“Beautifully focused snapshot of Rosie’s final months on Earth. The simplicity of this approach fits perfectly with the seeming randomness of life, death and love.” —Deseret News “Rosie’s story is a very readable exploration of the bonds that last beyond death, and readers will hang on to see Rosie make her choices.” —Booklist Fifteen-year-old Rosie Wolf is sure when you die, you go straight to Paradise, until she wakes to discover she has died in an accident and that Paradise isn’t what she thought it would be. Rosie Wolf was sure that when her dad died, he went to Paradise. After all, isn’t that where everyone went? But when Rosie wakes up in a strange hospital bed and finds out that she’s died in an accident, she learns things aren’t always what you think they will be. Now her father feels further away than ever, and Rosie is left to deal with the Grim Reaper, who isn’t a man in a black cloak, but a beautiful woman with a bad attitude. The Grim Reaper tells Rosie that before she can move on to Paradise, she has to go back down to Earth and collect three souls. But Rosie quickly realizes it’s not so simple. To complicate matters, Rosie meets Kyle, a boy who is different than anyone she’s ever known. He’s cute, smart, and funny. Rosie’s been warned to stay away from the living, but she doesn’t want to. What will happen if she doesn’t?
If you think you know how this one will end, I promise, you don't." —Kara Thomas, author of That Weekend and The Cheerleaders For fans of They Wish They Were Us and Sadie comes a propulsive thriller that reminds us that in real life, endings are rarely as neat as happily ever after. A contemporary take on the Lizzie Borden story that explores how grief can cut deep. Charlotte lost her mother six months ago, and still no one will tell her exactly what happened the day she mysteriously died. They say her heart stopped, but Charlotte knows deep down that there's more to the story. The only person who gets it is Charlotte's sister, Maddi. Maddi agrees—people’s hearts don’t just stop. There are too many questions left unanswered for the girls to move on. But their father is moving on. With their mother’s personal assistant. And both girls are sure of one thing: she's going to steal everything that's theirs for herself. She'll even get rid of them eventually. Now, in order to get their lives back, Charlotte and Maddi have to decide what kind of story they live in. Do they remain the obedient girls their father insists they be, or do they follow their rage to the end?
“Beautifully focused snapshot of Rosie’s final months on Earth. The simplicity of this approach fits perfectly with the seeming randomness of life, death and love.” —Deseret News “Rosie’s story is a very readable exploration of the bonds that last beyond death, and readers will hang on to see Rosie make her choices.” —Booklist Fifteen-year-old Rosie Wolf is sure when you die, you go straight to Paradise, until she wakes to discover she has died in an accident and that Paradise isn’t what she thought it would be. Rosie Wolf was sure that when her dad died, he went to Paradise. After all, isn’t that where everyone went? But when Rosie wakes up in a strange hospital bed and finds out that she’s died in an accident, she learns things aren’t always what you think they will be. Now her father feels further away than ever, and Rosie is left to deal with the Grim Reaper, who isn’t a man in a black cloak, but a beautiful woman with a bad attitude. The Grim Reaper tells Rosie that before she can move on to Paradise, she has to go back down to Earth and collect three souls. But Rosie quickly realizes it’s not so simple. To complicate matters, Rosie meets Kyle, a boy who is different than anyone she’s ever known. He’s cute, smart, and funny. Rosie’s been warned to stay away from the living, but she doesn’t want to. What will happen if she doesn’t?
Popular film and television hold valuable potential for learning about sex and sexuality beyond the information-based model of sex education currently in schools. This book argues that the representation of complicated—or "messy"—relationships in these popular cultural forms makes them potent as affective pedagogical moments. It endeavours to develop new sexual literacies by contemplating how pedagogical moments, that is, fleeting moments which disrupt expectations or create discomfort, might enrich the available discourses of sexuality and gender, especially those available to adolescents. In Part One, Clarke critiques the heteronormative discourses of sex education that produce youth in particularly gendered ways, noting that "rationality" is often expected to govern experiences that are embodied and arguably inherently incoherent. Part Two explores public intimacy, contemplating the often overlapping and confused boundaries between public and private.
An essential examination of drawing as a tool used in the process of making, as well as a form of making or decoration in itself. It is common knowledge that artists often make preparatory sketches before they create a work, but in fact this is only one of the ways in which artists are required to draw. Makers across all disciplines draw in some form or another, but often for diverse reasons, and using very different methods. Informed by interviews with artists across a broad range of disciplines, and often with special access to their sketchbooks and studios, Kyra Cane explores the many ways in which artists use drawing to inform, inspire and create their work. She describes how makers draw to record source material, as a form of planning, to develop surface decoration and three-dimensional forms, as a way of thinking about and reflecting on their work, and shows you how they use new technology in their practice. Lavishly illustrated and thoughtfully constructed, Making and Drawing sheds new light on contemporary artists' practice. It is an essential read for visual arts students, artists who want to use drawing differently or explore its potential in their practice, and anyone who wants to know more about the secret stories behind the creation of these works.
Illustrates how black musical styles are incorporated into the earliest games African American girls learn--how, in effect, these games contain the DNA of black music. Drawing on interviews, recordings of handclapping games and cheers, and her own observation and memories of gameplaying, Gaunt argues that black girls' games are connected to long traditions of African and African American musicmaking, and that they teach vital musical and social lessons that are carried into adulthood. - from publisher information.
The explosive story of the illegal gold trade from South America, and the three Miami businessmen who got rich on it—until it all came crashing down. In March of 2017, a team of federal agents arrested Juan Pablo Granda, Samer Barrage, and Renato Rodriguez, or as they came to be known, "the three amigos." The trio—first identified publicly by the authors of this book—had built a $3.6 billion dollar business in metals trading, mostly illegal Peruvian gold mined in the rain forest. Their arrest and subsequent prosecution laid bare more than a scheme between a few corrupt traders. Dirty Gold lifts the veil on a massive and very illegal international business that is more lucrative than trafficking cocaine, and often just as dangerous. As this award-winning team of current and former Miami Herald reporters shows, illegal gold mines have become a haven for Latin American drug money. The gold is sold to metals traders, and ultimately to scores of unwitting Americans in their jewelry and phones. By following the trail of these three traders, Dirty Gold leads us into a sprawling criminal underworld that has never before been in full view.
Fact and fiction meld into one in this stirring family saga set against shifting landscapes and pivotal moments in Australian history. Lillian was born in 1892, the same year Henry Lawson wrote 'The Drover's Wife' and cemented his place in Australia's literary canon. When Lillian reads the short story as a teenager, she is convinced that it is based upon her own family and becomes determined to prove it. But as the years pass, the truth becomes more problematic, and Lillian must decide what is more important: holding onto the past or embracing the future. The Story Thief is about mothers and daughters, love, loss and the power of words. Ultimately it is about how each of us must find our own way to live.
If you think you know how this one will end, I promise, you don't." —Kara Thomas, author of That Weekend and The Cheerleaders For fans of They Wish They Were Us and Sadie comes a propulsive thriller that reminds us that in real life, endings are rarely as neat as happily ever after. A contemporary take on the Lizzie Borden story that explores how grief can cut deep. Charlotte lost her mother six months ago, and still no one will tell her exactly what happened the day she mysteriously died. They say her heart stopped, but Charlotte knows deep down that there's more to the story. The only person who gets it is Charlotte's sister, Maddi. Maddi agrees—people’s hearts don’t just stop. There are too many questions left unanswered for the girls to move on. But their father is moving on. With their mother’s personal assistant. And both girls are sure of one thing: she's going to steal everything that's theirs for herself. She'll even get rid of them eventually. Now, in order to get their lives back, Charlotte and Maddi have to decide what kind of story they live in. Do they remain the obedient girls their father insists they be, or do they follow their rage to the end?
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