*이 책의 본문은 영어로 작성되었습니다. This book emerged out of a collaborative research project entitled “Global Applications of the Korean Development Models in the Information and Communication Industry.” From September 2015 to August 2020, scholars with expertise in industrial and regional sociology, media and cultural studies, and science and technology policy participated in the project. The goal was to explore cases related to the information and communications technology (ICT) industry in South Korea, analyze factors that have contributed to its successful and/or unsuccessful experiences, and carry out comparisons with those of other nations. This book introduces five topics relevant to ICT innovation in Korean society. While chapters 1, 2, and 3 focus on South Korea’s ICT and media industries, chapters 4 and 5 extend our view by offering relevant topics in the context of the globalized media environment and culture. In chapter 1, Joon-Shik Park takes a close look at the role of the ICT industry in relation to South Korea’s economic and social development. He suggests that innovation in this industry has enabled the country to climb up the ladder of success, and discusses in detail the necessary conditions for further advancement. As examples of innovative ecosystems, industrial areas in Korea such as Teheran Valley and the Pangyo ICT cluster as well as the companies Naver, Daum, and Kakao are introduced for their contribution to the new industrial ecosystem. In chapter 2, Kyung-Hee Kim and Juhyun Hong provide an analysis of the diffusion process of content that enables users to exchange information and share experiences through interactions via social media. With the goal of identifying the different roles played by the Korean government, media users, industry professionals, and communication technologies, they interviewed 12 experts who spent most of their career in the ICT industry. In this chapter, they provide an explanation of the positive roles (i.e., media users, industry professionals, communication technologies) and negative roles (i.e., the government) played by each involved actor. In chapter 3, Sun Ho Jeong examines the progress of digital news innovation in South Korea and provides an outlook. Although emerging technologies have brought about positive changes to Korean society, they have also led to disruptive experiences for the journalism industry in particular. Approaching the subject matter from the perspectives of the industry and academia, she provides a brief introduction of the history and characteristics of digital news in South Korea, followed by challenges and opportunities experienced by news organizations in the 2010s, and a discussion on journalism innovation for the 2020s. The chapter concludes with final remarks for future directions. In chapter 4, Shin Dong Kim presents a discussion on the factors contributing to the worldwide success of Korean media and pop culture. Kim’s close inspection of the domestic factors (i.e., expansion of the television market, accumulation of program production technologies and skills, and a new generation of creators and consumers of media), and global factors (i.e., geopolitics of East Asian countries in relation to the development of cultural industries) that are identified as contributors to the Korean Wave furthers our understanding of the historical context of the phenomenon. The chapter also provides an opportunity to think about its implications for Korean people. Chapter 5 examines communities of foreign brides in South Korea, where social media is utilized for empowerment of migrant minorities. For this study, Dominique Nduhura, Shin Dong Kim, and Nadine Mumporeze conducted interviews and focus group discussions with 40 foreign brides from Vietnam, the Philippines, and Cambodia who are currently residing in South Korea. Findings suggest that their experiences with social media are largely favorable (i.e., connectedness, cathartic role, mutual education, advocacy, business platform, body celebration, political participation, access to services, etc.), while some mishaps from such use persist.
This book describes the successful reforestation in South Korea during the last half century in a documentary style in relation to the ex-president Park Chung-Hee whose strong leadership made the reforestation projects successful. The Kirkus Indie Review describes it as follow: "A Seoul National University Professor recounts the transformation of South Korea from barren moonscape to tree-filled landscape and the pivotal role in that process by former President Park Chung-Hee.
This book explores South Korean responses to the architecture of the Japanese colonial occupation of Korea and the ways that architecture illustrates the relationship between difficult heritage and the formation of national identity. Detailing the specific case of Seoul, Hyun Kyung Lee investigates how buildings are selectively destroyed, preserved, or reconstructed in order to either establish or challenge the cultural identity of places as new political orders are developed. In addition, she illuminates the Korean traditional concept of feng shui as a core indigenous framework for understanding the relationship between space and power, as it is associated with nation-building processes and heritagization. By providing a detailed study of a case little known outside of East Asia, ‘Difficult Heritage’ in Nation Building will expand the framework of Western-centered heritage research by introducing novel Asian perspectives.
This is the first English-language book on cultural policy in Korea, which critically historicises and analyses the contentious and dynamic development of the policy. It highlights that the evolution of cultural policy has been bound up with the complicated political, economic and social trajectory of Korea to a surprising degree. Investigating the content and context of the policy from the period of Japanese colonial rule (1910–1945) until the military authoritarian regime (1961–1988), the book discusses how culture, often co-opted by the government, was mobilised to disseminate state agendas and define national identity. It then moves on to investigate the distinct characteristics of Korea’s contemporary cultural policy since the 1990s, particularly its energetic pursuit of democracy, a market economy of culture and outward cultural globalisation (the Korean Wave). This book helps readers to understand the continuous presence of the ‘strong state’ in Korean cultural policy and its implications for the cultural life of Koreans. It argues that this exceptionally active cultural policy sets an important condition not only for artistic creation, cultural consumption and cultural business in the country, but also for the nation's ambitious endeavour to turn the success of its pop culture into a global phenomenon.
This book provides an up-to-date, comprehensive review of every aspect of emergency chest radiology in patients who are admitted to emergency departments with chest trauma or chest pain. The aim is to offer an unsurpassed source of practical information on imaging diagnosis of acutely ill and injured patients with this symptomatology. To this end, the wide spectrum of chest and cardiovascular emergencies are systematically categorized and typical imaging manifestations of these emergent conditions are illustrated in superb detail, with particular attention to the role of state of the art imaging techniques. The book will be an ideal resource for all members of the emergency team, general and emergency radiologists, radiology residents, and medical students.
Dynamic and meticulously researched, A History of Korea continues to be one of the leading introductory textbooks on Korean history. Assuming no prior knowledge, Hwang guides readers from early state formation and the dynastic eras to the modern experience in both North and South Korea. Structured around episodic accounts, each chapter begins by discussing a defining moment in Korean history in context, with an extensive examination of how the events and themes under consideration have been viewed up to the present day. By engaging with recurring themes such as collective identity, external influence, social hierarchy, family and gender, the author introduces the major historical events, patterns and debates that have shaped both North and South Korea over the past 1500 years. This textbook is essential reading for undergraduate and postgraduate students of Korean or Asian history. The first half of the book covers pre-20th century history, and the second half the modern era, making it ideal for survey courses.
This open access book examines the depiction of Korean history in recent South Korean historical films. Released over the Hallyu (“Korean Wave”) period starting in the mid-1990s, these films have reflected, shaped, and extended the thriving public discourse over national history. In these works, the balance between fate and freedom—the negotiation between societal constraints and individual will, as well as cyclical and linear history—functions as a central theme, subtext, or plot device for illuminating a rich variety of historical events, figures, and issues. In sum, these highly accomplished films set in Korea’s past address universal concerns about the relationship between structure and agency, whether in collective identity or in individual lives. Written in an engaging and accessible style by an established historian, Fate and Freedom in Korean Historical Films offers a distinctive perspective on understanding and appreciating Korean history and culture.
Most theories of modernity are based, explicitly or implicitly, on the development of Western societies since the late medieval period, but these theories are of limited value for understanding the development of societies in Asia and other parts of the world, where the process of modernization took place under different circumstances and often in a rapid and highly compressed fashion – not over centuries but in decades. Asian societies have been propelled into modernity too, but theirs is a compressed modernity, which displays very different traits. In this important book, Chang Kyung-Sup provides a systematic account of this compressed modernity and uses it to analyse the extreme social changes, complexities and imbalances found in South Korea and other East Asian societies. While these changes enabled South Korea to modernize very quickly and achieve high levels of economic growth, they also created a society that is haunted by various developmental and civilizational costs, such as endemic generational conflicts, overloaded family responsibilities and exceptionally high suicide rates. As with other societies that have experienced compressed modernity, the South Korean “miracle” is replete with extreme and contradictory social traits. This pioneering work of the nature and consequences of compressed modernity will be of great interest to students and scholars of sociology, politics and development studies, as well as anyone interested in South Korea, Asia and postcolonial societies.
Based on a transnational study of decommissioned, postcolonial prisons in Taiwan (Taipei and Chiayi), South Korea (Seoul), and China (Lushun), this book offers a critical reading of prisons as a particular colonial product, the current restoration of which as national heritage is closely related to the evolving conceptualization of punishment. Focusing on the colonial prisons built by the Japanese Empire in the first half of the twentieth century, it illuminates how punishment has been considered a subject of modernization, while the contemporary use of prisons as heritage tends to reduce the process of colonial modernity to oppression and atrocity – thus constituting a heritage of shame and death, which postcolonial societies blame upon the former colonizers. A study of how the remembering of punishment and imprisonment reflects the attempts of postcolonial cities to re-articulate an understanding of the present by correcting the past, Heritage, Memory, and Punishment examines how prisons were designed, built, partially demolished, preserved, and redeveloped across political regimes, demonstrating the ways in which the selective use of prisons as heritage, reframed through nationalism, leaves marks on urban contexts that remain long after the prisons themselves are decommissioned. As such, it will appeal to scholars of sociology, geography, the built environment, and heritage with interests in memory studies and dark tourism.
This book characterizes South Korea’s pre-neoliberal regime of social governance as developmental liberalism and analyzes the turbulent processes and complex outcomes of its neoliberal degeneration since the mid-1990s. Instead of repeating the politically charged critical view on South Korea’s failure in socially inclusionary and sustainable development, the author closely examines the systemic interfaces of the economic, political, and social constituents of its developmental transformation. South Korea has turned and remained developmentally liberal, rather than liberally liberal (like the United States), in its economic and sociopolitical configuration of social security, labor protection, population, education, and so forth. Initially conceived in the late 1980s, ironically along its democratic restoration, and radically accelerated during the national financial crisis in the late 1990s, South Korea’s neoliberal transition has become incomparably volatile and destructive, due crucially to its various distortive effects on the country’s developmental liberal order.
In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television, which is also known as hallyu—from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly “minor” culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity.
This is the first English-language book on cultural policy in Korea, which critically historicises and analyses the contentious and dynamic development of the policy. It highlights that the evolution of cultural policy has been bound up with the complicated political, economic and social trajectory of Korea to a surprising degree. Investigating the content and context of the policy from the period of Japanese colonial rule (1910–1945) until the military authoritarian regime (1961–1988), the book discusses how culture, often co-opted by the government, was mobilised to disseminate state agendas and define national identity. It then moves on to investigate the distinct characteristics of Korea’s contemporary cultural policy since the 1990s, particularly its energetic pursuit of democracy, a market economy of culture and outward cultural globalisation (the Korean Wave). This book helps readers to understand the continuous presence of the ‘strong state’ in Korean cultural policy and its implications for the cultural life of Koreans. It argues that this exceptionally active cultural policy sets an important condition not only for artistic creation, cultural consumption and cultural business in the country, but also for the nation's ambitious endeavour to turn the success of its pop culture into a global phenomenon.
This book explores how a modern English literary identity was forged by its notions of other traditions and histories, in particular those of China. The theorizing and writing of English literary modernity took place in the midst of the famous quarrel between the Ancients and the Moderns. Eun Kyung Min argues that this quarrel was in part a debate about the value of Chinese culture and that a complex cultural awareness of China shaped the development of a 'national' literature in seventeenth- and eighteenth-century England by pushing to new limits questions of comparative cultural value and identity. Writers including Defoe, Addison, Goldsmith, and Percy wrote China into genres such as the novel, the periodical paper, the pseudo-letter in the newspaper, and anthologized collections of 'antique' English poetry, inventing new formal strategies to engage in this wide-ranging debate about what defined modern English identity.
This book analyzes, from a historical comparative perspective, the Korean economic development model, the extent to which it has changed from its classical model, and what constitutes its changes and continuity. Unlike studies claims the dissolution of Korean developmentalism, the book holds that the Korean state maintains its characteristics of state-led capitalism despite significant changes in policies and instruments rather than converge toward an AngloSaxon-style free market system. It emphasizes that the continuity of state-led capitalism is compatible with institutional change. Some institutionalists insist that the continuity of Korean developmentalism is based on path dependency. In contrast, this book argues that Korean capitalism could sustain its state developmentalism by changes in policies and instruments to improve national industrial competitiveness in the changed context of international competition. This book will be of interest to East Asian scholars, comparative economists, and those curious about the future of the Korean peninsula.
This monograph explores the tense, aspect, mood, and evidentiality of Korean, which has a rich verbal inflectional system, and proposes novel treatments within the framework of compositional semantics. One of the major contributions is the demonstration that Korean has two types of deictic tensesimple deictic and spatial deictic tense. Spatial deictic tense refers to the notion of the speaker's 'perceptual field' (or deictic range), as well as to temporality, functioning to set up a condition for a systematic evidential distinction. The research in this volume shows that the basic paradigm of evidentiality of Korean derives from the standard TMA system combined with the notion of space. This volume also shows that perfect and past tense utilize different primitives. The intended readership of this volume extends beyond Koreanists to scholars interested specifically in tense, mood, aspect, and evidentiality as well as in general theories of grammar and semantics-pragmatics.
This book asks what strategies women’s movements can employ to induce law and policy changes at the national level that will assist women’s equality without sacrificing their feminist energy, movement cohesiveness and core feminist commitments. The book takes up this question in order to emphasize the need not only to recognize the accomplishments of women’s movements through political participation, but also to analyze the process through which feminist organizations interact with formal politics. It examines the institutionalization of the Korean women’s movement under the progressive presidencies of Kim Dae Jung (1998-2002) and Roh Moo Hyun (2003-2007), focusing on three major pieces of legislation concerning women’s rights that were enacted during this time, and looks at the process of gender politics and the strategic bargains that needed to be made between the women’s movement and other political forces in order to advance their agenda. It questions whether the institutionalization of the women’s movement inevitably results in demobilization and deradicalization, and goes on to examine the relationship between the women’s movement and the government over the two most women-friendly administrations in South Korean history, a period marked by flourishing civil society activism and participatory democracy.
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