Now in a new translation, this book is legendary pedagogue Shin'ichi Suzuki's exploration of the concepts of his Talent Education philosophy through a personal narrative of discovery and experiences. Taken from the original Japanese directly into English, this new work provides fascinating insight into the mind of the master. Both the original Nurtured by Love and Nurtured by Love Revised Edition are a must for any teacher, player, or devotee of Dr. Suzuki's teachings, and promise to inspire new generations.
A collection of short stories by scriptwriter-poet turned fiction writer Taeko Tomioka. Taeko deconstructs the discourse of the nuclear family and heterosexuality in gendered Japanese culture. Her stories focus on ordinary people unfettered by introspection or a search for life's ultimate meaning.
This title was first published in 1982. The authors deal with the experiences of modern women with penetrating sincerity and honesty, but their philosophic profundity in understanding modern life, their intellectual capacity to view their experience in a historical and social context, and their mastery of the art of fiction render the traditional category of 'female school literature' totally inadequate to characterize their works. Indeed, they stand at the core of modern Japanese literature as a whole.
This collection includes translated works by Japanese women writers that deal with the experiences of modern women. The work of these women represents current feminist perception, imagination and thought. "Here are Japanese women in infinite and fascinating variety -- ardent lovers, lonely single women, political activists, betrayed wives, loyal wives, protective mothers, embittered mothers, devoted daughters. ... a new sense of the richness of Japanese women's experience, a new appreciation for feelings too long submerged". -- The New York Times Book Review
This collection of factual reports, short stories, poems and drawings expresses in a deeply personal voice the devastating effects of the bombings of Hiroshima and Nagasaki.
This anthology introduces sixteen modern Japanese women writers spanning a century in time and a wide range of life circumstances and literary styles. No other collection offers usch a diversity of women's voices
In this new edition to the About Suzuki series, Shigeki Tanaka shares his experiences with using the Suzuki Method® to teach young children. He founded a kindergarten that has seen more than 1,000 graduates using this system. His belief is that every baby has the potential to develop higher ability, which is fostered by the baby's environment. Therefore, parents and teachers must be conscious of a child's environment from an early age. He concludes that what is at the core of human ability is heart, not knowledge. This book is a great addition to the study of early childhood education!
This collection of factual reports, short stories, poems and drawings expresses in a deeply personal voice the devastating effects of the bombings of Hiroshima and Nagasaki.
This collection includes translated works by Japanese women writers that deal with the experiences of modern women. The work of these women represents current feminist perception, imagination and thought. "Here are Japanese women in infinite and fascinating variety -- ardent lovers, lonely single women, political activists, betrayed wives, loyal wives, protective mothers, embittered mothers, devoted daughters. ... a new sense of the richness of Japanese women's experience, a new appreciation for feelings too long submerged". -- The New York Times Book Review
This title was first published in 1982. The authors deal with the experiences of modern women with penetrating sincerity and honesty, but their philosophic profundity in understanding modern life, their intellectual capacity to view their experience in a historical and social context, and their mastery of the art of fiction render the traditional category of 'female school literature' totally inadequate to characterize their works. Indeed, they stand at the core of modern Japanese literature as a whole.
Literature is an important vehicle to further knowledge of other cultures, and English translations of Okinawan literary works have had a major impact on the field of Okinawan studies. Yet the riches of Okinawa's literature have yet to be adequately mined. Islands of Protest attempts to address this lacuna with this new selection of critically acclaimed modern and contemporary works in English. The anthology includes poetry, fiction, and drama, drawing on Okinawa's distinct culture and subtropical natural environment to convey the emotions and tensions present in everyday life. Tōma Hiroko's poem "Backbone" juxtaposes the natural environment of aquamarine beaches and subtropical flora and fauna with the built environment of America's military bases. Stories by two of Okinawa's most dynamic contemporary authors display wide breadth, from the preservation of island dances and burial practices in Sakiyama Tami's "Island Confinement" and "Come Swaying, Come Swinging" to the bold, disquieting themes of violence and comfort women in Medoruma Shun's "Hope," "Taiwan Woman," and "Tree of Butterflies." The crown jewel of the anthology, Chinen Seishin's play The Human Pavilion, is based on an infamous historical incident in which Okinawans were put on display during a 1903 industrial exhibition in Osaka. In his 1978 masterpiece, Chinen depicts the relentless pressure on Okinawans to become more Japanese. Given the controversial presence of U.S. military forces in Okinawa, this book is particularly timely. Disputes between the United States and Japanese governments over construction of a new marine airbase at Henoko have led to the resignation of Japan's prime minister, the election of an anti-base governor, and repeated protests. Islands of Protest offers a compelling entrée into a complex culture, one marked by wartime decimation, relentless discrimination, and fierce resistance, yet often overshadowed by the clichéd notion of a gentle Okinawa so ceaselessly depicted in Japan's mass media.
In this new edition to the About Suzuki series, Shigeki Tanaka shares his experiences with using the Suzuki Method® to teach young children. He founded a kindergarten that has seen more than 1,000 graduates using this system. His belief is that every baby has the potential to develop higher ability, which is fostered by the baby's environment. Therefore, parents and teachers must be conscious of a child's environment from an early age. He concludes that what is at the core of human ability is heart, not knowledge. This book is a great addition to the study of early childhood education!
For centuries, Japanese culture, including ideals of feminine beauty, was profoundly shaped by China. In this first full comparative history on the subject, Cho Kyo explores changing standards of beauty in China and Japan, ranging from plumpness to bound feet to blackened teeth. Drawing on a rich array of sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in the repres.
Maya Ishida is no stranger to sorrow. Torn from her artist father in her native Japan, raised by her cold, ambitious mother in Minneapolis, she has finally put together a life with few disruptions: a safe marriage and a quiet life weaving clothes in a country studio. The past is no more than a story she vaguely remembers; the present is a gray landscape of solitary pleasures and modest expectations. After her father dies, Maya is pulled back into the memory of their parting. In his many stories of Orpheus and Eurydice and of the tennyo, a mythic Japanese figure, he had taught her that love means making the sacrifice of letting go. And so she had walked away from him without looking back. Twenty-four years later, holding her father's last sketch, Maya knows she can avoid looking back no longer. She must question her placid marriage, her decision not to become an artist, and even the precarious peace she has made with her mother before she can be released--to feel passion, risk change, and fall in love. Kyoko Mori's young adult novel, Shizuko's Daughter, was hailed in The New York Times Book Review as "a jewel...one of those rarities that shine out only a few times in a generation." In Stone Field, True Arrow, her first novel for adults, she sheds brilliant light on eternal questions about life and love.
Shizuko's Daughter by Kyoko Mori An ALA Best Book for Young Adults A New York Times Notable Book After her mother's suicide when she is twelve years old, Yuki spends years living with her distant father and his resentful new wife, cut off from her mother's family, and relying on her own inner strength to cope with the tragedy.
I try to see him among a migrating flock--he will take the loneliness of my room on his long journey; each whistling note he makes will be a little of my sadness falling over the ocean, to be swallowed in the clash of waves and the commotion of many birds flying. "Tell me the truth," demands fifteen-year-old Megumi Shimizu as her mother hurriedly packs. But her mother refuses to admit that she is leaving forever--leaving her husband to his mistress, her home to her silent, resentful mother-in-law, her daughter to survive, if she can. Angry at everyone's polite lies, Megumi realizes that she has a secret of her own: Even though she goes to church, to Bible study class, and to the Christian Girls' Academy, she no longer believes in God. Only Dr. Mizutani, the "spinster lady" veterinarian, tells the truth, and she warns that single birds without their mothers often die. In One Bird, a coming-of-age novel about mothers and daughters, about best friends, boyfriends, and families, Kyoko Mori uses folktales, images of birds, and details of bird life to explore the bonds of love that go deeper than lies. As Megumi learns how to care for injured waxwings, crows, sparrows, and one abandoned grosbeak, she begins her own flight toward truth, and toward home.
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