Some things we do for those we are responsible for, some things for ourselves, and some things we do for the ancestors. Today, it's all three! 1959. The first wave of independence is sweeping across Africa and Beneatha has left the prejudice of 1950s America for a brighter future with her Nigerian husband in Lagos. But on the day they move into their new house in the white suburbs, it doesn't take long for cracks to appear, changing the course of the rest of their lives. Present day. Now a renowned Dean whose colleagues are questioning the role of African American studies for future generations, Beneatha returns to the same house in search of answers. Inspired by Lorraine Hansberry's ground-breaking modern classic, A Raisin in the Sun, Beneatha's Place challenges today's culture wars about colonial history and reckoning with the past. A razor-sharp satire from Young Vic Artistic Director Kwame Kwei-Armah, about the power of knowing your history and the cost of letting it go, this edition was published to coincide with the London premiere at the Young Vic Theatre, in June 2023.
Few playwrights have been as successful as Kwame Kwei-Armah at bringing a distinctive new voice and examination of our culture to the stage in recent years. This collection of his work includes his trilogy of plays commissioned and produced by the National Theatre between 2003 and 2008, and Let There Be Love, first produced at the Tricycle Theatre, London, in 2008. Elmina's Kitchen won him awards for most promising new playwright and was described as 'a scorching drama about the black experience in Britain's inner cities. . . there is no mistaking its raw power, humanity and urgent concern' (Daily Telegraph). Fix Up explores race and cultural roots and heritage with verve and wit, setting heritage against the inexorable march of time and change. Statement of Regret explore tensions within the Black community amid changes in the team leading an influential Black policy think-tank. The final play, Let There Be Love, was presented at the Tricycle Theatre, London, in 2008: 'a smart and possibly noble exploration of what it takes to be human and happy' Evening Standard . The volume is introduced by the author and features a chronology of his work..
Kwaku Mackenzie, founder of a Black policy think tank, hits the bottle after his father's death. As media interest in the once dynamic Institute fades, his team grows fractious and then, disastrously, he favours a young Oxford scholar over his own devastated son. When, in a vain attempt to regain influence, he publicly champions division within the Black community, the consequences are shattering. Kwame Kwei-Armah's third play for the National Theatre opens in November 2007 and takes a punchy, provocative look at the Black British experience and the need, or not, for solidarity.
Few playwrights have been as successful as Kwame Kwei-Armah at bringing a distinctive new voice and examination of our culture to the stage in recent years. This collection of his work includes his trilogy of plays commissioned and produced by the National Theatre between 2003 and 2008, and Let There Be Love, first produced at the Tricycle Theatre, London, in 2008. Elmina's Kitchen won him awards for most promising new playwright and was described as 'a scorching drama about the black experience in Britain's inner cities. . . there is no mistaking its raw power, humanity and urgent concern' (Daily Telegraph). Fix Up explores race and cultural roots and heritage with verve and wit, setting heritage against the inexorable march of time and change. Statement of Regret explore tensions within the Black community amid changes in the team leading an influential Black policy think-tank. The final play, Let There Be Love, was presented at the Tricycle Theatre, London, in 2008: 'a smart and possibly noble exploration of what it takes to be human and happy' Evening Standard . The volume is introduced by the author and features a chronology of his work..
The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day. In doing so it charts the journey from specialist black theatre companies to the mainstream, including West End success, while providing a cultural and racial barometer for Britain during the last forty years. It opens with Mustapha Matura's 1979 play Welcome Home Jacko which in its depiction of a group of young unemployed West Indians was one of the first to explore issues of youth culture, identity and racial and cultural identification. Jackie Kay's Chiaroscuro examines debates about the politics of black, mixed race and lesbian identities in 1980s Britain, and from the 1990s Winsome Pinnock's Talking in Tongues engages with the politics of feminism to explore issues of black women's identity in Britian and Jamaica. From the first decade of the twenty-first century the three plays include Roy Williams' seminal pub-drama Sing Yer Hearts Out for the Lads, exploring racism and identity against the backdrop of the World Cup; Kwame Kwei-Armah's National Theatre play of 2004, Fix Up, about black cultural history and progress in modern Britain, and finally Bola Agbage's terrific 2007 debut, Gone Too Far!, which examines questions of identity and tensions between Africans and Caribbeans living in Britain. Edited by Lynnette Goddard, this important anthology provides an essential introduction to the last forty years of British black theatre.
Not Black and White comprises of three new plays which examine the state of modern day Britain from the perspective of three leading black contemporary playwrights. Roy Williams, Kwame Kwei-Armah and Bola Agbaje tackle the prison system, the mayoralty and immigration in their respective plays. Category B: Roy Williams Saul runs a tip-top wing - the screws love him for it, especially Angela. Prisoners follow his rules, and it's all gravy. But Saul's number two position is vacant, new inmates are flooding in, so everyone's feeling the heat. No-one wants to go to Cat B, but the world on the outside is a different story. Seize the Day: Kwame Kwei-Armah Jeremy Charles could be London's first black mayor. He has the face to represent it - a well-spoken, good-looking Londoner, with an appetite for change. He's sold his pitch on reality TV, but can he be the real people's candidate? Detaining Justice: Bola Agbaje Justice is locked in a cold dark cell, his asylum application pending. His sister Grace would like to help, but has been told to leave it in God's hands. Crown Prosecutor Mark Cole has an infallible reputation for successful prosecutions - however he has had a change of heart - and job. His first case is for the defence of Justice - but, in his new role, is Cole the man to help? Published to coincide with the Not Black and White season at the Tricycle, where the three dramas played in rep Oct 8 -Dec 19 2009.
Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Men aims to provide new and exciting audition and showcase material for actors of black, African American, South Asian and Middle Eastern heritage. Featuring the work of international contemporary playwrights who have written powerful and diverse roles for a range of actors, the collection is edited by Simeilia Hodge-Dallaway. Categorized by age-range, the monologues are collected in groups of characters playable by actors in their teens, twenties, thirties and forties+, and include work from over 25 top-class dramatists including Lemn Sissay, Katori Hall, Rajiv Joseph, Philip Ridley and Naomi Wallace. Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Men is the go-to resource for contemporary monologues and speeches for auditions. Ideal for aspiring and professional actors, it allows performers to enhance their particular strengths and prepare for roles featuring characters of specific ethnic backgrounds.
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