After her mother abandons them, fifteen-year-old Megumi tries to understand her father's need for his mistress while dealing with her own aching isolation.
Employing a postmodernist literary approach, this book identifies C. S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as an able Christian apologetic writer, talented in explaining Christian beliefs in simple, logical terms. But his fictional works feature expressions that erect ambiguous borders between nonfiction and fiction, an approach equivalent to those typical in postmodernist literature. Whereas postmodernist literature is full of many small micronarratives that deconstruct the Great Story, Lewis's fictional world is the reverse of this: in his world, multiple and small stories are chosen, but they also ultimately express the Story that transcends human understanding. Lewis's approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernized Christianity. Lewis's fictional works focus on the history of interpretation and, deconstructing interpretations of the previous age, seek a new model for interpretation. Both C. S. Lewis and postmodern writers force us to choose between alternative interpretations.
A cast of three-dimensional characters, keen imagery and attention to detail produce an emotionally and culturally rich tale tracing the evolution of despair into hope." --Publishers Weekly, starred review
The Impact of Film and Music Film and music are the language of modern culture. What messages are being conveyed in the movies and songs we love? An Unexpected Journal explores the truths embedded within popular media. Contributors "Serenity and the Theodicy of Joss Whedon" by C.M. Alvarez: An exploration of the themes of evil, free will, and the power of love in the 2005 film. "On Judging Movies" by Daniel Asperheim: A guide on film criticism and judging true value in movies. "A Sonnet to Music: The Language of the Soul" by Donald W. Catchings, Jr.: a poem on the beauty of music. "The Function of Absolute Music for Religious and Non-religous Minds" by Will Daniels: a reflection of the value and purpose of music focusing on the work of Johann Sebastian Bach. "Where are All the Great Christian Film?" by Joseph Holmes: A survey of the existing landcape in Christian filmmaking and suggestions for improvement. "The Value of Smuggled Theology in Music" by Sheila Krygsheld: an examination of the way music conveys meaning and deeper truths. "In Page and Film: Visions of Virtue in Harry Potter" by Roger Maxson: an analysis of the virtues illuminated in the Harry Potter series. "Lewisvaldi" by Seth Myers: a poem celebrating the joy of summer reflecting the work of C.S. Lewis. "Who Authors the Authority? A Discussion of Watchmen and Rightful Rule" by Jason Monroe: an examination of Watchmen's critique of authority. " Twenty Øne Piløts: In the Trenches " by Annie Nardone: on finding significance and meaning in modern music. "C.S. Lewis, Myth, and Filmmaking" by Timothy Nargi, Jr.: a reflection on the ability of C.S. Lewis to convey theological messages in his fiction and its implicatiaon for modern filmmaking. "Bridging the Gap" and "A Series of Unfortunate Events and the Persistence of Hope" by Zak Schmoll: "The Witch and the Horror of Eternal Consequences" by Philip Tallon and Cameron McAllister: an examination of the way the portrayal of real evil in films provides real life lessons. "Analyzing the Fact/Value Dichotomy in Ready Player One: The Movie" by Charlotte B. Thomason: an analysis of the movie as a social commentary and cautionary tale. "Narnia Adapted to Film: the Triune Dance" by Kyoko Yuasa: a reflection of Lewis's search for the dance of the Triune in art. "Comedy-Drama in Film: Caught Between Good Friday and Easter Sunday" by Hannah Zarr: a reflection on the way dramedy helps viewers better perceive a Christian view of reality. Cover art by M.A. Listz Volume 2, Issue 2, Summer 2019 :300 pages.
When Michael Ward's Planet Narnia emerged a decade ago, myriad things were pulled into its orbit: The immense gravitational force altered the field of C.S. Lewis studies, to be sure, but the discovery's scope stretched far into the worlds of literary criticism, Christian apologetics, and the arts. Only now, after ten years under its influence, have we begun to consider the magnitude of Planet Narnia's effects, and perhaps it is best to begin such an index by cultivating a jovial atmosphere of appreciation. Thus we curated this issue to celebrate both Dr. Ward and his stellar work. Photography: Lancia E. Smith Illustrations: Virginia de la Lastra Artwork: Ryan Grube. Contributors: Adam L. Brackin: "Quarantine," a short story. Annie Crawford: "The Cure Has Begun." Brenton Dickieson: "(Re)Considering the Planet Narnia Thesis," a challenging essay to the thesis. Ryan Grube: "For Your Contemplation" Malcolm Guite: "Planet Narnia as Creative Inspiration," an essay; "The Daily Planet," a poem; "The Circle Dance", a poem. Marshall Liszt: "Gravitational Pull," a reflection. Louis Markos: "Why We Love to Visit Narnia." Jason Monroe: "The Voyage of the Dawn Treader and the Rehabilitation of Practical Reason." Holly Ordway: "A Seven-Day's Journey through the Heavens," a poem Jahdiel Perez: "Where Paradoxes Play," Michael Ward on Christian Orthodoxy. Josiah Peterson: "A Defense of Planet Narnia." John Mark Reynolds: "An Unexpected Journey: Imaginative Apologetics and the Ward Moment," A personal reflection from Dr. John Mark Reynolds on the origins of the apologetics program at Houston Baptist University. Michael Ward: "Seven Questions," an interview with Dr. Michael Ward and An Unexpected Journal, and "Return to Planet Narnia" with additional support for the planetary thesis. Donald T. Williams: "C.S. Lewis, A Life," a poem. Kyoko Yuasa: "Table Narnia: Fugue to Evangelical Adventure," an essay on the symbolism of the table throughout the Chronicles.
Employing a postmodernist literary approach, Kyoko Yuasa identifies C.S. Lewis both as an antimodernist and as a Christian postmodernist who tells the story of the Gospel to twentieth- and twenty-first-century readers. Lewis is popularly known as anable Christian apologist, talented at explaining Christian beliefs in simple, logical terms. His fictional works, on the other hand, feature expressions that erect ambiguous borders between non-fiction and fiction, an approach similar to those typical in postmodernist literature. While postmodernist literature is full of micronarratives that deconstruct the Great Story, Lewis's fictional world shows the reverse: in his world, micronarratives express the Story that transcends human understanding. Lewis's approach reflects both his opposition to modernist philosophy, which embraces solidified interpretation, and his criticism of modernised Christianity. Here Yuasa brings to the fore Lewis's focus on the history of interpretation and seeks a new model.
This collection includes translated works by Japanese women writers that deal with the experiences of modern women. The work of these women represents current feminist perception, imagination and thought. "Here are Japanese women in infinite and fascinating variety -- ardent lovers, lonely single women, political activists, betrayed wives, loyal wives, protective mothers, embittered mothers, devoted daughters. ... a new sense of the richness of Japanese women's experience, a new appreciation for feelings too long submerged". -- The New York Times Book Review
This title was first published in 1982. The authors deal with the experiences of modern women with penetrating sincerity and honesty, but their philosophic profundity in understanding modern life, their intellectual capacity to view their experience in a historical and social context, and their mastery of the art of fiction render the traditional category of 'female school literature' totally inadequate to characterize their works. Indeed, they stand at the core of modern Japanese literature as a whole.
With its vivid descriptions of courtly society, gardens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world’s first novel—has captivated audiences around the globe and inspired artistic traditions for one thousand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; her monumental work of fiction offers entry into an elaborate, mysterious world of court romance, political intrigue, elite customs, and religious life. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of more than one hundred works. The Tale of Genji has influenced all forms of Japanese artistic expression, from intimately scaled albums to boldly designed hanging scrolls and screen paintings, lacquer boxes, incense burners, games, palanquins for transporting young brides to their new homes, and even contemporary manga. The authors, both art historians and Genji scholars, discuss the tale’s transmission and reception over the centuries; illuminate its place within the history of Japanese literature and calligraphy; highlight its key episodes and characters; and explore its wide-ranging influence on Japanese culture, design, and aesthetics into the modern era. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
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