Loving Stones is a study of devotees' conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. It is often said that worship of Mount Govardhan "makes the impossible possible." In this book, David L. Haberman examines the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. He takes on the task of interpreting the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploring the interpretive strategies that may explain what seems un-understandable, and calls for theoretical considerations of incongruity, inconceivability, and other realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and its twin, anthropomorphism) in the comparative study of religions. Loving Stones uses the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to make "the impossible possible.
Will your home stand firm when the torrents of life come bursting at the foundation? Certainly, if it's built on the foundation of Christ alone. Is your marriage troubled? Has your spouse or child been lifted on eagle's wings to heaven unexpectedly? Has your doctor explained a dreaded prognosis? Does the ground quake with financial uncertainties? These are the times when you need solid rock! Hopeless secular humanism builds on sinking sand and changing ideas. Yet, believers from every generation have found strength by entrusting their future into God's hands. When you study God's Word, with determination to obey, you are building on Christ-faith's cornerstone. We will build upon this foundation by studying the Spirit's use of stone typology in scripture, to reveal foundations of Christian faith and how to live for Christ as He intended. Rock solid truth equips you to stand firm in faith and to give an account of the hope within you, for God's glory. Mark Day is a student of God's Word and diligently examines Biblical truth. He appreciates practical applications from personal study that impact how to live the Christian life. For over 40 years, Mark has enjoyed sound Biblical teaching from excellent Pastors, has grown through leading men's fellowship groups, teaching Bible classes and encouraging believers through hospital visitation ministries. He has discovered that believers need to stand firm on solid truth, especially during testing and trials. He has written several articles on Christian doctrines to encourage others. Precious Stones, which is the culmination of a ten year research project, was written as a heritage for his children, and prays that you too will find increased strength through this Bible study. Mark is a Software Engineer, living in Southern California. He and his wife Cherie have three children and five grandchildren.
As human beings we have the most extensive range of emotions than any other being. It is important that we as humans take the time to embrace and explore this privilege. This makes us unique and gives us the ability to communicate our thoughts and feelings in ways others species can not.
This book is a tribute to early pioneers and later innovators in applications of surgical principles for biliary stone disease. It is written as a challenge to all surgeons applying these principles to approach the biliary system with the safest and most appropriate technical support. This book is also written as a challenge to all those involved in the training of future generations of surgeons in the hope that critical standards in biliary surgical management will be promulgated and highlighted. The text contains knowledge from surgical leaders who played a vital part in the modern management of biliary stone disease. These contributions include their perceptions, wisdom and recommendations for the future. In doing so, the authors aim to discover ways to make the surgical management of biliary stone disease even better. This volume, thoughtfully curated by two eminent surgical scholars, provides perhaps the most complete history of the field. Dr. Berci and Dr. Greene enlisted a remarkable panel of distinguished colleagues from around the world to discuss every important element of surgical practice. These elements include: The resourcefulness of developing novel optics and instruments on “the fly”, the integration of new imaging capabilities into pre-operative assessments and intraoperative management, the challenge of educating prideful senior surgeons who were ill at ease with the distance imposed by a laparoscope, and the introduction of progressively more elegant ex vivo modules to train inexperienced juniors with limited open operative experience. Finally, it also discusses the never-ending task of ensuring the safety of one of the most common operations performed in the world, yet one with a persistent, if small, risk of life altering injury to the biliary ducts. No Stones Left Unturned aims to build on a classic surgical text and then discusses the issues faced by surgeons performing biliary surgery in the modern era. It serves as a valuable resource for surgeons, practicing clinicians, surgical residents, and fellows that wish to apply this knowledge and improve upon the current standards of biliary surgical management.
Overall, Clark provides a compelling picture of a contemporary Melanesian culture, at the critical point at which the Wiru people are interpreting, invoking, and reinventing their history in the context of a developing nation state."--Jacket.
In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.
This study is the culmination of seven years research into the Carved Stone Balls of Late Neolithic Scotland. It is the first study of these enigmatic artefacts since that undertaken by Dorothy Marshall in 1977 and includes all currently known examples in both museums and private hands, described and analysed in considerable detail.
Have you ever discovered that going to church and loving Jesus can be two very different things? This book is for those who want more but are dissatisfied with their spiritual status quo. In every church there is a small minority of people who yearn for Jesus’ healing presence but have yet to discover the fullness of the Spirit life. Yet to be experienced is a Heavenly Father who wants to show you more in a highly personal and unfathomable ways. Through the author’s personal awakening detailed in this book, you can discover the path to receive what has already been promised to you by “Abba”, the Heavenly Father. You will be refreshed to discover the exciting partnership in ministering with a God that has no boundaries. Some key takeaways are: See how God is alive and active often times not operating with a church program. Live in divine intimacy versus mere religious code. Be empowered to experience Christ through divinely inspired imagination. Learn the necessary spiritual disciplines to receive from Heaven while immersed in a dominant secular context. As the day of Jesus’ return approaches, He awakens the true Bride to hear the last blast of the trumpet. Be prepared for the Spirit’s outpouring into your life as promised.
When a scientist, the revered uncle of thirteen-year-old Alexander Tennyson, mysteriously disappears, Alexander follows clues that Uncle Chad has left behind in his journal. The clues hint at treachery and abandonment—in an ancient past among two million newly freed Israelite slaves. A chance meeting with a brilliant quadriplegic girl lets Alexander reach across the millennia to attempt a rescue. But finding Uncle Chad is not the end. Instead, it leads to an unexpected second rescue that is harder and demands forgiveness. Can Alexander forgive?
The Poetry of Stone Forest includes photos of the author with: Historian Maria Rotworowski, USA Poet Laureate Donald Hall, Congressman Mauricio Mulder, Mayor of Cerro de Pasco Tito Valle, and Senior Member of the Journalist College, in Huancayo, Adelmo Huamani. Dennis creates here, a collection of remarkable and timeless poetry, original in all its refreshing forces (with notes, and commentary on 'Stone Forest' high up in the Andes in Cerro de Pasco; one of the mysteries of the world and a wonder of Peru); he adds in this collection, legends, about Stone Forest: packed with photos and art work; and an introductory poem called, "The Crow", about his illness. Now he sets the poems loose on the world, to discover 'Stone Forest'. He adds two Complimentary poems (by: Juan Parra del Riego, and Apolinario Mayta Inga) translated and edited by the author. During Dr. Siluk's stay in Cerro de Pasco, Peru (highest city in the world), he received by Mayor Tito Valle, a Gold Medal as an 'Illustrious Visitor', thus, deciding to create a book similar to his previous one for the Mantaro Valley, "The Road to Unishcoto", centered on Stone Forest, after finding a haunting inspiration to do so.
After years of conflict, Britannia finally knows peace and Artor reigns from his throne at Camalot. But discontent rumbles through the kingdom. A new generation longs for the glory their fathers knew. Medraut, the son conceived by deceit, lusts for Artor's crown -- and his queen. Dreams of an empire draw the king to Gallia to battle again, leaving the sovereignty of the isle in Guendivar's hands. As Artor's painful absence grows longer, the land cries out for its champion -- and even the queen doubts his return. With the rise of revolt home to a country in turmoil. Only he can heal the land and reclaim the kingdom -- or else the hallowed isle will be ripped asunder once again. A darkness born and bred for revenge shadows the nation. But one hope shines -- the Defender of Britannia.
In Place of Gods and Kings presents a new reading of an important manuscript that has long been considered the foremost colonial-era source for information related to the indigenous inhabitants of the Mexican state of Michoacán. Drawing on recent trends in literary studies that call into question the universal validity of notions such as the unitary author and the primacy of alphabetic writing over oral and pictorial traditions, Cynthia L. Stone shows how this early relación (c. 1538-41) weaves together narrative strands representing the distinctive voices of four primary contributors. According to the Franciscan compiler, Jerónimo de Alcalá, the manuscript is a testament to enlightened colonial officials who recognized that some familiarity with native customs and beliefs would further the goals of evangelization and Spanish rule. This symbolic bridge between prehispanic and colonial times was articulated differently by the friar’s indigenous collaborators, however, who refused to accept their alleged cultural inferiority or fully renounce their previous allegiances. Thus, the drawings of the indigenous painters, reproduced in this volume in both color and black and white, evoke the sacred Mesoamerican tradition of “writing in pictures.” The epic history narrated by the former high priest pays tribute to the great regional culture hero, Taríacuri. And the account of the Spanish conquest provided by the indigenous governor converts the military defeat of his people into a moral victory and a paradigm for cultural survival.
The manual is highly organized for ease of use and divided into the following major sections: - Commodity Index (how-to import data for each of the 99 Chapters of the U.S. Harmonized Tariff Schedule)- U.S. Customs Entry and Clearance- U.S. Import Documentation- International Banking and Payments (Letters of Credit)- Legal Considerations of Importing- Packing, Shipping & Insurance- Ocean Shipping Container Illustrations and Specifications- 72 Infolists for Importers
In this book, Robert L. Stone follows the sound of steel guitar into the music-driven Pentecostal worship of two related churches: the House of God and the Church of the Living God. A rare outsider who has gained the trust of members and musicians inside the church, Stone uses nearly two decades of research, interviews, and fieldwork to tell the story of a vibrant musical tradition that straddles sacred and secular contexts. Most often identified with country and western bands, steel guitar is almost unheard of in African American churches--except for the House of God and the Church of the Living God, where it has been part of worship since the 1930s. Sacred Steel traces the tradition through four generations of musicians and in some two hundred churches extending across the country from Florida to California, Michigan to Alabama. Presenting detailed portraits of musical pioneers such as brothers Troman and Willie Eason and contemporary masters such as Chuck Campbell, Glenn Lee, and Robert Randolph, Stone expertly outlines the fundamental tensions between sacred steel musicians and church hierarchy. In this thorough analysis of the tradition, Stone explores the function of the music in church meetings and its effect on the congregations. He also examines recent developments such as the growing number of female performers, the commercial appeal of the music, and younger musicians' controversial move of the music from the church to secular contexts.
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.
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