In Light of Shadows is the long-awaited second volume of short fiction by the Meiji-Taishô writer Izumi Kyôka. It includes the famous novella Uta andon (A story by lantern light), the bizarre, antipsychological story "Mayu kakushi no rei" (A quiet obsession), and Kyôka’s hauntingly erotic final work, "Rukôshinsô" (The heartvine), as well as critical discussions of each of these three tales. Translator Charles Inouye places Kyôka’s "literature of shadows" (kage no bungaku) within a worldwide gothic tradition even as he refines its Japanese context. Underscoring Kyôka’s relevance for a contemporary international audience, Inouye adjusts Tanizaki Jun’ichirô’s evaluation of Kyôka as the most Japanese of authors by demonstrating how the writer’s paradigm of the suffering heroine can be linked to his exposure to Christianity, to a beautiful American woman, and to the aesthetic of blood sacrifice. In Light of Shadows masterfully conveys the magical allusiveness and elliptical style of this extraordinary writer, who Mishima Yukio called "the only genius of modern Japanese letters.
Another spectacular collaboration between a literary giant and the illustrator of Touken Ranbu! The Maiden's Bookshelf series continues with this eerie classic from the great Izumi Kyoka. “But you couldn’t have known!” A mysterious encounter in the surgery room leads down the paths of memory after a young woman refuses anesthetic to protect her secret... At once dreamlike and strikingly modern, Kyoka Izumi’s 1895 tale of doomed love has never been more wrenching than it is here, presented alongside Towoji Honojiro’s haunting and evocative illustrations.
Resisting the various forms of realism popular during the Meiji "enlightenment," Izumi Kyoka (1873-1939) was among the most popular writers who continued to work in the old-fashioned genres of fantasy, mystery, and romance. Gothic Tales makes available for the first time a collection of stories by this highly influential writer, whose decadent romanticism led him to envision an idiosyncratic world--a fictive purgatory --precious and bizarre though always genuine despite its melodramatic formality. The four stories presented here are among Kyoka's best-known works. They are drawn from four stages of the author's development, from the "conceptual novels" of 1895 to the fragmented romanticism of his mature work. In the way of introduction, Inouye presents a clear analysis of Kyoka's problematic stature as a "great gothic writer" and emphasizes the importance of Kyoka's work to the present reevaluation of literary history in general and modern Japanese literature in particular. The extensive notes that follow the translation serve as an intelligent guide for the reader, supplying details about each of the stories and how they fit into the pattern of mythic development that allowed Kyoka to deal with his fears in a way that sustained his life and, as Mishima Yukio put it, pushed the Japanese language to its highest potential.
In Light of Shadows is the long-awaited second volume of short fiction by the Meiji-Taishô writer Izumi Kyôka. It includes the famous novella Uta andon (A story by lantern light), the bizarre, antipsychological story "Mayu kakushi no rei" (A quiet obsession), and Kyôka’s hauntingly erotic final work, "Rukôshinsô" (The heartvine), as well as critical discussions of each of these three tales. Translator Charles Inouye places Kyôka’s "literature of shadows" (kage no bungaku) within a worldwide gothic tradition even as he refines its Japanese context. Underscoring Kyôka’s relevance for a contemporary international audience, Inouye adjusts Tanizaki Jun’ichirô’s evaluation of Kyôka as the most Japanese of authors by demonstrating how the writer’s paradigm of the suffering heroine can be linked to his exposure to Christianity, to a beautiful American woman, and to the aesthetic of blood sacrifice. In Light of Shadows masterfully conveys the magical allusiveness and elliptical style of this extraordinary writer, who Mishima Yukio called "the only genius of modern Japanese letters.
Resisting the various forms of realism popular during the Meiji "enlightenment," Izumi Kyoka (1873-1939) was among the most popular writers who continued to work in the old-fashioned genres of fantasy, mystery, and romance. Gothic Tales makes available for the first time a collection of stories by this highly influential writer, whose decadent romanticism led him to envision an idiosyncratic world--a fictive purgatory --precious and bizarre though always genuine despite its melodramatic formality. The four stories presented here are among Kyoka's best-known works. They are drawn from four stages of the author's development, from the "conceptual novels" of 1895 to the fragmented romanticism of his mature work. In the way of introduction, Inouye presents a clear analysis of Kyoka's problematic stature as a "great gothic writer" and emphasizes the importance of Kyoka's work to the present reevaluation of literary history in general and modern Japanese literature in particular. The extensive notes that follow the translation serve as an intelligent guide for the reader, supplying details about each of the stories and how they fit into the pattern of mythic development that allowed Kyoka to deal with his fears in a way that sustained his life and, as Mishima Yukio put it, pushed the Japanese language to its highest potential.
Another spectacular collaboration between a literary giant and the illustrator of Touken Ranbu! The Maiden's Bookshelf series continues with this eerie classic from the great Izumi Kyoka. "But you couldn't have known!" A mysterious encounter in the surgery room leads back down the paths of memory, after a young woman refuses anaesthetic to protect her secret... Izumi Kyoka's 1895 classic is a mysterious, wrenching tale of doomed love.
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