Master the effective evaluation, analysis and management of placental-fetal growth restriction (PFGR), reducing the risk of perinatal mortality and morbidity in patients worldwide. Extensively researched by international experts, this manual provides practitioners with a detailed, hands-on approach to the practical 'pearls' for direct patient management. This authoritative volume advises on matters such as the correct evaluation and management of high-risk patients in danger of PFGR through to delivery. Extensive and wide-ranging, this book is an invaluable companion to the developing research interest and clinical applications in PFGR, including developmental outcomes in early childhood. Featuring a critical evaluation of a variety of abnormal conditions, such as fetal hypoxia, which are clearly displayed through extensive illustrations. This essential toolkit ensures that practitioners of all levels can effectively limit the risk of mortality and morbidity, and reach the correct diagnosis, first-time.
Pathology of the Human Placenta remains the authoritative text in the field and is respected and used by pathologists and obstetrician-gynecologists alike. This fifth edition reflects new advances in the field and includes 800 illustrations, 173 of them in color. The detailed index has been improved and the tables updated. Defined terms are highlighted in bold for easy identification, and further findings are discussed in small type throughout each chapter. Advances in genetics and molecular biology continue to make the study of the placenta one of vast diagnostic and legal importance.
Pathology of the Human Placenta remains the most comprehensive and authoritative text in the field. It provides extensive information on the normal placenta, encompassing physiology, metabolism, and endocrinology, and covers the full range of placental diseases in great detail. Further chapters are devoted to abortions, molar pregnancies, multiple pregnancies, and legal considerations. This sixth edition of the book has been extensively revised and expanded to reflect the most recent progress in the field, and a brand new chapter has been added on artificial reproductive technology. Some 800 illustrations are included, many of them in color. The detailed index has been further improved and tables updated. Pathology of the Human Placenta will be of enormous value to pathologists and obstetrician-gynecologists alike.
Pathology of the Human Placenta has become the gold standard in the field for pathologists and obstetrician-gynecologists. Completely up-to-date, this fifth edition continues to be the essential reference for professionals in the field and includes many revised features such as a more detailed index; 700 total illustrations (350 color illustrations); and updated tables.
Master the effective evaluation, analysis and management of placental-fetal growth restriction (PFGR), reducing the risk of perinatal mortality and morbidity in patients worldwide. Extensively researched by international experts, this manual provides practitioners with a detailed, hands-on approach to the practical 'pearls' for direct patient management. This authoritative volume advises on matters such as the correct evaluation and management of high-risk patients in danger of PFGR through to delivery. Extensive and wide-ranging, this book is an invaluable companion to the developing research interest and clinical applications in PFGR, including developmental outcomes in early childhood. Featuring a critical evaluation of a variety of abnormal conditions, such as fetal hypoxia, which are clearly displayed through extensive illustrations. This essential toolkit ensures that practitioners of all levels can effectively limit the risk of mortality and morbidity, and reach the correct diagnosis, first-time.
This comprehensive clinical textbook on Doppler assessment of placental and fetal circulation provides the foundation needed for the theoretical component of the Certificate of Competence in placental and fetal Doppler awarded by the International Society of Ultrasound in Obstetrics and Gynecology and the International Society of Perinatal Medicine. Following introductory chapters on Doppler ultrasound principles, practice, safety and methodology, the book covers Doppler studies in the full range of areas relevant to placental and fetal circulation. Key features: *Explains Doppler assessment of placental and fetal circulation *Provides the basis of learning for a certificate of competence in placental and fetal Doppler *Contains introductory material on Doppler ultrasound principles, practice, safety and methods Includes bibliographic references and index
A never-before-seen collection of deeply personal love letters from Kurt Vonnegut to his first wife, Jane, compiled and edited by their daughter “A glimpse into the mind of a writer finding his voice.”—The Washington Post “If ever I do write anything of length—good or bad—it will be written with you in mind.” Kurt Vonnegut’s eldest daughter, Edith, was cleaning out her mother’s attic when she stumbled upon a dusty, aged box. Inside, she discovered an unexpected treasure: more than two hundred love letters written by Kurt to Jane, spanning the early years of their relationship. The letters begin in 1941, after the former schoolmates reunited at age nineteen, sparked a passionate summer romance, and promised to keep in touch when they headed off to their respective colleges. And they did, through Jane’s conscientious studying and Kurt’s struggle to pass chemistry. The letters continue after Kurt dropped out and enlisted in the army in 1943, while Jane in turn graduated and worked for the Office of Strategic Services in Washington, D.C. They also detail Kurt’s deployment to Europe in 1944, where he was taken prisoner of war and declared missing in action, and his eventual safe return home and the couple’s marriage in 1945. Full of the humor and wit that we have come to associate with Kurt Vonnegut, the letters also reveal little-known private corners of his mind. Passionate and tender, they form an illuminating portrait of a young soldier’s life in World War II as he attempts to come to grips with love and mortality. And they bring to light the origins of Vonnegut the writer, when Jane was the only person who believed in and supported him supported him, the young couple having no idea how celebrated he would become. A beautiful full-color collection of handwritten letters, notes, sketches, and comics, interspersed with Edith’s insights and family memories, Love, Kurt is an intimate record of a young man growing into himself, a fascinating account of a writer finding his voice, and a moving testament to the life-altering experience of falling in love.
NEW YORK TIMES BESTSELLER • “For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”–USA Today In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions. Praise for A Man Without a Country “[This] may be as close as Vonnegut ever comes to a memoir.”–Los Angeles Times “Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”–The New York Times Book Review “Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”–Chicago Tribune “Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”–The Australian “Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”–Studs Terkel
The collected works of Kurt Godel is designed to be useful and accessible to as wide an audience as possible without sacrificing scientific or historical accuracy.
A compilation of personal correspondence written over a sixty-year period offers insight into the iconic American author's literary personality, his experiences as a German POW, his struggles with fame, and the inspirations for his famous books.
“[Kurt Vonnegut] is either the funniest serious writer around or the most serious funny writer.”—Los Angeles Times Book Review In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut’s singular voice: the magic sound of a born storyteller mesmerizing us with truth. “Vonnegut is at the top of his form, and it is wonderful.”—Newsday
One of the great American iconoclasts holds forth on politics, war, books and writers, and his personal life in a series of conversations, including his last published interview. During his long career Kurt Vonnegut won international praise for his novels, plays, and essays. In this new anthology of conversations with Vonnegut—which collects interviews from throughout his career—we learn much about what drove Vonnegut to write and how he viewed his work at the end. From Kurt Vonnegut's last interview Is there another book in you, by chance? No. Look, I’m 84 years old. Writers of fiction have usually done their best work by the time they’re 45. Chess masters are through when they’re 35, and so are baseball players. There are plenty of other people writing. Let them do it. So what’s the old man’s game, then? My country is in ruins. So I’m a fish in a poisoned fishbowl. I’m mostly just heartsick about this. There should have been hope. This should have been a great country. But we are despised all over the world now. I was hoping to build a country and add to its literature. That’s why I served in World War II, and that’s why I wrote books. When someone reads one of your books, what would you like them to take from the experience? Well, I’d like the guy—or the girl, of course—to put the book down and think, “This is the greatest man who ever lived.”
The New York Times bestseller from the author of Slaughterhouse-Five—a “gripping” posthumous collection of Kurt Vonnegut’s previously unpublished work on the subject of war and peace. A fitting tribute to a literary legend and a profoundly humane humorist, Armageddon in Retrospect is a collection of twelve previously unpublished writings. Imbued with Vonnegut's trademark rueful humor and outraged moral sense, the pieces range from a letter written by Vonnegut to his family in 1945, informing them that he'd been taken prisoner by the Germans, to his last speech, delivered after his death by his son Mark, who provides a warmly personal introduction to the collection. Taken together, these pieces provide fresh insight into Vonnegut's enduring literary genius and reinforce his ongoing moral relevance in today’s world. Includes an Introduction by Mark Vonnegut
Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Vonnegut explores the relationship between science’s pursuit of truth and the state’s need to control it in “The Petrified Ants,” a darkly whimsical story about two Soviet researchers who stumble upon an amazing discovery, only to learn that natural history is also written by the hand that wields the power. “The Petrified Ants” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius. Other stories from Look at the Birdie available as single-story e-books: On sale August 25, 2009 "Hello, Red" On sale October 20, 2009: "Confido" "FUBAR" "Shout About It from the Housetops" "Ed Luby's Key Club" "A Song for Selma" "Hall of Mirrors" "The Nice Little People" "Little Drops of Water" "The Honor of a Newsboy" "Look at the Birdie" (Short Story) "King and Queen of the Universe" "The Good Explainer
“The master at his quirky, provocative best.”—Cosmopolitan Deadeye Dick is Kurt Vonnegut’s funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors—a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb—Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe . . . and who we say we are. Praise for Deadeye Dick “A moving fable . . . Vonnegut, sweet cynic and ugly duckling, continues to write gentle swan songs for our uncivil society.”—Playboy “A brilliantly unconventional novel . . . a must for all Vonnegut fans.”—Worcester Sunday Telegram “Hits the bull’s-eye . . . dolefully celebrates the randomness of life, treating private and public disasters with a kind of reckless whimsy. . . . You don’t read Kurt Vonnegut for meaning exactly. You read him for the sad-funny attitude of mind, the kind of weirdness that can interpret the world’s weirdness.”—USA Today “Vonnegut is beguiling as ever . . . Incredible plot constructions and inventive language continue to leap from his typewriter . . . the humor is natural and inborn; the insight usually purchased by his characters at painfully high cost. Funny how life turns out. Even funnier how Mr. Vonnegut turns life’s insanities into funny, profound sense. That takes a master’s touch. Mr. Vonnegut still has it.”—Kansas City Star “Playful and imaginative . . . On finishing the novel, the kitchen of your mind is a cleaner and more well-lighted place than it was before.”—Houston Chronicle “Endearing and enchanting . . . a wise and charming book . . . very full of life.”—Glamour
This work of dark beauty finds Vonnegut playing the role of "afterlife reporter", bravely allowing himself to be strapped to a gurney by Jack Kevorkian and dispatched round-trip to the Pearly Gates. There he "interviews" the likes of Isaac Newton, William Shakespeare, Adolf Hitler, and Clarence Darrow.
A posthumous double volume of the influential author's first and last written works, published to coincide with the 90th anniversary of his birth, includes the bitter satire "Basic training" and the unfinished final novel "If God were alive today".
Through the progress of science, human lifespans have been extended indefinitely, leading the government to enact strict rules to keep the earth’s population under control. So when Edward K. Wehling, Jr. finds out that he and his wife are expecting triplets, he has to find a way to meet the nearly impossible birth requirements for each of his three unborn children. “2 B R 0 2 B,” pronounced “to be or not to be,” is an intentional reference to the famous line in William Shakespeare’s Hamlet. The short story was originally published in the Worlds of IF Science Fiction magazine and is referenced by author Kurt Vonnegut in his later novel, God Bless You, Mr. Rosewater. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
“Richly and often pertinently funny [with] a sure instinct for the carefully considered irrelevance . . . a great deal of incidental hilarity [and] inspired idiocy.”—The New York Times Happy Birthday Wanda June was Kurt Vonnegut’s first play, which premiered in New York in 1970 and was then adapted into a film in 1971. It is a darkly humorous and searing examination of the excesses of capitalism, patriotism, toxic masculinity, and American culture in the post-Vietnam War era. Featuring behind-the-scenes photographs from the original stage production, this play captures Vonnegut’s brilliantly distinct perspective unlike we have ever seen it before. “A great artist.”—The Cincinnati Enquirer
The subject of this play—as we are told at the outset—is love, pure and complicated. Set on the stage of The North Crawford Mask & Wig Club ("the finest community theatre in central Connecticut!"), three early comic masterpieces by Kurt Vonnegut (Long Walk to Forever, Who am I This Time? and Go Back to Your Precious Wife and Son) are sewn together into a seamless evening of hilarity and humanity. With a single set, wonderful roles for seven versatile actors, and Vonnegut's singular wit and insight into human foibles, this is a smart, delightful comedy for the whole family.
From the New York Times bestselling author of Slaughterhouse-Five comes an irresistible novel that combines “clever wit with keen social observation...[and] re-establishes Mr. Vonnegut’s place as the Mark Twain of our times” (Atlanta Journal & Constitution). Here is the adventure of Eugene Debs Hartke. He’s a Vietnam veteran, a jazz pianist, a college professor, and a prognosticator of the apocalypse (and other things Earth-shattering). But that’s neither here nor there. Because at Tarkington College—where he teaches—the excrement is about to hit the air-conditioning. And it’s all Eugene’s fault.
Those who know Kurt Vonnegut as one of America's most beloved and influential writers will be surprised and delighted to discover that he was also a gifted graphic artist. This book brings together the finest examples of his funny, strange, and moving drawings in an inexpensive, beautifully produced gift volume for every Vonnegut fan. Kurt Vonnegut's daughter Nanette introduces this volume of his never before published drawings with an intimate remembrance of her father. Vonnegut always drew, and many of his novels contain sketches. Breakfast of Champions (1973) included many felt-tip pen drawings, and he had a show in 1983 of his drawings at New York's Margo Feiden Gallery, but really got going in the early 1990s when he became acquainted with the screenprinter Joe Petro III, who became his partner in making his colorful drawings available as silkscreens. With a touch of cubism, mixed with a Paul Klee gift for caricature, a Calder-like ability to balance color and line, and more than a touch of sixties psychedelic sensibility, Vonnegut's aesthetic is as idiosyncratic and defiant of tradition as his books. While writing came to be more onerous in his later years, making art became his joyful primary activity, and he made drawings up until his death in 2007. This volume, and a planned touring exhibition of the drawings, will introduce Vonnegut's legion of fans to an entirely new side of his irrepressible creative personality.
2 B R 0 2 B is a science fiction short story by Kurt Vonnegut, originally published in the digest magazine Worlds of If Science Fiction, January 1962, and collected in Vonnegut's Bagombo Snuff Box (1999). The title is pronounced "2 B R naught 2 B", referencing the famous phrase "to be, or not to be" from William Shakespeare's Hamlet, Prince of Denmark. In this story, the title refers to the telephone number one dials to schedule an assisted suicide with the Federal Bureau of Termination. Vonnegut's 1965 novel God Bless You, Mr. Rosewater describes a story by this name, attributing it to his recurring character Kilgore Trout, although the plot summary given is closer in nature to the eponymous tale from his short-story collection Welcome to the Monkey House. The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
FATES WORSE THAN DEATH is Kurt Vonnegut's second volume of autobiographical writings, subtitled "A College of the 1980's", covering such diverse subjects as death in the family, suicidal depression, the future of the planet, Ronald Reagan, Salman Rushdie and Andrew Lloyd Webber.
Here for the first time is the complete short fiction of one of the twentieth century's foremost imaginative geniuses. More than half of Vonnegut's output was short fiction, and never before has the world had occasion to wrestle with it all together. Organized thematically—"War," "Women," "Science," "Romance," "Work Ethic versus Fame and Fortune," "Behavior," "The Band Director" (those stories featuring Lincoln High's band director and nice guy George Hemholtz), and "Futuristic"—these ninety-eight stories were written from 1941 to 2007, and include those Vonnegut published in magazines and collected in Welcome to the Monkey House, Bagombo Snuff Box, and other books; here for the first time five previously unpublished stories; as well as a handful of others that were published online and read by few. During his lifetime Vonnegut published fewer than half of the stories he wrote, his agent telling him in 1958 upon the rejection of a particularly strong story, "Save it for the collection of your works which will be published someday when you become famous. Which may take a little time." Selected and introduced by longtime Vonnegut friends and scholars Dan Wakefield and Jerome Klinkowitz, Complete Stories puts Vonnegut's great wit, humor, humanity, and artistry on full display. An extraordinary literary feast for new readers, Vonnegut fans, and scholars alike.
Since its original publication in 1968, Welcome to the Monkey House has been one of Kurt Vonnegut’s most beloved works. This special edition celebrates a true master of the short-story form by including multiple variant drafts of what would eventually be the title story. In a fascinating accompanying essay, “Building the Monkey House: At Kurt Vonnegut’s Writing Table,” noted Vonnegut scholar Gregory D. Sumner walks readers through Vonnegut’s process as the author struggles—false start after false start—to hit upon what would be one of his greatest stories. The result is the rare chance to watch a great writer hone his craft in real time. Includes the following stories: “Where I Live” “Harrison Bergeron” “Who Am I This Time?” “Welcome to the Monkey House” “Long Walk to Forever” “The Foster Portfolio” “Miss Temptation” “All the King’s Horses” “Tom Edison’s Shaggy Dog” “New Dictionary” “Next Door” “More Stately Mansions” “The Hyannis Port Story” “D.P.” “Report on the Barnhouse Effect” “The Euphio Question” “Go Back to Your Precious Wife and Son” “Deer in the Works” “The Lie” “Unready to Wear” “The Kid Nobody Could Handle” “The Manned Missiles” “Epicac” “Adam” “Tomorrow and Tomorrow and Tomorrow”
“The master at his quirky, provocative best.”—Cosmopolitan Deadeye Dick is Kurt Vonnegut’s funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors—a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb—Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe . . . and who we say we are. Praise for Deadeye Dick “A moving fable . . . Vonnegut, sweet cynic and ugly duckling, continues to write gentle swan songs for our uncivil society.”—Playboy “A brilliantly unconventional novel . . . a must for all Vonnegut fans.”—Worcester Sunday Telegram “Hits the bull’s-eye . . . dolefully celebrates the randomness of life, treating private and public disasters with a kind of reckless whimsy. . . . You don’t read Kurt Vonnegut for meaning exactly. You read him for the sad-funny attitude of mind, the kind of weirdness that can interpret the world’s weirdness.”—USA Today “Vonnegut is beguiling as ever . . . Incredible plot constructions and inventive language continue to leap from his typewriter . . . the humor is natural and inborn; the insight usually purchased by his characters at painfully high cost. Funny how life turns out. Even funnier how Mr. Vonnegut turns life’s insanities into funny, profound sense. That takes a master’s touch. Mr. Vonnegut still has it.”—Kansas City Star “Playful and imaginative . . . On finishing the novel, the kitchen of your mind is a cleaner and more well-lighted place than it was before.”—Houston Chronicle “Endearing and enchanting . . . a wise and charming book . . . very full of life.”—Glamour
An experimental television play composed of excerpts from his novels and stories, Between Time and Timbuktu features Kurt Vonnegut’s special blend of scientific expertise, wit, and penetrating comment. “Most unusual, ultra imaginative . . . a sort of cross between 2001: A Space Odyssey and Alice in Wonderland.”—Philadelphia Inquirer The basic story line: Young Stony Stevenson wins a jingle contest and, as his prize, is blasted off into the time-space warp. The country’s first poet-astronaut thus experiences both past and future human history simultaneously. His observations on it consist mainly of dramatized selections from the author’s works. The result is a unique Vonnegut sampler cast in the form of “an excellent drama” (Pittsburgh Press).
2 B R 0 2 B" es un relato corto de ciencia ficción de Kurt Vonnegut, publicado originalmente en la revista de ciencia ficción Worlds of If de enero de 1962, y recogido en Bagombo Snuff Box de Vonnegut (1999). El título se pronuncia "2 B R naught 2 B" y hace referencia a la famosa frase "to be, or not to be" (ser o no ser) de la obra Hamlet, de William Shakespeare. En la historia, el título hace referencia al número de teléfono que se marca para programar un suicidio asistido con la Oficina Federal de Terminaciones. En la novela de Vonnegut de 1965, Dios le bendiga, señor Rosewater, se describe un cuento con ese nombre y se atribuye a su personaje recurrente Kilgore Trout, pero el resumen de la trama que se ofrece se acerca más al cuento homónimo de la colección de cuentos de Vonnegut Bienvenidos a la casa de los monos.
A New York Times Notable Book from the acclaimed author of Slaughterhouse-Five, Breakfast of Champions, and Cat's Cradle. At 2:27pm on February 13th of the year 2001, the Universe suffered a crisis in self-confidence. Should it go on expanding indefinitely? What was the point? There's been a timequake. And everyone—even you—must live the decade between February 17, 1991 and February 17, 2001 over again. The trick is that we all have to do exactly the same things as we did the first time—minute by minute, hour by hour, year by year, betting on the wrong horse again, marrying the wrong person again. Why? You'll have to ask the old science fiction writer, Kilgore Trout. This was all his idea.
An anthology of sixteen previously unpublished works includes selections from the iconic writer's early literary career and is complemented by more than a dozen of his original works of art.
‘Black satire of the highest polish’ Guardian Whilst awaiting trial for war crimes in an Israeli prison, Howard W. Campbell Jr sets down his memoirs on an old German typewriter. He has used such a typewriter before, when he worked as a Nazi propagandist under Goebbels. Though that was before he agreed to become a spy for US military. Is Howard guilty? Can a black or white verdict ever be reached in a world that’s a gazillion shades of grey? ‘After Vonnegut, everything else seems a bit tame’ Spectator
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