular Disorders proves why it’s still the classic text on the use of duplex scanning in the study and diagnosis of vascular disorders. This evidence-based, real-world text is now expanded to cover all vascular duplex ultrasound topics, including principles and instrumentation; cerebrovascular; aortoiliac and peripheral arterial; peripheral venous; visceral vascular; and preoperative planning, intraoperative assessment and procedural guidance.
Fought on 16 June 1815, two days before the Battle of Waterloo, the Battle of Quatre Bras has been described as a tactical Anglo-allied victory, but a French strategic victory. The French Marshal Ney was given command of the left wing of Napoleons army and ordered to seize the vital crossroads at Quatre Bras, as the prelude to an advance on Brussels. The crossroads was of strategic importance because the side which controlled it could move southeastward along the Nivelles-Namur road.Yet the normally bold and dynamic Ney was uncharacteristically cautious. As a result, by the time he mounted a full-scale attack upon the Allied troops holding Quatre Bras, the Duke of Wellington had been able to concentrate enough strength to hold the crossroads.Neys failure at Quatre Bras had disastrous consequences for Napoleon, whose divided army was not able to reunite in time to face Wellington at Waterloo. This revelatory study of the Waterloo campaign draws primarily on French archival sources, and previously unpublished French accounts, to present a balanced view of a battle normally seen only from the British or Anglo-Allied perspective.
The author of Battle for Paris 1815 examines the uniforms and equipment of the cavalry of Napoleon’s Imperial Guard. Few military formations have attracted more attention than Napoleon’s Imperial Guard, and fewer still have been so extravagantly clothed and accoutered with the finest materials and the brightest colors. On both campaign and parade, the Guard, and especially the cavalry regiments, provided a dazzling display of military grandeur. From the green and gold trappings of the Chasseurs à Cheval, to the multicolored Mamelukes, the Guard cavalry was among the most brilliantly dressed formations ever to grace the field of battle. In compiling this magnificent volume, the author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, even in some instances down to company level. This information is supported by around 100 contemporary prints, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renown military artist, Keith Rocco has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the cavalry of the Imperial Guard. It is sure to be treasured by reenactors, wargamers, and modelers, as well as historians and enthusiasts as one of the most important publications ever produced on this most famous of military formations.
During October 2016 Paul Dawson visited French archives in Paris to continue his research surrounding the events of the Napoleonic Wars. Some of the material he examined had never been accessed by researchers or historians before, the files involved having been sealed in 1816. These seals remained unbroken until Paul was given permission to break them to read the contents.Forget what you have read about the battle on the Mont St Jean on 18 June 1815; it did not happen that way. The start of the battle was delayed because of the state of the ground not so. Marshal Ney destroyed the French cavalry in his reckless charges against the Allied infantry squares wrong. The stubborn defense of Hougoumont, the key to Wellingtons victory, where a plucky little garrison of British Guards held the farmhouse against the overwhelming force of Jerome Bonapartes division and the rest of II Corps not true. Did the Union Brigade really destroy dErlons Corps, did the Scots Greys actually attack a massed French battery, did La Haie Sainte hold out until late in the afternoon?All these and many more of the accepted stories concerning the battle are analysed through accounts (some 200 in all) previously unpublished, mainly derived through French sources, with startling conclusions. Most significantly of all is the revelation of exactly how, and why, Napoleon was defeated.Waterloo, The Truth at Last demonstrates, through details never made available to the general public before, how so much of what we think we know about the battle simply did not occur in the manner or to the degree previously believed. This book has been described as a game changer, and is certain to generate enormous interest, and will alter our previously-held perceptions forever.
Created during the Peace of Amiens, the nineteen regiments of cuirassiers that existed during the course of the 1e Empire were, after the Imperial Guard, perhaps the most famous and recognisable soldiers of the epoch. This book explores the long gestation of clothing and equipping the cuirassiers, the development of the arm from twelve regiments to twenty-one – if we include the carabiniers from 1811 – and how their clothing evolved across the period. As well as assessing the curiassiers, the story of the evolution of the uniforms of the carabiniers is also told. Much ink has been spilt on the two regiments and their uniforms, yet, as with the cuirassiers, precious little archive research has been carried out. This is one of a series of ground-breaking books which will be the defacto study of this perennially popular subject for historians, researchers, wargamers, re-enactors and artists. Using archive records to ‘set the record straight’, as well as contemporary illustrations and original items of uniforms, the author sets out to describe the uniform of every regiment of Napoleon’s army. Using archive sources found in the Archives Nationales and Service Historique du Armee de Terre in Paris, the author’s unrivalled research over a period of twenty years, will reveal exactly how, for the first time in over 200 years, Napoleon’s army was mounted, clothed and equipped. Having been granted to access to over 1,000 archive boxes, the author assesses how the regulations were adopted in practice. This vast resource, as yet untapped by the majority of researchers and historians for understanding the Napoleonic era in general, include the many regimental archive boxes preserved in the French Army archives. These sources provide, potentially bias free empirical data from which we can reconstruct the life story of a regiment, its officers and above all its clothing. What did trumpeters wear? Did cavalry regiments really have sapeurs? We answer these questions and present the reality of how regiments were dressed derived from diaries, letters, inspection returns, regimental accounts and even cases of fraud. For the first time, this unique series of books discusses the wide ranging 1806 uniform regulation and the more famous Bardin regulation which applied to all arms of the Army and explores the way in which regiments on campaign adopted and adapted their uniforms. For the first time since the days of Napoleon, we can say exactly what was worn by the French army.
Small men, with big egos and moustaches, the hussars of Napoleon’s army wore some of the most flamboyant and stylish uniforms of the epoch. The uniforms of the seventeen regiments of hussars are discussed in detail, along with the dress of their brethren in the thirty-two regiments of chasseurs a cheval, with an emphasis on highly elaborate dress of the trumpeters. Archive documents which have never been previously used to study the subject will be used for the first time: many of these documents have not been published in French and have never appeared as translations. Illustrated with contemporary illustrations, original items of uniform and reconstructions of uniforms, this is the definitive guide to the dress of the Napoleon’s light cavalry. This is one of a series of ground-breaking books which will be the defacto study of this perennially popular subject for historians, researchers, wargamers, re-enactors and artists. Using archive records to ‘set the record straight’, as well as contemporary illustrations and original items of uniforms, the author sets out to describe the uniform of every regiment of Napoleon’s army. Using archive sources found in the Archives Nationales and Service Historique du Armee de Terre in Paris, the author’s unrivalled research over a period of twenty years, will reveal exactly how, for the first time in over 200 years, Napoleon’s army was mounted, clothed and equipped. Having been granted to access to over 1,000 archive boxes, the author assesses how the regulations were adopted in practice. This vast resource, as yet untapped by the majority of researchers and historians for understanding the Napoleonic era in general, include the many regimental archive boxes preserved in the French Army archives. These sources provide, potentially bias free empirical data from which we can reconstruct the life story of a regiment, its officers and above all its clothing. What did trumpeters wear? Did cavalry regiments really have sapeurs? We answer these questions and present the reality of how regiments were dressed derived from diaries, letters, inspection returns, regimental accounts and even cases of fraud. For the first time, this unique series of books discusses the wide ranging 1806 uniform regulation and the more famous Bardin regulation which applied to all arms of the Army and explores the way in which regiments on campaign adopted and adapted their uniforms. For the first time since the days of Napoleon, we can say exactly what was worn by the French army.
The author of Battle for Paris 1815 examines the uniforms and equipment of the infantry of Napoleon’s Imperial Guard. From its origins as the Consular Guard of the French Republic, and as Napoleon’s personal bodyguard, the Imperial Guard developed into a force of all arms numbering almost 100,000 men. Used by Napoleon as his principal tactical reserve, the Guard was engaged only sparingly, being deployed at the crucial moment of battle to turn the tide of victory in favor of the Emperor of the French. Naturally, the Imperial Guard has been the subject of numerous books over many decades, yet there has never been a publication that has investigated the uniforms and equipment of the infantry of the Imperial Guard with such detail and precision. The author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, in some instances down to company level. This information is supported by an unrivaled collection of illustrations, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renowned military artist, Keith Rocco, has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Imperial Guard, and will not only be invaluable to historians, but also reenactors, wargamers and modelers. It is one of the most important publications ever produced on this most famous of military formations.
On 13 December 1776, the Rev. William Turner preached the first avowedly anti-slavery sermon in the North of England. Copies of his sermon were distributed far and wide – in so doing, he had fired the first shot in the battle to end slavery had begun. Four years later, Rev. Turner, members of his congregation and the Rev. Christopher Wyvill founded ‘The Yorkshire Association’ to agitate for political and social reform. The Association sought universal suffrage, annual parliaments and the abolition of slavery. In the West Riding, despite furious opposition, by 1783 nearly 10,000 signatures were collected in support of the aims of the Association. Slavery, or rather its abolition, was now on the political agenda. The Battle Against Slavery charts the story of a group of West Riding radicals in their bid to abolish slavery both in the United Kingdom and abroad. Such became the influence of this group, whose Unitarian beliefs were illegal in Britain, that the general election of 1806 in Yorkshire was fought on an abolitionist platform. At a time when the rest of the world engaged in slavery, this small body was fighting almost single-handedly to end such practices. Gradually, their beliefs began to spread across the country and across the Channel to France, the principles of which found resonance during the French Revolution and even across the Atlantic to America. At a time, today, when the history of slavery is the subject of considerable debate worldwide, this revealing insight into the abolitionist movement, which demonstrates how ordinary men and women battled against governments and the establishment, needs to be told. The Battle Against Slavery adds an important dimension to the continuing debate over Britain’s, and other nations’, involvement in the slave trade and demonstrates how the determination of just a few right-minded people can change world opinion forever.
The author of Waterloo: The Truth at Last “sheds new light on the campaign of 1815 and surely will satisfy all with an interest in the Napoleonic Era” (The Napoleonic Historical Society Newsletter). When Napoleon returned to Paris after exile on the Island of Elba, he appealed to the European heads of state to be allowed to rule France in peace. His appeal was rejected and the Emperor of the French knew he would have to fight to keep his throne. In just eight weeks, Napoleon assembled 128,000 soldiers in the French Army of the North and on 15 June moved into Belgium (then a part of the kingdom of the Netherlands). Before the large Russian and Austrian armies could invade France, Napoleon hoped to defeat two coalition armies, an Anglo-Dutch-Belgian-German force under the Duke of Wellington, and a Prussian army led by Prince von Blücher. He nearly succeeded. Paul Dawson’s examination of the troops who fought at Ligny, Quatre-Bras and Waterloo, is based on thousands of pages of French archival documents and translations. With hundreds of photographs of original artifacts, supplemented with scores of lavish color illustrations, and dozens of paintings by the renowned military artist Keith Rocco, Napoleon’s Waterloo Army is the most comprehensive, and extensive, study ever made of the French field army of 1815, and its uniforms, arms and equipment. “Contains many rare and previously unpublished images in the form of full color drawings and photographs of surviving relics. As with the earlier volumes, this book will appeal to and be enjoyed by a wide readership with special interest for historians, military history enthusiasts, Napoleonic War enthusiasts and re-enactors.” —Firetrench
The Belfast Jacobin is the first-ever biography of Samuel Neilson, a founding member of the Society of United Irishmen whose profound influence on this radical movement was to alter the course of Irish history. Samuel Neilson joined Wolfe Tone and Thomas Russell at the inaugural meeting of the United Irishmen in 1791, forming a radical front that would challenge the political realities of the day in increasingly strident ways. As editor of the Northern Star, Neilson was to be a principal figure in shaping the United Irishmen’s ideology before the newspaper was suppressed by the military. He brought the excitement caused by the French Revolution into Irish focus, putting public dissatisfaction into words and, later, gathering the forces necessary for revolt. Kenneth Dawson, conducting original research and drawing upon innumerable archive sources, reveals Neilson’s formidable strength as an organiser of radical politics, his incessant run-ins with the authorities, and his central role in planning the United Irish Rebellion of 1798. Samuel Neilson brought talk of revolution to the street – The Belfast Jacobin is a pivotal history that illuminates the true import of his deeds and writing, sorely obscured in many accounts of the 1790s.
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