Based on the hit off-Broadway revue, Loose Lips offers readers the opportunity to listen in on the on- and off-the-record utterances of such famous celebrities as Prince Charles, Tommy Lasorda, Richard Nixon, Charlie Sheen, and Michael Jackson. 25 line drawings. HBO special this fall.
Symplectic geometry, well known as the basic structure of Hamiltonian mechanics, is also the foundation of optics. In fact, optical systems (geometric or wave) have an even richer symmetry structure than mechanical ones (classical or quantum). The symmetries underlying the geometric model of light are based on the symplectic group. Geometric Optics on Phase Space develops both geometric optics and group theory from first principles in their Hamiltonian formulation on phase space. This treatise provides the mathematical background and also collects a host of useful methods of practical importance, particularly the fractional Fourier transform currently used for image processing. The reader will appreciate the beautiful similarities between Hamilton's mechanics and this approach to optics. The appendices link the geometry thus introduced to wave optics through Lie methods. The book addresses researchers and graduate students.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • San Francisco Chronicle In True Believers, Kurt Andersen—the New York Times bestselling and critically acclaimed author of Heyday and Turn of the Century—delivers his most powerful and moving novel yet. Dazzling in its wit and effervescent insight, this kaleidoscopic tour de force of cultural observation and seductive storytelling alternates between the present and the 1960s—and indelibly captures the enduring impact of that time on the ways we live now. Karen Hollander is a celebrated attorney who recently removed herself from consideration for appointment to the U.S. Supreme Court. Her reasons have their roots in 1968—an episode she’s managed to keep secret for more than forty years. Now, with the imminent publication of her memoir, she’s about to let the world in on that shocking secret—as soon as she can track down the answers to a few crucial last questions. As junior-high-school kids back in the early sixties, Karen and her two best friends, Chuck and Alex, roamed suburban Chicago on their bikes looking for intrigue and excitement. Inspired by the exotic romance of Ian Fleming’s James Bond novels, they acted out elaborate spy missions pitting themselves against imaginary Cold War villains. As friendship carries them through childhood and on to college—in a polarized late-sixties America riven by war and race as well as sex, drugs, and rock and roll—the bad guys cease to be the creatures of make-believe. Caught up in the fervor of that extraordinary and uncanny time, they find themselves swept into a dangerous new game with the highest possible stakes. Today, only a handful of people are left who know what happened. As Karen reconstructs the past and reconciles the girl she was then with the woman she is now, finally sharing pieces of her secret past with her national-security-cowboy boyfriend and activist granddaughter, the power of memory and history and luck become clear. A resonant coming-of-age story and a thrilling political mystery, True Believers is Kurt Andersen’s most ambitious novel to date, introducing a brilliant, funny, and irresistible new heroine to contemporary fiction. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for True Believers “Funny, fiendishly smart.”—San Francisco Chronicle “A great American novel.”—Vanity Fair “A big, swinging novel . . . [a] colorful story . . . This could be the most rambunctious meeting your book club will have for a long time.”—The Washington Post “Intelligent and insightful . . . Think The Heart Is a Lonely Hunter and Atonement, a ’60s-era female Holden Caulfield. . . . Andersen is an agile storyteller. . . . [There are] witty, occasionally even profound observations about the ’60s and today.”—USA Today “So epic: Part thriller, part coming-of-age tale, the novel alternates between the present and the 1960s, capturing some of America’s most pivotal moments in history like a time capsule.”—Marie Claire “This is an ambitious and remarkable novel, wonderfully voiced, about memory, secrets, guilt, and the dangers of certitude. Moreover, it asks essential questions about what it means to be an American and, in a sense, what it means to be America.”—Booklist (starred review) “Fascinating and wisely observant.”—O: The Oprah Magazine
This book is based on extensive field research conducted by the investigators of Social Research Inc., interpreting the result of over 13,000 individuals. Members of TV audiences were studied to analyze their reactions to what TV offered them, in relation to their age, sex, social class, and personal characteristics. This information is here applied to understanding what television programs, performers, and commercials--by general type and also with illustrative case histories--are being watched. This book on first publication in 1962 provided the first clear image of the people in front of their TV sets, who they were, how they differed from each other, their views on sex and violence, boredom and enlightenment, taste and judgment. It tells us about the audiences and our stereotypes and their response to the new medium they could both see and hear. It destroys the myth of the "mass audience" and replaces it with a scientifically derived description of the many audiences for television, including its protesters, its embracers, and its accommodators. Programs looked at range from those still in production forty years later--The Price is Right--to those in perpetual rerun--The Twilight Zone---to those genres, like westerns, that have all but disappeared, and those that still prosper, like soap operas--in this case, 77 Sunset Strip. A section on performer images and their symbolic meanings considers television personas from Bob Hope through Walter Cronkite to Roy Rogers and Pat Boone. The final section analyzes commercials both by type and by placement and what audiences feel about them.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. • On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.” • To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.” • To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.” • To Norman Mailer: “I am cuter than you are.” Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote. Praise for Kurt Vonnegut: Letters “Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review “[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR “Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday “These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
This volume has a dual purpose: to acquaint American readers and academic communities with some of the most important trends in European and Israeli translation studies, and to bring together this work with that of American scholars who have begun to participate in this field.
This volume presents a detailed, rigorous treatment of the fundamental theory of electromagnetic pulse propagation in causally dispersive media that is applicable to dielectric, conducting, and semiconducting media. Asymptotic methods of approximation based upon saddle point methods are presented in detail.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.